Snoop Dogg has become a grandfather again after his daughter Cori Broadus welcomed her little girl three months before her due date.
The West Coast icon’s youngest child announced the news in a joint Instagram post with her fiancé Wayne Deuce, on Friday (February 1), sharing a black and white image of their daughter’s foot.
“The princess arrived at 6 months,” Broadus wrote in the caption. “I’ve cried and cried, I’ve compared and compared, blaming myself because I wasn’t able to give her all that she needed. But no matter what God always shows me that He got me!”
She added, “Baby girl came at 25 weeks today and she’s the best!! Thank You God for getting me this far.”
Broadus, Snoop Dogg’s only daughter, opened up about the birth on her Instagram Stories.
“1st c-section was a success,” she wrote on a photo of her lying on the operating table. “s/o to the man up above.”
In a follow-up post, the first-time mom revealed that she went to the doctor thinking she “just had a bad case of gas,” but was later diagnosed with HELLP syndrome.
According to Yale Medicine, HELLP syndrome is a rare, life-threatening condition that stands for Hemolysis, Elevated Liver Enzyme Levels, and Low Platelet Levels. It typically occurs in the third trimester but can also develop during or after childbirth, leading to serious complications like hemorrhage or excessive bleeding.
Broadus explained that the syndrome “is very severe and can even cause death if untreated.” She added, “[The] doctors told me thank you for coming and if I would’ve waited a few more days it would’ve been really bad.”
She also offered a crucial reminder to other expectant mothers, urging them to trust their instincts.
“Ladies please listen to your bodies,” she stated. “Don’t believe everything you see on TIK TOK( talking to myself lowkey).”
Snoop Dogg Opens Up About Cori Suffering A Stroke In 2024
Last year, Cori Broadus revealed that she suffered a severe stroke in January 2024, a life-threatening event that changed her perspective.
“I was celebrating at a party, and then the next day, I’m in the hospital,” she shared. “I think it really scared everyone… You know, a stroke is no joke. It brought me and my family closer, [realizing] that anything can happen in the snap of a finger.”
Snoop Dogg also opened up about the terrifying experience.
“It’s hard for me to revisit that day,” he admitted. “Anyone who knows me knows my daughter is my kryptonite.”
Drake has reached a settlement with Texas-based iHeartMedia over the dispute concerning Kendrick Lamar’s diss track “Not Like Us.”
The settlement was announced on February 28, according to AP News.
In a court filing, Drake’s attorneys confirmed that the rapper and iHeartMedia had “reached an amicable resolution of the dispute,” but provided no additional details, per the outlet. “We are pleased that both parties have reached a mutually satisfactory settlement and have no further comment on the matter.”
Drake’s initial legal petition was filed in November 2024 in Bexar County, Texas. The petition alleged that iHeartMedia received illegal payments from Universal Music Group (UMG) to boost radio airplay for “Not Like Us.”
This settlement resolves one part of Drake’s legal battle over the Kendrick Lamar diss, but his dispute with UMG continues.
Drake’s allegations against UMG include “irregular and inappropriate business practices” to promote the song.
The Hip-Hop heavyweight first accused UMG of boosting the song’s success through artificial streaming methods, bots, and other actions, which he claims not only damaged his reputation but also jeopardized his safety after Kendrick Lamar labeled him a “certified pedophile.”
The petition also claims that UMG knew the song, its album art and music video falsely accused Drake of serious criminal acts.
However, Drake is scaling back parts of his lawsuit against Universal Music Group over Lamar’s diss. Court documents reveal that Drake has agreed to drop “key allegations,” though it remains unclear which ones, raising doubts about the strength of his case.
Meanwhile, UMG is pushing to delay an upcoming pretrial conference, arguing that Drake’s case may not even hold up in court.
Gervonta Davis blamed excessive hair grease burning his eyes for taking a knee in his hotly anticipated world title fight against Lamont Roach Jr. over the weekend, but his stylist has something to say about it.
The bout ended in a controversial majority draw, with his touching the canvas a major point of contention.
The lightweight champion cited his hairdresser when explaining why he took a knee in the ninth round, claiming his eyes were irritated because she used too much grease.
“I just got my hair done two days ago and she put grease in my s###,” Davis explained during a post-fight interview. “So the s### was like sweating and things like that and the grease coming in my face.”
The New York crowd began booing, prompting Tank to double down.
“It burned my eyes type s###, yeah. Damn, why y’all booing like I’m saying b#######?” he added. “Like, this is real facts. Come on, man. Look at my hair, I just got my s### done. But it’s all cool, man. You know how it get. They love you, then they hate you. Turn around then they love you again.”
Gervonta Davis says he took a knee in the 9th round because there was grease in his eyes from his hair:
“I did his hair WEDNESDAY, It’s SATURDAY!” she wrote in a since-deleted Instagram post. “He did press, gym and weigh in. That’s no excuse, how much grease did I use damn”
In another clip, she poked fun at Davis, asking, “Is the grease in the room with us?”
The hairdresser also shared an image of the product used on Davis’ hair, which reads “no grease” on the label.
Nonetheless, Davis took to social media to repeat his claims.
“They took the fight from me and made it a draw becuz I did that b####### knee,” he tweeted Sunday (March 2). “But I landed the most punches in the fight..he didn’t even hit me w a punch when I took the knee. I get it though, I shouldn’t have done that but that hair grease was burning my eyes!”
Cam’ron is firing back at Jim Jones in the latest chapter of their ongoing feud after Capo accused him and Swizz Beatz of cutting an unfair deal for the Verzuz battle between Dipset and The Lox without his knowledge.
