Frazier “Trae Tha Truth” Thompson III will be the recipient of the Change Maker Award at this year’s Billboard Music Awards. The Houston native is being recognized for his activism, philanthropy, and community-based work.
Besides being a veteran rapper, Trae Tha Truth has also fully embraced his role as a social activist. He was on the frontlines during the 2020 #BlackLivesMatter protests. Trae and others called for the police officers who killed George Floyd in Minneapolis as well as the police officers who killed Breonna Taylor in Louisville to be held accountable for their actions that led to the death of those unarmed African-Americans.
“Trae exemplifies what it means to be the change you want to see,” said Datwon Thomas, Billboard Music Awards Consulting Producer/Vibe Magazine Editor-In-Chief.
Thomas added, “[Trae Tha Truth] is always in a city near you, helping those in need after natural disasters, fighting for justice after tragic events, and giving supplies to families to make it to another day. His name, ‘Tha Truth’ fits perfectly with who he is as a community activist and we are honored to celebrate his tireless efforts and giving spirit.”
In addition to receiving the Billboard Change Maker Award, Trae Tha Truth’s Angel By Nature non-profit is partnering with the Billboard Music Awards to create the first-ever official award show non-fungible token. Beginning BBMAs weekend, fans will be able to purchase Trae Tha Truth Change Maker Award NFTs via Bitski for a limited time. The proceeds from all NFT sales will be donated to Angel by Nature.
Quavo, Offset, and Takeoff are part of one of the most successful Hip Hop groups of all time. Migos already have two #1 albums, four Top Ten songs, and classics like the 4x-Platinum “Bad And Boujee.” Plus, each member triumphed as an individual as well.
Migos are looking to add more accolades to their already impressive résumé. This week, the trio dropped a music video for their new single “Straightenin.” The track is expected to appear on Migos’ highly-anticipated Culture 3 album.
All three Migos recently spoke to veteran media personality Zane Lowe for Apple Music’s New Music Daily. The conversation included Offset, Takeoff, and Quavo talking about their “Straightenin” song, Culture 3 studio LP, and more.
“That’s that chip on our [shoulder]. We rap like we got a chip on our [shoulder],” said Offset about Migos’ approach on “Straightenin.” Takeoff added, “You got to let them know sometimes. They forget. Yeah, let them know.”
After the release of 2017’s Culture and 2018’s Culture II, Migos were not as active in 2019 and 2020. Some fans began to question if the Atlanta-based faction was falling off.
“We came to remind them. We came to take them down a modern-day stroll. They seemed to forget. So, it’s time to bring the boys back together and come back strong. Stronger than ever,” Quavo told Zane Lowe.
Turn a Pandemic Into A Bandemic U Kno That’s The S### That We On!!!#Straightenin
“We just had come off the tour and we were also doing other records and featuring on songs. So, we just started getting pulled away and just started grinding solo,” explained Quavo about the delay for Culture 3. All three members produced their own respective studio LPs between 2018 and 2019.
“It was like for a good cause, because we already knew like, ‘Okay, cool. Maybe these records can fit the three, but if it fit one of us, we could go to the moon, and we still going to pull each other, and still bring us to the top, and once we get together and do our records, it’s going to make it just even bigger,'” said Quavo.
The Quavo Huncho album creator continued, “It wasn’t no strain on us. And we just felt like it wasn’t time yet to put music out. We felt like we were just super grounded, and working, and always on the moon. We had to come back to Atlanta to get to work.”
So where exactly do Migos sit in the pantheon of Hip Hop groups? Are they in the Top 20? Top 10? Top 5? Zane Lowe asked the Quality Control Music recording artists for their thoughts on the legacy of the Migos.
“GOAT status. It’s time to put our statues outside of the stadium. That’s how we feel,” declared Quavo. The 30-year-old hitmaker went on to talk about Migos continuing to influence the musical landscape like the way their “Versace” flow reignited that style of rapping in 2013.
“We want to set the tone and continue to set the trends. We’re here for the youth, and we’re here for the next culture to come up and we got to teach them ourselves. We’re here to do that. The greatest group in the world,” Quavo stated. An official release date for Culture 3 has not been confirmed yet.
The Ville is finally back. J. Cole returned today (May 14) with his sixth studio album The Off-Season. While he famously went Platinum with no features in the past, this time Cole brought some friends with him.
“Took years to reach this form. The Off-Season. My new album. Available now,” tweeted J. Cole at midnight on Friday. His latest musical effort joins an album discography that includes Cole World: The Sideline Story, Born Sinner, 2014 Forest Hills Drive, 4 Your Eyez Only, and KOD.
The Off-Season opens with an introduction by New York Hip Hop legend Cam’ron on the song titled “95 South.” Atlanta’s Crunk pioneer Lil Jon provides an outro for the track.
Plus, Cole recruited hitmakers 21 Savage and Lil Baby for The Off-Season. Fayetteville, North Carolina’s finest also tapped NBA star/rapper Damian Lillard for a record. Morray, 6LACK, Bas, Puff Daddy, and James Fauntleroy made appearances as well.
J. Cole also switched his regular routine by working with different beatmakers. Production for The Off-Season was provided by T-Minus, Tommy Parker, Boi-1da, Timbaland, Frank Dukes, DJ Dahi, Tae Beast, Jake One, and others. Cole produced several tracks too.
