Rick Ross may be celebrating the success of his third annual car show, but many unhappy attendees are demanding a refund.
The event on Saturday (June 1), reportedly drew more than 12,000 people to his sprawling estate in Georgia, dubbed “The Promised Land.” However, despite the acreage, fans complained about hours-long queues, while others said they couldn’t get in at all.
Nonetheless, Ross laughed off the criticisms via Instagram on Sunday (June 2), posting a TMZ report of the complaints. According to the MMG honcho, the event was historic, and he looks forward to repeating the feat in 2025.
“We made history!! 300 acres but everyone couldn’t make it ha,” he wrote alongside the report. “See everyone next year.”
Meanwhile, disgruntled car show ticket holders flooded Rick Ross’ comment section with complaints.
One user accused Ross of doing “bad business” and “said they “will never support this AGAIN” after traveling for seven hours only to be turned away at the entrance.
Another person who refused to return said, “This whole process was a zoo.” The user claimed they waited “five hours to get on a bus,” but couldn’t get in because organizers ran out of wristbands.
A third person said they “loved the show once I got in.” However, they spent three hours waiting for a shuttle and another hour to leave, even after skipping the line. “There was no crowd control at all, not enough restrooms,” they added. “No organization what so ever, hardly any medical support, no water stands… the list goes on. This could have been done much better.”
Chrisean Rock revealed she hung up on Blueface after he chastised her for staying out all night while he’s in jail.
The reality TV star and rapper took to Instagram Live over the weekend to recap her jail call with the “House Arrest” rapper. She claimed Blueface was being “evil” and berated her for not coming home after a night out.
“This n#### so sensitive,” she began, recalling that she returned to her own home where a friend was babysitting her son rather than going back to Blueface’s house.
“Long story short, I didn’t go home, because I just really couldn’t. I just went to sleep after I threw up. Blue called this morning,” she said.
Chrisean Rock said that she’s on “lock down,” and doesn’t go out while Blueface is in the slammer. “It’s annoying sometimes, so when I do go out, I do be wanting to just cut loose and just be myself,” she explained.
“I got drunk, and I did go home, I went to where my son was at,” she added. “I could have went home and just left my son with the babysitter and he would have been fine. But I just wanted to go straight to my son.”
Chrisean Rock Claims She’s Paying Blueface’s Bills
Despite Blueface’s suspicions, Chrisean insisted she isn’t cheating and said she’s “sacrificed a lot” to be with him.
“I’m holding you down bro, I’m paying your bills,’ she added. “I’m not benefitting from this s###.”
Chrisean went on to claim that she’s paying thousands of dollars of bills on his behalf, including his legal fees and $15,000 every two months to pay rent on his restaurant amid renovations.
“You’re winning from the situation more than I am so why are you making it seem like you’re not?” she questioned. “You’re not my trick, like I’m actually your teammate that’s actually helping you win.”
Chrisean Rock previously insisted things were back on track with Blueface, and they were repairing their relationship.
Megan Thee Stallion unveiled several surprises during her concert over the weekend, bringing out Latto, previewing their new collab and revealing the release date for her next album.
On Sunday night (June 2) the Hot Girl Summer Tour finally arrived at Atlanta’s State Farm Arena after a water leak forced Meg to postpone two dates. Latto joined the H-Town Hottie to debut the “Sunday Service” remix.
Megan Thee Stallion also announced her third album, Megan, will arrive later this month. After the show, Meg shared the cover art of her self-titled project on social media.
“SURPRISE HOTTIESSSS!!!!” she captioned her post. “My New Album MEGAN will be coming out JUNE 28. Click the link in bio to PRE-SAVE NOW!”
Megan Thee Stallion has released a string of serpent-themed songs in the run-up to her album release, “Cobra,” “Hiss” and “Boa.” She previously described her upcoming project as a “rebirth” and was inspired by snakes shedding their skin. Her new cover art continues the theme, showing Megan Thee Stallion emerging from a chrysalis.
Earlier this year, Megan Thee Stallion shared that her next album will show a different side of her.
“I’ve always struggled to figure out how to be vulnerable and still make music that is going hard at the same time,” she explained during an April interview with Women’s Health. “I’m getting into a better space with making music that is still true to myself but also true to my message. I am very much a flower, but my flower has thorns.”
Donald Trump has reportedly racked up $200 million in donations in three days after being found guilty of 34 felonies, prompting 50 Cent to jokingly predict the end of days.
On Sunday (June 2), the entertainment mogul shared his reaction alongside a report of the former president’s fundraising efforts.
“SMH don’t worry the world’s almost over,” he wrote in the caption. “Just enjoy the moment and be happy.”
Trump’s campaign donations were revealed by his son, Eric Trump, during an appearance on Fox News Sunday.
“We’re well over $70 million,” he wrote. “This is $21 donations, $43 donations, right, small dollar donations. If you add the large dollar donations to it, you’re over $200 million.”
Last week, 50 Cent admitted he was surprised at vitriolic Trump supporters venting after the guilty verdict in the hush money trial. Trump is the first U.S. president to ever be convicted of a crime following his conviction on all 34 felony counts of falsifying business records.
Meanwhile, Trump joined TikTok this weekend, despite his attempts to ban the platform on national security grounds during his presidency. He posted a video to launch his account, showing his arrival at a recent UFC fight. The video attracted more than three million likes and followers since Saturday (June 1).
