Cardi B may want to take the advice of her legions of fans on Twitter (X) amid her brewing rap beef with BIA, considering they’re offering her some pretty choice ideas on how to respond to her op’s diss track.
BIA dropped “SUE MEEE?” aimed at Cardi B following the “Bodak Yellow” rapper’s alleged subliminal on GloRilla’s “Wanna Be(Remix)” featuring Megan Thee Stallion. Soon after, the pair was involved in a disagreement that played out on social media after BIA posted remarks from Cardi B’s husband, Offset, suggesting infidelity in their marriage. The title of the diss itself is actually a reference to Cardi B’s threats to sue BIA for spreading the rumors about her and Offset.
And as far as “SUE MEEE?” Is confirmed, BIA took her insults to another level by suggesting Cardi B doesn’t actually write her raps and, instead, uses Megan’s ex-boyfriend Pardi Fontaine as a ghostwriter.
“C-A-R-D cryin’ on I-G (Cryin’ on I-G)/Catch another tude ’cause she couldn’t catch a beat (Couldn’t catch a beat)/Do I beef with you or do I beef with Pardi? (Huh)/You been scrapping projects since 2019 (Haha),” BIA raps on the track.
If Cardi B don’t sample this on her diss back to Bia it’s an L! It’s right by the rim! Bia! Bia! pic.twitter.com/0Z3DvYYFN3
Even though it appears the rappers had words with each other, it’s clear BIA isn’t nearly as pressed as Cardi, considering she jumped on social media to address each and every claim alleged on “SUE MEEE?”
Instead of spinning her wheels, Twitter (X) users think Cardi B should get into the studio with the assistance of an old Lil Jon and The Eastside Boyz song.
“If Cardi B don’t sample this on her diss back to Bia it’s an L! It’s right by the rim! Bia! Bia!,” a user wrote in a tweet featuring a clip of Lil Jon’s 2000s hit “Bia Bia.”
Aside from the obvious hilarious implications, this could actually be a strong strategy for Cardi B, should she decide to respond.
Given that it appears BIA interpolated melodies and composition form Rodney O and Joe Cooley’s “Everlasting Bass” (as Metro Boomin and Future did on their Kendrick Lamar-assisted “Like That”), Cardi could certainly gain an edge by doing the same with Lil Jon’s anthem.
Cher is coming to the defense of her boyfriend Alexander “AE” Edwards, who was recently involved in a fight between Tyga and Travis Scott’s respective crews.
The dust-up happened at the Cannes Film Festival in France, where promoter Richie Akiva was holding a star-studded party. Edwards was filmed pummeling 808 Mafia producer Southside before Scott pulled him off.
On Saturday (June 1), Cher tweeted in defense of her 38-year-old man, “I’m Proud of Alexander. He Didn’t Start The fight. Against 2 Men,… He finished it, Gotta Love Him.”
I’m Proud of Alexander.
He Didn’t Start The fight
Against 2 Men,… He finished it, Gotta Love Him
The incident took place on May 24 during Akiva’s event. Travis Scott was reportedly upset when Akiva shouted out Tyga and Edwards at the event. Tyga is the ex-boyfriend of Kylie Jenner, the mother of Scott’s children. Scott allegedly snatched the mic from Akiva, leading to a confrontation with Edwards.
“Travis was the aggressor,” a source said. “He and his team were being neurotic, erratic and crazy. He was there looking for a fight with anyone to be honest.”
Scott allegedly threatened Tyga’s security and returned with Southside, leading to the melee. A witness claimed Edwards “and Tyga’s assistant began to beat up Travis,” but security was eventually able to restore some order. Tyga, meanwhile, stayed off to the side of the DJ booth. Tyga, Edwards and their entourage stayed at the party, while Scott and Southside left the event.
New video of Travis Scott’s altercation involving Tyga’s camp, Alexander “AE” Edwards & Southside
TMZ reports that a fight broke out after Richie Akiva gave props to both Travis Scott and Tyga on stage. Travis seemed upset about being associated with Tyga, possibly due to their… pic.twitter.com/Uzw9sRmOvc
TMZ caught up with Edwards a few days after the fight and asked if he and Scott had a chance to talk it out. He replied, “It’s all good. He [his bodyguard] ain’t have to work that nigh. But shout out Southside, that’s my n####. I know he was just defending his boy and doing what he was supposed to be doing as his boy.”
Edwards added there’s “no hard feelings,” between them, saying, “It is what it is, it went how it went. I don’t wann fight. I don’t initiate that s###. I’m a protect myself and my people.”
When asked if he had a message for Scott, he replied, “No message. They got the message. It’s just n##### being n#####, at the end of the day. It’s a healthy fade, that’s what it is.”
In a music scene often dominated by explicit content and predictable themes, Young Miller Tha Don’s latest album, “Miller’s World,” stands out as a refreshing exception. From the very first track, the album seizes your attention and takes you on an unforgettable journey. With its versatile style, clean lyrics, and exceptional production, “Miller’s World” is a breath of fresh air that the hip-hop genre desperately needs.
Young Miller Tha Don’s versatility is one of the album’s most compelling features. Each track showcases his ability to effortlessly switch between different styles and flows, keeping the listener engaged and entertained throughout. Whether he’s delivering rapid-fire verses or smooth, melodic hooks, Young Miller’s talent is evident in every beat and bar.
A standout aspect of “Miller’s World” is its commitment to clean content. In a genre where profanity often feels like a staple, Young Miller Tha Don breaks the mold by delivering an entire album without a single curse word. This decision not only broadens the album’s appeal but also proves that powerful, impactful music doesn’t need to rely on explicit language. His lyrics are a testament to his skill as a wordsmith, weaving intricate narratives and thought-provoking themes that resonate deeply with listeners.
