Ye unleashed a torrent of inflammatory posts on X, which may be sparking outrage – but the rap star’s followers just keep on growing.
Yesterday (February 8), Ye had about 32.9 million followers. Today, that number has swelled to over 33 million – a net gain of over 100,000.
The rapper has been firing off incendiary messages about Jewish people for the last 72 hours, in addition to touching on fashion and social issues.
The rapper has proclaimed his love for Adolf Hitler, boasted about selling out his White Lives Matter t-shirt, called Jewish women “b######,”
His posts ranged from denouncing the Me Too movement to making incendiary claims about abuse. Ye also criticized modern fashion standards and his children’s schooling.
“When I do fashion shows I don’t use fat people,” he stated. “I don’t like how they look in clothes and they look even worse out of clothes.” He followed up with a complaint about education, declaring, “My kids school sucks.”
While the posts ignited backlash, his followers have increased by over 100,000 followers in the last 24 hours.
And unsurprisingly, Ye is still spewing hate and firing off controversial opinions as of this morning (February 9).
“JEWS WERE BETTER AS SLAVES YOU HAVE TO PUT YOUR JEWS IN THEIR PLACE AND MAKE THEM INTO YOUR SLAVES,” he tweeted this morning.
In addition to the blowback from people reading Ye’s tweets, the rapper claimed someone was threatening his children for mentioning their name.
IM REPOSTING THIS I DONT THINK IT WAS FAIR TO HAVE IT TAKEN DOWN THIS WAS SENT TO MY WIFE YESTERDAY PEOPLE THREATENING TO KILL MY CHILDREN pic.twitter.com/AUiTCZcaV1
Brian Austin Green isn’t one to stir the pot publicly, but this time, frustration got the best of him.
After taking a swipe at Machine Gun Kelly over his recent remarks about Megan Fox, the former Beverly Hills, 90210 star is stepping back, vowing to stay silent moving forward.
However, during an appearance at a Los Angeles book launch, he admitted that he’s had a change of heart.
“I spoke my mind,” Green told People, referencing the now-deleted Instagram Stories post. “But then I’ve since come to terms with the fact that I won’t do that anymore. I’m going to shut up and just sit back.”
His outburst came after MGK pushed back against speculation surrounding his tumultuous relationship with Fox.
The two, who had been engaged in an on-and-off romance, officially ended things late last year, shortly after revealing they were expecting a child together.
Green—who was married to Megan Fox for over a decade and shares three children with her—didn’t hold back when addressing MGK’s reaction to public scrutiny.
“Bro. Just be honest for once in your life,” he wrote in the fiery post. “Stop caring so much about how you’re perceived that you will try and drag other people.”
Looking back, Green admitted the public callout wasn’t typical of him, but he felt compelled to respond.
“That’s not something that I normally do, but it just really at the time, really got under my skin to read about his sort of take on it,” he explained.
While Green doesn’t expect to hear from MGK anytime soon, the actor has made one thing clear—he’s done airing grievances online.
As for the ongoing drama between Fox and MGK, the dust has yet to fully settle, but Green is officially taking a seat in the audience.
Arrested Development has returned with a new single called “All I See is Melanin,” the Grammy Award-winning group’s first release of 2025.
The track’s arrival is perfectly timed with Black History Month, something Speech tells AllHipHop was important to him. The Ben Marc-produced cut also boasts the first rap verse from Arrested Development dancer Fareedah.
“Love knows no boundaries, and Arrested Development celebrates the diverse tapestry of the human race,” Speech tell us. “The group found inspiration to write the song during our recent tour with The Roots in great cities like Boston, Los Angeles and Washington, DC. It was a beautiful thing to see a larger Black audience attending our shows compared to what we’ve typically experienced over the last couple of decades; women with braids, locks and cowrie shells, men with dashikis.
“While we often perform at large festivals with diverse audiences, the presence of so many Black attendees this time was profoundly moving. My lyrics often speak directly to the experiences of Black individuals, and it was truly special to look out into the crowd and see them connecting with and embracing the words on a deeper level.”
Speech also tied the song to the presidential election, noting these are particularly challenging times for the Black community.
“Given the recent election outcomes and the unfortunate dismantling of numerous programs that support the Black community,” he adds, “it became evident that a song honoring our beauty, resilience and rich culture was needed.”
Formed in the early ’90s, Arrested Development made a lasting impact on Hip-Hop by bringing a fresh, Afrocentric and socially conscious approach to a genre at a time when gangsta rap was dominating the landscape. Originally based in Atlanta, the group offered an alternative that celebrated Black culture, spirituality and positivity.
Their debut album, 3 Years, 5 Months and 2 Days in the Life Of… (1992), broke new ground with its fusion of Hip-Hop, soul and folk influences, producing hits like “Tennessee,” “People Everyday” and “Mr. Wendal.”
Arrested Development’s success was groundbreaking, earning them two Grammy Awards, including Best New Artist—making them the first Hip-Hop act to win in that category. Their unique sound and message helped pave the way for socially conscious rappers and groups that followed, influencing artists like The Roots, Common, A Tribe Called Quest and Mos Def.
The group also helped redefine what Hip-Hop could be, proving that the genre wasn’t limited to aggressive, street-oriented narratives but could also serve as a platform for empowerment and cultural pride. Their emphasis on live instrumentation and soulful melodies expanded the genre’s sonic possibilities, bridging the gap between rap and other Black musical traditions.
“All I See is Melanin” follows the release of 2024’s Bullets in the Chamber, which boasts appearances by Ras Kass, Sol Messiah and the late Twan Mack. Listen to the track above and stream it here along with a remix by Configa, an instrumental and a cappella version.