Common has confirmed Drake’s father Dennis Graham was the real reason why his rap beef with Drizzy fizzled out so quickly while also admitting Serena Williams was at the center of their disagreement.
During a recent interview in promotion of his upcoming album, Common spoke about both his beef with Drake and the Toronto rapper’s recent rap beef with West Coast MC Kendrick Lamar.
While speaking on the subject, Common explained that much like the beef between Drake and Kendrick, his beef with Drizzy began after he was on the receiving end of what he perceived as sneak disses.
“I felt like Drake was sending me a couple of shots, subliminals,” Common said in part.
Common then revealed he wasn’t sure at first would the issue between them could be, outside of the fact they were both romantically involved with Williams.
“I don’t know what motivated him to send me some shots, but I think what for sure had me, if I’m just being real, like you know, we mess with one of the same girls….You know wars happen over women,” he said. “That’s just what it is.
“But I ain’t going to get at you if you with somebody I was with. But if you start throwing me a couple little, you know, you trying to throw some jabs, you know, and I’m like, ‘Come on man, OK.'”
Common delved into the process of making his diss records “Sweet” along with “Canada Dry” and his remix of French Montana’s “Stay Schemin” track featuring Drake and Rick Ross. Even though the record shows Common did his thing on the diss, he reportedly was advised to tame the verbal assault by none other than producer No ID.
“Shoutout to No ID ‘cause I had all of these bars, and he was like, ‘Bro, you can’t go that hard. Just wait, ‘cause it might be another round,” he said. “The younger generation don’t go that hard.’ When he told me that, I was like, ‘OK,’ so I took out a few lines.”
In the end, Common describes how a face-to-face encounter with Drake and his father, Dennis Graham, was the end-all-be-all to the beef due to messages he says Drizzy’s father conveyed to him during the interaction.
“I eventually saw Drake face-to-face, and I was at a point where I was like, ‘What’s up?’” he said. “And we had little words and then his father was there, and he was like, ‘Y’all need to squash this.’ And I was like, ‘Man, this is an elder talking to me, this is this man’s father, let me chill out’. And then Drake was just like, ‘I ain’t on this’ and we just squashed it.”
In the end, Common holds no bad blood about the rap beef with Drake and even holds a certain level of respect for their dust-up because of how it honors the longstanding tradition of competition in Hip-Hop.
“It’s over, but it was all in the art of Hip-Hop,” he said before concluding, “He said some things to me, so I had to say some things back. I wouldn’t say [he started it], but I know I heard something that I felt was directed to me, so I addressed it. That’s all. But you know, thank God we were able to move forward from it, and all is good.”
The personal life of the “Steve Harvey Morning Show” co-host Shirley Strawberry is in the headlines thanks to her scamming hubby and Fulton County District Attorney Fani Willis.
Willis’ office has indicted Strawberry’s husband, Earnest Williams, on RICO charges for an elaborate scheme aimed at defrauding numerous victims over more than a decade.
Williams allegedly built a house of cards around his marriage to Strawberry, a well-known figure on the morning radio with Steve Harvey, to create an illusion of legitimacy while orchestrating his fraud.
According to the 39-count indictment, Williams used his purported union with Strawberry to orchestrate scams from 2009 to 2022, amassing over $750,000 in cash, vehicles, and various assets from at least 25 individuals.
“We believe she met a man, fell in love, and married him, but the truth is at the time he was already married to someone else,” District Attorney Fani Willis stated.
In a twisted tale of deception, Williams posed as a trustworthy entrepreneur while allegedly embezzling from unsuspecting victims.
“He would pretend to be a legitimate businessman, but he was stealing from people, in United States currency, vehicles, and really just taking advantage of people,” said Willis, who is also prosecuting RICO trials against former President Donald Trump and rap star Young Thug.
The indictment also names Ericka King as a co-conspirator, accusing her of misrepresenting Williams in judicial proceedings.
This development suggests further layers of duplicity within Williams’ operations, which were meticulously designed to maintain his ruse.
The DA’s office is actively seeking information regarding additional victims, believing the true extent of Williams’ fraudulent activities may be even more extensive.
Cardi B may want to take the advice of her legions of fans on Twitter (X) amid her brewing rap beef with BIA, considering they’re offering her some pretty choice ideas on how to respond to her op’s diss track.
BIA dropped “SUE MEEE?” aimed at Cardi B following the “Bodak Yellow” rapper’s alleged subliminal on GloRilla’s “Wanna Be(Remix)” featuring Megan Thee Stallion. Soon after, the pair was involved in a disagreement that played out on social media after BIA posted remarks from Cardi B’s husband, Offset, suggesting infidelity in their marriage. The title of the diss itself is actually a reference to Cardi B’s threats to sue BIA for spreading the rumors about her and Offset.
And as far as “SUE MEEE?” Is confirmed, BIA took her insults to another level by suggesting Cardi B doesn’t actually write her raps and, instead, uses Megan’s ex-boyfriend Pardi Fontaine as a ghostwriter.
“C-A-R-D cryin’ on I-G (Cryin’ on I-G)/Catch another tude ’cause she couldn’t catch a beat (Couldn’t catch a beat)/Do I beef with you or do I beef with Pardi? (Huh)/You been scrapping projects since 2019 (Haha),” BIA raps on the track.