The production quality of “Miller’s World” is nothing short of stellar. Each track is meticulously crafted, with beats that are both innovative and infectious. The album’s soundscape is a perfect blend of classic hip-hop elements and modern production techniques, creating a vibe that is both nostalgic and forward-thinking. It’s clear that Young Miller Tha Don has a keen ear for production, and his collaboration with top-tier producers has resulted in a sonic masterpiece.
One track that truly stands out is “Ride Along,” produced by legendary Harry. The lyrics are deeply introspective, showcasing Young Miller Tha Don’s ability to convey complex emotions and stories through his music. The hook, sung by D. Stewart, adds another layer of depth and soul to the track, making it a standout moment on an already impressive album.
But what truly sets “Miller’s World” apart is its potential to pave a new lane in hip-hop: clean music with substance and style. At a time when many artists feel compelled to follow trends, Young Miller Tha Don stands out as a pioneer, proving that you can create compelling, chart-topping music without compromising on content. His work is a call to action for other artists to explore new creative avenues and push the boundaries of what hip-hop can be.
“Miller’s World” is more than just an album; it’s a movement. It’s a breath of fresh air in a genre that sometimes feels stifled by its own conventions. Young Miller Tha Don has set a new standard for what hip-hop can achieve, and fans are already eagerly anticipating “Miller’s World 2.” If this album is any indication, the future of hip-hop is in good hands.
In conclusion, “Miller’s World” is a testament to Young Miller Tha Don’s talent, vision, and dedication to his craft. It’s an album that demands to be listened to from start to finish, and it’s a shining example of how clean, versatile, and expertly produced music can make a lasting impact. As we look forward to what Young Miller Tha Don has in store next, one thing is certain: the world of hip-hop will never be the same.
Great achievers possess an innate sense of purpose and an unwavering desire to leave behind a lasting impact. For musicians, their music becomes their enduring legacy, a form of “immortality” that transcends time. DABOYWAY, the legendary figure in Thai Hip Hop, has significantly contributed to his legacy with the release of his latest single “On Me.” produced by Grammy-winning Jimmy Duval, The playful anthem revolves around DABOYWAY and his romantic interest, captivating listeners with its dynamic and enthralling narrative.
DABOYWAY, hailing from Queens, NY, has firmly established himself in the music industry over the past few decades. His performances exude boundless energy and electrifying charisma, accompanied by a compelling blend of gritty, thought-provoking lyrics that define the essence of Hip Hop. With his unmistakable flow, lyrical prowess, and vibrant stage presence, DABOYWAY has emerged as one of the most distinctive artists in today’s music scene.
DABOYWAY, the prominent figure in Hip Hop, is a talented musician and a person of integrity. He is revered as a musical “Don” and a true “Boss.” Moreover, DABOYWAY is widely recognized as a founding member of the acclaimed group Thaitanium, which recently celebrated its 24th anniversary in the music industry. Thaitanium has been a household name in Thai Hip Hop for over two decades, releasing numerous chart-topping singles, including a collaboration with Snoop Dogg titled “WAKE UP (Bangkok City)”.
Thaitanium opened up for JayZ and Rihanna and also brought rap icon Nas to Bangkok for the first-ever Asian Hip Hop Festival. The group’s first two albums, AA and Thai Riders, garnered critical acclaim upon their release in Thailand. As part of Thaitanium, DABOYWAY has toured extensively, captivating audiences not only in the United States but worldwide, including Japan, Malaysia, and Singapore. The group’s notable achievements include providing the soundtrack for the Thai film Province 77 and performing at the 2006 MTV Asia Awards. Additionally, they had the honor of opening for Fort Minor and 50 Cent in a concert held in February 2006. DABOYWAY, along with Djaybuddah and the rest of Thaitanium, was a key part of the entrance of the Rolling Loud festival into Thailand.
Beyond his musical endeavors, DABOYWAY is also a gifted actor who possesses a deep passion for the craft. Under his government name, Prinya “Way” Intachai, he has showcased his acting skills in more than 20 feature films. His dedication to honing his craft is evident as he continues to explore the world On the entrepreneurial side. The dedicated father and visionary has a clothing line for kids that was inspired by his children called Dek Tay. DABOYWAY is also the owner of 36 barber shops in Bangkok called NEVERSAYCUTZ.
Little Simz has shared her vision of breaking down barriers in the industry.
As Little Simz approaches her 30th birthday, she reflects on her mission to inspire the next generation and emphasizes her efforts to be more present in local communities.
“Allowing people to see me and know that their dreams are achievable is crucial,” she told Elle in a recent interview. “I’m working on being more visible, visiting schools and youth centers,” Simz said.
She hopes these experiences will stay with young people long after the encounters, making them believe in the possibility of success.
She explained, “Picture me at the youth club today and on the catwalk tomorrow. I want people to look at me and think, ‘Yes, that’s something I can do.'”
Simz also voiced her concerns about the cuts to youth clubs and the arts in the UK, stressing how vital these resources were to her development.
“It’s frustrating,” she said. “I can’t imagine my life without those opportunities. Growing up, there’s not much to do in our environments, and kids naturally end up on the streets. Cutting their creativity at such a young age is tremendously detrimental.”
The London-born rapper’s influence extends beyond music, shaping a broader cultural conversation about accessibility and mentorship in the arts.
Simz’s words ring a challenging note for policymakers and educators.
“Creativity is a way of life. When nurtured, it teaches problem-solving and creation, skills that are essential for the future. It’s not just about making a painting.”
