Bill Maher took aim at Kendrick Lamar’s ongoing feud with Drake, likening the California rapper’s relentless diss tracks to the obsessive behavior in the 1992 psychological thriller Single White Female.
During the February 14 episode of Real Time with Bill Maher, the HBO host used his “New Rules” segment to criticize Lamar for releasing multiple diss tracks aimed at Drake, including a high-profile Super Bowl LIX halftime show performance that featured a rendition of “Not Like Us.”
Maher argued that Lamar’s persistent shots at the Toronto-born rapper had gone beyond traditional rap beef.
“New Rule. Kendrick Lamar has to get over Drake. Six diss tracks and a halftime performance? That’s not a beef, that’s a remake of Single White Female,” Maher said.
Single White Female, a cult classic thriller starring Bridget Fonda and Jennifer Jason Leigh, tells the story of a woman who develops a dangerous obsession with her roommate, mimicking her look and behavior before turning violent.
Maher’s comparison suggested Lamar’s approach to the rivalry had become excessive.
The comedian continued his critique with a few music history references, dismissing the notion that legends in other genres behaved similarly.
“Frank Sinatra made 1,400 records, and not one was hating on Tony Bennett,” Maher said. “Stevie Wonder never made an album called ‘Ray Charles Can Kiss My Black Ass.’”
Lamar’s halftime performance, which drew a record-breaking 133.5 million viewers according to Apple Music, cemented “Not Like Us” as a cultural moment.
The track had already earned him five Grammy Awards, making it one of the defining hits of his career.
Maher also jabbed at Drake’s Canadian roots while making a reference to former President Donald Trump’s past remarks about Canada.
“I just think it’s sad when a rapper from California can’t get along with a rapper from our 51st state,” he quipped, referring to Trump’s prior suggestions that Canada should be absorbed into the U.S. and his repeated mischaracterization of Prime Minister Justin Trudeau as a “governor.”
A new documentary called To My Rescue, It Was The S1Ws (A Public Enemy Story) premiered at the 2025 Pan African Film Festival on Wednesday (February 12) in Los Angeles. The red carpet event featured a Q&A session with director Janol Ture as well as the S1Ws/cast members Brother James, Brother Mike and Brother Roger.
As the title suggests, the film dives into the history of one of the most powerful and revolutionary movements in Hip-Hop history: the implementation of Public Enemy’s S1Ws, who not only provided security for the group but fought for social justice, amplified the struggle and empowered the resistance. The film chronicles their journey, revealing how they fundamentally reshaped Hip-Hop’s messaging, performance and cultural impact.
It also effortlessly illustrates how well the S1Ws meshed with Public Enemy’s music. Albums like It Takes a Nation of Millions to Hold Us Back and Fear of a Black Planet became anthems for resistance, blending dense sample-heavy production with laser-sharp messages.
“This is an electrifying, educational and entertaining journey that captures and honors the legacy of one of the greatest Hip-Hop groups of all time,” Ture tells AllHipHop. “The motivation is to honor and highlight the example of what it means to move and exist for a powerful purpose that is for the greater good of all. After seeing this film, I hope people walk away and discover their purpose, maximize their natural, God-given gifts and capabilities and make a positive difference in the world.”
In a time when movements for change demanded both visibility and action, the S1Ws stood at the forefront, embodying the unfiltered and unapologetically revolutionary essence of Public Enemy’s music. Their presence and politically charged imagery fueled a global cultural movement, serving as a powerful symbol of resistance. Committed to raising awareness and fighting for social justice, they sounded the alarm on pressing societal issues while reflecting the struggles of marginalized communities.
The documentary delves into the crucial role the S1Ws played within Public Enemy, highlighting their unwavering brotherhood and profound impact they had on the group’s legendary performances alongside Chuck D and Flavor Flav. Through their commanding stage presence and unified stance, the S1Ws helped transform Hip-Hop into a platform for activism, using music as a force to challenge oppression and amplify the voices of the unheard.
Featuring appearances from Chuck D, Flavor Flav, Terminator X, Ice Cube, Ice-T, KRS-One, DMC, Doug E. Fresh, Monty Ross, and more, the documentary sheds light on their lasting influence and the revolutionary power of Hip-Hop.
In addition to interviews with legendary artists, the soundtrack and score is provided by Terminator X and includes plenty of music from Public Enemy along the way. The film is expected to see a wide release in fall 2025.
Pictured in featured image (l-r): Brother James Norman, Brother Roger (Roderick Chillous), Brother Mike (Micheal Williams) and Janol Ture. Courtesy of Ture.
The Alchemist has given fans a long-awaited update on his long-rumored Mobb Deep album, revealing that the project is still in the works—and Nas is involved.
In a recent interview, the legendary producer confirmed that he’s sitting on unreleased tracks from the iconic Queensbridge duo. He also hinted at the possibility of adding Nas to the mix, fueling anticipation for the first official Mobb Deep project in over 10 years.
Alchemist opened up about the project during a recent appearance on The Breakfast Club with 2 Chainz and Larry June while promoting their new joint album Life Is Beautiful.
“They did so much work, it was insane,” he began. “You could just peel back layers in Prodigy’s rhymes. He was ahead of his time.”
He continued, highlighting the group’s “unmatched” discography, praising his late friend and teasing the new album.