If Cardi B don’t sample this on her diss back to Bia it’s an L! It’s right by the rim! Bia! Bia! pic.twitter.com/0Z3DvYYFN3
Even though it appears the rappers had words with each other, it’s clear BIA isn’t nearly as pressed as Cardi, considering she jumped on social media to address each and every claim alleged on “SUE MEEE?”
Instead of spinning her wheels, Twitter (X) users think Cardi B should get into the studio with the assistance of an old Lil Jon and The Eastside Boyz song.
“If Cardi B don’t sample this on her diss back to Bia it’s an L! It’s right by the rim! Bia! Bia!,” a user wrote in a tweet featuring a clip of Lil Jon’s 2000s hit “Bia Bia.”
Aside from the obvious hilarious implications, this could actually be a strong strategy for Cardi B, should she decide to respond.
Given that it appears BIA interpolated melodies and composition form Rodney O and Joe Cooley’s “Everlasting Bass” (as Metro Boomin and Future did on their Kendrick Lamar-assisted “Like That”), Cardi could certainly gain an edge by doing the same with Lil Jon’s anthem.
Cher is coming to the defense of her boyfriend Alexander “AE” Edwards, who was recently involved in a fight between Tyga and Travis Scott’s respective crews.
The dust-up happened at the Cannes Film Festival in France, where promoter Richie Akiva was holding a star-studded party. Edwards was filmed pummeling 808 Mafia producer Southside before Scott pulled him off.
On Saturday (June 1), Cher tweeted in defense of her 38-year-old man, “I’m Proud of Alexander. He Didn’t Start The fight. Against 2 Men,… He finished it, Gotta Love Him.”
I’m Proud of Alexander.
He Didn’t Start The fight
Against 2 Men,… He finished it, Gotta Love Him
The incident took place on May 24 during Akiva’s event. Travis Scott was reportedly upset when Akiva shouted out Tyga and Edwards at the event. Tyga is the ex-boyfriend of Kylie Jenner, the mother of Scott’s children. Scott allegedly snatched the mic from Akiva, leading to a confrontation with Edwards.
“Travis was the aggressor,” a source said. “He and his team were being neurotic, erratic and crazy. He was there looking for a fight with anyone to be honest.”
Scott allegedly threatened Tyga’s security and returned with Southside, leading to the melee. A witness claimed Edwards “and Tyga’s assistant began to beat up Travis,” but security was eventually able to restore some order. Tyga, meanwhile, stayed off to the side of the DJ booth. Tyga, Edwards and their entourage stayed at the party, while Scott and Southside left the event.
New video of Travis Scott’s altercation involving Tyga’s camp, Alexander “AE” Edwards & Southside
TMZ reports that a fight broke out after Richie Akiva gave props to both Travis Scott and Tyga on stage. Travis seemed upset about being associated with Tyga, possibly due to their… pic.twitter.com/Uzw9sRmOvc
TMZ caught up with Edwards a few days after the fight and asked if he and Scott had a chance to talk it out. He replied, “It’s all good. He [his bodyguard] ain’t have to work that nigh. But shout out Southside, that’s my n####. I know he was just defending his boy and doing what he was supposed to be doing as his boy.”
Edwards added there’s “no hard feelings,” between them, saying, “It is what it is, it went how it went. I don’t wann fight. I don’t initiate that s###. I’m a protect myself and my people.”
When asked if he had a message for Scott, he replied, “No message. They got the message. It’s just n##### being n#####, at the end of the day. It’s a healthy fade, that’s what it is.”
In a music scene often dominated by explicit content and predictable themes, Young Miller Tha Don’s latest album, “Miller’s World,” stands out as a refreshing exception. From the very first track, the album seizes your attention and takes you on an unforgettable journey. With its versatile style, clean lyrics, and exceptional production, “Miller’s World” is a breath of fresh air that the hip-hop genre desperately needs.
Young Miller Tha Don’s versatility is one of the album’s most compelling features. Each track showcases his ability to effortlessly switch between different styles and flows, keeping the listener engaged and entertained throughout. Whether he’s delivering rapid-fire verses or smooth, melodic hooks, Young Miller’s talent is evident in every beat and bar.
A standout aspect of “Miller’s World” is its commitment to clean content. In a genre where profanity often feels like a staple, Young Miller Tha Don breaks the mold by delivering an entire album without a single curse word. This decision not only broadens the album’s appeal but also proves that powerful, impactful music doesn’t need to rely on explicit language. His lyrics are a testament to his skill as a wordsmith, weaving intricate narratives and thought-provoking themes that resonate deeply with listeners.
The production quality of “Miller’s World” is nothing short of stellar. Each track is meticulously crafted, with beats that are both innovative and infectious. The album’s soundscape is a perfect blend of classic hip-hop elements and modern production techniques, creating a vibe that is both nostalgic and forward-thinking. It’s clear that Young Miller Tha Don has a keen ear for production, and his collaboration with top-tier producers has resulted in a sonic masterpiece.
One track that truly stands out is “Ride Along,” produced by legendary Harry. The lyrics are deeply introspective, showcasing Young Miller Tha Don’s ability to convey complex emotions and stories through his music. The hook, sung by D. Stewart, adds another layer of depth and soul to the track, making it a standout moment on an already impressive album.