Yung Gravy is swapping his microphone for a baseball bat—at least for one day.
The St. Louis Cardinals signed the multi-platinum artist to a one-day contract, bringing a touch of Hip-Hop flair to Busch Stadium.
Yung Gravy, known for hits like “Mr. Clean” and “1 Thot 2 Thot Red Thot Blue Thot,” Yung Gravy accepted the Cardinals’ offer with enthusiasm, donning a custom jersey.
If there were any doubts about this collaboration, MLB Network’s Greg Amsinger squashed them when he announced it on the air.
The news sparked quite a commotion online, particularly on platforms like TikTok and Instagram.
Yung Gravy’s journey to the big leagues started when podcast host Bobbi Althoff asked him if he played for the Cardinals—a question that led him to post a humorous plea on TikTok.
“Any teams out there willing to have Yung Gravy? Cardinals are my first pick!”
Shortly after that, the Cardinals responded affirmatively, and fans can watch him unbox his custom jersey on social media.
While the one-day stint with the Cardinals is grabbing headlines, it’s not the only exciting venture for Gravy in 2024.
The artist is gearing up for his “Grits & Gravy” Tour.
DJ Rob Swift, veteran turntablist and member of the X-ecutioners, had some choice words for Tariq Nasheed, director of Microphone Check: The Hidden History of Hip-Hop. The exchange began last week in a series of tweets addressing the origins of Hip-Hop. It was still going on as of Saturday (June 2).
The discourse appeared to kick off after Swift tweeted, “Not all of the founders of Hip Hop say it was ‘100% Black.’ Some first generation Writers were White. Some first generation B Boys were Latino. Felipe Luciano (member of the Last Poets) is Puerto Rican. The founders who say it was ‘100% Black’ are victims of the Mandela Effect.”
Nasheed quickly challenged Swift, retorting, “What first generation B Boy was Latino? What’s his name?” Swift replied, “In Hip-Hop, no element was ‘invented’ by a single individual. In the case of Breaking specifically, the dance was codified by a community of dancers over a period of time. The Zulu Kings might have laid the first cornerstones, yes.
“Still, B-Boys like Trac 2 (Luis Angel Mateo) and Spy (Lein Figeueroa), Latinos, played integral roles in continuing to develop the dance throughout the mid to late 1970s. Spy, ‘The Man With A Thousand Moves,’ is explicitly credited with inventing moves like Swipes, 6 Step, and the Baby Freeze. Remember their names @tariqnasheed.”
In Hip-Hop, no element was “invented” by a single individual. In the case of Breaking specifically, the dance was codified by a community of dancers over a period of time. The Zulu Kings might have laid the first cornerstones, yes. Still, B-Boys like Trac 2 (Luis Angel Mateo) and… pic.twitter.com/K5qAIRLmhB
Nasheed dug up a passage online that he thought contradicted Swift’s claim and fired back, “boom..These dudes were NOT 1st generation B boys at all.”
However, Swift’s gripe is bigger than who was a first generation b-boy. Instead, he’s baffled by Nasheed’s shift from an author who wrote books about how to pick up women to an overnight Hip-Hop historian.
“No one is denying the pioneering that’s occurred in Hip-Hop on behalf of Black Americans,” Swift continued. “But in recent years things have taken a curious turn among the “FBA” commentariat online, with a fixation on causing dissension in the culture. You weren’t the one thinking about Hip-Hop when you wrote “The Art of Mackin’” in 2001. I WAS WHEN I WROTE MY AUTOGRAPH ON A LOUD RECORDS RECORDING CONTRACT (Kool DJ Herc, Grandmixer http://D.ST and GrandWizzard Theodore literally passed the Hip-Hop torch over to my crew The X-Ecutioners).
“But then Hip-Hop 50 rolls around, and all of a sudden you’re a historian of DJing, Rapping, Breaking and Graffiti? F### OUTTA HERE! You’re attempting to steal the Hip-Hop torch! You’re a sophisticated fraud, an intelligent grifter, a clever crook, and while you’ve succeeded in turning some of us against each other, you’ll never wipe out the Latinos, and Whites, and other races who’ve had a hand in making Hip-Hop the universal movement it is today!”
Swift continued, “The values you espouse run counter to everything Hip-Hop stands for. You’re not Hip-Hop, you’re a liar ! What you are is a ‘pick up artist.’ Your platform emerged out of ‘hook up culture.’ You teach incels how to get women to sleep with them. You educate lonely, demoralized men on ‘The Art of Gold Digging.’ You’ve used your voice to push manure ideology to weak men, under the guise of empowering them. But in reality, you’re just a modern day pimp.”
Nasheed replied by insulting Rob Swift and essentially calling him washed up with, “You are posting things about me that were extremely SUCCESSFUL. My books got raved reviews by the New York Times and they sold hundreds of thousands of copies. You on the other hand are a wack DJ and a failed tether. Who is jealous of foundational black Americans. That’s because you come from a fleeing failed background and homeland.”
Negro please! The values you espouse run counter to everything Hip-Hop stands for. You’re not Hip-Hop, you’re a liar ! What you are is a “pick up artist”. Your platform emerged out of “hook up culture”. You teach incels how to get women to sleep with them. You educate lonely,… pic.twitter.com/4EmeKpSzDK
Nasheed then attempted to school Swift on how to use the word “break dancing,” which Swift essentially laughed off.