Earlier this week, J. Cole let loose the “Interlude” as a preview for his latest body of work. The Dreamville Records co-founder also posted the Scott Lazer-directed “Applying Pressure: The Off-Season Documentary” to YouTube on May 10.
The Off-Season is J. Cole’s first studio LP since 2018’s KOD. In between solo albums, the Grammy winner helped curate Dreamville’s Platinum-certified Revenge of the Dreamers III compilation in 2019. Last year, he released the Lewis Street EP with “Lion King On Ice” and “The Climb Back.”
Nicki Minaj spent the last week teasing that new music would arrive this week. On Friday (May 14), the New York native delivered her 2009 mixtape Beam Me Up Scotty to streaming services and added some new tracks to the project.
The 2021 version of Beam Me Up Scotty includes “Seeing Green” featuring Minaj’s longtime Young Money collaborators Drake and Lil Wayne. “Fractions” and a remix of Skillibeng’s “Crocodile Teeth” are part of the collection too.
Prior to the Beam Me Up Scotty teases on Twitter, the veteran rapper born Onika Tanya Maraj was relatively quiet on social media. It had also been a while since she released a song as a lead artist or as a featured artist.
In June 2020, Nicki Minaj teamed with controversial rapper 6ix9ine for “Trollz.” The collaboration opened at #1 on the Hot 100 chart before it suffered the biggest drop in history for a No. 1 debut, at that time, by falling to #34 in week two.
“Seeing Green” and “Fractions” have both entered the Top 5 of the current iTunes all-genre songs chart which signifies they have a good chance of making it onto next week’s Hot 100. If any of the new Beam Me Up Scotty records do land on the Billboard tally, Minaj would increase her historic total of 114 career entries on that chart.
Beam Me Up Scotty was Nicki Minaj’s third official mixtape. It followed 2007’s Playtime Is Over and 2008’s Sucka Free. The 38-year-old emcee went on to release four studio albums. 2010’s Pink Friday is certified 3x-Platinum. 2012’s Pink Friday: Roman Reloaded and 2014’s The Pinkprint are certified 2x-Platinum. 2018’s Queen is certified Platinum.
Alicia Keys is inviting fans to join her on The Path to Wholeness as part of a new meditation program with spiritual guru Deepak Chopra.
Alicia will join the self-help expert as a guide on Activating the Divine Feminine: The Path to Wholeness, a 21-day audio course aimed at helping listeners “find harmony with the feminine and masculine energies within each of us, and return to peace in mind, body, and spirit”.
The singer will kick off each 20-minute installment with a little storytelling, before Chopra takes fans through a meditation session.
Describing the “divine feminine” as an “extremely powerful” force within each and every person, Alicia states: “It helps you grow, it helps you create, it cultivates who you are.
“There’s a major imbalance in our world, and we can all feel it. To counteract it, we have to open the door to the Divine Feminine in us and its ability to repair and create.
“It’s been an adventure to travel on this journey of self-exploration with my brother Deepak Chopra. He believes in wellbeing for everyone, as do I, and knows we could all use some extra healing vibes in this moment.”
Chopra adds: “The Divine Feminine is often overlooked or silenced by structures that promote an imbalance of masculine energy.
“Love, compassion, and receptivity exist at the source of the Divine Feminine and when we allow these energies to emerge in our lives, we create space for nurturing and healing both personally and collectively.”
Alicia is the latest big name to join forces with Chopra as part of his 21-Day Meditation Experience brand – he’s previously worked with Oprah Winfrey, and recruited Latin superstar J Balvin to launch a bilingual program last year (20).
To register for the free Activating the Divine Feminine: The Path to Wholeness program, visit: https://chopracentermeditation.com/.
DMX’s young daughter is set to honor her late father with a performance at a planned tribute show in Texas.
The hip-hop icon, real name Earl Simmons, had been booked for a concert at the Wildcatter Saloon in Katy on May 29th, but following his death on April 9th, the owner decided to turn the event into a special salute for devotees.
Officials have since managed to secure DMX’s fiancee, Desiree Lindstrom, and their four-year-old son Exodus, to make an appearance and deliver a short speech at the gig.
The rapper’s eight-year-old daughter Sonovah Hillman, Jr. will take center stage for a spoken word piece, just as she did at DMX’s memorial in Brooklyn, New York, where she wowed mourners with a revamped version of his 1999 classic Slippin’.
The youngster earned wild applause after turning the introspective song about the tragic star’s troubles into a musical testimonial, crediting him with helping her in “growing, learning to hold my head up.”
The bar owner also reveals to TMZ that Sonovah will likely perform just before fellow Ruff Ryder’s member, rapper Drag-On, closes out the show.
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This week, the legendary emcee stops by to speak with Tim Einenkel on everything from his debut album, Word…Life to the night Big L was murdered. He also speaks on the project the two artists were working on before Big L’s passing, and his sharp criticism of the upcoming biopic on Big L titled “Put It On.”
O.C. also shares stories when working with fellow artists such as Fat Joe, Lord Finesse, M.O.P, Diamond D, AG, Buckwild, Organized Konfusion, and tells an epic tale of almost signing to Bad Boy, and why Diddy “threw him out of” his office!
SKG is back. The Los Angeles-based lyricist, known to be once signed to the infamous Death Row Records, returns with a hit song with Houston’s very own Paul Wall. On her last foray, titled “I’m Tired,” SKG represented the harsher side of life, the year 2020 which was filled with so much stress and strife and death. That collaboration, which featured soul singer Anthony Hamilton, touched a nerve and the soul of listeners, reaching deep within the recesses of the nation’s consciousness.