But what truly sets “Miller’s World” apart is its potential to pave a new lane in hip-hop: clean music with substance and style. At a time when many artists feel compelled to follow trends, Young Miller Tha Don stands out as a pioneer, proving that you can create compelling, chart-topping music without compromising on content. His work is a call to action for other artists to explore new creative avenues and push the boundaries of what hip-hop can be.
“Miller’s World” is more than just an album; it’s a movement. It’s a breath of fresh air in a genre that sometimes feels stifled by its own conventions. Young Miller Tha Don has set a new standard for what hip-hop can achieve, and fans are already eagerly anticipating “Miller’s World 2.” If this album is any indication, the future of hip-hop is in good hands.
In conclusion, “Miller’s World” is a testament to Young Miller Tha Don’s talent, vision, and dedication to his craft. It’s an album that demands to be listened to from start to finish, and it’s a shining example of how clean, versatile, and expertly produced music can make a lasting impact. As we look forward to what Young Miller Tha Don has in store next, one thing is certain: the world of hip-hop will never be the same.
Great achievers possess an innate sense of purpose and an unwavering desire to leave behind a lasting impact. For musicians, their music becomes their enduring legacy, a form of “immortality” that transcends time. DABOYWAY, the legendary figure in Thai Hip Hop, has significantly contributed to his legacy with the release of his latest single “On Me.” produced by Grammy-winning Jimmy Duval, The playful anthem revolves around DABOYWAY and his romantic interest, captivating listeners with its dynamic and enthralling narrative.
DABOYWAY, hailing from Queens, NY, has firmly established himself in the music industry over the past few decades. His performances exude boundless energy and electrifying charisma, accompanied by a compelling blend of gritty, thought-provoking lyrics that define the essence of Hip Hop. With his unmistakable flow, lyrical prowess, and vibrant stage presence, DABOYWAY has emerged as one of the most distinctive artists in today’s music scene.
DABOYWAY, the prominent figure in Hip Hop, is a talented musician and a person of integrity. He is revered as a musical “Don” and a true “Boss.” Moreover, DABOYWAY is widely recognized as a founding member of the acclaimed group Thaitanium, which recently celebrated its 24th anniversary in the music industry. Thaitanium has been a household name in Thai Hip Hop for over two decades, releasing numerous chart-topping singles, including a collaboration with Snoop Dogg titled “WAKE UP (Bangkok City)”.
Thaitanium opened up for JayZ and Rihanna and also brought rap icon Nas to Bangkok for the first-ever Asian Hip Hop Festival. The group’s first two albums, AA and Thai Riders, garnered critical acclaim upon their release in Thailand. As part of Thaitanium, DABOYWAY has toured extensively, captivating audiences not only in the United States but worldwide, including Japan, Malaysia, and Singapore. The group’s notable achievements include providing the soundtrack for the Thai film Province 77 and performing at the 2006 MTV Asia Awards. Additionally, they had the honor of opening for Fort Minor and 50 Cent in a concert held in February 2006. DABOYWAY, along with Djaybuddah and the rest of Thaitanium, was a key part of the entrance of the Rolling Loud festival into Thailand.
Beyond his musical endeavors, DABOYWAY is also a gifted actor who possesses a deep passion for the craft. Under his government name, Prinya “Way” Intachai, he has showcased his acting skills in more than 20 feature films. His dedication to honing his craft is evident as he continues to explore the world On the entrepreneurial side. The dedicated father and visionary has a clothing line for kids that was inspired by his children called Dek Tay. DABOYWAY is also the owner of 36 barber shops in Bangkok called NEVERSAYCUTZ.
Little Simz has shared her vision of breaking down barriers in the industry.
As Little Simz approaches her 30th birthday, she reflects on her mission to inspire the next generation and emphasizes her efforts to be more present in local communities.
“Allowing people to see me and know that their dreams are achievable is crucial,” she told Elle in a recent interview. “I’m working on being more visible, visiting schools and youth centers,” Simz said.
She hopes these experiences will stay with young people long after the encounters, making them believe in the possibility of success.
She explained, “Picture me at the youth club today and on the catwalk tomorrow. I want people to look at me and think, ‘Yes, that’s something I can do.'”
Simz also voiced her concerns about the cuts to youth clubs and the arts in the UK, stressing how vital these resources were to her development.
“It’s frustrating,” she said. “I can’t imagine my life without those opportunities. Growing up, there’s not much to do in our environments, and kids naturally end up on the streets. Cutting their creativity at such a young age is tremendously detrimental.”
The London-born rapper’s influence extends beyond music, shaping a broader cultural conversation about accessibility and mentorship in the arts.
Simz’s words ring a challenging note for policymakers and educators.
“Creativity is a way of life. When nurtured, it teaches problem-solving and creation, skills that are essential for the future. It’s not just about making a painting.”
Yung Gravy is swapping his microphone for a baseball bat—at least for one day.
The St. Louis Cardinals signed the multi-platinum artist to a one-day contract, bringing a touch of Hip-Hop flair to Busch Stadium.
Yung Gravy, known for hits like “Mr. Clean” and “1 Thot 2 Thot Red Thot Blue Thot,” Yung Gravy accepted the Cardinals’ offer with enthusiasm, donning a custom jersey.