Juvenile isn’t just excited about football returning to his city for Super Bowl LIX.
He sees the February 2025 showdown at Caesars Superdome as something much bigger—a chance for New Orleans to showcase its resilience, culture, and economic recovery nearly two decades after Hurricane Katrina reshaped the city’s landscape.
With the Kansas City Chiefs and Philadelphia Eagles set for a high-stakes rematch of Super Bowl LVII, anticipation for the big game is already building.
Yet for Juvenile, a New Orleans native and Hip-Hop legend, the real victory goes beyond the field.
“We feel like we got a chance, man,” he told Apple Music. “And now what I like about this Super Bowl is the fact that the local vendors and the local businesses are getting a lot of business and getting opportunities that they didn’t have in the Super Bowls in the past.”
The impact isn’t small—forecasters predict the Super Bowl will inject more than $500 million into the local economy, with hospitality, tourism, and small businesses reaping the benefits.
An estimated 200,000 visitors will flood the city during Super Bowl weekend, doubling the number of tourists and reinforcing New Orleans’ status as a premier event destination.
These figures matter for a city still fighting to regain its pre-Katrina population.
New Orleans had about 484,674 residents in 2000, but after the storm in 2005, that number dropped dramatically to 230,172.
While it has recovered in the years since, the 2020 Census shows the city is still approximately 100,000 people short of where it once was.
“I would say we 60% back,” Juvenile said. “We still have yet to have a lot of… A lot of people got away from New Orleans and realized, ‘I like life out here.’ And didn’t want to come back. And then a lot of people just wasn’t financially able to come back. They lost their homes, and wherever they was at was where they was at.”
Beyond benefiting the economy, the influx of visitors for Super Bowl LIX will support over 5,000 full- and part-time jobs.
Infrastructure improvements tied to the event will also bring long-term advantages, helping push New Orleans further along in its recovery.
“What’s going on now right here is we just trying to keep on rebuilding that culture that we once had, ’cause we don’t have a lot of people here. So it’s kind of hard, but we sticking to it.”
The game, airing on FOX and streaming on Tubi, will kick off at 6:30 p.m. ET/3:30 p.m. PT on Feb. 9, 2025.
Dame Dash has opened up about a text exchange he had with Irv Gotti regarding his concern for the late Murder Inc. music mogul’s health and Diabetes diagnosis.
On Friday (February 7), Dame Dash appeared in a vulnerable interview on his America Nu network, where he opened up about grappling with the loss of his longtime music industry peer Irv Gotti. Dash admitted that Gotti’s death has blindsided him considering he’s still struggling to process DJ Clark Kent’s death.
“I’m still not over the shock,” Dash admitted. “A lot of times I wake up and I’m like, I can’t believe Clark [DJ Clark Kent] is dead. It’s crazy to me. And then now with Irv [Irv Gotti], it’s like, It takes me a while to really process it,” Dash said.
"I don't wanna see you die."
Dame Dash reacts to the passing of Irv Gotti and reveals he reached out to Irv Gotti after discovering his struggles with diabetes despite them not seeing eye to eye in the last couple of years of Irv Gotti’s life.
Turning his attention to Gotti’s passing, Dash shared that it was both a shock and something he had somewhat braced himself for due to Gotti’s health struggles.
“I’m not surprised based on what I knew was going on with his health and the way he was approaching it, but it’s still shocking,” he said.
As Dash continued he spoke fondly of their decades-long relationship, emphasizing the brotherly bond they shared despite disagreements. “Regardless of what our relationship was in that very moment, you know, we were brothers,” he said. “We’ve known each other almost 30 years. Irv was one of the people I enjoyed talking to because his perspective was very animated. He was always fun to talk to.”
Like Russell Simmons, Dash also claimed he tried to discuss health management with Gotti, despite the fact that their relationship had been strained in recent years.
“When I found out the struggles, I texted him and said, ‘Irv, regardless of what, we’re brothers, and I don’t want to see you die,” he said of their conversation. “Let me know how I can help you,’ He sent back, ‘Yo, I’m getting better, Dame.'”
Dash revealed that he wished he had been more present in Gotti’s life to provide the kind of tough love he believed could have made a difference.
“I would have made it a lifestyle for him,” he said. “I would have made it uncool to neglect your health.”
Dash added a powerful statement about health and mortality, saying “Food is not that good to where you should lose your life over it. No plate is that good that you should have to die over it just to eat it again. Nobody’s life is that bad that a cheeseburger is your escape.”
“It is with heavy hearts that we announce the passing of our beloved father, Irving ‘Irv Gotti’ Lorenzo, on February 5, 2025. Surrounded by family and friends, he departed this world, leaving behind a legacy that will forever resonate in the hearts of those who knew him and the countless lives he touched,” the statement read.
Tommy Richman is back in the mix, but this time, it’s not just for his music. Word on the street is that his latest track “Actin Up” might be a little too inspired by an oldie but goodie. Some folks are saying the Virginia native may have borrowed elements from Cadillac Don and J-Money’s “Peanut Butter & Jelly!”
Now, before we get into that, let’s talk about Tommy Richman. The dude blew up last year, making a name for himself in a time when Kendrick Lamar had Hip-Hop on lock. His hit “Million Dollar Baby” was everywhere, and the way he moved had people curious. See, Tommy kept things real ambiguous when it came to his background—until folks realized he was white. No problem there—Hip-Hop embraces talent from all walks of life. But as time went on, he started making some suspect comments, leading some to call him a culture vulture. He never got fully canceled, but let’s just say a few eyebrows were raised.