The rapper-turned-podcaster put his former fellow Diplomat on blast in an Instagram post Sunday night (March 2), sharing a clip of Jones’ remarks alongside a screenshot of an alleged text message where Jones offered to do the Verzuz battle for free.
“This opportunity is bigger thn life to me it’s not about money,” Jones wrote, calling the opportunity an “ultimate bucket list” dream.
He even offered to give Cam’ron his share to ensure the Verzuz took place, believing it could open doors for them both as a group and as solo artists.
“But really I just wanna touch tht stage in a big way,” Jones added. “If I have to take a loss to make a gain I’m willin to.”
Cam’ron acknowledged that the battle wasn’t about money but argued that the real issue was others profiting off them more than they were making for themselves.
“(Supreme etc) Swizz and then ain’t pay nobody,” he claimed. “Then sold the company for 40/50m’s.”
Cam’ron followed up in the caption, clowning Jim Jones for trying to “re-write history.”
“I don’t pay half the s### n##### say no mind,” he began. “But you know I keep the files. You wanted to do versus for free n####. So if you made a dollar be happy. Talking bout it was on ya bucket list..”
Cam’ron also seemingly responded to Jim Jones’ $10 million boxing match challenge. It appears Cam had a conversation with Floyd Mayweather that left him and his “It Is What It Is” co-hosts in stitches.
Oprah Winfrey is catching heat online after a heartfelt tribute to the late music icon Quincy Jones at the Oscars, which notably left out any mention of Michael Jackson.
The legendary music producer was honored with a touching musical tribute during the 97th Academy Awards on Sunday night (March 2).
Queen Latifah paid tribute by performing “Ease on Down the Road” from The Wiz, a film for which Jones was nominated for an Oscar for his Broadway adaptation.
Oprah Winfrey and Whoopi Goldberg, both stars of The Color Purple, reunited to introduce Latifah’s performance. Jones composed the score for the 1985 film, which celebrates its 40th anniversary this year.
“The man, our beloved Q, had an equally powerful impact on the world of film as a composer and producer,” Winfrey said.
Goldberg added, “When we talk about Black excellence, we’re talking about Quincy.”
However, while Winfrey highlighted “musical genius” Jones’ collaborations with legends such as Frank Sinatra, Ella Fitzgerald and Ray Charles, as well as his creation of iconic works like “We Are the World,” there was no mention of Michael Jackson.
“When we talk about Black excellence, we’re talking about Quincy.”
Oprah Winfrey Called Out For Not Mentioning Michael Jackson
This omission didn’t go unnoticed, with critics quickly taking to social media to call out Winfrey, especially given that Michael Jackson had famously performed the song (alongside Diana Ross) that Winfrey introduced.
One of Quincy Jones’ most significant contributions to pop music was producing Michael Jackson’s Thriller, which remains one of the best-selling albums of all time.
Jones also produced Jackson’s Off the Wall, and Bad albums after marking the beginning of their collaboration on The Wiz.
Their partnership not only propelled Jackson to the title of “King of Pop,” but also helped shape the iconic sound of 1980s pop music.
Although Michael Jackson sat with Oprah Winfrey for a groundbreaking interview in 1993, the relationship was called into question years after his death.
In 2019, Winfrey hosted a special called After Neverland, where she interviewed Wade Robson and James Safechuck, two men who accused Jackson of sexually abusing them as children. This special was seen by some Jackson supporters as a betrayal, given Oprah’s previous friendly relationship with the Jackson family.
Spotify is the streaming service bringing you millions of songs. But what if you can’t access it? Schools, workplaces, and even entire countries block Spotify for various reasons. That means no playlists, no podcasts, and definitely no Discover Weekly.
The good news? You can go over the restrictions and continue streaming your music. Whatever the reason behind your Spotify being blocked, these five methods will get you back to streaming in no time.
5 Ways To Access Spotify Anywhere
1. Use a Proxy
Imagine a proxy server as an intermediary power standing between your device and the internet. It conceals your IP identifier while redirecting your connection path through alternative geographical points. As a result, the service registers your presence as originating from a completely different regional location than your physical position.
But remember that finding a reputable proxy is the step that defines your anonymity level. Not sure which to choose? Start with free proxies https://proxybros.com/free-proxy-list/ for testing. Alternatively, if you’re ready for financial commitments, these are some other proxy types to try.
SOCKS5 Proxy – Best for speed and reliability. SOCKS5 supports multiple types of traffic, including streaming, meaning it works well with Spotify. Still, note that it won’t encrypt your data.
Residential Proxy – Provides the highest success rate. It assigns you a real IP address from a legitimate internet provider, making it less likely to be detected or blocked by Spotify.
Dedicated Proxy – Offers a private, unshared connection. It’s ideal for frequent users who want a stable connection.
2. Connect to a VPN
A Virtual Private Network is different from a proxy in that it encrypts your internet traffic. It works perfectly to unblock Spotify but can also secure your connection.
Some users commonly mix VPN services and proxies, so these are the core differences to help you choose between the two:
Feature
Proxy
VPN
Hides IP Address
YES
YES
Encrypts Traffic
NO
YES
Bypasses Geo-Restrictions
YES
YES
Works for Streaming
Sometimes
YES
Prevents ISP Tracking
NO
YES
Speeds
Faster
Slower (due to encryption)
3. Switch to a Different Network
Sometimes, changing your internet connection is the simplest way to reconnect to your Spotify. When does it work? For example, if your school or office Wi-Fi blocks Spotify, just using another network will fix the issue.