“P’s legend lives,” Alchemist declared. “He did more than the average person while he was here, and he even left behind a lot of stuff so we’re lucky enough to be working on a new Mobb Deep project.”
Alchemist confirmed he’s crafting the beats alongside Havoc with Nas on board too, revealing, “Nas is involved.”
Reflecting on Prodigy’s legacy, he added, “It feels great just to hear his voice again. We missed it. It’s a void not hearing his voice anymore.”
Alchemist announced that another Mobb Deep album is in the works with production from him and Havoc. Nas is also involved.pic.twitter.com/Ra8NRQbbQf
The Alchemist & Havoc Tease Mobb Deep Album With Studio Footage
Alchemist and Havoc announced the new Mobb Depp project last year on Instagram.
“You already know where I’m at ALC Studios new Mobb Deep coming soon RIP Prodigy,” Havoc said in one video. “Y’all see Al in the background you already know what it is. Mobb Deep coming soon baby. Infinite!”
The Alchemist’s relationship with Mobb Deep dates back to the late 1990s when he first contributed to their 1999 album Murda Muzik. He would go on to produce iconic Mobb Deep tracks like “The Realest” and “Thug Muzik.”
Mobb Deep’s final album, The Infamous Mobb Deep, was released in 2014, three years before Prodigy’s untimely death in 2017.
Kanye West faced blistering criticism from The View co-hosts after airing a Super Bowl LIX commercial that directed viewers to a website selling items linked to Nazi ideology.
The panel denounced his ongoing stream of anti-Semitic remarks and made it clear that mental illness cannot serve as a justification.
Alyssa Farah Griffin called out what she sees as a troubling pattern of leniency toward Kanye West, voicing her frustration over excuses made for the rapper-designer.
“I feel like for some reason Kanye’s been given a pass, and I know there’s a perception that he may have some mental health issues, but there are tens of millions of people around this country who have mental health issues and are not saying bigoted, racist, anti-Semitic things. I think it’s a cop-out.”
Griffin noted the scale of West’s influence, warning that his social media reach extends far beyond what many may realize.
“This man—get this—he has more social media followers than there are Jews in the world. He does have influence. There are people who are looking to him, especially young people, and he should not be normalized.”
Ana Navarro referenced a recent plea from Friends star David Schwimmer urging Elon Musk to ban Kanye West from X, formerly known as Twitter, stressing the real-world harm that rhetoric like his can cause.
Sara Haines expressed disbelief over West’s continued presence on high-profile red carpets despite his pattern of incendiary comments.
“I don’t know how he’s allowed to walk red carpets and do all the things because you keep seeing him pop up. And it’s not crazy fringe things—it’s literally at the Grammys, walking the red carpet.”
Haines made it clear that no public figure should be allowed to spew hate without consequences.
“We need to continue to call it out, ‘cause it’s completely hate-filled awfulness. And I don’t care who you are—you don’t get away with it.”
Gillie Da Kid has revealed how he’s attempting to save lives while moving forward from the fatal shooting of his son nearly three years ago.
The Philadelphia-bred Hip-Hop veteran-turned-podcaster opened up about his heartbreaking struggle with his late son, Yng Cheese, during his raw and emotional interview with Shannon Sharpe on his Club Shay Shay podcast.
As he reflected on their strained relationship before Cheese’s tragic death in July 2023, Gillie uncovered how he’s mobilizing his grief to affect the change he wants to see. He told Sharpe that part of his motivation is the way he left things with his son before his untimely death.
“I ain’t gonna sugarcoat s### I was struggling with my son, trying to get him the f### out the streets,” Gillie admitted. “We didn’t even have the best relationship when he passed because he wanted to be a street n#### and I didn’t believe in that s###.”
.@gilliedakid: "I was struggling with my son, trying to get him the f*ck out the streets. We didn't even have the best relationship when he passed. He wanted to be a street n*gga, and I didn't believe in that sh*t."@ShannonSharpe: "How did Cheese get involved in that life? At… pic.twitter.com/QzUJ54rLO4
As he continued, Gillie explained why his mission is no longer about his son.
“It ain’t about Cheese no more,” he said earnestly. “Cheese ain’t here. It’s about me saving somebody else’s life and letting them know that you can die out here. Somebody will blow your brains out playing out here and thinking this sh*t is not serious when it is.”
Gillie continued, maing it clear that the streets only lead to two outcomes.
“It ain’t no successful drug dealers out here,” he said. “There’s not no successful criminals out here. No, they die and they go to jail. So if you want to be in jail for the rest of your life, that’s cool. If you want to get the seeds knocked out your melon, that’s cool. But I’m here to tell you, that’s what’s going to happen.”
Reflecting on how Cheese got caught up in the streets, Gillie pointed to the pressure of fitting into an image and how stories such as his son’s are all too common amongst the youth.
“Being a follower, wanting to subscribe to some s### that’s not really you,” he said while remarking on how his son got caught up with the wrong people. “And that’s most of the kids out here. Most of the kids in the suburbs subscribe to s### that is not even really them, and then they got to prove themselves.”
He also highlighted how peer pressure leads kids to make deadly choices.
“They don’t want to be looked at as p*ssy, so that’ll drive them to do some sh*t they had no business doing,” he said. “My message to the youth is go ahead and do something that’s beneficial to you. The streets don’t love nobody.”
Gillie also shattered the illusion of success in the drug game.