It seems like Tommy wanted to branch out beyond Hip-Hop. Cool, no one wants to be boxed in. But now, here we are with “Actin Up”, and some heads are saying that he took a little too much from “Peanut Butter & Jelly.” The most notable similarity? That steel drum element is the same vibe Soulja Boy made famous back in the day. Yes, SB is an OG now.
I gave it a listen, and I’m thinking… eh, it might not be that deep. But let’s not jump to conclusions. We gotta do the side-by-side comparison. So check it out below and let me know—did Tommy jack the sample sauce, or is this just a case of the petty internet? Drop your thoughts in the comments!
Kanye West set off a firestorm Wednesday after posting a string of antisemitic messages on X, where he brazenly declared himself a Nazi and defended Adolf Hitler.
The outburst, filled with inflammatory rhetoric and misogynistic boasts, was swiftly denounced by the Anti-Defamation League (ADL), which called his remarks a “blatant and unequivocal demonstration of hate.”
West, who legally changed his name to Ye, ignited intense backlash by writing, “CALL ME YAYDOLF YITLER,” before escalating his rhetoric with “I LOVE HITLER NOW WHAT B****S” on his X account.
He continued by attempting to reframe discussions around Hitler, portraying the dictator as “so fresh” and refusing to denounce his past antisemitic stances.
“Here we go again. Another egregious display of antisemitism, racism and misogyny from \@kanyewest on his X account this morning. Just a few years ago, ADL found that 30 antisemitic incidents nationwide were tied to Kanye’s 2022 antisemitic rants,” the organization said in a statement. “We condemn this dangerous behavior and need to call it what it is: a flagrant and unequivocal display of hate.”
Here we go again. Another egregious display of antisemitism, racism and misogyny from @kanyewest on his X account this morning. Just a few years ago, ADL found that 30 antisemitic incidents nationwide were tied to Kanye’s 2022 antisemitic rants.
“We know this game all too well. Let’s call \@kanyewest’s hate-filled public rant for what it really is: a sad attempt for attention that uses Jews as a scapegoat,” Greenblatt said. “But unfortunately, it does get attention because Kanye has a far-reaching platform on which to spread his antisemitism and hate. Words matter. And as we’ve seen too many times before, hateful rhetoric can prompt real-world consequences.”
West’s controversy extended beyond antisemitic remarks, as he also made degrading comments about his wife, Bianca Censori.
Following their appearance at the Grammy Awards, where he seemingly directed her to unveil a revealing outfit, West brushed off accusations of manipulation.
“I HAVE DOMINION OVER MY WIFE,” he wrote, dismissing feminist critiques and asserting that while he doesn’t control her choices, “she definitely wouldn’t have been able to do it without my approval.”
The fallout from his latest tirade has reignited debates over the ADL’s response to controversial figures and whether their level of condemnation is consistent.
While the ADL has criticized Musk for engaging with antisemitic conspiracy theories and backing right-wing extremists, some have argued that the outrage directed at West has been far louder.
Supporters of the ADL maintain that West’s statements are far more blatant and extreme, crossing into outright Nazi sympathies, whereas Musk’s comments—while problematic—have been more veiled and open to interpretation.
However, skeptics argue the discrepancy highlights selective outrage, with West facing harsher scrutiny due to his erratic behavior and bombastic delivery.
Spot the difference!!!
Kanye west is a black person he gets the whole antisemtic BS from the #ADL
ELON MUSK is a white person he gets a free card after doing the hitler Salute. @ADL which one is it? pic.twitter.com/6yme2UR5Xq
Ye sucks — and you qualifying a Nazi salute less than a month ago is exactly why your word on this means nothing. Pathetic. Congratulations for selling us all out and losing all your credibility. Every day that you don’t fire Greenblatt and rebuild is a day we are all less safe. https://t.co/sLKatRbnrd
Greenblatt who ordered the ADL to defend Musk is destroying his organization's credibility.
And of course Kanye is a straight up Nazi, but the CEO of the ADL must be replaced, because the ADL is losing partner after partner because of his attitude.
Snoop Dogg and Tom Brady are taking a stand against hate and antisemitism with a message set to air during Super Bowl LIX—and the message will be right on time.
The 30-second spot, titled “No Reason to Hate,” is backed by the Foundation to Combat Antisemitism (FCAS) and challenges viewers to reconsider the senseless reasons behind discrimination of all kinds.
“I’m honored to team up with the Foundation to Combat Antisemitism ahead of the Super Bowl for the No Reason to Hate campaign,” Snoop Dogg said in a statement. “It doesn’t matter what your background is, what you look like or where you come from, hate is never the answer. It’s time we all start seeing it for what it is and together, take a stand against hate.”
The timing of the ad is noteworthy, arriving just days after Kanye West—who now goes by Ye—launched yet another antisemitic tirade on X, formerly known as Twitter.
On February 7, Ye posted a series of inflammatory messages, including “I love Hitler” and “I’m a Nazi,” while also retracting his past apology for previous antisemitic comments.
His posts flooded the platform for several hours, drawing swift condemnation from figures like Anti-Defamation League CEO Jonathan Greenblatt, who called Ye’s remarks a “blatant and unequivocal demonstration of hate.”
The commercial, which will air during one of the most-watched television broadcasts of the year, presents Snoop and Brady shouting out absurd justifications people use to justify hate—ranging from someone “looking different” to “people I know hate you.”
The message is clear: those reasons are just as ridiculous as they sound.
This marks the second consecutive Super Bowl ad from FCAS, an organization founded by New England Patriots owner Robert Kraft.
Kanye’s inflammatory posts have reignited discussions about his presence on social media, with renewed calls for his accounts to be suspended.
Meanwhile, FCAS’ decision to feature Snoop Dogg and Brady in their high-profile campaign has not been without controversy.