But remember: don’t overuse public Wi-Fi. Hackers commonly utilize it to spy on your data. Stay prudent and avoid logging into your accounts while using it.
4. Use a Smart DNS
Smart DNS technology alters your device’s address resolution process, creating the appearance that you’re browsing from a different geographical location. It differs from VPN services in a key way — while VPNs wrap your data in protective encryption, Smart DNS foregoes this security layer. The result? Noticeably quicker connection speeds at the expense of protective measures.
This tradeoff works in both directions: the absence of encryption means your browsing activities remain visible to third parties, unlike the privacy shield that VPN services provide.
5. Download Spotify Songs for Offline Use
If you expect network restrictions, download your favorite playlists in advance. Spotify Premium lets you save songs for offline listening so that you won’t need an internet connection at all. But here’s a word of warning: offline mode only lasts 30 days without reconnecting to Spotify. Thus, you must go online occasionally to keep your downloads active.
Why Can Your Spotify Get Blocked?
There are quite a few reasons Spotify can be blocked. Knowing them will help you find the most effective solution. That said, these are the most common issues to know about.
Geo-restrictions are the most common cause of account issues. Countries can ban Spotify due to a number of issues, including licensing concerns or government policies. If you live in one of these locations, the service will be largely unavailable: China, Cuba, Russia, Sudan, Yemen, etc.
Some institutions block streaming sites to reduce distractions and save bandwidth. If you cannot access Spotify from your school or workplace, it can be the reason behind the trouble.
Using public Wi-Fi connections? Well, some hotspots may block certain services to prevent heavy data usage.
Similarly, some internet providers throttle or block access to specific websites. So be sure to check your provider’s updates first.
Final Thoughts
Getting blocked from Spotify while listening to your favorite music can be a frustrating accident. Luckily, there are many effective ways to address the issue. Whether you decide to use a proxy, VPN, or switch to another network, remember that the first step should be defining the initial reason behind the blockage.
Megan Thee Stallion turned heads at the Vanity Fair Oscars party on Sunday night, walking the red carpet in a striking green gown that hugged her curves and left little to the imagination.
The show-stopping number featured a sweeping train and dramatic feather detailing, but it was the daring top— or lack of one—that truly stole the spotlight. Eschewing a bra, Megan opted for matching emerald pasties to cover her breasts, making a bold fashion statement that left little to the imagination.
Megan Thee Stallion opened up about the inspiration behind her daring look during a red-carpet interview.
“I just really wanted to give like, she’s baring it all at Vanity Fair,” she explained.
Despite her confidence, Megan admitted that even she needs a little self-encouragement at times. She shared the pep talk she gives herself when confidence wanes: “I just look in the mirror and I be like, ‘Damn. You that girl. Right?” You are that girl, so go outside and act like you that girl.’ And that’s how I tackle my day.”
In other Megan Thee Stallion news, the Grammy Award-winning rapper recently unveiled a new venture, launching a new tequila brand, Chicas Divertidas, while celebrating her milestone 30th birthday earlier this month.
“As someone who values good vibes and great memories, I knew I wanted to create a tequila that was designed to be shared and savored with my Hotties,” Megan said in a statement. “Smooth, sultry, and premium. This process has been years in the making, and I’m so proud to take this next step in my journey as an entrepreneur and launch this brand.”
Drake couldn’t escape the Kendrick Lamar “Not Like Us” shade on Hollywood’s biggest night as the Toronto rap superstar became an unexpected punchline at the Oscars.
Hosting the 97th Annual Academy Awards on Sunday (March 2), Conan O’Brien didn’t hold back. As the ceremony returned from a commercial break, he took a pointed jab at Drake, referencing both K. Dot’s scathing diss and the OVO Sound founder’s subsequent lawsuit.
“Well, we’re halfway through the show,” O’Brien quipped to the star-studded crowd at the Dolby Theatre. “Which means it’s time for Kendrick Lamar to come out and call Drake a pedophile!”
Gasps rippled through the stunned audience, quickly followed by laughter, before O’Brien added with a smirk:
Kendrick Lamar delivered his explosive diss track during last month’s Super Bowl Halftime Show—though, unlike O’Brien’s Oscars jab, he stopped short of directly labeling Drake a pedophile.
Just days before, Lamar swept the Grammys, winning five awards for “Not Like Us,” including Record of the Year and Song of the Year, setting the stage for a turbulent month for Drake.
Drake Addresses Collaborators During Final Australia Show
However, in his final performance before pulling the plug, Drake addressed his ongoing feud with Lamar, taking shots at former collaborators he now considers disloyal.
“For all my collaborators, the producers & the artists I’ve worked with…” he began, before making a pointed jab: “You know, the ones that didn’t turn p#### on me… I mean, the ones that are still real. I appreciate you.”
He added, “My real ones. I appreciate you because you’ve changed my life for me and everybody around me.”
Drake calls out the artists who turned on him in Brisbane 👀
“For all my collaborators, the producers & the artists I’ve worked with…”
“You know, the ones that didn’t turn p*ssy on me… I mean, the ones that are still real. I appreciate you.” pic.twitter.com/O8hS73sQDq
Meanwhile, Drake is scaling back parts of his lawsuit against Universal Music Group over Lamar’s diss. Court documents reveal that Drake has agreed to drop key allegations, though it remains unclear which ones, raising doubts about the strength of his case.
Jordan Stephens declined a chance to reprise his role in the Star Wars universe after producers allegedly asked him to cut his dreadlocks for a single scene.