“If you could show me the drug dealer with the big house on the hill, I congratulate you,” he said. “If you could show me 10 successful drug dealers, you could tell me 10 street n#####, I’m going to show you nine that’s going to tell. All of this s### is a myth.”
Gillie ended with a sobering thought.
“It ain’t even about Cheese no more. It’s about saving some other lives that think this s### is more than what it is. I can’t do nothing for Cheese. Cheese is gone.”
"These kids are influenced by all the wrong things. … These kids actually think that you can't make it as a rapper unless you k*lled somebody. This is the mindset" – @gilliedakidpic.twitter.com/1PTuRXeGoq
Kanye West has admitted he didn’t have tickets to attend the 67th Grammy Awards in L.A. on February 2 but managed to eventually find some for the red carpet.
The divisive rapper-turned-public-enemy opened up about his predicament in the wee hours of Saturday morning (February 15). He seemed particularly bothered that he was nominated for his work on his collaborative album with Ty Dolla $ign, Vultures, but was treated like a pariah.
“How could the Grammies nominate me then not give tickets,” he began. “And then people mad when I go off. I had to fight for 5 hours and call everyone I knew to get tickets to the Grammies. They eventually gave me tickets but only for the red carpet. At that point I hadn’t started the rampage.”
“The rampage” West is referring to was characterized by a deluge of offensive tweets that once again targeted the Jewish community.
It’s perhaps the same language he used in his first Twitter (X) tirade in 2023 that got him ostracized from the Grammys. Recording Academy CEO Harvey Mason jr. is insistent on creating a positive and inclusive environment for any Recording Academy-related events. It didn’t help matters when he made his wife, Bianca Censori, disrobe on the red carpet, revealing a completely see-through dress.
West’s latest antics prompted former Def Jam Recordings CEO Lyor Cohen to pen an open letter to his former artist.
“I am deeply disappointed and troubled by your recent actions involving the use of Nazi symbols and antisemitic rhetoric,” Cohen began. “Your words and actions are not only offensive but triggering to all decent people who recognize the horrors of the Holocaust and the suffering of millions.
“With antisemitism on the rise, your voice and influence carry a significant responsibility. I urge you to be more sensitive to the pain your words inflict on Jewish communities and all those who stand against hate.”
Cohen continued by imploring him to redirect his energy toward something more positive.
“Your talent and reach could be used to heal and inspire, to bridge divides and promote understanding. Instead, you’ve chosen a path that sows discord and perpetuates harmful stereotypes,” he continued. “The Jewish and Black experiences share a rich history of collaboration and mutual support, particularly in the music industry.
“From the early days of jazz and blues to the groundbreaking work of Motown and beyond, our communities have enriched each other through music and culture. I urge you to reflect on this shared legacy and use your platform to build upon the love and understanding that have always existed between our communities.”
West, of course, didn’t take kindly to Cohen’s word and lashed out.
“You start by apologizing and taking accountability for the massive promotion of black death that you’ve got paid off of for years,” he wrote in part. “Also you too broke to speak to me in the first place. And you know what Irv said to you before he passed and since he not here. I’ll say it Suuuuck Myyyy Diiiick.”
West’s tweet arrives as rumors surrounding his alleged split with Censori swirl. Stay tuned.
Kendrick Lamar was a topic on the Saturday Night Live 50th anniversary special on Friday night (February 14). Fans and celebrities alike gathered at the Radio City Music Hall in New York City for the star-studded event dubbed “SNL50: The Homecoming Concert.”
Hosted by SNL alumnus/Tonight Show host Jimmy Fallon, the three-hour live concert featured an impressive lineup of musical performances and appearances by past and present cast members. As part of the show, Will Ferrell and Ana Gasteyer resurrected their popular SNL characters Marty Culp and Bobbi Mohan-Culp, a married couple who serve as music teachers at an unnamed high school, often performing awkward, out-of-touch medleys of pop songs for school assemblies.
This time, the Culps performed their version of “Not Like Us,” Kendrick’s Grammy Award-winning Drake diss. Celebrities in the crowd, including Amy Schumer, Martin Short and Meryl Streep, could barely contain their laughter as the duo hit the “A-Minor” line.
The concert, produced by SNL creator and executive producer Lorne Michaels, alongside Mark Ronson, showcased a diverse array of artists who have graced the SNL stage over the years. Performers included Lady Gaga, Miley Cyrus, Bad Bunny, The Roots, Arcade Fire, Backstreet Boys, Bonnie Raitt, Brandi Carlile, Chris Martin and David Byrne, among others.
Notable moments from the evening included Lady Gaga delivering a soulful rendition of “D— in a Box” alongside Andy Samberg, kicking off a medley tribute to The Lonely Island’s popular SNL parodies. Post Malone was also on deck to front another Nirvana reunion, joining surviving members Dave Grohl, Krist Novoselic and Pat Smear for “Smells Like Teen Spirit.”
Adam Sandler introduces Nirvana’s surviving members with Post Malone to perform “Smells Like Teen Spirit” at SNL’s 50th anniversary concert 🔥 pic.twitter.com/Ua16CKTjHu
Nearly a week ago, Kendrick Lamar headlined the Apple Music Super Bowl Halftime Show in New Orleans, where he brought out SZA, Serena Williams and Samuel L. Jackson, among others. He performed “Not Like Us” much to the delight of, well, probably everyone but Drake.