Kanye West‘s Twitter (X) tirade is expanding well into Saturday night (February 8) and it appears he’s back on the Donald Trump bandwagon—not that he ever hopped off.
Shortly after his all caps diatribe about the #MeToo Movement equating to extortion, his love for Adolf Hitler, Dave Chappelle not being funny and his disdain for Jewish people (again), the now-formulaic, attention-seeking narcissist that many people believe West is switched topics to Trump.
Using a photo of the current president, he wrote, “ANY N#### DONT LIKE TRUMP IS A F#####.”
West didn’t expand on the topic too much, although he did offer, “I HATE THE TERM ‘TRUMP SUPPORTER’ I NEVER HEARD THE TERM “BIDEN SUPPORTER.”
Kanye West and Trump have shared a complex and often controversial relationship over the years. West first expressed public support for Trump in 2016, not long after the presidential election. He visited Trump Tower in December of that year, stating they discussed “multicultural issues.”
In 2018, West’s admiration became more pronounced when he donned a “Make America Great Again” hat and delivered an impassioned speech in the Oval Office, touching on topics from mental health to prison reform. The meeting garnered widespread media attention and highlighted West’s unconventional approach to politics.
However, their relationship has been fraught with controversy. In late 2022, West faced significant backlash after making antisemitic remarks, including expressing admiration for Hitler and declaring himself a Nazi. Those statements led to widespread condemnation and the loss of several business partnerships.
Despite these controversies, Trump has maintained a degree of support for West, describing him as having “a good heart” but acknowledging his complexity.
As part of West’s latest online antics, West urged Trump to pardon Sean “Diddy” Combs, who was incarcerated on charges of sex trafficking and racketeering. Combined with West’s continued erratic behavior, his request underscores the unpredictable and often contentious nature of his association with Trump.
West’s most recent Twitter (X) explosion began earlier this week, with him professing his love for Adolf Hitler and claiming he controls his wife. He then turned his attention toward #MeToo Movement and Jewish people.
He began by referencing the infamous tweet that started it all in 2022.
THE JEWS THREATEN TO TAKE YOUR CHILDREN AWAY THAT HAPPENED TO ME ON THE DEATHCON TWEET YOU SAW HARLEY SAY HE WAS GOING TO MEDICATE ME TO ZOMBIELAND
As of publication time, West has been resting his Twitter fingers for an hour. His last tweet was, “WHY DO BROKE N##### TELL ME WHAT TO DO BUT I NEVER TELL THEM N##### WHAT TO DO IS THERE SOMETHING ABOUT BEING BROKE THAT MAKES THEM FEEL POWERFUL.”
This Super Bowl ain’t just a game—it’s a cultural moment! I think it is a battle of ideologies. You got the Kansas City Chiefs, the reigning dynasty, looking to cement themselves as one of the greatest teams ever. Then there are the Philadelphia Eagles on the hunt with Jalen Hurts leading the charge.
But let’s not pretend the game itself is the only storyline.
Trump pulling up to the Super Bowl? That’s never happened before with a sitting president. And it’s no coincidence he’s backing the Chiefs, especially when you consider the history with the Eagles. Philly gave him the cold shoulder back in 2017, refusing to visit the White House after their Super Bowl win. You know Trump holds grudges. And the Chiefs? Well, Mahomes might not be shouting MAGA from the rooftops, but his wife Brittany supports that movement. I abhor those red hats!
Jalen Hurts is the ultimate counterpoint to all of that. A strong Black man with a powerful Black woman by his side, an all-Black female management team, and a quiet, composed leadership style that represents something deeper to his supporters. Hurts isn’t just playing for Philly—he’s playing for culture! The representation is something that feels bigger than the game itself. And don’t think people aren’t noticing the subtle narratives being pushed. Mahomes is the polished, light-skinned, half-Black, half-white quarterback, versus Hurts, whose entire presence exudes unapologetic Black excellence. This is real. I wish it was just football, but it’s not.
And let’s talk about this Josh Allen factor—there is no golden boy in this Super Bowl. (Shout out to Lamar Jackson!) They “gave” him the MVP Honors at the NFL Honors show. That was a bandaid over the obvious. There’s no Brady, no Manning, no traditional white superstar QB that the league can safely market as “the face of the NFL.” It’s two Black quarterbacks, one of whom (Mahomes) fits the “safe and marketable” mold. And another (Hurts) who represents something that America still struggles to embrace fully. Nike gets it though.
So, yeah—some folks might just see a football game. But to a whole lot of others, this is a cultural referendum. MAGA vs. the resistance. Trump’s America vs. the people who turned down his invitation. The old guard vs. the new wave.
So I ask you—who you wit? Fly Eagles Fly or Chiefs Kingdom? Because, trust me, this ain’t just about football.
Megan Thee Stallion is stepping into the K-Pop universe with PSY for an electrifying new music competition series, KPOPPED, giving fans a front-row seat to an international battle of beats and talent.
Apple TV+ announced that the rap powerhouse behind “Hot Girl Summer” and the viral sensation behind “Gangnam Style” are teaming up in an eight-episode show designed to merge Western and Korean pop music cultures in spectacular fashion.
The series, produced by Megan herself alongside music legend Lionel Richie, will pit Western music icons against top-tier K-Pop idols in a reimagining of their greatest hits.
Each episode culminates with explosive performances judged by a live audience in Seoul, tasked with crowning the ultimate champion of these epic musical mash-ups.
Megan is also set to revisit her 2020 chart-topping anthem “Savage” during the series—bringing her unmistakable energy to the stage while bridging two global music worlds.
A synopsis for the series highlights its ambitious concept.