“‘the proper term is BREAK DANCING,’ I’m sorry @tariqnasheed, but a pimp does not get to instruct me on Hip-Hop vernacular. Trixie was the precursor to Breaking. He and his peers catalyzed what would become Breaking. According to Cholly Rock, a Black contemporary of Trixie’s, Breaking didn’t start to form until 1975. So you lie when you claim dudes were performing Backspins, Windmills, and Flares in 1970.
“Also, I don’t doubt Sammy Davis Jr. learned from Will Mastin and Sammy Sr. (very seldom is an idea 100% original), but neither his uncle nor father were performing ‘kickouts’ or ‘swipes’ when they danced. Sammy Jr. added to the trio. Hence, they integrated him into their group; ironically, that’s the beauty of Hip Hop: it expands. It’s pimps like you who restrict.”
“…the proper term is BREAK DANCING,” I’m sorry @tariqnasheed, but a pimp does not get to instruct me on Hip-Hop vernacular. Trixie was the precursor to Breaking. He and his peers catalyzed what would become Breaking. According to Cholly Rock, a Black contemporary of Trixie’s,… https://t.co/UjwXvdn4kkpic.twitter.com/ccpPwFIDy6
Nasheed was recently in New York City promoting Microphone Check: The Hidden History of Hip-Hop. AllHipHop spoke with Nasheed to discuss the documentary, which disputes Latinos’ role in Hip-Hop’s creation. Nasheed, a leading voice of the Foundational Black Americans movement, thinks there was a corporate-led effort to rewrite Hip-Hop’s history.
“In the last 15 years, there’s been this push by the corporate media to say that Hip-Hop was started by Blacks and Latinos,” Nasheed said. “And they’ve been pushing that narrative real hard. And that’s just not true. Not taking anything away from the Latino brothers and sisters, but they came later. And they did phenomenal things. But in the early stages of Hip-Hop, all the pioneers have said this: ‘We was just out there by ourselves. We were doing it by ourselves.’ And the Latino cats were the first students.”
He continued, “We gotta be very careful with people doing that ‘we co-created something together’ because what I’ve seen, people try to ease over and say, ‘Well, the Latinos actually started it first and then we started learning from them.’ And that’s where it gets dangerous because then we’re gonna end up in the same realm we were in with country music.”
Microphone Check features interviews with Grandmaster Melle Mel, Grandmaster Caz, Busy Bee, Sha-Rock, MC Debbie D, Coke La Rock, DJ Hollywood and more. But he was unable to land interviews with two of Hip-Hop’s most prolific pioneers: DJ Kool Herc and Grandmaster Flash.
Nasheed claimed he tried to interview Latinos for Microphone Check, but insisted no Latinos would participate because there’s no proof they contributed to Hip-Hop’s origins.
“It shouldn’t be so hard to give credit to Black people for creating something,” Nasheed said. “When Hip-Hop was negative, we got all the credit. When it was looked at as violent and degenerate, oh [it’s] Blacks. Now that it’s a corporate thing, it’s going to the Olympics, well, other people contributed … If we let them, they’ll say everybody created it. So, we have to put our foot down and say, ‘Look, This is what it is. This is the definitive narrative of the story and we’re gonna leave it at that.’
A street party in Akron, Ohio ended with one person dead and 24 people injured on Sunday morning (June 2). According to local news outlets, a shooting broke out shortly after midnight near Kelly and 8th Avenues, and a 27-year-old man was killed.
Akron Mayor Shammas Malik and Akron Police Chief Brian Harding issued a joint statement about the shooting that read, “This morning, our city is reeling after the devastation of senseless violence. With more than two dozen victims, the pain and trauma reverberates across all of Akron today as we search for answers. As with all acts of violence in our city, our hearts are with the victims and their loved ones.
We will bring those responsible to justice, and we need the help of our community to do that. For those who have information about this horrific shooting—we need you to speak up in order to prevent further violence and retaliation. This can be done anonymously.
They continued, “Today, and in the days ahead, we will share more information about this horrific incident. Our city government and our Akron Police Department will continue to prioritize public safety as our number one concern as we aim to end gun violence in our community.”
Akron police officers discovered dozens of shell casings at the scene and one gun, but no arrests have been made.
A witness at the scene told News 5 there were hundreds of people at the party having fun prior to the gunfire. As the witness described, “Everyone was wearing white T-shirts; there were women on top of vehicles dancing. It looked like a scene from a spring break movie. It looked like everyone was having a good time. On our way back it was a completely different scene.”
The name of the deceased hasn’t been released, but the city is feeling the aftermath. The Cleveland Clinic admitted seven patients to the hospital and one of them is in critical condition. The hospital was under a hard lockdown from just after midnight until around 3:30 a.m. local time.
Summa Health, meanwhile, received 15 patients, 13 of whom had non-life-threatening injuries. Some of those individuals have already been released from the hospital, but one person remains in critical condition.
Leonardo DiCaprio and Maya Jama’s lively party at London’s Chiltern Firehouse drew noise complaints from hotel guests.
Leonardo DiCaprio and “Love Island” star Maya Jama attended a high-profile bash at London’s Chiltern Firehouse, leading to noise complaints.
The Sunday party reportedly became boisterous, causing hotel guests to raise their concerns to management, as reported by The Sun.
The duo, previously seen celebrating in Ibiza in April 2023, have drawn attention to their social outings, with Jama sporting a gold “Leo” necklace.
Despite rumors, Maya Jama took to social media to dismiss speculations of a romance, saying, “That is literally my star sign.”
Their public appearances at festive gatherings have continued. Jama and Leonardo DiCaprio were seen together at his pre-BAFTA party and an afterparty at Annabel’s members’ club.
Maya Jama remains linked with British rapper and singer Stormzy, with whom she rekindled a romance during a trip to Greece in August.