Former University of South Carolina and University Of Connecticut (UConn) basketball player Eric Cobb was arrested after allegedly shooting and killing his mother, Erika Winford, at her Jacksonville home.
Authorities responded to what they described as a “disturbing scene” on Monday (February 10), where they found the 51-year-old woman unresponsive, wrapped in a blanket and towels in the backyard. Cobb, 28, was taken into custody as he attempted to leave the residence.
Jail records indicate he has been charged with second-degree murder and was denied bond. The former college athlete, once a highly regarded prospect, had a troubled past that included legal issues.
According to WBTV 3 Jacksonville, Cobb was dismissed from the South Carolina Gamecocks basketball team in 2015 after being arrested for allegedly shooting at a car with a BB gun. He later played at Chipola College in Florida before transferring to the University of Connecticut, where he struggled to find consistent playing time. More recently, in October 2023, he was arrested for assaulting an officer and resisting arrest.
As details emerge, it is becoming clear that warning signs of Cobb’s mental instability preceded the tragic killing. Police reports indicate that just days before her death, Winford confided in friends that she was afraid of her son, describing him as “possessed” and in desperate need of medication she could not afford. One relative disclosed that Cobb suffered from schizophrenia, and in late 2022, police found him homeless and lying outside an apartment complex.
Cobb had been living with his mother and brother, Terrick Cobb, until about six weeks ago when Terrick moved out following an incident in which Cobb allegedly cursed out Winford. Friends reported that Winford had been hesitant to return home, with one saying she “feared her son.”
On Sunday evening, neighbors recalled hearing six to seven gunshots between 7 and 8 p.m., but no one contacted authorities. The next morning, a friend who had spent Sunday with Winford attempted to reach her by phone but received no response. Concerned, he drove to the home, where he discovered blood near the back door and a pile of blankets in the backyard. After alerting another friend, they returned to the house and found a foot sticking out from under the blankets, leading to the grim discovery of Winford’s body.
Investigators found evidence of an attempt to clean up the crime scene inside the house, including bloodstains on a stand-alone freezer and bullet depressions in the hallway. A search of the trash can outside revealed 14 spent 9 mm shell casings inside a garbage bag.
Cobb remains in custody as police continue their investigation into the circumstances surrounding the fatal shooting.
Soulja Boy is at it again, and this time, his target is none other than Lil Yachty.
It appears Soulja Boy caught wind of Lil Yachty’s recent interview with Shannon Sharpe, during which he expressed his bewilderment as to why Big Draco continues to instigate beef with Drake. In response, the “Crank That” rapper went on an explosive Instagram Live rant, threatening to physically confront Lil Lil Yachty for repeatedly mentioning his name in interviews.
“Y’all f### n##### always talking about me on the internet,” Soulja began, setting the tone for his fiery tirade. “Lil Yachty, man. I’ma start smacking the s### out y’all nuggas one by one.”
Soulja Boy continued, “Lil Yachty, hey, I’ma say it like this, Lil Yachty—don’t say my name no more. Let’s just keep it like that.”
But Lil Boat didn’t get off that easy. In fact, Soulja took the disrespect even further, mocking Yachty’s appearance and lifestyle choices.
“You a n*gga that, you paint your toenails, man,” he scoffed. “You paint your toenails and your fingernails. Hell, you lame as hell.”
As the insults continued flying, Soulja expressed his frustration over Yachty’s continus slights agaisnt him.
“The f### you keep saying my name, fool?” he questioned rhetorically. “You know when you be saying my name, you be sounding lame as f###.” He then sarcastically imitated Yachty, ridiculing his tone and delivery. “Soldier boy, I just don’t understand him,’—boy, what the f###?”
Clearly irritated, Soulja Boy threatened to escalate things if Yachty didn’t stop mentioning him. “Man, you gon’ get smacking the f*ck out y’all n*ggas, man,” he said. “Shut the f*ck up, lame ass little n*gga, man.”
Soulja Boy and Lil Yachty have a storied history of beef dating back to 2016 when the Concrete Boys mogul described his beef with Big Draco as a “cry for attention” during a radio interview. Last year, Soulja Boy once again reignited the beef as well over a leaked collaboration between Drake and Lil Yachty which he believed contained sneak disses aimed at him.
“So if it’s a shout out, stamp that,” he said during a livestream. “You or Yachty need to stamp that. If it ain’t no shout out, speak on how you feel my boy, we can get to it.”
Watch a portion of Big Soulja’s livestream in the post above.
Diddy has fired back at attorney Tony Buzbee after a lawsuit alleging he and JAY-Z assaulted a teenage girl in 2000 was dismissed today (February 14), calling the case baseless and accusing Buzbee of prioritizing media attention over justice.
The lawsuit, filed by Jane Doe, claimed that when she was 13, she was drugged and assaulted at a private event following the MTV Video Music Awards in 2000.
Both Diddy and JAY-Z vehemently denied the allegations, with JAY-Z’s legal team aggressively challenging what they said were inconsistencies in the case.
Following the case’s dismissal, Diddy made his feelings clear.
“Today’s complete dismissal without a settlement by the 1-800 attorney is yet another confirmation that these lawsuits are built on falsehoods, not facts,” a representative for Diddy told AllHipHop.com.