If there were any doubts about this collaboration, MLB Network’s Greg Amsinger squashed them when he announced it on the air.
The news sparked quite a commotion online, particularly on platforms like TikTok and Instagram.
Yung Gravy’s journey to the big leagues started when podcast host Bobbi Althoff asked him if he played for the Cardinals—a question that led him to post a humorous plea on TikTok.
“Any teams out there willing to have Yung Gravy? Cardinals are my first pick!”
Shortly after that, the Cardinals responded affirmatively, and fans can watch him unbox his custom jersey on social media.
While the one-day stint with the Cardinals is grabbing headlines, it’s not the only exciting venture for Gravy in 2024.
The artist is gearing up for his “Grits & Gravy” Tour.
DJ Rob Swift, veteran turntablist and member of the X-ecutioners, had some choice words for Tariq Nasheed, director of Microphone Check: The Hidden History of Hip-Hop. The exchange began last week in a series of tweets addressing the origins of Hip-Hop. It was still going on as of Saturday (June 2).
The discourse appeared to kick off after Swift tweeted, “Not all of the founders of Hip Hop say it was ‘100% Black.’ Some first generation Writers were White. Some first generation B Boys were Latino. Felipe Luciano (member of the Last Poets) is Puerto Rican. The founders who say it was ‘100% Black’ are victims of the Mandela Effect.”
Nasheed quickly challenged Swift, retorting, “What first generation B Boy was Latino? What’s his name?” Swift replied, “In Hip-Hop, no element was ‘invented’ by a single individual. In the case of Breaking specifically, the dance was codified by a community of dancers over a period of time. The Zulu Kings might have laid the first cornerstones, yes.
“Still, B-Boys like Trac 2 (Luis Angel Mateo) and Spy (Lein Figeueroa), Latinos, played integral roles in continuing to develop the dance throughout the mid to late 1970s. Spy, ‘The Man With A Thousand Moves,’ is explicitly credited with inventing moves like Swipes, 6 Step, and the Baby Freeze. Remember their names @tariqnasheed.”
In Hip-Hop, no element was “invented” by a single individual. In the case of Breaking specifically, the dance was codified by a community of dancers over a period of time. The Zulu Kings might have laid the first cornerstones, yes. Still, B-Boys like Trac 2 (Luis Angel Mateo) and… pic.twitter.com/K5qAIRLmhB
Nasheed dug up a passage online that he thought contradicted Swift’s claim and fired back, “boom..These dudes were NOT 1st generation B boys at all.”
However, Swift’s gripe is bigger than who was a first generation b-boy. Instead, he’s baffled by Nasheed’s shift from an author who wrote books about how to pick up women to an overnight Hip-Hop historian.
“No one is denying the pioneering that’s occurred in Hip-Hop on behalf of Black Americans,” Swift continued. “But in recent years things have taken a curious turn among the “FBA” commentariat online, with a fixation on causing dissension in the culture. You weren’t the one thinking about Hip-Hop when you wrote “The Art of Mackin’” in 2001. I WAS WHEN I WROTE MY AUTOGRAPH ON A LOUD RECORDS RECORDING CONTRACT (Kool DJ Herc, Grandmixer http://D.ST and GrandWizzard Theodore literally passed the Hip-Hop torch over to my crew The X-Ecutioners).
“But then Hip-Hop 50 rolls around, and all of a sudden you’re a historian of DJing, Rapping, Breaking and Graffiti? F### OUTTA HERE! You’re attempting to steal the Hip-Hop torch! You’re a sophisticated fraud, an intelligent grifter, a clever crook, and while you’ve succeeded in turning some of us against each other, you’ll never wipe out the Latinos, and Whites, and other races who’ve had a hand in making Hip-Hop the universal movement it is today!”
Swift continued, “The values you espouse run counter to everything Hip-Hop stands for. You’re not Hip-Hop, you’re a liar ! What you are is a ‘pick up artist.’ Your platform emerged out of ‘hook up culture.’ You teach incels how to get women to sleep with them. You educate lonely, demoralized men on ‘The Art of Gold Digging.’ You’ve used your voice to push manure ideology to weak men, under the guise of empowering them. But in reality, you’re just a modern day pimp.”
Nasheed replied by insulting Rob Swift and essentially calling him washed up with, “You are posting things about me that were extremely SUCCESSFUL. My books got raved reviews by the New York Times and they sold hundreds of thousands of copies. You on the other hand are a wack DJ and a failed tether. Who is jealous of foundational black Americans. That’s because you come from a fleeing failed background and homeland.”
Negro please! The values you espouse run counter to everything Hip-Hop stands for. You’re not Hip-Hop, you’re a liar ! What you are is a “pick up artist”. Your platform emerged out of “hook up culture”. You teach incels how to get women to sleep with them. You educate lonely,… pic.twitter.com/4EmeKpSzDK
Nasheed then attempted to school Swift on how to use the word “break dancing,” which Swift essentially laughed off.
“‘the proper term is BREAK DANCING,’ I’m sorry @tariqnasheed, but a pimp does not get to instruct me on Hip-Hop vernacular. Trixie was the precursor to Breaking. He and his peers catalyzed what would become Breaking. According to Cholly Rock, a Black contemporary of Trixie’s, Breaking didn’t start to form until 1975. So you lie when you claim dudes were performing Backspins, Windmills, and Flares in 1970.