The British rapper and actor, best known as one-half of the Hip-Hop duo Rizzle Kicks, revealed on TikTok that he was offered an appearance in Andor, the Disney+ prequel series to Rogue One: A Star Wars Story.
The opportunity excited him—until he realized it came with a catch.
“I was asked to be in a season of Andor, I don’t know which one,” Jordan Stephens shared in his video. “My character from Rogue One, Corporal Stordan Tonc, he was going to come back. I was like wow, that’s mad exciting.”
However, the excitement quickly faded when a request from the production team made him rethink his decision.
“A week before the shoot, they were like, ‘Can we see what you look like?’ I sent them a picture and they were like, ‘Can you cut off your dreadlocks?’” Stephens recalled.
For the 33-year-old, the request was out of the question.
“This is what they asked me to do, for one scene. Obviously, that’s ridiculous. That’s like six years of hair growth, I’m not cutting it off for one scene.”
In an attempt to find a compromise, Jordan Stephens suggested an alternative.
“What’s even more funny is I said, ‘Why can’t I just wear a helmet like I did in Rogue One?’ and they went, ‘We don’t think it would be realistic,’” he said. “A reality where we’re fighting slugs with laser guns but wearing a helmet is too far. Nice.”
The alleged demand ultimately led to his decision to step away from the project. Stephens did not specify whether the request to alter his hairstyle was tied to continuity concerns or other creative directives from the show’s producers.
While Andor continues its critically acclaimed run, Stephens remains focused on his music and acting career outside the galaxy far, far away.
The second season of Andor is set to premiere on Disney+ on April 22.
Morris Day Steps into the Film Game with Street Queens, His First Executive Produced Movie
Morris Day is trading in the stage for the silver screen.
The legendary frontman of The Time has stepped into the world of film production with Street Queens, a gritty new movie how streaming on Tubi. Day is known for his flashy persona and enduring musical legacy. However, the smooth-mannered Day is now expanding his empire by bringing real, raw storytelling to the forefront as an executive producer.
“Tubi is a platform that’s giving independent filmmakers a chance to tell stories,” Day told AllHipHop. “I don’t do much acting these days, but the idea of executive producing a film was interesting to me. Street Queens’ raw storytelling about three women in the street game looking for a way out was a story I felt many would relate to. I’m looking forward to expanding the Morris Day Entertainment brand and producing even more films.”
Directed by Jibril Haynes and written by Haynes and Courtney Benson, Street Queens follows the lives of three women entangled in the dangerous world of the streets. Desperate to break free from their circumstances, they navigate treacherous alliances, power struggles, and betrayals while fighting for a better future. The film is produced by Morris Day, Courtney Benson and Will Luke, a powerhouse team bringing a fresh vision to the urban drama genre.
For Day, the move into the film industry is about storytelling that hits the target audience. Morris Day came up out of Minneapolis with Prince and quickly rose to fame from his electrifying stage presence, vibrant suits and unforgettable hits like “Jungle Love” and “The Bird.”
With Street Queens, Day begins a new Hollywood chapter.
Reason has expressed his gratitude to his former record label Top Dawg Entertainment just as he delivers his first project following his departure from the West Coast-based imprint.
On Friday (February 28), video footage from his album listening party for his new LP I Love You Again began circulation on social media as users began reacting to Reason taking a moment to reflect on his journey with TDE. In addition to crediting the the label as being the force that introduced him to the world, he expressed his gratitude toward TDE, given his tumultuous exit following a public dispute with one of the presidents in 2023.
“I want to start off real quickly—thank you to Top Dawg Entertainment,” Reason began. “The majority of everybody would not know who I am without Top Dawg Entertainment, I appreciate everything that they’ve done for me. I appreciate them even letting me be able to go and do my own thing. I had a lot of special memories over there.”
REASON thanks TDE, following the release of his new album 🙏
“Thank you to Top Dawg Entertainment. A majority of everybody would not know who I am without Top Dawg Entertainment.”pic.twitter.com/xbNjHB8FcC
As he continued, Reason’s words emphasized the respect he had for the opportunities TDE provided him as he acknowledged the impact of the relationships, music and moments he experienced while signed to the label.
“I appreciate everybody at Top Dawg Entertainment and everything that they’ve done for me and all the paths that they’ve created and whatnot,” he said. I do want to start with that.”
Now stepping into a new chapter of his career, Reason has delivered his 10-track project, which is meant to signify his artistic rebirth, according to a press release. Featuring collaborations with Hit-Boy, Dreamville’s Bas, Ransom, Kota The Friend, and Coyote, the album serves as both a personal and artistic statement.
“I Love You Again is a thank you to my fans and to myself for not giving up on me and the music,” Reason said in a press stament. “This is a complete passion project. The cover art for the project symbolizes me headed off into a new space, mentally and within my career; but taking my classics with me,”
Reason continued, “I just want to make every single Reason fan as proud as possible. From the production to the lyrics to the overall sound, I’m back in a space of full authenticity within the music; and taking it as serious as possible.”
Reason’s downturn with TDE began in August 2023, when Top Dawg Entertainment president Moosa belittled him during an episode of the Back on Figg podcast. The two got into a heated argument after Moosa called into the show to object to Reason’s album rollout frustrations. At the time, Reason also claimed label delays prevented him from securing certain features and criticized Moosa using a term Kendrick ultimately was praised for labeling Drake with during their rap battle a year later.
“This n####’s a master manipulator,” Reason said of Moosa. “I never said Doechii would make or break my career. I never said a feature would make or break my career … You’re a manipulator. You’re lying.”