“For months, we have seen case after case filed by individuals hiding behind anonymity, pushed forward by an attorney more focused on media headlines than legal merit. Just like this claim, the others will fall apart because there is no truth to them. Sean Combs has never sexually assaulted or trafficked anyone—man or woman, adult or minor. No number of lawsuits, sensationalized allegations, or media theatrics will change that reality. We will continue to fight these baseless claims and hold those responsible. This is just the first of many that will not hold up in a court of law,” the rep continued.
“This 1-800 lawyer gets to file a suit hiding behind Jane Doe, and when they quickly realize that the money grab is going to fail, they get to walk away with no repercussions,” JAY-Z said. “The system has failed. The court must protect victims, OF COURSE, while with the same ethical responsibility, the courts must protect the innocent from being accused without a shred of evidence. May the truth prevail for all victims and those falsely accused equally.”
The legal victory comes as Diddy faces mounting legal troubles, with nearly 100 lawsuits against him by Buzbee’s firm, including three additional cases today.
Currently, Diddy remains in federal custody in Brooklyn on charges of sex trafficking, racketeering conspiracy, and transportation to engage in prostitution.
JAY-Z and Sean “Diddy” Combs secured a legal victory after a civil suit against him was dismissed, calling the allegations “frivolous, fictitious and appalling.”
The lawsuit alleged that in 2000, Jane Doe was drugged and assaulted at an after-party by Diddy and JAY-Z, following the MTV Video Music Awards.
JAY-Z’s lawyers argued the case is riddled with inconsistencies and pointed to NBC’s coverage of the case, which raised questions about details in Jane Doe’s account. JAY-Z also denied being at the location of the alleged assault, and others said other specifics about the lawsuit were demonstrably false.
The lawsuit, which he says was never grounded in reality, has come to an end after being dismissed with prejudice today (February 14) —leaving the music mogul with sharp words for the legal system, Tony Buzbee and Antigone Curis, the lawyers who brought the case forward.
“This civil suit was without merit and never going anywhere,” JAY-Z said in a statement. He described the claims as a “fictional tale” that would have been laughable if not for their serious nature.
JAY-Z did not hold back his frustration with the process, criticizing what he sees as a flaw in the legal system that allows baseless claims to be filed without consequences.
“This 1-800 lawyer gets to file a suit hiding behind Jane Doe, and when they quickly realize that the money grab is going to fail, they get to walk away with no repercussions,” he said. “The system has failed.”
Beyond the legal battle, JAY-Z pointed to the toll the ordeal has taken on his family, saying, “The trauma that my wife, my children, loved ones and I have endured can never be dismissed.”
While celebrating his vindication, the New York rap icon emphasized the importance of courts protecting both victims and those falsely accused.
“The court must protect victims, OF COURSE, while with the same ethical responsibility, the courts must protect the innocent from being accused without a shred of evidence,” he said. “May the truth prevail for all victims and those falsely accused equally.”
With the lawsuit behind him, JAY-Z’s focus now shifts away from the legal battle, but the experience has left him with a deeper frustration about the ease with which reputation can be attacked.
His strong words signal a broader conversation about accountability in the legal system—one he hopes will lead to change.
Full Statement From JAY-Z:
“Today is a victory. The frivolous, fictitious and appalling allegations have been dismissed. This civil suit was without merit and never going anywhere. The fictional tale they created was laughable, if not for the seriousness of the claims. I would not wish this experience on anyone. The trauma that my wife, my children, loved ones and I have endured can never be dismissed. This 1-800 lawyer gets to file a suit hiding behind Jane Doe, and when they quickly realize that the money grab is going to fail, they get to walk away with no repercussions. The system has failed. The court must protect victims, OF COURSE, while with the same ethical responsibility, the courts must protect the innocent from being accused without a shred of evidence. May the truth prevail for all victims and those falsely accused equally.”
Two women have reportedly been shot as the city came together to celebrate the Philadelphia Eagles Super Bowl win at the parade on Friday (February 14).
CBS News reports the shooting occurred along Philadelphia’s Ben Franklin Parkway in Philadelphia’s Spring Garden neighborhood as crowds gathered to celebrate the Eagles Super Bowl LIX win over the Kansas City Chiefs.
The outlet reports police said the two female victims were both shot in the leg, but the vast crowd was apparently oblivious to the gunfire. The women sought treatment at the medic tent at 23rd and Spring Garden streets and are in stable condition.
The circumstances leading up to the shooting remain unclear. Local reports state cops are searching for a suspect wearing a gray Eagles jersey.
🚨🦅JUST IN | Two Shot at Eagles Parade Police are searching for a suspect wearing a gray Eagles jersey after two people were struck by gunfire during the Super Bowl parade in Philadelphia. Stay updated and #ProtectTheWorld with Citizen.
Hilary Duff is turning outrage into action by selling T-shirts to raise money for Holocaust survivors after Kanye West, also known as Ye, ignited global condemnation with antisemitic remarks and an attempt to sell clothing featuring Nazi imagery.
Duff and her husband, musician Matthew Koma, are behind the provocative design, which sports the phrase “F### Ye” in bold black lettering on a plain white shirt.
Proceeds from the sales benefit The Blue Card, a nonprofit organization that provides financial support to aging Holocaust survivors in the U.S., many of whom live in poverty.
Koma introduced the T-shirt on Instagram, writing, “Hey I can make a shirt too – link in bio, all proceeds to The Blue Card Holocaust survivor charity.”