“Also, I don’t doubt Sammy Davis Jr. learned from Will Mastin and Sammy Sr. (very seldom is an idea 100% original), but neither his uncle nor father were performing ‘kickouts’ or ‘swipes’ when they danced. Sammy Jr. added to the trio. Hence, they integrated him into their group; ironically, that’s the beauty of Hip Hop: it expands. It’s pimps like you who restrict.”
“…the proper term is BREAK DANCING,” I’m sorry @tariqnasheed, but a pimp does not get to instruct me on Hip-Hop vernacular. Trixie was the precursor to Breaking. He and his peers catalyzed what would become Breaking. According to Cholly Rock, a Black contemporary of Trixie’s,… https://t.co/UjwXvdn4kkpic.twitter.com/ccpPwFIDy6
Nasheed was recently in New York City promoting Microphone Check: The Hidden History of Hip-Hop. AllHipHop spoke with Nasheed to discuss the documentary, which disputes Latinos’ role in Hip-Hop’s creation. Nasheed, a leading voice of the Foundational Black Americans movement, thinks there was a corporate-led effort to rewrite Hip-Hop’s history.
“In the last 15 years, there’s been this push by the corporate media to say that Hip-Hop was started by Blacks and Latinos,” Nasheed said. “And they’ve been pushing that narrative real hard. And that’s just not true. Not taking anything away from the Latino brothers and sisters, but they came later. And they did phenomenal things. But in the early stages of Hip-Hop, all the pioneers have said this: ‘We was just out there by ourselves. We were doing it by ourselves.’ And the Latino cats were the first students.”
He continued, “We gotta be very careful with people doing that ‘we co-created something together’ because what I’ve seen, people try to ease over and say, ‘Well, the Latinos actually started it first and then we started learning from them.’ And that’s where it gets dangerous because then we’re gonna end up in the same realm we were in with country music.”
Microphone Check features interviews with Grandmaster Melle Mel, Grandmaster Caz, Busy Bee, Sha-Rock, MC Debbie D, Coke La Rock, DJ Hollywood and more. But he was unable to land interviews with two of Hip-Hop’s most prolific pioneers: DJ Kool Herc and Grandmaster Flash.
Nasheed claimed he tried to interview Latinos for Microphone Check, but insisted no Latinos would participate because there’s no proof they contributed to Hip-Hop’s origins.
“It shouldn’t be so hard to give credit to Black people for creating something,” Nasheed said. “When Hip-Hop was negative, we got all the credit. When it was looked at as violent and degenerate, oh [it’s] Blacks. Now that it’s a corporate thing, it’s going to the Olympics, well, other people contributed … If we let them, they’ll say everybody created it. So, we have to put our foot down and say, ‘Look, This is what it is. This is the definitive narrative of the story and we’re gonna leave it at that.’
A street party in Akron, Ohio ended with one person dead and 24 people injured on Sunday morning (June 2). According to local news outlets, a shooting broke out shortly after midnight near Kelly and 8th Avenues, and a 27-year-old man was killed.
Akron Mayor Shammas Malik and Akron Police Chief Brian Harding issued a joint statement about the shooting that read, “This morning, our city is reeling after the devastation of senseless violence. With more than two dozen victims, the pain and trauma reverberates across all of Akron today as we search for answers. As with all acts of violence in our city, our hearts are with the victims and their loved ones.
We will bring those responsible to justice, and we need the help of our community to do that. For those who have information about this horrific shooting—we need you to speak up in order to prevent further violence and retaliation. This can be done anonymously.
They continued, “Today, and in the days ahead, we will share more information about this horrific incident. Our city government and our Akron Police Department will continue to prioritize public safety as our number one concern as we aim to end gun violence in our community.”
Akron police officers discovered dozens of shell casings at the scene and one gun, but no arrests have been made.
A witness at the scene told News 5 there were hundreds of people at the party having fun prior to the gunfire. As the witness described, “Everyone was wearing white T-shirts; there were women on top of vehicles dancing. It looked like a scene from a spring break movie. It looked like everyone was having a good time. On our way back it was a completely different scene.”
The name of the deceased hasn’t been released, but the city is feeling the aftermath. The Cleveland Clinic admitted seven patients to the hospital and one of them is in critical condition. The hospital was under a hard lockdown from just after midnight until around 3:30 a.m. local time.
Summa Health, meanwhile, received 15 patients, 13 of whom had non-life-threatening injuries. Some of those individuals have already been released from the hospital, but one person remains in critical condition.
Leonardo DiCaprio and Maya Jama’s lively party at London’s Chiltern Firehouse drew noise complaints from hotel guests.
Leonardo DiCaprio and “Love Island” star Maya Jama attended a high-profile bash at London’s Chiltern Firehouse, leading to noise complaints.
The Sunday party reportedly became boisterous, causing hotel guests to raise their concerns to management, as reported by The Sun.
The duo, previously seen celebrating in Ibiza in April 2023, have drawn attention to their social outings, with Jama sporting a gold “Leo” necklace.
Despite rumors, Maya Jama took to social media to dismiss speculations of a romance, saying, “That is literally my star sign.”