In contrast, Leonardo DiCaprio is currently seeing Italian model Vittoria Ceretti, 25.
The pair met at the Cannes Film Festival’s “Killers of the Flower Moon” premiere in May 2023, and their relationship became public following a sighting at an ice cream date in Los Angeles.
Dee Barnes made history in the late ’80s-90s as the first Black woman—make that first woman—to have her own music video show on a major network. Pump It Up! aired on FOX from 1989-1992, and Barnes wound up hosting some of the most iconic Hip-Hop artists of that era, including Ice Cube, Big Daddy Kane, Beastie Boys and Queen Latifah.
But Barnes’ career came to a screeching halt in 1991, when she was infamously assaulted by Dr. Dre at a Hollywood party. As Barnes described, Dr. Dre picked her up by her hair and “began slamming her head and the right side of her body repeatedly against a brick wall near the stairway.”
Dr. Dre attempted to throw her down the stairs but failed, so he began kicking her in the ribs and hands. Although she momentarily escaped, running into the women’s restroom, Dre followed her and “grabbed her from behind by the hair again and proceeded to punch her in the back of the head.”
Just watched the Ladies First doc on Netflix and I realized that even tho the public forgave Dre for this, Dee’s career never recovered. After being a victim physically, she’s punished for it. It’s simply not right that she had to lose so much💯 https://t.co/MC3fPkKUPN
Barnes filed charges and the parties eventually settled, but she was never the same—nor was her career. Over the past several years, she’s struggled to find work in the industry or keep a roof over her head. In 2019, Barnes revealed she was homeless, the news went viral and she raised thousands of dollars with a GoFundMe. But five years later, she’s still asking for help.
On Saturday (June 1), Barnes issued a plea for financial assistance to her social media accounts.
“Hello EVERYONE! I’m trying to urgently raise $3000 this weekend, my deadline is this Monday 6/3/24. If you are able to donate and share. Thank you, I really appreciate you ALL!” She then provided her various CashApp, Venmo and PayPal handles.
Dee Barnes followed up with an update on Sunday morning (June 2), writing on Twitter (X), “Still need your help please! $1,800 to get closer to the goal! THANK YOU!!”
Still need your help please!$1,800 to get closer to the goal! THANK YOU! 🙏🏾❤️🙏🏾 https://t.co/6ZZ1b0zsFE
Barnes has become an advocate for domestic violence victims since the incident. Most recently, she spoke out about the surveillance footage of Diddy beating Cassie Ventura inside a Los Angeles hotel in 2016.
“Seeing that video is extremely triggering,” she tweeted on May 17. “#DrDre punched, slammed, kicked and stomped me out. #Concussion Logging TF off.”
Dr. Dre has since apologized for the incident—once in 2015 and again in the 2017 HBO series The Defiant Ones.
“Twenty-five years ago I was a young man drinking too much and in over my head with no real structure in my life,” he said in 2015. “However, none of this is an excuse for what I did.”
In an article she wrote for Gawker, she responded, “People ask me, ‘How come you’re not on TV anymore?’ and ‘How come you’re not back on television?’ It’s not like I haven’t tried. I was blacklisted. Nobody wants to work with me. They don’t want to affect their relationship with Dre.”
As for the film, Dr. Dre admitted he’ll never be able to forget what he did to her during the second episode.
“Any man that puts his hands on a female is a f##king idiot, he’s out of his f##king mind,” he said in the doc. “I was out of my f##king mind at the time, I f##ked up. I paid for it, I’m sorry for it, and I apologize for it. I have this dark cloud that follows me and it’s gonna be attached to me forever. It’s a major blemish on who I am as a man.”
Megan Thee Stallion fans were left disheartened this weekend as the rapper’s concerts at State Farm Arena in Atlanta were abruptly canceled due to a significant water main break citywide.
The infrastructure failure disrupted town operations, compelling Mayor Keisha Lance Bottoms to enforce emergency protocols that led to the cancellation of Friday and Saturday shows.
Her Friday performance was rescheduled for Sunday (June 2), but the Saturday concert met the same fate as the water issues lingered.
“Unfortunately, we will need to reschedule tonight’s show at State Farm Arena due to the massive water main break that The City of Atlanta is experiencing. I’m extremely disappointed because I had a huge surprise for the Hotties tonight, but we will follow the Mayor’s protocol,” Megan Thee Stallion said. “Praying for the people who lost access to water due to this situation.”
Atlanta, we are working tirelessly and with great caution to restore your water as soon as possible. We deeply apologize for the inconvenience this has caused and appreciate your patience. Our team is committed to resolving this issue swiftly and efficiently. pic.twitter.com/tNjt0uPJhV
The effects of the water main break rippled through the city, leading to further high-profile disruptions.
The Georgia Aquarium closed its doors on Friday and Saturday, leaving visitors without access to one of the city’s signature attractions. Other prominent destinations faced the same predicament.
The National Center for Civil and Human Rights, World of Coca-Cola, and the College Football Hall of Fame shuttered on Friday due to the water outage.
Additionally, several Fulton County libraries, including the Central Library, remained closed throughout the weekend, impacting access to public resources.
Michael Jackson’s family finds itself in a precarious financial situation, constrained from accessing the performer’s trust funds as a heated conflict with the IRS unfolds.
Pending the resolution of a formidable tax dispute with the Internal Revenue Service, the estate of Michael Jackson has temporarily halted the distribution of trust funds to his family.
This financial freeze affects his three children—Prince, 27, Paris, 26, and Bigi, 22—and their grandmother, Katherine Jackson, 94.