“In each episode, western icons reimagine one of their biggest hits, collaborating with top-tier K-pop idols to deliver spectacular battle performances, with a live Seoul-based audience picking the winner of the best new K-popped song.”
While a premiere date for KPOPPED has yet to be revealed, the announcement already signals Apple TV+’s growing focus on unscripted competition television.
The platform dipped into the genre last year with My Kind of Country, a Reese Witherspoon and Kacey Musgraves creation that spotlighted the world of country music through performances and judging from icons like Mickey Guyton, Jimmie Allen, and Orville Peck.
Apple TV+ has also explored the vibrancy of Korean music through its August docuseries K-Pop Idols, which chronicled the “trials and triumphs” faced by acts like Blackswan, boy band Cravity, and soloist Jessi as they navigated the competitive South Korean music industry.
Kendrick Lamar’s recent interaction with a young boy has reaffirmed his commitment to individual expression as an artist.
During his recent Apple Music press conference ahead of his Super Bowl LIX halftime show performance, Kendrick offered heartfelt advice to a young boy who asked how to stay authentic while pursuing one’s dreams. The West Coast rapper, who took home five Grammy Awards for his anthem “Not Like Us” which he described as evocative of the type of man he is, emphasized the importance of individuality and self-belief in his response to the youngster.
Kendrick Lamar's advice to young kids on staying "authentic" 🙏
"They say the number one thing people feel in the room… is being authentic. You have to believe in yourself and know there's only one you."
“It’s about not being like anyone else,” Lamar said in response to the child’s question. “The number one thing people feel in the room, even over love and fear, is authenticity.”
Lamar shared that a recent conversation with a friend in the studio had prompted him to reflect on how genuine energy can inspire those around you.
“When people feel you so intensely, it inspires them, their household, and the person next to them,” he said.
Lamar urged the child to recognize their unique value. “You have to believe in yourself and know that there’s only one you. You’re an amazing individual, a miracle,” he affirmed. “I wake up every day thinking, ‘Wow, this life is crazy.’ Not from a celebrity standpoint—just life itself. And knowing that you are part of this existence, it’s important to carry that authenticity.”
Lamar’s thoughtful response mirrored the same depth he revealed throughout the press conference, during which he reiterated his commitment to keeping the competitive spirit of rap alive.
“My intent from day one was to always keep the nature of it as a sport,” he said. “I love when artists grit their teeth. I still watch battle rap—Smack URL, Murda Mook, Loaded Lux, Tay Roc, and Daylyt. That has always been the core of who I am.”
Watch Kendrick lay knowledge on the young buck in the post above.
Earlier this week, Master P stood on Canal Street, reflecting on his journey from selling popcorn in the Superdome to becoming an architect of Southern Hip-Hop, as he was officially inducted into the NOLA Walk of Fame.
The ceremony paid tribute to Master P’s legacy, alongside other influential figures who have shaped New Orleans’ cultural, business, and sports scenes.
The event observed the impact of local heroes, including the late Tom Benson, former owner of the New Orleans Saints and Pelicans, and his widow, Gail Benson.
“I was at the Superdome selling popcorn at 15 years old, and y’all know I went from the popcorn man to the Ice Cream Man. And I said, ‘Mr. Benson, I’m going to be a star one day, and I’m going to have a business, and I’m going to make a lot of money.’ And he laughed, he said, ‘Man, I know you could do it.’ And to be able to be here and to put this fleur-de-lis on Canal Street in his honor, and his wife Miss Gail Benson, thank you,” said Master P.
The induction recognized fellow No Limit Soldier Mia X, former Mayor Ernest “Dutch” Morial, the city’s first Black mayor and his son, Marc Morial, a past New Orleans mayor and current president of the National Urban League.
Other honorees included former NFL star Marshall Faulk, Mayor LaToya Cantrell, actor Wendell Pierce and local entrepreneur Al Copeland, founder of Popeyes Chicken.
“Al Copeland always celebrated me when I came into his restaurant. Man, I ate well, and this has been a blessing to be able to honor him,” Master P said.
Following the induction, Master P made another lasting mark in his hometown by donating the camouflage outfit he wore during his “No Limits Reunion Tour” in 2020 to the Hard Rock Cafe New Orleans.
The outfit was officially added to the restaurant’s memorabilia collection.
As the NOLA Walk of Fame expands across a designated 4.5-mile stretch, plans are underway for a museum that will highlight the stories and achievements of its inductees.
Master P hopes the initiative will inspire future generations by educating them on the city’s greats.
Kanye West’s latest Twitter (X) tirade began with professing his love for Adolf Hitler and admitting he controls his wife, then turned toward the MeToo Movement.
The social movement and awareness campaign started gaining traction in 2017 and signaled a shift in attitude toward sexual abuse, harassment and rape culture. But according to Kanye West, who called for Diddy to be released from jail over his alleged sex trafficking charge as part of his rant, it’s all extortion.
“Me too is a woke agenda,” he wrote. “Me too is extortion. If a n#### really taped you then it’s legal not financial. Can’t nobody see that. Puff got me too’d. So did I. Free Puff. Did Puff get me too’d cause of the fighting or because of the money? I never seen a broke n#### get me too’ed.”
Screenshot
Of course, Kanye West wasn’t done there. He then took aim at women who are perceived as overweight, calling them “sex offenders.”
He reasoned, “I see them and I’m sexually offended. Making lingerie for fat b###### is like giving knives to little kids. They gone hurt somebody. If you find yourself in a fat b#### p#### just remember it’s because you’re broke.”
West also applauded Elon Musk, the owner of Twitter (X), for allowing him to get away with the inflammatory posts he’s been making for the better part of two days.