Yelawolf embarked on the 51/50 Tour in 2017, shortly after a stint in a psychiatric hospital—hence the name. Manager Edward Crowe, who was Wolf’s tour photographer at the time, was along for the ride and had the chance to capture defining moments from the expansive trek through his lens.
Now, Crowe has finally executed his vision with the 51/50 Tour photography book, a dynamic peek behind the curtain of one of music’s most versatile, defiant and unique talents. Through a series of immaculate photographs, the 148-page book—published by legendary photographer Estevan Oriol’s company Joker Brand Publishing and designed by Kyro Wolf—shows the blood, sweat and tears that Yelawolf and his team put into each live performance.
“The 51/50 Tour photography book was a labor of love and an honor to have had the opportunity to be the tour photographer on this specific run, being that it was a special tour for Wolf and his personal transformation,” Crowe tells AllHipHop. “When me and Kyro were working on the book, I had no idea how we were going to bring it to life. It took us about four years working on and off when we had time, to finally get the book completed.
“One night at the Sunset Marquis in Hollywood, I showed Estevan Oriol what we were workin on and he loved it, it’s a huge honor for this book to be published by Estevan and Joker Brand Publishing.”
In many ways, Crowe’s book is also a heartfelt homage to his mother, who died in 2023.
“I’m a photographer in my spare time and a full time manager,” he says. “My mother was a photographer and I used to go trespass and climb on roofs with her to get the shot. It wasn’t until I grew up that I decided to shoot photography.
“My mother would teach me how to shoot film, I would teach her how to shoot digital and how to edit. It was something we held in common and I dedicated this book to her memory and her inspiration.”
Yelawolf added in a Facebook post, “It’s not only a book of photos, it’s a collage of hand written messages by me and the crew featuring tickets, fans, never before seen backstage antics, and it even comes with a 51/50 VIP lanyard identical to the ones we distributed during this tour.”
Tory Lanez was convicted of shooting Megan Thee Stallion in December 2022 but maintains his innocence. Despite being behind bars, he made a recent appearance on the Full Send podcast last week.
During the conversation, he claimed the DNA discovered on the gun used to shoot Megan in 2020 wasn’t his.
“Ninety percent contributor on this gun is a male and the rest of the percentages of this gun are two females and another male,” he said. “None of those four people are my DNA. So, I’m 100 percent excluded, not inconclusive like they said when I was in trial. I’m 100% excluded from this gun when it comes to DNA. My fingerprints are 100 percent excluded from the magazine, from the gun, from the bullets, from anything that has to do with this gun.”
Tory Lanez explains on the NELK podcast that the prosecutors LIED about his DNA evidence being INCONCLUSIVE and that his DNA was FULLY EXCLUDED from the gun…
He also points out that the LAPD sealed the gun to PREVENT Kelsey’s DNA being found in the appeal 👀🚨 pic.twitter.com/fkw94p5GPU
That wasn’t the only revelation. Tory Lanez also revealed he’s dropping an album on Friday (March 7) and promised it won’t sound like it was recorded in jail.
‘I’ma make sure it’s finished by that time. […] I just needed the reassurance from my Umbrellas that they felt how I felt about the situation,” he said. “Like, y’all know I’m more than capable, even though this is a very crazy task that has never, ever been done.
“You have to think [about] everybody who’s done music from prison or who’s done music from jail. Usually, it’s like this. Over the phone, s###-sounding, like, ‘Yo, this sucks.’ That’s not what I’m doing here.”
A recent prison riot abruptly interrupted a recording session last month. Footage of the incident surfaced online, showing Lanez delivering his bars over the phone.
“$500 on the Zelle will make ’em do gymnastics,” he raps. “Seen that n#### run up to the yard and he got backflipped/Cried in the cell so many nights, that I got trapped in.”
Then he abruptly stopped rapping as chaos erupted around him. Lanez walked away from the camera and seemingly got pepper sprayed. He did, however, continue to keep filming.
Megan Thee Stallion, on the other hand, is intensifying her legal battle against Lanez and blogger Milagro Gramz. She has secured permission to depose Lanez as part of her defamation lawsuit against Gramz, who’s accused of spreading false claims about her.
Her legal team believes questioning Lanez is “necessary for Ms. Pete to fully investigate the extent and bases of Defendant’s conduct and Defendant’s relationship with Mr. Peterson, in support of her claims.”
Megan says Gramz promoted a deepfake video and conducted a harassment campaign on Lanez’s behalf, which allegedly involved payments discussed with Lanez’s father. The judge has approved the motion, and Lanez will soon be questioned under oath while serving his prison sentence.
Gervonta “Tank” Davis and Lamont Roach squared off in a fight that had all the makings of an upset, a defining moment and possibly a new champion. But instead, what we got was confusion, controversy and a whole lot of side-eye toward the judges and referee. In a bout that ended in a majority draw, the biggest talking point wasn’t the action inside the ring—it was the bizarre officiating that left Roach (and most viewers) feeling like the sport just ran off with their wallets.
Let’s talk about that ninth round. Tank Davis, the WBA lightweight champion and undisputed face of knockout power, took a knee. Yes, you read that right. He willingly dropped to one knee, an action that almost always results in a knockdown ruling. But referee Steve Willis didn’t count it. The world saw it. Twitter saw it. Boxing analysts saw it. But somehow, the official verdict was that it wasn’t a knockdown. Excuse me—what?
By the way, this is Ref Willis. You might have seen him before:
This wasn’t some accidental stumble. Be clear. This wasn’t a slip. Davis went down in a manner that should’ve given Roach a clear 10-8 round, shifting the momentum in his favor. Instead, the call never came and suddenly the fight’s entire dynamic changed.