Documents reveal the current deadlock stemming from an unresolved IRS audit.
The saga began with an IRS audit ruling that significantly undervalued the late singer’s assets, ultimately suggesting the estate owed $700 million in taxes and penalties.
Although the estate’s executors triumphed in court in 2021, the latest motion to reassess the worth of Jackson’s music catalog has prolonged the uncertainty.
The resulting ambiguity in the estate’s valuation has prevented funds from being channeled from the trust.
Attorneys for the estate have requested judicial authorization to earmark a portion of the funds for the family trust; however, the court has withheld approval, citing an indeterminable “safe” distribution amount.
To alleviate financial pressure during this impasse, estate executors proposed issuing a temporary “family allowance” for the beneficiaries.
This financial quagmire follows Sony Music Group’s $600 million acquisition of half of Jackson’s music catalog in February.
Katherine Jackson has legally contested this transaction and is seeking estate funds to cover her legal expenses, a request the estate opposes.
Further complicating matters, Bigi Jackson lodged legal paperwork in March to challenge his grandmother’s use of estate finances for her legal disputes.
Bia bombed on Cardi B in a new diss after the “Jealousy” hitmaker threatened to sue her for spreading rumors that she cheated on husband Offset.
The ongoing tension between the two rappers intensified in the early hours of Sunday morning (Jun 1). Cardi B hopped on Instagram Live, threatening to leak her conversations with Bia and sharing snippets from a “Fake diss” allegedly from Bia.
Bia clapped back with an Instagram Live of her own, previewing an explosive Cardi B diss. In it, she doubled down on the copying and cheating allegations and even name-checked Cardi and Offset’s children, Wave and Culture.
“Put it on your gang that they ain’t f### you in,” Bia opens the track. “Put it on your hubby since you lying on your vows.”
She also implied Cardi doesn’t write her own raps and trashed her lyrical ability. “’SUE ME’ ??? That’s not hip hop,” Bia captioned her post.
During her IG Live, Cardi B went off on Bia, sharing posts from her alleged finsta (fake Instagram) account.
“Good luck you think I’m Tasha K,” one post read. “Girl. Ask Tasha K. She couldn’t even lie on my p####,” Cardi said, referring to her infamous victory in her legal battle with the blogger.
Furthermore, Cardi B said Bia took the beef “beyond rap” and accused her of trying to break up her family. “I’m a sue you and you got to come with receipts. And not social media receipts, court receipts,” she added. “I will get every little f###### red penny that you ever f###### make b####. Every money that you make off your publishing. So find something safe to do.”
Cardi also played a snippet of a different diss track from Bia’s alleged fake Instagram account, which included the lyrics,“How you mad he cheating on you? B#### tell him the truth, “ and “I’ll tell him the scoop.”
“So b#### why you ain’t tell him the scoop?” Cardi questioned before claiming Bia is clout-chasing. “You know Offset. Why you ain’t tell him the scoop?”
“Me and my homegirls hate your tats, we put it in the chat”…. You’re watching Cardi and analyzing her body and tattoos to bond over with your friends? That is not a flex 😂 I would be so embarrassed. pic.twitter.com/88GUozgSln
The bad blood began last year but recently picked up again after fans accused Cardi B of copying Bia. Bia seemingly agreed, and Cardi clapped back on the “Wanna Be” remix.
At this point, Rick Ross is almost more of an entrepreneur than a rapper. In addition to owning Maybach Music Group, several Wingstops and Checkers and Rally’s, to name a few, he’s also behind The Slippery Soap.
The car detailing line includes ceramic spray wax, interior cleaner, quick cleaner and much more. Ross plugged the brand on Saturday (June 1) during his third annual car show. Held at his sprawling, 235-acre Georgia estate—also known as “The Promised Land”—the event reportedly drew more than 12,000 people to his property and an impressive array of flashy cars and bikes.
In a series of Instagram Stories, Ross peeled back the curtain on the event, showing off his mansion, some of the special guests like Bun B, performances by new MMG signee Nino Breeze and Quavo as well as a special cameo by Dr. Mario Montoya, who recently gave Ross his “new” smile.
Rick Ross’s car and bike show delivered not only the fleet of vehicles and celebrity guests but also food and music. The South Fulton Police Department and the Fayette County Sheriff’s Office warned neighbors to expect heavy congestion around State Routes 138 and 279, Old National Highway ahead of time.
Last year, there were several concerns about traffic and safety, but multiple agencies were tasked with working on traffic control. As a result, there were no complications.
Tickets to attend the car show this year were $250 per person for general admission and $750 to enter the show with a car or bike, which included two general admission tickets. VIP Parking was also available for $500. Check out footage of the event courtesy of 11 Alive News below.
Marlon Wayans got candid about his personal life in a recent interview with PEOPLE.
The comedic actor, who’s now 51 years old, says adventurous sex has become less appealing with age. As he explained, “I don’t need all the circus act. I so appreciate simple stuff. Missionary — it’s great. I don’t need to swing from ceilings and twist up nothing, because after we’re done, I can just go right to sleep.”
But it doesn’t seem to bother Wayans at all. He added, “I really enjoy being this age. I’m just a lot more focused on the energy I put on a stage. If I got time for anything else, God bless me.”
Wayans was in a romantic relationship with Angela Zackery from 1992 to 2013 that produced two children. He also has another child with Brittany Moreland. Although he’s never been married, he confessed he’s open to it these days.
“I never wanted to get married,” he explained. “I didn’t want to get divorced. I don’t know if I was ready for marriage, and now I’m 51, and you get to this part in your life where you’re like, ‘Yeah, I don’t need to go to a club.’ I won’t say no, put it that way. If it’s when it’s right, sure. I’m not in a rush. I think sometimes you go through these things to find you, and I know exactly who I am. You just got to find the right fit.”