The Paul Wall song – appropriately called “Big Chain, Big Grill” – is a dramatic, but a welcome departure since it’s reflective of a more positive outlook. Also, people in Texas are definitely outside. AllHipHop catches up with SKG to get the lowdown on her latest single, what is up next and what did actually takes to get with a lady like her.
AllHipHop: How and why did you link up with Paul Wall? How was your connection?
SKG: I was in the studio working with my producer Cavi and he played me this track and as soon as I heard it had a H-Town vibe to it. So, I reached out and sent it to Paul Wall and his manager Gu and the rest is history.
AllHipHop:The video is visually stunning, but you are really just right there in Houston. What was it about Houston that made you do it there?
SKG: Yes that’s actually one of my favorite videos. The director and videographer Keith really helped bring my vision to life! I wanted something that represented the vibe of the song and I wanted to represent Houston because when I think of the song and I listen to it that’s what it reminds me of.
AllHipHop: It has been some time since you dropped “I’m Tired” feat Anthony Hamilton. This is a different look. How do you feel these days.
SKG: You know I always say I’m really a diverse artist. I love showcasing my diversified personality through my music.
AllHipHop: You touch on it in “Big Chains, Big Grill,” but give us the things a man or person has to be to get with SKG?
SKG: At this point, I’m so focused on my goals I’m just going to stay single for some years. Relationships can become a distraction and I don’t want to get into another relationship until I fully work on myself mentally, physically, spiritually and financially. I don’t want to come into no relationship with baggage and a broken soul and I don’t want no man coming to me that way neither. So at this time, can’t nobody get with SKG…I’m just focused on catching flights not feelings.
AllHipHop: What are your future plans now that it feels like the pandemic is opening up a bit.
To go harder than I was going before and during the pandemic. I just put together a 25-city tour to perform my music so I’m focused on that and also working on a few TV and film projects. Just staying determined and motivated.
Flo Rida is steaming mad at Celsius Heat, an energy-drink company, reneged on a lucrative endorsement deal after featuring them prominently in his video.
The Carol City charmer dropped a new video called “Hola” that featured young adults (Gen Zers and Millennials) dancing in a nightclub who seem to be sipping on the Celsius Heat drink.
By all marketing and advertising standards, this is great product placement for the brand with the GRAMMY nominated-rapper. Based on his “heat” and celebrity cache, the music video has accumulated over 135 million views over the last three years.
Clearly, Flo Rida believes that this successful collaboration brought a lot of attention to the beverage and its parent company, Celsius Holdings, which was backed by Russell Simmons.
He entered into the collaboration thinking that it would be mutually beneficial, helping them get out of a corporate slump and move into a hot listing on the NASDAQ exchange that generated $130 million in revenue in 2020.
In a lawsuit filed in Broward County, the rapper (who served as the global brand ambassador) says that despite helping their visibility, he has received proper compensation for his efforts to raise the temperature for Celsius as a whole.
Flo contends that his involvement in the company (even a signature product called “Flo Fusion”) helped launch the caffeine-infused drink into “a new era,” and supported their “brand development, growth, and expansion.”
He started working with them in 2014, officially documented through an endorsement contract, when the company was trading for $1 per share. January 2020, the share price rose and remained steady at $5.40 and by this year, 2021, it is worth more than $50.
The rapper asserts that royalties and stock bonuses once promised are being withheld and he was not paid proper compensation under two endorsement contracts.
Flo Rida and his company Strong Arm Productions USA are plaintiffs in the lawsuit.
Also named as plaintiffs are the D3M Licensing Group, a Wellington-area company that helped facilitate the endorsement deal. The story is developing but here is our question … who knew this jawn before the chart-topper put his stamp on it.
Tough Struggle Entertainment recording artist Dre Carter delivers his charismatic, yet introspective new 13-track album titled It Could’ve Been You.
This is Dre’s first body of work since his 2016 Perception album, which boasted lead single “Change” featuring Philly’s own Kur.
The South Jersey native calls upon a long list of features on his latest effort, including buzzing Motown signee Matt Ox.
Other appearances on the project include Ranya, naiqwanwanya, Krewnami Khidd, Dougie4g2, Wiz Gamb, Sharod Starks, Amere May Jr., Zdigga, Juney Knotzz, Nuk Beatz, Dj No Phrillz, Dre Banks, Kyd Offixial, and Thousandaire C Quel.
“The project is inspired by the everyday struggles of life and the choices we make. Every cause has an effect, every action has a reaction. Life’s about the options we’re given, the choices we make, and the outcome,” Dre Carter shares with AllHipHop.
Don’t talk about being a stepper if you ain’t about to do time for seven digits…like those Detroit girls in the group Deuces Wlld.
The Motor-town scammers allegedly stole more than $5 million from the IRS in tax fraud and almost got away with it. Sure this is nothing to celebrate, but peep game.
According to a 20-page IRS complaint, Sameerah Marrel (p.k.a. Crème) and Noelle Brown (Nikki Brown) may have to serve beaucoup time after being hit with aggravated identity theft, false claims, and conspiracy for trying to cheat the government out of $5.5 million.
IRS agent Tyler Goodnight details the alleged crime.