Gervonta Davis says he took a knee in the 9th round because there was grease in his eyes from his hair:
After the fight, Tank explained his decision to take a knee by claiming his eyes were irritated by hair product— GREASE! WTH? That’s like telling your landlord that your rent money got lost in the mail. The excuse. Fans, analysts and Roach were angry, frustrated and confused in the post-fight interviews.
Adding fuel to the fire, Roach revealed that he was basically told before the fight that he had no shot at winning a decision. The man was informed that he had to knock Tank out to win. This isn’t shocking in boxing, where the A-side fighter often gets the benefit of the doubt. Now, once again, we question the integrity of the sport.
lamont roach just said tank told him straight up in the 12th round that they weren't gonna give lamont the decision, ROBBED that man no ski mask smf pic.twitter.com/XrA4dy2atW
And let’s not forget the $80 price tag fans paid for this event on Amazon Prime. Feels like we all got robbed!
The good news? Roach has already activated his rematch clause. He wants a second shot, and he deserves one. Whether or not boxing politics allow it to happen fairly is another story.
Twerking has become one of the most recognizable and talked-about dance moves in modern pop culture, with its roots deeply intertwined with hip-hop music and dance culture. While many view it as a recent trend, the origins of twerking date back much further, evolving through various cultural influences before cementing its place in the hip-hop world. This dance form isn’t just about shaking hips—it’s a powerful expression of rhythm, confidence, and cultural identity.
The Roots of Twerking: More Than Just a Trend
Twerking’s origins can be traced to traditional African dances, particularly those emphasizing hip movements as a form of storytelling and celebration. Dances like the Mapouka from Côte d’Ivoire focused on rhythmic hip isolations long before twerking became known globally. As African cultural elements spread across the world, these dance traditions evolved, finding new expressions in Caribbean and New Orleans bounce music scenes.
In the early 1990s, New Orleans played a pivotal role in bringing twerking into American dance culture. The city’s bounce music scene, known for its uptempo beats and party-centric vibes, made twerking a staple on dance floors across the South. Artists like DJ Jubilee, with tracks like “Do the Jubilee All,” encouraged audiences to engage in these high-energy dance moves. This grassroots movement set the stage for twerking’s eventual crossover into mainstream hip-hop.
Twerking Goes Mainstream: The Hip-Hop Connection
Hip-hop has always embraced dance as a form of expression, with breakdancing, popping, and locking evolving alongside the music. Twerking naturally found a home within hip-hop culture due to its emphasis on body movement and rhythmic connection to the beat. As hip-hop videos became more prominent in the early 2000s, artists began featuring twerking in their music videos, highlighting its place in party scenes and club settings.
Songs like Juvenile’s “Back That Azz Up” and Ying Yang Twins’ “Whistle While You Twerk” played significant roles in bringing twerking into the public eye. These tracks celebrated dance culture and emphasized hip movement as both a visual and physical connection to the music. The rise of music television networks and later platforms like YouTube gave twerking a global stage, transforming it from a regional dance into a worldwide phenomenon.
Twerking in the Social Media Era
The evolution of twerking took another leap with the rise of social media platforms like Vine, Instagram, and TikTok. Viral dance challenges and user-generated content allowed people worldwide to showcase their twerking skills, pushing the dance into new territories. Artists like Megan Thee Stallion and Cardi B have embraced twerking not only as a dance but also as a form of empowerment and body positivity. Their performances often celebrate self-confidence and challenge traditional norms around dance and femininity.
Social media has also made twerking more accessible. Tutorials, dance classes, and viral trends have turned it into both a fun pastime and a legitimate form of fitness. The global nature of these platforms has allowed twerking to evolve continuously, with dancers incorporating new moves, styles, and influences to keep the dance fresh and exciting.
Twerking Clothing: Moving Freely with Style
When it comes to twerking, what you wear can make a significant difference in both comfort and movement. Clothing that allows for full range of motion is key, and that’s where booty shorts come in. Favored by many dancers for their flexibility and fit, booty shorts provide the freedom needed to perform twerking moves without restriction. Their snug fit ensures that fabric doesn’t get in the way, while the variety of styles—ranging from neon colors to metallic finishes—lets dancers express themselves both through movement and fashion. Whether you’re at a hip-hop dance class, a club, or performing at a festival, having the right outfit helps you feel confident and ready to move. Find the best booty shorts for twerking at Devil Walking.
Cultural Impact and Continuing Evolution
While twerking has faced criticism and misunderstandings over the years, it’s essential to recognize its cultural significance and roots. What began as a traditional dance movement has transformed into a symbol of empowerment, celebration, and self-expression within hip-hop culture. The dance has sparked important conversations about body positivity, cultural appropriation, and the fine line between appreciation and misrepresentation.
Twerking continues to evolve, with dancers adding innovative spins, floorwork, and acrobatics to the moves. Its presence in global music festivals, dance competitions, and online platforms shows that twerking isn’t just a passing trend—it’s a lasting element of contemporary dance culture with a rich history.
Final Thoughts
The evolution of twerking in hip-hop culture is a testament to the power of dance as a form of communication and identity. From its African roots to its mainstream embrace in hip-hop, twerking has become a dance that transcends boundaries, inspiring people to express themselves unapologetically.
Missy Elliott toasted longtime collaborator Ciara for her artistry and divulged their friendship is critical to surviving the music industry.
In an industry infamous for fleeting partnerships and shallow relationships, Elliott made it clear that Ciara’s friendship is a rare treasure, describing it as a bond closer than friendship and more akin to sisterhood.