Matthew Koma, Hillary Duff’s husband claps back at Ye by selling a shirt that says “F### YE” in response of selling the S####### shirt pic.twitter.com/Hkx7HPqHgF
In addition to donating all profits, Koma has pledged to match each sale dollar for dollar, doubling the amount of aid provided.
The effort comes in response to Ye’s inflammatory social media posts praising Adolf Hitler and the Nazi regime, followed by an attempt to sell T-shirts emblazoned with a s####### through his Yeezy website.
The backlash was swift, leading to his sales platform being taken offline.
Masha Pearl, executive director of The Blue Card, praised Duff and Koma for their swift action.
“We are so grateful to Matthew Koma and to Hilary Duff for quickly springing into action and realizing this is not OK and they have to do something, utilizing fashion to get the word out there,” she told TMZ.
“They learned about The Blue Card on their own and basically reached out and, at this point, had quickly created the T-shirt and had been spreading this on social media, both Matthew and Hilary, which we were extremely, extremely pleased about,” she added.
The campaign highlights an urgent need for assistance. Many Holocaust survivors in the U.S. are elderly, struggling with health issues, and living below the federal poverty line, making financial support essential for their well-being.
The limited-edition T-shirts, available for pre-order at shop.wbleague.com for $20, serve as both a statement against hate and a direct contribution to survivors in need.
The closing arguments in A$AP Rocky’s gun assault case he’s fighting against A$AP Relli has been riddled with tense moments as the prosecution and defense clashed.
On Friday (February 14), Rocky’s lawyer Joe Tacopina continued his closing arguments, which he began on the day prior on February 13.
A tense exchange erupted in court as defense attorney Joe Tacopina, Judge Mark S. Arnold, and Prosecutor Paul Przelomiec engaged in a heated back-and-forth over ethical concerns and courtroom conduct. The back-and-forth commenced amid both prosecution and defense counsels accusing each other of witness perjury and more. Tacopina took issue with the prosecution’s actions, accusing them of unethical behavior.
“It is not fair comment,” Tacopina said. “It is completely unethical.”
A$AP Rocky’s lawyer got into a heated exchange with the state prosecutor during closing arguments in Rocky’s gun assault trial. pic.twitter.com/3VJudI0Yuq
Rocky also criticized the prosecution’s handling of evidence and witness testimonies.
“What has happened 25 times in this trial, with the hiding of evidence, with the late discovery… you told counsel before we started, do not disparage the other side,” he said.
Judge Arnold quickly intervened to maintain order, cautioning Tacopina against making personal attacks.
“You’re disparaging the other side,” the Judge Arnold remarked.
Tacopina defended his approach, arguing, “Your Honor, the jury’s not here. I have every right, obligation, and duty to stand up here and point out when he was being lied to.”
The heated dispute escalated when Tacopina suggested that the prosecution was knowingly allowing perjury.
“I missed the prosecution accepts their witness committing perjury,” he stated, prompting an immediate objection from Przelomiec.
Judge Arnold sided with the prosecution, saying, “I don’t think that’s fair comment on the evidence. I think that’s an improper statement.”
To regain control of the courtroom, Judge Arnold emphasized his impartiality.
“I told you at the beginning of arguments that if an objection is made, I’m going to do my best to call it as I see it,” Judge Arnold said. “You have made 17 objections. I have overruled 12. I have sustained five. I’m doing the best I can.”
As tensions peaked, Tacopina accused Przelomiec of making knowingly false statements to the jury.
“This is from a lawyer who asked in front of a jury for a stipulation that a shooting range was not in California when either he knew it was in California or had no idea that it was in California,” Tacopina argued. “That’s unethical.”
Adding another layer of complexity to the already tense hearing is apparently the presence of Rihanna, who reportedly appeared at court without she and Rocky’s kids, following scrutiny from the judge.
Rihanna just walked into the courtroom, with no kids today. She's wearing green.
Issa Rae canceled her highly anticipated appearance at the Kennedy Center after President Donald Trump seized control of the institution’s board, removing several appointees of former President Joe Biden.
The move has prompted a wave of resignations and event cancellations from some of the entertainment industry’s biggest names.
The Insecure creator and star announced on Instagram that her scheduled event, An Evening With Issa Rae, would no longer take place at the historic Washington, D.C. venue.
“Unfortunately, due to what I believe to be an infringement on the values of an institution that has faithfully celebrated artists of all backgrounds through all mediums, I’ve decided to cancel my appearance at this venue,” Issa Rae wrote.
Trump’s self-appointment as chairman of the Kennedy Center came days after he forced out key board members, including its longtime president, Deborah F. Rutter.
The shake-up led to a wave of departures from high-profile figures, further underscoring growing tensions within the arts community.
Renowned soprano Renée Fleming stepped down from her role as artistic adviser earlier this week.
While she did not mention Trump by name, she expressed gratitude for the ousted chairman, David M. Rubenstein, saying, “Out of respect, I think it right to depart as well.”
Shonda Rhimes, the force behind Grey’s Anatomy and Scandal, also resigned as treasurer of the Kennedy Center board.
Meanwhile, singer-songwriter Ben Folds left his advisory position with the National Symphony Orchestra, which operates under the center’s oversight.
The Kennedy Center, a revered hub for performers across all disciplines, has long been a politically tinged institution, with White House ties influencing its board composition over the years.