The filing alleges that in 2016 Goodnight was notified by the IRS Scheme Development Center about some income tax returns for estates and trusts filed with the federal accounting agency for years between 2013 and 2017.
He stated within the complaint, “These returns were all identified as fraudulent because the returns claimed that the IRS had withheld large amounts of income tax from the trusts purportedly filing the returns and that those trusts were therefore entitled to large refunds of the excess income tax withheld.”
In fact, the IRS Scheme Development Center actually referred 122 total forms to the agent.
The department determined that the documents were falsely reported withholdings and claimed refunds totaling more than $13.6 million for the tax years 2013-2017 — pointing back to the women. He started to investigate their shady business immediately.
The women have been identified but only Marrel was arrested and appeared in federal court. As of publishing, Brown has not yet been picked up.
When Master P calls, you answer. And when he calls with a cause, the message is received expeditiously. Legendary music mogul Percy “Master P” Miller called AllHipHop with an urgent message.
Fate Vincent Winslow was a man born in Percy “Master P” Miller’s native Louisiana, but found himself sentenced to life in prison for $20 worth of marijuana. Now, Master P and The Ice Cream Shop intend to celebrate the life of Winslow and turn 5/20 into a national holiday. See, Fate Vincent Winslow died in May 2021, mere months after being released early from incarceration in 2020.
Somberly, Master P reached out to AllHipHop in the evening hours to speak on the new movement and the cause.
“One of the guys (Mr. Winslow) that I had doing this Cannabis Freedom Day [with]…the guy got killed a couple days ago. We gonna really celebrate him. He was in prison since 2008 for having a $20 bag of weed on him. He just got out in December and he got killed the other day. I want to bring awareness, you know, helping prisoners when they get out. There’s so many of us locked down from marijuana when its legal in 34 states,” P told AllHipHop. “This is what I am trying to do.”
“We are doing this for people in these states that’s still incarcerated for marijuana,” P continued. “And then we’re celebrating by making 5/20 another holiday.”
“We have to make sure that this injustice doesn’t happen to more people. We need to increase awareness, help educate our culture and help prepare the imprisoned for freedom,” P said in a press statement. “Anyone who is incarcerated for a small amount of cannabis and is fighting this injustice still, we want to help them gain their freedom back.”
But, the difference between 4/20 and 5/20 is the latter points directly towards the millennial generation. 5/20
(pronounced five-twenty) is slang for exotic marijuana, particularly around 5:20pm and the date May 20th. “Everybody’s smoking exotic on 5/20,” the New Orleans-bred mogul said.
P also said that he was in celebratory mode for one of his Brothers-in-Hip-Hop, Busta Rhymes. “May 20th is also Busta Rhymes’ birthday so we gonna do some things together too.”
As the The CMO of The Ice Cream Shop, Master P says in a press statement, “Cannabis legalization has become more and more widespread, over 60,000 cannabis-related convictions have been reduced or fully dismissed in California, where cannabis is legal. As of 2021, 34 states have decriminalized cannabis, eliminating the risk of jail time for possession of small amounts. In states where cannabis is still illegal, a person arrested for cannabis can end up with a permanent criminal record, which can strip them of various essential opportunities like employment, housing, financial aid and even child custody.”
The impresario is determined to make 5/20 a new holiday with a purpose, smoking exotic cannabis,
celebrating freedom and inspiring legislative and judicial change.
To stamp the occasion, The Ice Cream Shop and Master P plan to drop a documentary next year called “5.20 Cannabis
Freedom Day.”
In today’s oversaturated music industry, music with substance goes a long way.
Tha Rift, is here to change the game by representing for hip-hop in the most positive light.
Hailing from Cleveland, Ohio but relocating to Minneapolis, Minnesota to further his music career, the former Navy vet turned recording artist has been putting in the work in 2021, releasing one song per month that’s been very well-received by fans.
One includes the critically-acclaimed “Can You Hear Us Now,” which went viral on Facebook amidst the recent racial and social injustice incidents, including the shooting of Daunte Wright, the murder of George Floyd, and the protests that arose from both.
The song’s official music video unveils real-life imagery of Tha Rift on site at the Minneapolis riots, raising funds for a nonprofit called Minnesota Freedom Fund which helps bail protestors out during the riots.
Most recently, Rift released his newest single titled “Myself Now,” expressing his truest, deepest feelings of both his life and career.
AllHipHop: I know you’re tired. I appreciate you taking the time and not canceling!
Tha Rift: Most definitely! I appreciate you having me. I don’t know if you remember me but I had the red hair, the red braids. I was with J. Plaza and Daddy Dinero with Ace about 3 years ago when we were a part of a group. That was how I initially met you the first time.
AllHipHop: When did you get rid of the red?
Tha Rift: I got rid of the red 4 months after I put that in. It wasn’t my hair, I put the weave in there to get it to grow but then everybody started calling me Fetty Wap. I said “alright, let me take it out. Let me change it.” I took it out, ended up going blue. I cut that out and I’ve been straight since.
AllHipHop: Where are you located?
Tha Rift: I’m in Long Beach, been out here for about 3 years. Been independent for about 3 years, I left the group in 2018. We completed that first round of the deal. It went cool for that first album and we were naive at the time. We didn’t really know what to really expect as far as industry things, questions, paperwork, where money’s supposed to be going. Ultimately, it led to everything falling out with that. Here I am, fast forward 3 years later.