Meanwhile, Wayans has continued his successful acting career but shot down the rumor White Chicks 2 was in the works last May.
Wayans and his brother, Shawn, starred in the original 2004 comedy. Fans of the film have been hoping the Wayans brothers would reprise their roles in a sequel. A fan-made poster caught his attention and Wayans quickly tok t Instagram to address it, saying, “Not true… AT ALL!”
Drake has been relatively quiet in the last few weeks. Things are starting to die down in the public sector, even though the internet is still going crazy over the beef with Kendrick Lamar. Nevertheless, I’m hearing some words that Drake might have another problem related to the conflict with his West Coast rival.
Remember all the chatter around his secret 11-year-old daughter? The daughter that Drake doesn’t have? Well, it was quite hilarious to hear Drake discuss feeding this erroneous, horrific information to Kendrick Lamar and his crew. By the way, there was never any sort of proof or verification that that was the case. But that’s neither here nor there. Anyway, when those images did emerge, there were real faces and a real young girl used in those images.
I don’t know how true it is, but somebody reached out and said they were upset at Drake for using those images. Supposedly (but not confirmed), the mother of said young girl is angry. A go-between, not the woman, is stating there may be legal repercussions behind the use of that image. This is just a rumor at the moment, but it could provide some insight into how deep this could get.
I first heard this a while ago, so there hasn’t been a whole lot of movement on it since then. But I’m not so sure this is just gonna go away, because the beef itself has not gone away. In fact, a lot of folks still maintain that “Family Matters” is the best song out of all of them.
In the meantime, 40 allegedly threatened to slap DJ Cipha Sounds. In Toronto, the New York-based DJ was accused of playing “Not Like Us” during a DJ set. It got back to 40, who was also brutalized in the Pusha T beef. He did not like that. He made several threats according to the New York DJ, saying he was willing to put hands on him “on sight.” I’m not exactly sure who they are, but I don’t think it’s that easy. It seems like things are getting a little testy out here in the world. Hopefully, it continues to be a nonviolent confrontation.
But I think they need to take this violence up with the perpetrators of said violence so that we understand who they are truly upset with. Because they certainly shouldn’t be mad at the DJ. I do think that this beef with Kendrick Lamar will never end. This won’t be like Nas and Jay. There’s not gonna be a reunion tour, collaborations, or any of that. This is BEEF for life.
Drake’s producer Noah “40” Shebib and DJ Cipha Sounds recently had a misunderstanding with each other that spilled over to the internet and social media. But the situation was apparently misconstrued.
In a post he shared to his personal Instagram account on Friday (May 31), Cipha Sounds explained that the rumor circulating about 40 threatening him because he played Kendrick Lamar’s “Not Like Us” in Toronto were simply not true.
In the two-plus minute long video, Cipha Sounds explains how the entire situation came about, saying he just completed a stint of shows recently with comedian Dave Chappelle in Drake and 40’s hometown.
Cipha Sounds alleges the misunderstanding arose after photos from the shows were shared to his Instagram account by his newly hired social media manager, who thought it would be funny to add Kendrick’s anthemic diss targeting Drake as the background song.
“This kid that’s now helping me with my social media — brand new, just hired him — put up the pictures from that show and put the Kendrick Lamar song underneath,” Cipha Sounds said in part. “And I was like, ‘Uh oh, woah, don’t do that. Craziness.’ Called him, said, ‘Hey, thats a dumb dumb move. Take it down.’ He was like, ‘I thought it would be funny.’ It wasn’t. ‘Take it down.’ [He] took it down immediately. Pictures are back up. Had a great time in Toronto.”
In another portion of the video, Cipha Sounds revealed his true thoughts on the situation as a whole, concerning Drake and Kendrick Lamar’s beef.
“People that know me know I’m not no f##k face idiot that would go to Toronto and play ‘Not Like Us,'” he said. “That is a stupid thing to do. I hate all this beef s###. I hate controversy, I hate smoke, I hate drama. I hate that those two are beefing with each other. It’s nasty for the culture, it’s negative and it’s detrimental.”
Even though Cipha Sounds managed to get the post taken down and re-shared, the damage was reportedly done and prompted 40 to direct message Cipha Sounds, lashing out at him for promoting a song that categorizes Drake as a sexual predator.
“How about I go to your city and play a song where someone calls you a pedophile,” 40 allegedly told the DJ. “It’s on sight, when I see you, I’m gonna smack you in the mouth.”
The video explained that he attempted to diffuse the situation with 40 but is unsure if his efforts prevailed.
“40 was mad at me,” he said. “I’m hoping that, man to man, we can still have this conversation. I told this story on my podcast because I was hurt about what happened. Hopefully we can talk it out. I want no smoke. I want no drama. Love the guy. I’m a big fan.
“Again, I would never be disrespectful and I did not play the song in Toronto. I wasn’t even DJing. I was doing stand-up comedy.”
Check out the full video above along with the vlog on the situation below.
New York rappers Sheff G and Sleepy Hallow have responded to radio host Peter Rosenberg’s calls for the cancelation of their performances at the upcoming Summer Jam music festival.
On Friday (May 31), the pair of Brooklyn rappers shared their perspective responses to Rosenberg via posts on their Instagram stories. Prior to their posts being shared, Peter Rosenberg criticized Sheff G and Sleepy Hallow for their recent appearance at a Donald Trump rally in New York City.