Their public appearances at festive gatherings have continued. Jama and Leonardo DiCaprio were seen together at his pre-BAFTA party and an afterparty at Annabel’s members’ club.
Maya Jama remains linked with British rapper and singer Stormzy, with whom she rekindled a romance during a trip to Greece in August.
In contrast, Leonardo DiCaprio is currently seeing Italian model Vittoria Ceretti, 25.
The pair met at the Cannes Film Festival’s “Killers of the Flower Moon” premiere in May 2023, and their relationship became public following a sighting at an ice cream date in Los Angeles.
Dee Barnes made history in the late ’80s-90s as the first Black woman—make that first woman—to have her own music video show on a major network. Pump It Up! aired on FOX from 1989-1992, and Barnes wound up hosting some of the most iconic Hip-Hop artists of that era, including Ice Cube, Big Daddy Kane, Beastie Boys and Queen Latifah.
But Barnes’ career came to a screeching halt in 1991, when she was infamously assaulted by Dr. Dre at a Hollywood party. As Barnes described, Dr. Dre picked her up by her hair and “began slamming her head and the right side of her body repeatedly against a brick wall near the stairway.”
Dr. Dre attempted to throw her down the stairs but failed, so he began kicking her in the ribs and hands. Although she momentarily escaped, running into the women’s restroom, Dre followed her and “grabbed her from behind by the hair again and proceeded to punch her in the back of the head.”
Just watched the Ladies First doc on Netflix and I realized that even tho the public forgave Dre for this, Dee’s career never recovered. After being a victim physically, she’s punished for it. It’s simply not right that she had to lose so much💯 https://t.co/MC3fPkKUPN
Barnes filed charges and the parties eventually settled, but she was never the same—nor was her career. Over the past several years, she’s struggled to find work in the industry or keep a roof over her head. In 2019, Barnes revealed she was homeless, the news went viral and she raised thousands of dollars with a GoFundMe. But five years later, she’s still asking for help.
On Saturday (June 1), Barnes issued a plea for financial assistance to her social media accounts.
“Hello EVERYONE! I’m trying to urgently raise $3000 this weekend, my deadline is this Monday 6/3/24. If you are able to donate and share. Thank you, I really appreciate you ALL!” She then provided her various CashApp, Venmo and PayPal handles.
Dee Barnes followed up with an update on Sunday morning (June 2), writing on Twitter (X), “Still need your help please! $1,800 to get closer to the goal! THANK YOU!!”
Still need your help please!$1,800 to get closer to the goal! THANK YOU! 🙏🏾❤️🙏🏾 https://t.co/6ZZ1b0zsFE
Barnes has become an advocate for domestic violence victims since the incident. Most recently, she spoke out about the surveillance footage of Diddy beating Cassie Ventura inside a Los Angeles hotel in 2016.
“Seeing that video is extremely triggering,” she tweeted on May 17. “#DrDre punched, slammed, kicked and stomped me out. #Concussion Logging TF off.”
Dr. Dre has since apologized for the incident—once in 2015 and again in the 2017 HBO series The Defiant Ones.
“Twenty-five years ago I was a young man drinking too much and in over my head with no real structure in my life,” he said in 2015. “However, none of this is an excuse for what I did.”
In an article she wrote for Gawker, she responded, “People ask me, ‘How come you’re not on TV anymore?’ and ‘How come you’re not back on television?’ It’s not like I haven’t tried. I was blacklisted. Nobody wants to work with me. They don’t want to affect their relationship with Dre.”
As for the film, Dr. Dre admitted he’ll never be able to forget what he did to her during the second episode.
“Any man that puts his hands on a female is a f##king idiot, he’s out of his f##king mind,” he said in the doc. “I was out of my f##king mind at the time, I f##ked up. I paid for it, I’m sorry for it, and I apologize for it. I have this dark cloud that follows me and it’s gonna be attached to me forever. It’s a major blemish on who I am as a man.”
Megan Thee Stallion fans were left disheartened this weekend as the rapper’s concerts at State Farm Arena in Atlanta were abruptly canceled due to a significant water main break citywide.
The infrastructure failure disrupted town operations, compelling Mayor Keisha Lance Bottoms to enforce emergency protocols that led to the cancellation of Friday and Saturday shows.
Her Friday performance was rescheduled for Sunday (June 2), but the Saturday concert met the same fate as the water issues lingered.
“Unfortunately, we will need to reschedule tonight’s show at State Farm Arena due to the massive water main break that The City of Atlanta is experiencing. I’m extremely disappointed because I had a huge surprise for the Hotties tonight, but we will follow the Mayor’s protocol,” Megan Thee Stallion said. “Praying for the people who lost access to water due to this situation.”
Atlanta, we are working tirelessly and with great caution to restore your water as soon as possible. We deeply apologize for the inconvenience this has caused and appreciate your patience. Our team is committed to resolving this issue swiftly and efficiently. pic.twitter.com/tNjt0uPJhV
The effects of the water main break rippled through the city, leading to further high-profile disruptions.
The Georgia Aquarium closed its doors on Friday and Saturday, leaving visitors without access to one of the city’s signature attractions. Other prominent destinations faced the same predicament.
The National Center for Civil and Human Rights, World of Coca-Cola, and the College Football Hall of Fame shuttered on Friday due to the water outage.