Now, my daughter’s in TV shows and commercials. I’m trying my hand at acting. The music’s getting better, I went viral on Facebook. I’m trying to catch up with everything, it’s going really fast.
I’m trying to change my health to keep up with the pace. I smoke a lot so half the time I’m there, half the time I’m not. [laughs] I stopped for 9 months last year, I was energetic. I’m on alkaline water still.
I’m an veteran, I was in the Navy so I got backaches and loss of hearing. My birthday’s on May 15th, Taurus season. I’m a little older so I gotta start watching my health. Smoke all them backwoods and Dutch wraps started messing with my lungs, then I got paranoid with the pandemic last year.
Everyone said, “Oh if you keep smoking, you’re gonna get COVID.” Maybe I should take a break for a little bit to see what this’ll do. The pandemic didn’t stop so now I gotta smoke. [laughs] Here I am now, I caved. I’ve been smoking since Thanksgiving.
AllHipHop: Weed makes me happier. How are you feeling now?
Tha Rift: I’m mixed about it. Right now, I’m doing it in excess again. If I slow down, I can have a comfortable lifestyle with it. It’s getting to the point where I’m smoking too much daily. The reason why I smoke is because it increases the creativity in your frontal lobe of your brain. Everytime I’m in the studio, I make some of the best music when I’m smoking. I have friends and family who are against me smoking for personal reasons. I’m always afraid to post. [laughs]
AllHipHop: How is Long Beach?
Tha Rift: I love it here. It’s way different than Minneapolis. It’s always been my dream to live here. I’m surprised I lasted out here this long. I came out here signed, I got dropped and my mom died the month I moved out here. I went bankrupt 60 days after moving out here. I lived in Airbnbs after that until I ran out of money. I was out of the car, I was in hotels when I could garner money here and there. They repoed my car while in hotels, that’s my first year out here in LA. I was with my kids and my wife at the time trying to do this. The first year was hell for me, I slowly started gathering my resources and got back on my feet. Now,I’m doing it on my own. I can have the money to market my own songs, try to get events going, or collaborate with people. It was a s##### situation for a little while but I love it out here. The people are great, the energy is great. The vitamin D, no seasonal depression. [laughs]
AllHipHop: How does it feel to have “Can You Hear Us Now” go viral on Facebook?
Tha Rift: “Can You Hear Us Now” is a record I recorded during the George Floyd riots within 24 hours of his death. I was in St. Paul when Philando Castile was killed. I’d moved the year before everything happened with George Floyd. Our city’s very small, we don’t have a lot of large artists. We don’t have Jay Z’s, a lot of people. Jamie Foxx came to the city, Nick Cannon, a few athletes came to speak on our city’s behalf to raise awareness and voices. I’m from that city so we’re damned if we do, damned if we don’t. This is a very controversial issue so if I sit back and don’t say s###, people will say “you’re not using your voice for the city. You’re not using your talent, what the hell are you doing?”
The s### goes viral by accident a year later, people say “You’re using it for clout!” Little do they fail to understand, I helped raise money for @MNfreedomfund which is a nonprofit. They raised over $33 million, all that money goes to protestors that were wrongfully arrested last year. I felt compelled to use my voice because I’m an artist from the city and I gotta speak up. If I get my message out there, then everybody else is gonna get the confidence to speak out against what’s happening. None of this keeps getting swept up under the rug and deleted, that type of s###. That’s my motive behind that.
AllHipHop: Talk about being biracial as well.
Tha Rift: My dad’s white and my mom’s black. I’ve suffered police brutality throughout the years, especially here in Long Beach, Minneapolis, Minnesota, and Cleveland, Ohio when I grew up. It was very personal for me when I seen all that transpiring, especially with the Daunte Wright situation going on during the trial. I went back to Minnesota again to check back in with the city, shake some hands and get back in with some nonprofits to extend some help to continue to move. To show people that I’m really for the culture. I’m black and white, racism oppresses me (audio cuts out) immediately because I have the best and worst of both worlds. I want to use myself as an advocacy to speak out to people who might be suffering from prejudice. Everybody of minority has usually suffered some form of racism at some point in their life.
AllHipHop: How was it putting the video together?
Tha Rift: Shout out to Anthony Brown and XAM Vision for filming. I literally hit up both of my guys that were in the city on the ground. “Yo, can you guys go capture some footage for me? I’ll be there in 24 hours, I’m catching the next flight over.” Both of the homies went out and captured all of that b-roll footage you see in the video. All of the chaos, the fire, the ATMs being broken into, the protests, the whole 9 yards. When I got into town the next day, I did a couple of interviews. I did one with Fox 9. I hopped out to the protests, we protested. All of a sudden, a semi truck almost hit us on the freeway. That one was crazy, another video that went viral at the end of that video. That was a whole nother experience.
I hit them up, flew up there, I shot the video. I didn’t want to put too many crazy performance clips in it because I didn’t want to take away from the general message of the song. I didn’t want to make it about me. I literally sat there with 2 _____ (inaudible), with my homie Angelo who produced that beat, shout out Angelo Bombay and Roman Hotel who co-produced that beat. We sat there and edited that video, dropped it within 10 hours to get the message out. The first year, it bottomed out around 80K views. Cool, at least we raised a little bit of money and got the message out. People responded, great. That’s all I need. I put it on platforms, forgot about it. Fast forward to now, people are pinging me. Where the hell are they coming from? I had no idea Angelo put the video on his Facebook, people responded to it.