However, Trump’s direct intervention in its leadership has sparked a significant backlash, marking one of the most dramatic cultural shifts the institution has faced in decades.
The Kennedy Center’s website has since removed all references to Rae’s event, originally slated for March.
Gene “Groove” Allen a key figure in the Hip-Hop trio Groove B. Chill, has died, though details surrounding his passing remain undisclosed.
The Bronx-born rapper and actor was celebrated for his contributions to music and film, particularly his role in the 1990 cult classic House Party.
News of Allen’s death surfaced on February 14 when Eric B. paid tribute on Instagram.
“Got a call from my brother Chill that his brother Groove passed away. Dam rest in peace brother Groove we will continue to celebrate your life let the house party continue on thanks for the great music and movie moments,” Eric B said.
DJ Premier also shared condolences, acknowledging Allen’s dual impact on music and film. “My condolences. Loved their music on Uptown and his character in House Party as the drunk.”
At the time of his death, Allen was finalizing an EP titled Bring Back The Party, a project that aimed to recapture the spirited energy of the golden era of Hip-Hop.
Groove B. Chill, the trio that introduced Allen to wider audiences, featured Daryl “Chill” Mitchell and Belal “DJ Belal” Miller alongside him.
Their music career gained traction when they dropped Starting From Zero in 1990, an album that blended upbeat, feel-good rhymes with production that fit right into Hip-Hop’s evolving soundscape.
The album featured production from Pete Rock as well as Prince Paul and spawned the hit single “Hip Hop Music,” produced by “Hitman” Howie Tee.
After appearing in House Party 2, Mitchell pivoted away from music to focus on a successful acting career, while Allen continued his career rapping and performing.
DeJ Loaf is setting the record straight amid claims she’s faking a relationship with longtime collaborator Jacquees to promote their new album, F### A Friendzone 2.
Earlier this week, Jacquees’ fiancée, Deiondra Sanders, accused the duo of staging a romance while sidelining her. Sanders also claimed that Dej Loaf has secretly yearned for Jacquees for years and threatened to expose her.
DeJ Loaf and Jacquees addressed Sanders’ rants during an interview with Hot 97’s Nessa, insisting there is no issue.
“I respect people’s relationships,” The Detroit native asserted. “But it’s also like, do y’all respect the friendship? I’ve been out of the picture and I stay out of the picture unless it’s business. [Jacquees and I] don’t even hang out as much and do the cool s### that we used to do… It’s respect.”
DeJ also confirmed she would not attend the couple’s wedding, “because I haven’t met her.”
According to DeJ, Jacquees’ former girlfriends felt threatened by their “bond” and “chemistry,” but she is drawing the line at disrespect.
“If any of his women feel like they don’t have to respect me, then I don’t have to be his friend,” she added. “We can end the friendship if my respect is on the line. I won’t be disrespected.”
Jacquees attempted to stay neutral, replying “That ain’t on me,” when Dej Loaf said she wouldn’t be a wedding guest.
“How do I force you to meet somebody?” he added.
Addressing his fiancée’s recent online rants, Jacquees said she didn’t “understand the entertainment industry.”
A former model and promotional worker has accused Sean “Diddy” Combs of groping and assaulting her for hours at his residence, even after she repeatedly told him she was married and had informed her husband of her location.
The woman, whose identity remains anonymous, alleges that in 1999, she met Diddy at a VIP party in New York City, where he plied her with alcohol and pressured her to stay at his home instead of catching her train home.
She claims Diddy assured her she could leave in the morning and that nothing inappropriate would happen.
According to the complaint, once inside his vehicle, the woman began feeling extreme drowsiness, raising suspicions that she had been drugged.
Realizing she was in danger, she texted her husband the address from a piece of mail she found in the car. After noticing her actions, the driver allegedly attempted to take the mail away from her.
Upon arriving at Diddy’s residence, she says the hip-hop mogul initially acted like a gentleman but quickly became aggressive once they were alone.
Diddy tried to force her into drinking more alcohol, which she refused, before leading her to a bedroom where she collapsed into bed due to the alleged effects of the drugged drink.
The woman claims that Diddy, undeterred by her explicit refusals, began forcibly groping her, attempting to remove her clothing while she physically resisted.
Despite repeatedly reminding him that she was married and had notified her husband of her whereabouts, Diddy allegedly continued his advances, undressing her and subjecting her to unwanted sexual contact, including digital penetration, for nearly four hours.
She says she eventually regained enough strength to insist that he call her a cab, escaping the residence still under the influence of the unknown substance, emotionally shaken and physically impaired.
The lawsuit alleges that the incident caused lasting emotional distress and trauma, adding to the growing list of accusations against Diddy, who remains incarcerated on federal RICO and sex trafficking charges.
Prosecutors have painted a troubling portrait of the shamed mogul’s alleged history of abusing women, trafficking individuals, and using his wealth and influence to silence accusers.
Sean “Diddy” Combs’ legal woes continue to mount following yet another lawsuit filed by a Jane Doe plaintiff who accuses him of sexually assaulting her at a Los Angeles nightclub in 2016, allegedly leaving her with genital bruising.
The unidentified woman claims the alleged assault occurred in November 2016 at L.A.’s Club Playhouse. She says Diddy forced her to drink something and then sexually assaulted her.
Diddy allegedly told her to “Drink that s### and shut the f### up” when she initially refused a beverage.