“I gotta give Elon his flowers for allowing my fuckery,” he wrote, “It’s a whole new world! I gotta say Elon’s a real n#### for this.”
Kanye West’s inflammatory tweets comes as he plots the release of his next album, the aptly titled Bully, and just days after he pulled up at the Grammys with his basically naked wife.
The stunt sparked outrage and concern over the woman’s mental health. In several videos of the incident, he can be seen instructing her to remove her coat to expose herself. But there are plenty of people chiming in and saying she’s a willing participant.
Offset and Cardi B’s split is anything but amiable. Since announcing their impending divorce in August 2024, the estranged couple has regularly argued on social media, allowing fans a peek into their toxic relationship.
In a series of since-deleted and somewhat cryptic tweets, the Migos rapper once again accused Cardi B of cheating and suggested at least one of their three children doesn’t belong to him.
“We sharing,” he began. “Blood test. Butch been cheating since 2019. I ain’t tell when u did [rat emoji]. Tommy n Sammy. My new b#### badder.” The kicker? He also claimed, “Had u last week by the way.”
Cardi B did not lie when she called Offset as a “babymomma acting ass btch” bc why are you UPSET that she is finally moving on?
Literally has been crashing out daily since that media of Cardi and Stefon Diggs hit the net. 😭 pic.twitter.com/q13kTZWBfb
People quickly jumped to conclusions, suggesting Offset was jealous of her new single with Pardison Fontaine, “Toot It Up,” and the attention she was getting as a result. Others just assumed he’s another “bitter baby daddy” or bothered by the photos of Cardi B with Stefon Diggs.
Cardi B, on the other hand, has been expressing how she feels about Offset for months. In September 2024, shortly after announcing she’d filed for divorce, she said in a livestream, “I’m too much woman for you. … And I’ve always been too good for you.”
She continued, hinting at his own infidelity, “Nothing surprises me anymore. You’ve done it all, so I don’t care. Thank you for my kids, though. All three of them, I don’t regret none of them. But I regret you. I don’t regret my kids; you’re a good daddy. You’re all right.”
Cardi B and Offset have had a turbulent relationship filled with public breakups, reconciliations and cheating allegations. They first got together in 2017 and secretly married that same year. However, their relationship was plagued by infidelity rumors, leading Cardi to announce their split in December 2018. Offset made a grand public apology, and the two reconciled shortly after.
Their on-and-off dynamic continued, with Cardi filing for divorce in 2020, only to call it off a month later. In 2023, tensions flared again when Cardi publicly accused Offset of cheating, which he denied. Despite the drama, the couple has continued to co-parent their three children.
Kanye West, who appears to be the biggest narcissist on the planet next to Donald Trump and Elon Musk, went on another one of his epic Twitter (X) rants on Friday (February 7).
Whether he has an album to promote (Bully) or desperately needs more attention than his Grammy Awards stunt got him doesn’t matter—what we’re witnessing is a sick (yet incredibly arrogant) individual clinging on to a persona that he knows will get clicks.
And, of course, it worked. Kanye became a trending Twitter topic after he claimed he was a Nazi, branded himself “Yaydolf Yitler,” admitted to controlling his wife and proudly proclaimed he loves Adolf Hitler.
Not long after, it was reported Tyler, The Creator unfollowed Kanye, presumably because he’s as fed up with his b####### as we are.
Naturally, Kanye had another eloquent response to that. Underneath a post from Kurrco that read, “Tyler, The Creator has unfollowed Ye fka Kanye West on X/Twitter,” Kanye wrote simply, “GAY,” and left it at that.
Considering Tyler, the Creator’s sexuality has been frequent fodder for netizens, it was an interesting choice of words.
Granted, there was a little humor in that, but it’s a disturbing pattern that’s been part of Kanye West’s character for years now—whether he’s making antisemitic comments, spreading other hateful rhetoric or showing just how much disrespect he has for women.
On Sunday (February 2), West showed up to the 67th Grammy Awards with his current wife Bianca Censori and instructed her to remove her black fur coat as they were posing on the red carpet. We all know what that was about, something he addressed during his latest Twitter tirade.
“I HAVE DOMINION OVER MY WIFE,” he wrote. “THIS AIN’T NO WOKE A** FEMINIST S***. SHE’S WITH A BILLIONAIRE, WHY WOULD SHE LISTEN TO ANY OF YOU DUMB*** BROKE B*****.”
He further claimed, “YES I DON’T MAKE HER DO NOTHING SHE DOESN’T WANT TO, BUT SHE DEFINITELY WOULDN’T HAVE BEEN ABLE TO DO IT WITHOUT MY APPROVAL.”
In a follow-up post, West lashed out at those who labeled the Grammy appearance a “stunt,” saying, “Anyone who called my wife’s Grammy look a stunt is dumb and laaaame yes youuuu. She been dressing naked for 2 years. Now all of a sudden it’s a stunt.”
West concluded, “IF I LOST EVERYTHING ‘AGAIN’ TONIGHT WAS WORTH IT I CAN DIE AFTER THIS.” You’ve likely seen the rest, like this gem below.
I CAN SAY JEW AS MUCH AS I WANT I CAN SAY HITLER AS MUCH AS I WANT MATTER FACT I DO SAY IT WHEN I WANT
As for Tyler, the Creator, he and Kanye West once shared a creative and personal connection. Tyler has cited Kanye as one of his biggest inspirations, and Kanye has expressed admiration for Tyler’s innovative approach to music and fashion. Their relationship dates back to the early 2010s when Tyler was still part of Odd Future.
The two have collaborated on multiple occasions. Tyler appeared on Kanye’s 2013 Yeezus Tour, and he contributed background vocals to “Freestyle 4” from Kanye’s 2016 album The Life of Pablo.