AllHipHop: Talk about raising money for Minnesota Freedom Fund and what it means to be giving back to your community that way.
Tha Rift: Being a breathing body on the ground, physically doing something. Walking with people. Showing people that your voice matters, your presence matters. At the riots during Philando Castile, it wasn’t nearly as many as you see today during Daunte Wright or George Floyd last year. George Floyd was the biggest I’ve ever seen because it hit the rest of the nation. It’s very important to me to give back to my community because this community has supported me for 7 years. I didn’t take music seriously until 2016, I blew up in 2017. Got signed that year, it was all because of Minneapolis. If they would have never came to shows, streamed and supported me, bought merch, pulled up for me – how do I expect people to pull up for me if I can’t pull up for the city that triggered or started my career in the first place?
I’m trying to be as transparent and humble as possible, keep it a buck all the way through. I’ve lived through shaking people’s hands, being too shy, too timid. You try to be too cool for school and people mistake that judgement and that energy, that messes relationships with people. Closed mouths don’t get fed, I’m talking to any and everybody in the city willing to listen to me. If you want to work with me in the city and you have some type of platform, please reach out to me. I’ve been connecting with a lot of people with platforms back home because I need them as much as they need me. We need each other for cross promotion to get both of our messages out, get both of our points across. That’s how we grow as a brand. That’s how I’ve gotten to where I’m at now, by co-collaboration and cross promotion. I’m on autopilot trying to grow and do something good in the process.
AllHipHop: Talk about your new single, “Myself Now.”
Tha Rift: That’s inspired by me having really bad PTSD and anxiety from the military, traumas in my life. I got about 6 plates on the left side of my face, loss of hearing. I’ve been through a lot in my life. I have really bad anxiety. Being able to finally get out of that comfort shell of not being afraid to put what I really want on my records, not being afraid to step out of the hip-hop realm to give somebody a message that might not be received very well on hip-hop. A soft or heartfelt message might not go over well on a trap beat. An angry or frustrated message might not go over well on a EDM/alternative beat. I do these different types of genres, “Myself Now” is my favorite and my best record yet. I have 3 more on the way, 4 more videos on the way, 2 albums on the way.
The reason why I’m attached to this one is because it’s such easy listening. It’s very literal, whatever you hear is what you get. “I’ve been fighting with myself now, believing if I can fly.” I’ve been having an internal battle with myself because I have internal insecurities about myself, believing if I’m really cut out for this or not. I’ve been struggling with this ever since the jump. It really eats at you when you’re doing this out of your own pocket, out of your own banks, out of anything you’re trying to do on your own. You don’t have a label to go with you. I can’t go and pick up a loan, I gotta figure it out. “Myself Now” is no dyed hair, no crazy jewelry. I got tattoos but it’s me in the flesh. There’s no gold grills, there’s no chain. There’s no aesthetic to cover — what you see is what you get. This is me. I did all that. Yes it’s fun, it’s lovely, but I’m still growing up. I’d rather win you over with what I feel inside, how do I live through my anxiety on a daily basis. Are the medications working? Do I need to stop them? Should I take this medication instead? [raises joint] I go through real issues, I want them to feel that. “Myself Now” out on all platforms.
AllHipHop: What can fans expect from the album?
Tha Rift: I have 2 albums. I have an EDM album called Dimensions produced by Angelo Bombay. I’ma have one or 2 records from Chris Hooks. I want to put out the EDM one because I’ve been telling people that it’s coming since forever, I posted about it last year so I owe you guys an album. The other one is something that I’m feeling in the moment because of all the emotional things going on in my life. I don’t want to sit and wait to drop music, I want to drop it right away along with the other projects so people can feel what I’m feeling right now. Sometimes in an artist’s head, you’ll sit on a song for 6 months to a year because you got a team scheduling your releases. “No wait! We gotta roll this out this time…” One is because I was taking too long to record it. Two, I feel the need to get some other messages off my chest on a different genre outside of EDM. That one might be an alternative 2-track EP, no name yet.
As part of the Death Row Records 30th-anniversary celebration, the Los Angeles-based company presents the “Death Row Experience.” The virtual retrospective gallery is now open to the public online.
“Death Row Experience” was created by Flux88 Studios in partnership with digital designer TillaVision. Previously, TillaVision worked with recording artists such as Nas, DJ Khaled, Swae Lee, Cardi B, JuiceWRLD, and Pop Smoke.
“It’s been an honor and pleasure to work with Death Row Records, bringing its incredible history to the web in virtual reality for the first time,” said TillaVision. “We’re laying the groundwork for infinitely explorable space fans can enjoy their favorite Death Row Records music and memories.”
TillaVision added, “We’ve gamified the site by adding a scavenger hunt and incorporated NFT sales, exclusive merch, and even working phone lines that fans can call. We created the ‘Death Row Experience’ to honor the artists and entertain the fans. Enjoy this first look into the expanding Death Row virtual universe.”
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Death Row Records was founded in 1991 by Andre “Dr. Dre” and Marion “Suge” Knight. The label was once home to Dr. Dre, Snoop Dogg, 2Pac, and other rap stars. The legendary Hip Hop company is now owned by Entertainment One (eOne).
“Death Row is one of the most influential labels in Hip Hop. 30 years later, its musical legacy continues to make an impact in music and beyond. We are excited to celebrate this anniversary and highlight the label’s seminal albums and accomplishments throughout the year,” stated Sean Stevenson, eOne’s EVP & GM, Music.