After consuming the drink, Diddy allegedly shoved his hand up her skirt and forcefully penetrated her with his fingers while saying, “B#### I do what I want, take that s###.”
The woman claims Diddy’s entourage was laughing nearby during the alleged assault.
The Jane Doe plaintiff says she fled the club and needed assistance getting to her hotel room. She woke up the next day with bruising and a tear in and around her v#####.
The woman is represented by Tony Buzbee, who also represents at least 100 other clients in suits against Diddy.
Diddy’s legal team denies the allegations, stating he has never sexually assaulted or sex trafficked anyone.
“No matter how many lawsuits are filed—especially by individuals who refuse to put their own names behind their claims—it won’t change the fact that Mr. Combs has never sexually assaulted or sex trafficked anyone—man or woman, adult or minor,” Diddy’s attorneys said in a statement. “We live in a world where anyone can file a lawsuit for any reason. Fortunately, a fair and impartial judicial process exists to find the truth, and Mr. Combs is confident he will prevail in court.”
This is the latest of a growing list of lawsuits against Diddy and a federal RICO hanging over his head. He is slated to go on trial in May.
This adds to Diddy’s mounting legal troubles, including multiple lawsuits and a federal RICO case. He is slated to go on trial in May.
Meanwhile, earlier this week, Diddy was sued by a man making disturbing allegations. The John Doe accuser claims the mogul drugged and sexually assaulted him at a New York City nightclub.
While the Dallas Cowboys have long claimed the crown of “America’s Team” (don’t ask me how they got it—I won’t waste time researching), the Eagles have built something more authentic, more defiant, and frankly, more relevant to our times. The Cowboys and Eagles are mortal enemies, sure, but it goes deeper than that. They’re not like us. They never were.
Take the Kansas City Chiefs—they’re giving off serious Cowboys energy these days. No, they are not treating their players like enslaved Africans, like Dallas owner Jerry Jones. And, yes, there’s the obvious weird “Cowboys and Indians” dynamic, but it’s more than that. Their quarterback Patrick Mahomes, talented as he is, represents what mainstream America seems to prefer: excellence without disruption, Blackness without challenge. Mahomes is the NFL’s Drake – Black, but perfectly aligned with the status quo. It does not help that he and his immediate family are MAGA. Add the Travis Kelce-Taylor Swift “All American” romance, and you’ve got a PR-ready package that fits comfortably within existing power structures.
But the Eagles? We’re built different. Philadelphia is a blue-collar, hard-nosed city with an informal motto that says it all: “Nobody likes us, we don’t care.” After winning the 2017-2018 Super Bowl, the team declined Trump’s White House invitation. This year, when they were asked about visiting again, the majority said no. Trump, in classic fashion, reportedly “revoked” their invitation after they’d already turned him down. That’s the Eagles for you – standing on business.
Consider our track record. The Eagles have started more Black quarterbacks than any other NFL franchise, starting with Randall Cunningham. Cunningham wasn’t just a quarterback; he was the blueprint for today’s mobile QB. He destroyed the bland stereotypes about pocket passers, and also gnawed away at the notion that Blacks could not be leaders. I won’t delve into what they said about our intelligence.
When Michael Vick was vilified by white America, who gave him a second chance? The Philadelphia Eagles. They dusted him off, built him back up, and now he’s a legend. That’s what Philly does – we take the discarded and turn them back into greatness. We know people are imperfectly perfect and we’re empathetic souls when we want to be.
Now we’ve got Jalen Hurts – almost perfect in an Obama-like way – who faces endless scrutiny despite his winning record. When he donned that Malcolm X hat after beating Kansas City in November 2023, it wasn’t a fashion statement – it was a message. His all-female (majority Black) management team? Also a message. The Eagles signing of Saquon Barkley after the Giants disrespected him? You guessed it – message.
We see value in things others miss.
This matters more than ever. As we watch DEI initiatives being rolled back, as Nazi symbols creep back into public spaces, as political forces try to drag us backward, the Eagles stand as a counterpoint. When The Eagle’s Autumn Lockwood became the first Black female assistant coach to win a Super Bowl, her smile said everything. “God is so good,” she said – reminding us that from our ancestors to now, faith and progress have always gone hand in hand.
Being “Black America’s Team” doesn’t mean the Eagles aren’t for everybody—quite the opposite. Like Hip-Hop, which grew from Black expression to become a global force, the Eagles represent values that unite us all: resilience, authenticity, and the courage to speak truth to power. When institutions support Black excellence, everyone benefits. Just ask the Trump voters that voted against their own interests. Now they watch their own opportunities disappear, realizing too late that oppression doesn’t discriminate among the non-elite.
The Eagles symbolize something bigger than football and I could go on and on. I m mention that Kendrick Lamar’s polarizing halftime show was the perfect compliment to the Eagles victory. Hate it. We don’t care. Real talk: Super Bowl LIV was David versus Goliath, biblical in scale. They take down giants. They defy the establishment. (Salute head Coach Nick Sirianni for being thee best! Critics be damned.) The players are led by a Black quarterback who believes in Black love and Black excellence. And they win – not just games, but cultural victories.
As Kendrick Lamar put it, “We’re what the culture’s feeling.” And right now, the culture is feeling the Eagles – a team that proves sometimes the most American thing you can do is challenge America to be better. Do better.
That’s why they’re Black America’s Team. And this is why it matters.