Speaking candidly, the legendary female rapper emphasized that Ciara’s presence has consistently provided emotional and creative support, something crucial in navigating the often turbulent waters of music stardom.
“You will have many associates in this industry, but friends are rare,” Missy told Bustle. “I don’t even look at Ci like my friend – that’s my sis, and she has been there not just for fun, but if I needed inspiration. She got me if I needed a prayer. Having a friend to be there for you in this business is what you need to keep going.”
Missy Elliott, known for pioneering hits like “Get Ur Freak On,” has teamed up with Ciara multiple times, most notably on chart-topping singles like “1, 2 Step” in 2004 and “Lose Control” with Fat Man Scoop in 2005.
Their collaborations have consistently blended Elliott’s innovative Hip-Hop beats with Ciara’s smooth R&B vocals, creating songs that remain fresh and influential nearly two decades later.
“Ciara’s body of work is timeless,” Missy continued. “She has created music throughout her career that many generations can listen to and it does not feel dated.”
The musical chemistry between the two superstars extended beyond the studio and onto the stage when Ciara joined Elliott on her recent “Out of This World” tour.
The tour also featured other close friends and fellow Hip-Hop luminaries, including Busta Rhymes and Timbaland, revealing Elliott’s emphasis on authentic friendships in the entertainment realm.
Ciara, whose career launched with her debut album Goodies in 2004, reflected her longevity in the music business.
She credited her success to always seeking new creative paths and making enjoyment the cornerstone of her career.
“I’m always trying to find a way to keep things fresh and make sure I’m always looking ahead and – most importantly – have fun,” the 39-year-old told the publication. “I think the fun is what’s carried me and sustained me.”
The inimitable Flavor Flav has been omnipresent in recent years, sponsoring the U.S. Women’s Water Polo team, saving Red Lobster and showing up at the 2024 Paris Olympics, Taylor Swift shows and the Grammys—and that’s only a sliver of Flav’s endeavors.
It was enough for his Public Enemy partner Chuck D to take note and coin him the “everywhere man.” In fact, they dropped a collaborative single of the same name in January 2024, highlighting Flav’s second (third or even fourth) chapter. Flavor Flav is at it again, this time as the official face of 1-Hour Energy, made by the same company behind 5-Hour Energy.
During a recent Zoom interview with AllHipHop, Flav talked about the benefits of 1-Hour Energy, Public Enemy’s future and how he’s been able to reinvent himself in his 60s. From his iconic career in Public Enemy to reality television fame with shows like VH1’s Flavor of Love, Flav has lived many lives. But at the end of the day, one thing remains the same: his admiration for Chuck D. Although, as he pointed out, they are “equal partners,” Flav has looked up Chuck since they were students at Adelphi University.
Their chemistry, too, is still palpable on stage. Last month, the Black Music Action Coalition hosted a Restore & Rebuild L.A. event during Grammy Week at Deliah in West Hollywood, where he and Chuck performed Public Enemy’s revolutionary anthem “Fight the Power,” a song that still rings true today.
“The song is still relevant, the whole nine,” he said. “When Chuck wrote the song, he was kind of ahead of his time. I’m saying that’s one thing that I can always say about my partner, Chuck D. Chuck, when he writes, he’s always ahead of his time. That’s why I always back him because usually before Chuck writes down anything, he does the research first. That way, once the information does come out on records, we know what we’re talking about.”
The “Fight the Power” video, which was originally shot in Bedford–Stuyvesant, Brooklyn on April 22, 1989, doubled as a political rally. Flavor Flav is always transported back in time when they perform it together.
“It feels like the first time when we made the video,” he said. “It always brings me back to that. I had so much fun that day making that ‘Fight the Power’ video. Not only that, but also right now today, too, that the record ‘Fight the Power’ is still a very, very strong statement.”
Public Enemy revolutionized Hip-Hop with their politically charged lyrics and The Bomb Squad’s innovative production technique. Their albums, particularly 1988’s It Takes a Nation of Millions to Hold Us Back and 1990’s Fear of a Black Planet, redefined what rap music could achieve, addressing issues of racism, media manipulation and social injustice. Their innate ability to combine education with entertainment challenged listeners to reflect on societal issues, setting a new standard for meaningful artistic expression—and they’re still at it decades later.
“We’re scheduled to go out on tour with Guns N’ Roses this summer and we’re working on some new songs right now to bring out on the road,” Flav said. “We got some fresh brand new songs right now that we’re putting together, and we’re almost done with them. We’re just putting the finishing touches on them, a couple of little knick-knacks, tweaks, this and that. Boom. Then y’all will have a fresh brand new EP from me and Chuck.”
While Chuck and Flav have certainly had their differences over the years, it’s crystal clear Flav has immense respect for the Rhyme Animal.
“I ain’t gonna lie, man, but I’ve always been one of Chuck’s biggest fans, not only just one of his biggest supporters—the whole nine,” he said. “But Chuck always was like a leader to me. He gives off that sense of leadership, even though we’re partners. You know what I’m saying? We’re equal partners, but he’s still more like a leader to me.”
Flav didn’t hesitate when asked what his favorite Public Enemy song was. It’s the song that started it all. The song that landed them at Def Jam Recordings. The song that changed their lives.
“My favorite personal Public Enemy song is ‘Public Enemy Number One,'” he revealed. “That’s the first one out the box, baby! That one did it. I’m just most proud of still being able to be here talking about what we’re talking about right now. There’s a lot of brothers and men that I came up with that’s not alive right now who can sit around and talk about it like me or like Chuck. I’m most proud of still being able to exist right now and have the chance to keep reinventing myself.”