New features, easter eggs, and virtual buildings will be added to the “Death Row Experience” on the 30th of each month for the rest of the year. Fans can also participate in the online museum by uploading their own photos and videos. The fan exhibit is scheduled to open on June 30.
In March, Death Row Records announces the brand was offering special 30th Anniversary blockchain-based NFTs. Plus, re-released cassette versions of Dr. Dre’s The Chronic, Snoop Doggy Dogg’s Doggystyle, 2Pac’s All Eyez on Me, and Makaveli’s The Don Killuminati (7 Day Theory) became available in April.
The classic Jay-Z versus Nas battle from the early 2000s will likely be discussed forever by rap aficionados. The two legends are on good terms now, but back at the turn of the century, they were part of an epic bout for Hip Hop supremacy.
Jay-Z’s “Takeover” was his most damaging attack against Nas. Over just one verse, the Brooklynite dissected his Queens-raised counterpart’s perceived downfall out of the Top 10 emcees conversation. Jay even tried to flip using Nas’s Illmatic track “The World Is Yours” for his own “Dead Presidents II” into a loss for Esco.
“So yeah, I sampled your voice, you was using it wrong. You made it a hot line, I made it a hot song. And you ain’t get a coin, n####. You was getting f##### then. I know who I paid, God – Serchlite Publishing,” rapped Jay-Z on “Takeover.”
MC Search is the founder of Serchlite, and he is credited as an executive producer on Illmatic. During an interview with Drink Champs, the former 3rd Bass member spoke about Jay’s famous publishing bar directed at Nas. He broke down how the sampling of “The World Is Yours” played out from his perspective.
“[Roc-A-Fella Records co-founders] [Kareem Biggs], Dame [Dash], and Jay come to my office and said, ‘Hey, we have to clear this ‘Dead Presidents’ sample. Take care of us,'” MC Serch told Drink Champs hosts N.O.R.E. and DJ EFN. “I said, ‘Okay, no problem. Give me $2,500, but just know we’re gonna have 25% of your record on the publishing. He was like, ‘Alright, cool.’”
The native of Far Rockaway, Queens added, “[Jay-Z] gave me a check for $2,500. I delivered it to [Zomba Music Group]. But if you look at the liner notes on ‘Dead Presidents,’ Nas is one of the publishers. So that line can live as much as it lives, but Jay don’t own a piece of Nas’s catalog, but Nas owns a piece of Jay’s catalog. And that’s a fact though.”
After Jay-Z dropped “Takeover” to widespread acclaim in 2001, Nas fired back with his scathing diss track “Ether” that same year. The title of the song has since gone on to become a cultural meme Hip Hop fans and non-Hip Hop fans use when one person is seen as demolishing his or her opponent with words.
Fast forward twenty years, Jay-Z and Nas have now collaborated on songs multiple times after they settled their differences in 2005. The two music icons recently joined forces again for DJ Khaled’s “Sorry Not Sorry” single. The newest collaboration sparked speculation of a possible Hov/Esco joint project in the near future.
“Since Rory feels like he has so many options here, somehow he still feels he’s running the show. He still feels like he has choices and options. He feels like he’s entitled to more. Rory, you are in breach of your contract, and from this point forward, you are fired! And you’re not welcome back!” shouted Joe Budden on Episode 437 of his self-titled podcast.
With that statement, it seems the end of an era in Hip Hop podcasting was confirmed. The Joe Budden Podcast host’s decision to announce the dismissal of his friend/co-worker Rory Farrell on air was met with mixed reactions online. Many fans of the show lashed out at Budden on Twitter, and he responded to several of those complainers.
After remaining publicly silent for most of Wednesday as the reactions played out on social media, Rory finally addressed the situation. The D’ussé Palooza crew member took to Twitter to share some of his thoughts about getting terminated from The Joe Budden Podcast.
“Mannn… what an era… Thank you to everyone that listened, supported, told their friends about us, bought a subscription, ticket, or merch… any value starts & ends with y’all,” wrote Rory. “I’ll get to that messy s### soon but in the meantime, I’m here to celebrate an amazing run!! Love.”
He then provided some self-deprecating humor by mentioning a 2001 song from then-teenage rap star Lil Bow Wow. Rory tweeted, “I just read that back and it sounded like the Bow Wow ‘Thank You’ record [shaking my f###### head] 😭.”
Mannn .. what an era .. thank you to everyone that listened, supported, told their friends about us, bought a subscription, ticket, or merch .. any value starts & ends with y’all .. I’ll get to that messy s### soon but in the meantime I’m here to celebrate an amazing run!! Love.
There was clear tension among the commentators on The Joe Budden Podcast for months. At one point, Rory and Jamil “Mal” Clay were absent from the show after having behind-the-scene disputes with Budden. They were replaced by Ice and Ish for several episodes which further strained the relationship between Budden and Mal.
“Does the show go on without trying to resolve something first? I felt some type of way about that because to me it’s saying something. It’s saying like, ‘Yo, you’re replaceable,” stated Mal during the “Shaking The Tree” episode which came out after he and Rory briefly returned to the pod.
Following the “Shaking The Tree” and “The Floor Is Yours” editions, the podcast went on a break. Many listeners expected The JBP would return with Rory and Mal back in their seats. Instead, Budden used the Patreon-only May 12 installment titled “You Want It To Be One Way” to announce permanent changes had been made to the team.