Additionally, several Fulton County libraries, including the Central Library, remained closed throughout the weekend, impacting access to public resources.
Michael Jackson’s family finds itself in a precarious financial situation, constrained from accessing the performer’s trust funds as a heated conflict with the IRS unfolds.
Pending the resolution of a formidable tax dispute with the Internal Revenue Service, the estate of Michael Jackson has temporarily halted the distribution of trust funds to his family.
This financial freeze affects his three children—Prince, 27, Paris, 26, and Bigi, 22—and their grandmother, Katherine Jackson, 94.
Documents reveal the current deadlock stemming from an unresolved IRS audit.
The saga began with an IRS audit ruling that significantly undervalued the late singer’s assets, ultimately suggesting the estate owed $700 million in taxes and penalties.
Although the estate’s executors triumphed in court in 2021, the latest motion to reassess the worth of Jackson’s music catalog has prolonged the uncertainty.
The resulting ambiguity in the estate’s valuation has prevented funds from being channeled from the trust.
Attorneys for the estate have requested judicial authorization to earmark a portion of the funds for the family trust; however, the court has withheld approval, citing an indeterminable “safe” distribution amount.
To alleviate financial pressure during this impasse, estate executors proposed issuing a temporary “family allowance” for the beneficiaries.
This financial quagmire follows Sony Music Group’s $600 million acquisition of half of Jackson’s music catalog in February.
Katherine Jackson has legally contested this transaction and is seeking estate funds to cover her legal expenses, a request the estate opposes.
Further complicating matters, Bigi Jackson lodged legal paperwork in March to challenge his grandmother’s use of estate finances for her legal disputes.
Bia bombed on Cardi B in a new diss after the “Jealousy” hitmaker threatened to sue her for spreading rumors that she cheated on husband Offset.
The ongoing tension between the two rappers intensified in the early hours of Sunday morning (Jun 1). Cardi B hopped on Instagram Live, threatening to leak her conversations with Bia and sharing snippets from a “Fake diss” allegedly from Bia.
Bia clapped back with an Instagram Live of her own, previewing an explosive Cardi B diss. In it, she doubled down on the copying and cheating allegations and even name-checked Cardi and Offset’s children, Wave and Culture.
“Put it on your gang that they ain’t f### you in,” Bia opens the track. “Put it on your hubby since you lying on your vows.”
She also implied Cardi doesn’t write her own raps and trashed her lyrical ability. “’SUE ME’ ??? That’s not hip hop,” Bia captioned her post.
During her IG Live, Cardi B went off on Bia, sharing posts from her alleged finsta (fake Instagram) account.
“Good luck you think I’m Tasha K,” one post read. “Girl. Ask Tasha K. She couldn’t even lie on my p####,” Cardi said, referring to her infamous victory in her legal battle with the blogger.
Furthermore, Cardi B said Bia took the beef “beyond rap” and accused her of trying to break up her family. “I’m a sue you and you got to come with receipts. And not social media receipts, court receipts,” she added. “I will get every little f###### red penny that you ever f###### make b####. Every money that you make off your publishing. So find something safe to do.”
Cardi also played a snippet of a different diss track from Bia’s alleged fake Instagram account, which included the lyrics,“How you mad he cheating on you? B#### tell him the truth, “ and “I’ll tell him the scoop.”
“So b#### why you ain’t tell him the scoop?” Cardi questioned before claiming Bia is clout-chasing. “You know Offset. Why you ain’t tell him the scoop?”
“Me and my homegirls hate your tats, we put it in the chat”…. You’re watching Cardi and analyzing her body and tattoos to bond over with your friends? That is not a flex 😂 I would be so embarrassed. pic.twitter.com/88GUozgSln
The bad blood began last year but recently picked up again after fans accused Cardi B of copying Bia. Bia seemingly agreed, and Cardi clapped back on the “Wanna Be” remix.
At this point, Rick Ross is almost more of an entrepreneur than a rapper. In addition to owning Maybach Music Group, several Wingstops and Checkers and Rally’s, to name a few, he’s also behind The Slippery Soap.
The car detailing line includes ceramic spray wax, interior cleaner, quick cleaner and much more. Ross plugged the brand on Saturday (June 1) during his third annual car show. Held at his sprawling, 235-acre Georgia estate—also known as “The Promised Land”—the event reportedly drew more than 12,000 people to his property and an impressive array of flashy cars and bikes.
In a series of Instagram Stories, Ross peeled back the curtain on the event, showing off his mansion, some of the special guests like Bun B, performances by new MMG signee Nino Breeze and Quavo as well as a special cameo by Dr. Mario Montoya, who recently gave Ross his “new” smile.
Rick Ross’s car and bike show delivered not only the fleet of vehicles and celebrity guests but also food and music. The South Fulton Police Department and the Fayette County Sheriff’s Office warned neighbors to expect heavy congestion around State Routes 138 and 279, Old National Highway ahead of time.
Last year, there were several concerns about traffic and safety, but multiple agencies were tasked with working on traffic control. As a result, there were no complications.
Tickets to attend the car show this year were $250 per person for general admission and $750 to enter the show with a car or bike, which included two general admission tickets. VIP Parking was also available for $500. Check out footage of the event courtesy of 11 Alive News below.