Kanye also made a brief cameo in Tyler’s “IFHY” music video. Beyond music, they have influenced each other in fashion, with both artists pushing boundaries through their respective brands—Kanye’s Yeezy and Tyler’s Golf Wang. Needless to say, people are jumping ship faster than Censori stripped for the cameras.
Good luck to you “Ye” or whatever you call yourself. Hope it’s worth it.
Ashanti has issued a statement to mourn Murder Inc. boss Irv Gotti, who died on Wednesday (February 5) at the age of 54. The veteran singer shared her thoughts on Instagram, expressing her shoc and acknowledging their complicated relationship.
“I can’t believe things ended like this… and it makes me so sad,” she wrote. “We weren’t on the best terms the past few years but as I’ve always said, through our ups and downs, I will forever be grateful for everything that you’ve done for me. We made history and that will remain infinite,” Ashanti said in a heartfelt post.
The statement showed Ashanti’s grace since her personal relationship with Irv Gotti found a place in public discourse.
The two worked closely during Murder Inc.’s height, churning out hit records like “Foolish,” “What’s Love,” “Always on Time” and “Happy.” However, their professional and personal relationship became strained after Ashanti’s romantic involvement with Nelly, which allegedly led Gotti to attempt to derail her career.
The drama escalated in 2022 when Gotti appeared on Drink Champs and detailed his alleged past relationship with Ashanti, stating he was in love with her while still married. His comments sparked backlash, with many criticizing him for speaking about their past publicly. Ashanti later responded indirectly in interviews and through her music, making it clear that she had moved on. The situation intensified when she re-recorded her debut album to regain control of her masters, a move Gotti openly disapproved of, as he still owned the original rights.
Ashanti declined to participate in Gotti’s Murder Inc. documentary, The Murder Inc. Story, and largely distanced herself from the public conversations surrounding their past. Yet, in the wake of his death, she took to social media to express her feelings. Despite the friction, she acknowledged his influence on her career.
“I’ve always respected your musical genius and ability to push me to be my best,” she said. “All the greatness and positive things that came far outweigh the dark and negative times. I have always prayed for you to find peace. Sending love and prayers to the entire family.”
In her closing words, she reflected on his passing, writing, “Rest well. Rest in Peace Irv.”
AllHipHop confirmed Gotti’s death, revealing he was surrounded by loved ones in his final moments.
Looks like DJ Khaled has found himself on the wrong end of Drake’s ever-growing list of Hip-Hop and other celebrity figures to be barred from his OVO empire.
On February 4 Khaled shared the seven-minute cinematic album trailer for his forthcoming album Aalam Of God. Directed by Eif Rivera, the action pack teaser included cameos from Mark Wahlberg, Anthony Ramos and Khaled himself, who appears to defy gravity by performing an insane acrobatic parkour-mirroring stunt. In a since deleted Instagram post he shared the following day, Khaled teased a number of appearances from notable artist, such as Rihanna and of course Drake.
“FYI…DRAKE’S BACK TO WORK,” Khaled wrote in all-caps in a portion of the lengthy caption featuring the album trailer. “SO AM I THIS THE ONE WITH THE [TWO] DRAKE’S.”
However, before long, Drake caught wind of the post, considering he was directly tagged by Khaled, and responded with a comment he has also since deleted which alluded to his desire to distance himself from the project.
”Must be Drake Bell,” Drake wrote in the comment in which he also tagged the child actor.
It also appears as though we may not be the one who is catching the wrath of a scorned Drake in real time. Following footage of his bullet hole riddled, smoke-emitting hoodie which he dawned in Perth during his first concert part of his trip in Australia, another viral clip of Drake appearing to on his former friend LeBron James has begun circulating. In the aforementioned clip, the Toronto MC can be heard changing the lyrics of his hit song “Nonstop” to include a jab at James as he raps, “How I go from 6 to 23 but not LeBron, man.”
Adding fuel to the fire, it appears as though James himself may have directly responded to Drake with a jab of his own, after sharing a post to his Instagram story expressing his excitement for Kendrick Lamar’s upcoming performance at the Super Bowl on February 9.
”HE GONE KILL THAT [poop emoji]!!!! CAN’T WAIT *Bart Scott voice*,” James wrote in the story.
DJ KHALED 14th STUDIO ALBUM
AALAM OF GOD 🌎 COMING 2025
This not my last album this my black album *JAY VOICE* AALAM OF GOD 🌎! MY 14th STUDIO ALBUM 2025
AALAM MEANS THE WORLD🌎. WORLD OF GOD 🌎#AALAMOFGOD 🌎
Judgemental Records is riding a high note as the indie powerhouse continues to make waves in the rap game.
The label’s relentless grind behind the scenes of the music industry has positioned it as a force to be reckoned with, and 2024 proved to be a year of major wins.
N.O., one of Judgemental’s rising stars, dropped the visual for his lead single, “We Can’t Lose,” produced by Lino3x and shot by 4kVisionMedia.
The track, a gritty yet soulful homage to hip-hop’s essence, was filmed in the streets of Philadelphia and has already caught the attention of some heavy hitters.
Industry giants like Young Guru, Jahlil Beats, The Beat Bully, and Black Metaphor have praised the project, and Timbaland recently co-signed the track on his show, Timbo Ido.
As the crew gears up for an even bigger 2025, they’re already making headlines with a new partnership.
Judgemental Records has secured a distribution deal through Vydia in collaboration with The Graves Firm, owned by Lamont Graves.
Their in-house producer, Lino3x, has also landed a coveted production deal with Jahlil Beats, marking the first of many collaborations in the works.