The @JoeBudden Podcast Episode 437 | “You Want It To Be One Way” is now available ONLY on Patreon! #JBN@JBuddenNetwork
According to Budden, Rory asked to have more access to the podcast’s financial records which the retired New Jersey-bred emcee refused to provide to him. Budden claimed as the owner of The Joe Budden Podcast and the only original presenter on the show from day one, he has more of a budgetary burden than his co-hosts, and therefore they should essentially be viewed as contracted employees, not business partners.
Budden also threatened legal action against Rory and Mal if they immediately attempt to create their own podcasts because their contracts apparently contain a non-compete clause for a certain amount of time. On “You Want It To Be One Way,” he also seemingly welcomed a wrongful termination lawsuit from Rory.
“Friend or not, I’m NEVER funding someone’s sabotage of me, that will NEVER happen… I get far away from the threat… You can think piece until your face turns blue 🙃🤷🏽♂️,” tweeted Joe Budden on Wednesday morning. When a Twitter user replied, “You’re funding the [sabotage] of yourself ironically enough lol,” Budden answered back by saying, “I can afford to.”
Friend or not, I’m NEVER funding someone’s sabotage of me, that will NEVER happen… i get far away from the threat…. You can think piece until your face turns blue 🙃🤷🏽♂️
Migos fans have been waiting for the arrival of Culture III for years. The Atlanta-based trio is now letting their followers know a new single from the album titled “Straighten” will land this week.
“Midnight. 5/14 #Culture3,” tweeted Migos’ verified Twitter account on May 13. The post included the official cover art for “Straightenin.” The group’s name then began trending on the social media platform.
In March, Offset shared footage from a music video on his own Instagram page along with a caption that read, “Culture 3.” Just a few days later, Quavo went viral on Twitter after he posted another short clip. In the tweet, he stated, “Don’t Nun Get Straighten But STRAIGHTEN!! 🤐.”
Culture III will be the long-awaited follow-up to 2018’s 2x-Platinum Culture II. That #1 album hosted the Top 10 singles “Stir Fry,” “Walk It Talk It” featuring Drake, and “MotorSport” featuring Nicki Minaj & Cardi B.
After the release of Culture II, each member of the Migos presented solo debut propjects. Quavo’s Quavo Huncho and Takeoff’s The Last Rocket both came out in 2018. Offset’s Father of 4 dropped in 2019.
Migos’ “Give No Fxk” featuring Travis Scott and Young Thug as well as “Need It” featuring YoungBoy Never Broke Again hit DSPs last year. “Straightenin” will join the Quality Control representatives’ catalog on a stacked new music Friday that also includes Nicki Minaj’s latest single and J. Cole’s The Off-Season album.
Louisville native Jack Harlow is speaking out about a serious legal situation involving his deejay. Ronnie “Lucci” O’Bannon is being accused of murdering a bartender named Kasmira Nash on Kentucky Derby Day (May 1).
According to the Louisville Police Department, O’Bannon turned himself in on Tuesday in connection with the shooting at the Vibes Restaurant and Ultra Lounge. The 27-year-old suspect’s bond was set at $500,000 and his arraignment is scheduled for May 17.
Yesterday, Jack Harlow used his Instagram Story to address the death of Kasmira Nash. The “Whats Poppin” hitmaker wrote:
My heart is broken by the events that occurred over Derby weekend. My heart breaks for Kasmira, her children, and everyone else touched by this tragic death. My heart breaks for my city, a place that’s been through too much pain already. I’ve been in touch with Kasmira’s family during this unimaginably painful time, and I’m grateful to them for keeping the lines of communication open. Nothing can reverse what happened. Too many lives have been changed forever. My life will remain committed to making Louisville a better place.
Jack Harlow rose from his Kentucky hometown to being one of the most prominent roster members of Don Cannon and DJ Drama’s Generation Now record label. He was later selected for the 2020 XXL Freshman Class.
In 2020 were you locked into a “pandemic” or a “plandemic?”
If you ask Snoop Dogg, he will tell anyone who will listen that he has not only been planning during the COVID-19 pandemic but has been busting business moves.
Snoop also has a new commercial deal with BIC for their new EZ Reach Lighter with Martha Stewart, and he is working on the Mount Westmore project, while, figuring out how to celebrate his 30th anniversary of his debut on the “Deep Cover” song.
The West coast legend is producing new music compilations efforts in different genres such as the blues, jazz, and R&B, and he recently released his 18th career solo album, From Tha Streets to Tha Suites.
You thought that was it? Nah, bruh.
Snoop also wants to end this season by making history at next year’s Super Bowl in Inglewood, California.
“Hopefully the NFL will be smart and make the right decision. It’s in Inglewood, Calif., and it will make the most sense in the world,” Snoop told Yahoo in a recent interview. “I’m available, Dre’s available, Eminem’s available, Kendrick Lamar, 50 Cent — whoever Dr. Dre wants to pull out of his hat to make this thing a professional event and make it big and the biggest effort they can have. It’s just a matter of the NFL pulling the trigger. I wouldn’t just walk out. I would definitely do something that would be mind-blowing, you know what I’m saying? People will be talking about it for the next 30 years. I’m open to anything that’s dope, unique, edgy, and cunning. This will be cutting-edge, just for my people.”
Feel lazy??? Well, if you measure up to the Snoop you ought to.