Flavor Flav is on the move on any given day and there’s not one that goes by where he’s not recognized or swarmed by fans. At this point, Flav has been famous for nearly 40 years and said he doesn’t really think about “the fame” too much.
“All I ever do is just live day to day and enjoy the people that enjoy me,” he concluded. “And that’s it. I feel that I’m one of the most humblest people. I’ve never really seen my size. A lot of people tell me I’m huge and I’m larger than life, but I don’t see me that size. I just see me this size. This is the size you’re going to get.”
Charleston White gave some rather shocking commentary about the war between Russia and Ukraine just days after Donald Trump and JD Vance clashed with Ukrainian leader Volodymyr Zelenskyy at a tense White House meeting on Friday (February 28).
The outspoken social media personality, known for his abrasive takes on current events, didn’t hold back in a recent livestream.
“I just want to say to everybody, f### Ukraine,” White said. “We don’t give a damn about Vladimir Putin going over there, bombing them people. F### them people. We don’t a damn about Russia or Ukraine. Not no n####.”
White further explained his indifference by pointing to past racial injustices in the U.S., explicitly referencing the death of Tamir Rice, a Black child killed by police in November 2014.
“They didn’t have nobody when we needed somebody for Tamir Rice,” he said.
He emphasized his apathy toward the Eastern European conflict, sarcastically asking, “Is the clubs open this weekend? When is that pair of Michael Jordan tennis shoes coming out?”
White’s comments follow a dramatic Oval Office confrontation, where tensions boiled over between Trump, Vance and Zelenskyy.
Trump and Vance criticized Zelenskyy for what they perceived as insufficient appreciation of U.S. aid. Trump accused Zelenskyy of “gambling with World War III” and pressed him to agree to a ceasefire, asserting Ukraine had little bargaining power left in its war against Russia.
The meeting abruptly ended with Zelenskyy escorted out and a planned joint press conference canceled. The backdrop to this diplomatic drama is a grim reality on the ground: more than 700,000 Russian and approximately 400,000 Ukrainian military fatalities.
More than 10 million Ukrainians—nearly a quarter of its population—have been displaced. But White remained unmoved, further expressing admiration for controversial global leaders.
“I’m a fan of Vladimir Putin,” he said. “I think he the baddest world leader in the world. I like him and Kim Un Jong [sic], Muammar Gaddafi, but they killed Gaddafi. F### Ukraine, blow it up! F### them people and f### who die over there tonight.”
Gorgeous Doll took to social media to publicly accuse Future of allegedly plotting to silence her as punishment for attending Lil Baby’s listening event.
In a fiery video that’s quickly spread across TikTok and Instagram, the influencer unleashed accusations against the Atlanta rapper, claiming he’s attempting to get her social media accounts shut down..
“He’s threatening to have my page deleted,” Gorgeous Doll said emphatically in her now-viral clip. “At the end of the day, babe, I will take this off TikTok and we will go to Instagram with it. I will go to Twitter. I will go to every social [platform].”
The video notably features audio of Future’s voice on a phone call, where he flatly denies familiarity with Gorgeous Doll, stating clearly, “I don’t even know you.”
The authenticity of the audio has yet to be independently confirmed.
Throughout her aggressive social media campaign, Gorgeous Doll insisted she was ready to reveal details of their alleged interactions.
She further alleged her creative contributions influenced Future’s recent musical catalog and seemed to threaten the rapper with a possible lawsuit to get some money.
“Please don’t you think I won’t go after you for me being an influence on the songs that you’ve made over the past couple years. You think I won’t come for that catalog? Play with me,” she snarled.
Gorgeous Doll also teased she holds substantial evidence backing her claims, adding, “I got over 3,000 screenshots, OK? Since 2019. I will literally expose everything.”
This isn’t the first time Gorgeous Doll has publicly challenged a prominent Atlanta Hip-Hop star.
Just last month, she accused rapper Latto of orchestrating a physical assault outside a nightclub, allegedly causing her miscarriage.
Gorgeous Doll labeled Latto a “baby killer” and vowed legal pursuit. Latto swiftly denied these allegations, dismissing them as “#FakeNews” and stating she doesn’t fight over “cheaters.”
However, Latto cryptically commented online about someone getting “whooped” for discussing her relationship, further intensifying speculation.
Neither Future nor Latto has publicly commented on Gorgeous Doll’s allegations.
Sean “Diddy” Combs is at the center of controversy amid disturbing allegations filed against him yesterday involving a 14-year-old boy in 2006.
An unnamed plaintiff accused Diddy of meeting him in the lobby of an upscale hotel near Madison Square.
The teenager, linked to the music mogul through his father, who was tight with Diddy, allegedly accepted the Bad Boy’s founder’s invite to a private gathering.
The plaintiff believed the meeting could provide a chance to showcase his musical talents and enjoy a drink.
Once secluded in the hotel room, the atmosphere allegedly shifted. The complaint states Diddy provided a drink to the minor, accompanied by music.
After consuming the beverage, the plaintiff described a wave of incapacitating fatigue, slipping into semi-consciousness. This vulnerability, the lawsuit claims, left him unaware of the substances affecting him.
The narrative darkened as the plaintiff detailed waking up with Diddy sodomizing him.
Adding another layer of despicableness, the lawsuit cites a woman in the room, reportedly asking Diddy if she should continue filming, to which he allegedly replied affirmatively.
Disoriented and injured, the minor later chose silence over confrontation, fearing retaliation from the mogul’s formidable network and his father’s ties to the rap star.