The label kicked off the new year with the release of Street Preachin, a joint effort by Jahlil Beats and Lino3x, setting the tone for what promises to be a dynamic year.
From new music and EPs to visual content and a fresh merchandise line, Judgemental Records is stacking its deck for success.
For fans eager to tap into the movement, “We Can’t Lose” is available now, and the label’s merch is flying off the shelves, thanks to a partnership with KodaBear Ink.
East Coast or West Coast, Old-School or New-School—there are plenty of stances you can take when it comes to rap music. But it’s hard to ignore the significance of cannabis in hip-hop culture.
Today, the number of weed-loving rappers we could mention in an article like this is sky-high. And chances are, weed’s roots in hip-hop culture have been there since the beginning. Can’t you imagine a few people bopping along to the music at DJ Kool Herc’s 1973 Back-To-School Jam (regarded the birthplace of hip-hop culture) with a joint or blunt in hand? Fast-forward 50+ years and many of hip-hop’s biggest icons are open consumers and advocates for the herb—sometimes for deeply spiritual reasons.
So, who is it that’s keeping the flame in weed and hip-hop’s love affair well-lit? Below, we shine a light on some of hip-hop’s most influential weed-loving icons. And if you’re intent on toking along with them, make sure to check out the **favorite strains of some of the hip-hop elites mentioned here.
**favorite strains of the hip-hop elites – https://www.zamnesia.com/us/blog-10-favourite-cannabis-strains-hip-hop-elite-n1794
Snoop Dogg
No list of cannabis-loving rappers would be complete without a mention of The Doggfather. Easily one of the most influential rap artists of all time, Snoop’s been working weed into his West Coast rhymes ever since his guest appearance on Dr. Dre’s debut 1992 single “Deep Cover.”
But Snoop doesn’t just rap about weed—he makes bank with it, too. In 2015, he invested in Eaze (California’s “Uber Eats of cannabis”) and started Merry Jane—his own branch of cannabis media. That same year, he also launched Leafs by Snoop, which he called “the first mainstream cannabis brand in the world.”
In interviews, on stage, or at home, you’ll be hard-pressed to find Snoop without a blunt burning in his hand. In an interview for TechCrunch, he says that his love for weed is driven by the peace it produces. “Every time I’ve been around it, I’ve seen beautiful things happen. I’ve seen people manifest love, peace, happiness, and harmony,” Snoop said (TechCrunch, 2015).
B-Real
Like Snoop, it’s impossible to leave Cypress Hill’s B-Real off any list of iconic rappers—let alone weed-loving ones. Since his debut releases alongside Sen Dog and DJ Muggs, B-Real has been slinging rhymes about weed. He is also involved in multiple cannabis business ventures, including Dr. Greenthumb’s, BREALTV, Insane Cannabis, and Phuncky Feel Tips.
But despite being considered a High Priest of Cannabis, B-Real’s relationship with weed is much less romantic than you might expect. In an interview with Christina Rowatt for Into The Void (2024), B-Real has confessed that, though he consumed cannabis at a young age, it didn’t become part of his life till later. “It wasn’t based out of activism or advocacy, it was us being mischievous kids hanging out with older kids that were slightly more advanced than we were,” he said.
While B-Real uses cannabis to meditate and enhance other aspects of his life, he says he’s never wanted to rely on it for creative purposes. “If I’m leaning on cannabis to be creative, what happens if there’s no cannabis?”, he said.
Wiz Khalifa
Wiz Khalifa has never once tried to hide his love for cannabis. Weed is a part of his lyrics, brand, and lifestyle—so much so that he even developed Khalifa Kush, his own cannabis brand with a namesake strain packing velvety Kush aromas and a creative, cerebral high.
Countless interviews have touched on how much Wiz smokes a day (close to a pound, apparently) and how much that costs him—up to $10,000 a month when he’s traveling. But it was on the Joe Rogan Experience where the famous rapper first opened up about when and how he started smoking (PowerfulJRE, 2019). “I started when I was 16,” Wiz said. “It actually helped me get through high school.”
In other interviews, he’s also confessed that cannabis has become an important player in his creative process, helping to keep him inspired and make his musical ideas a reality. Outside of his music, Wiz also says that weed helps to fuel his mental and physical health by keeping him connected to his workouts, diet, and even martial arts.
Curren$y
“Everything I’ve pretty much done since I’ve been successful or gotten any kind of notoriety in music, I was probably stoned the whole time,” says Southern Rap Poster Boy Curren$y in an interview with Monogram’s HIGH TALES (2021). And he’s not exaggerating; it’s hard to find a Curren$y verse that doesn’t mention blazing. Why? Simply because it’s a huge part of his life.
Asked about his prolific musical output and writer’s block, Curren$y told GQ, “When you rapping about s*** you not really doing, you get writers’ block. I only rap about what I’m doing so I kind of been making the same song for **** four years. I rap about driving around in old Chevys, smoking weed, watching old movies, eating snacks, surfing the Internet,” (2011).
But that’s not really all Curren$y gets up to—he has countless business ventures, including an apparel brand and even his own line of THC soda. Besides simply being part of his daily ritual, Curren$y says weed has helped him make major connections in the rap game, contributing to his present success.
References:
Barshad, A. (2011, July 27). Curren$y: The secret chief of rap’s weed wing. GQ. https://www.gq.com/story/currensy-interview-covert-coup
Christina Rowatt. (2024). B Real (Cypress Hill) on Mental Health, Cannabis Culture, Black Sunday Stories & Overcoming Anger [Video]. YouTube. https://www.youtube.com/watch?v=NeVgjeBulrI
MONOGRAM. (2021). HIGH TALES: Curren$y [Video]. YouTube.