“I’m disgusted,” Rosenberg said. “Hit ’em both with the button as far as I’m concerned. I hit everybody at the station, ‘Let’s pull them off Summer Jam.’ I just want y’all to know, that is me, Karen Rosenberg, I don’t want ’em on Summer Jam.”
During the rally, Sheff G praised Trump by saying, “They always gonna whisper your accomplishments and shout your failures. Trump gonna shout the wins for all of us.”
Sleepy Hallow, while mostly silent, briefly approached the microphone to echo Trump’s campaign slogan, “Make America great again.”
Rosenberg, who made his comments on Ebro in the Morning, was adamant that the rappers should be removed from the Hot 97 Summer Jam lineup due to their support for Trump. He described Sleepy Hallow’s endorsement as insincere, claiming the rapper “laughed through” his entire speech, which Rosenberg interpreted as not taking the issue seriously. He even went as far as to enlist a journalist friend to investigate the circumstances of the rappers’ appearance at the rally.
Both Sheff G and Sleepy Hallow responded to Rosenberg’s criticism on social media. Sleepy Hallow dismissed the radio host’s comments with a post on his Instagram Stories, calling him an “old n###a” and a “d!ck eater.”
Sheff G took a more philosophical approach, questioning why their political endorsements should affect their careers and suggesting that differing opinions should be acceptable.
“Damn.. thought we was free to vote for whoever we wanted… I never knew we had to have the same political opinion as @laurastylez @oldmanebro @rosenbergradio in order to gain success,” he wrote. “Imagine that.”
As he continued, Sheff G also pointed out that neither Rosenberg nor his colleagues had previously acknowledged his successes, only speaking out when controversy arose.
“Crazy thing is .. throughout all my success I never seen either of y’all mention my name .. y’all sat silently and watched lol ( whisper) … but as soon as something that y’all consider negative comes up, y’all quick to (shout) lol.
“y’all the reason our generation is the way it is .. I’m not even gone say no disrespectful s### either [slight frown emoji] it’s all love [blue heart emoji] #everythinglit.”
The controversy began first began when Sheff G and Sleepy Hallow appeared at Trump’s rally in their hometown of the Bronx. Their participation and public endorsements of the former president sparked confusion and anger among fans. The debate highlights the ongoing tension between political beliefs and professional opportunities in the entertainment industry.
Since their appearance with Trump and number of celebrities have spoken out, including comedian D.L. Hughley, who theorized that the former president chose the pair of rappers because they’re the only people in America who have more indictments than he does. However, less than a week later, Trump was convicted on all 34 counts he was facing in New York in connection to the hush money trial involving adult film actress Stormy Daniels.
Sean “Diddy” Combs secured a narrow win in an ongoing assault lawsuit as two of his business entities were dropped from the case.
The development surfaced after Bad Boy Entertainment Holdings and Combs Enterprises were dismissed from accusations brought by Joi Dickerson-Neal, who asserts that Diddy assaulted her in 1991.
A new stipulation mandated the withdrawal of these companies from the case.
Dickerson-Neal and the defense reached a mutual agreement, which resulted in the dismissal of Bad Boy Entertainment and Combs Enterprises with prejudice.
This move follows a partial motion to dismiss submitted by Diddy and his lawyers on April 26, 2024.
The motion argued that the implicated companies could not be liable because they didn’t exist at the time of the alleged assaults.
Dickerson-Neal presented an amended complaint erasing all charges against the business entities, which her lawyers and a judge signed off on earlier this week.
Now, only Diddy stands as the defendant. He must respond to the amended complaint by June 21, 2024.
Dickerson-Neal can file any opposition by July 19, 2024, with Diddy allotted until August 2, 2024, to provide any reply supporting his motion.
Despite the slight legal reprieve, the case remains active, and the complete outcome remains unresolved.
In the series of lawsuits against Diddy, this one from Dickerson-Neal alleges that he drugged and assaulted her in 1991, recording the incident without her consent while she was a Syracuse University student.
Diddy’s’ attorneys have already argued that specific allegations—like sex trafficking and non-consensual filming—were brought under laws that were not in place at the time of the alleged incident.
Initially filed in November 2023, the lawsuit is just one of seven Diddy faces.
The allegations may result in criminal charges now that a grand jury is probing the Bad Boy mogul’s behavior.
Rihanna is flexing the power of her incredible discography upon reaching a new stage of dominance as a female artist.
On Friday (May 31), RiRi shared posts simultaneously on Instagram and Twitter (X) in celebration of the latest honor she received from the Recording Industry Association Of America (RIAA).
According to the latest round of certifications by the RIAA, four of Rihanna’s releases, including her Drake assisted anthem “Work,” received diamond status certifications as of May 31.
In total, Rihanna earned a jaw dropping 13 new certifications, all of which were either platinum or multi-platinum status.
In the post she shared on Instagram, Rihanna flexed her accomplishments for holding the most diamond certified singles, in addition to to the most diamond certified titles for a female artist with a cryptic caption in which she wrote, “Ain’t no back n forth.”
While it’s unclear who exactly Rihanna was speaking of concerning her “back n forth” remark, several of RiRi’s peers flocked to the comment section of the post to show love. Joyner Lucas commented “legend” while vocalist H.E.R. added, “QUEEEEEEN RIRI FOREVA.”
In total, RiRi now has six diamond-certified singles. Rihanna’s “We Found Love” featuring Calvin Harris was her first single to cross the line in September 2021. Adding to her diamond certifications tally along with “Work” are her singles “Needed M,” “Umbrella” and “Stay.” Coincidentally, the certifications are also split evenly between RiRi’s former label Def Jam and her new imprint, Roc Nation.
