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Gunna Makes “Pushin P” Permanent With New Tattoo

Gunna created a “Pushin P” internet craze seemingly out of nowhere, eventually turning the phrase into a song. Now, the “Drip Too hard” hitmaker has taken it a step further. He made 🅿️ a permanent feature by tattooing the blue “P” symbol on his arm. 

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He took to Instagram to show off his new ink, posting a video of him in the chair as the tattooist gets to work. Gunna also shared a series of images, including a few highlighting his coordinating fit and layers of ice draped around his neck and wrists.  

https://www.instagram.com/p/CZs0jOtr2Hm/?utm_source=ig_web_copy_link

Gunna has spoken about the meaning of “Pushin P” several times. It essentially means “keeping it playa,” or “keeping it real.” He highlighted a few examples of P during a recent Instagram Live session. 

“F###### your partner’s main b#### ain’t P,” Gunna explained to his followers. “If you hold the door for a lady, that’s P. Arguing with your partner about money ain’t P. We ain’t doing that. We’re pushing P.” 

Listen To Gunna Explain Pushin P

Meanwhile, Gunna took to Twitter on Monday evening (Feb. 7) to distance himself from an alleged Crypto scam. He previously promoted the cryptocurrency, which was then labeled a scam.  

“Ay @pushinpeth making a crypto metaverse for us!” he wrote in a since-deleted tweet. “@shanemooncharts backing the project, I know this is gonna fly. IM TAKING THIS TO THE MOON JOIN THE TELEGRAM HERE.” 

However, he claimed later he was “hacked” and apologized to anyone affected by the alleged scam.  

“To my followers and fans ! I didn’t know anything about this ”pushin peth” Scam . Someone hacked my twitter and I immediately deleted the tweet ! I would never co sign any fraud or scams privately or publicly ! And I’m extremely sorry to anyone how was scammed !” 

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Nonetheless, fans were calling on the Georgia native to release a track he has with rising underground rap star Yeat. The Cali-bred rapper shared a snippet of Gunna on a track during a recent Instagram Live session.  

NLE Choppa Wants To Make A “Love Song” EP For Women

NLE Choppa intends to reveal another side of his music.

Ahead of Valentine’s Day, NLE Choppa expressed his desire to make love songs. The Warner Records artist said he’s focused on creating music for women in a series of Twitter posts on Sunday (February 6).

“Im finna make music for the women, R&B Choppa,” he wrote. “I make better love songs then hype songs on my life. I just haven’t gave y’all snippets of it. Time to treat my queens.”

NLE Choppa then announced plans for an entire EP of love songs. He asked fans for ideas for the project’s title.

“Love Song EP OTW,” he wrote. “What’s should I name it.”

NLE Choppa is fresh off the release of his Me Vs. Me mixtape, which dropped on January 28. The 16-track project includes collaborations with Young Thug, Moneybagg Yo, G Herbo and Polo G.

Me Vs. Me debuted at No. 14 on the Billboard 200 after selling roughly 21,000 units in its first week. The mixtape is his second release to crack the Top 15 of the chart.

NLE Choppa’s debut album is still his highest-charting project to date. Top Shotta, which was certified gold by the RIAA, peaked at No. 10 on the Billboard 200 in 2020.

Acclaimed Musician, Mitri Lamar Is Upsetting The Status Quo

An artist’s drive and competitiveness will be well-known in the music world because of an artist’s ability to remain consistent amidst a roaring industry. Some artists go undetected, no matter how hard they work every day. Only a few people can stamp a single mark–– one such artist, MITRI LAMAR, entered the music industry to upset the status quo. 

Mitri Lamar is a Miami-Dade County, Florida, native who grew up in Richmond Heights. Since he was a youngster, Lamar has wanted to be a musician. It’s intriguing to learn about his experience as a music producer and singer. Lamar began his musical career at the age of 10, but it wasn’t until he was fifteen that he began to take it seriously and determined to make it a career.

Let’s look at the entire process of music composition right now. Let’s look at how he creates his songs’ fascinating rhythms. Mitri’s immediate reaction is to focus on the beat. He writes a catchy hook and verse and then improvises if he likes the beat. He composes much of his music while singing. He utilizes his notes as a guide when recording, but if the beat is magnificent, he can freestyle it.

Lamar also raised attention to the challenges and problems that independent musicians undergo, which most people are unaware of. Lamar does not consider himself self-sufficient, but he recognizes the reality. “It’s a lovely sense to be able to produce without delay as a musician,” he adds. “The simpler something is to do, the better it feels, and right now, I’m feeling terrific.”

Lamar also offers some tips for aspiring musicians just starting out in the music industry.

“Be cautious, undertake rigorous study, and confirm that this is the appropriate option for you,” Lamar advises. It requires hard effort, but it’s not for the faint of heart. It’s a different world, so learn it as best you can; but, slow and steady wins the race; every opportunity isn’t the most incredible opportunity, and, if you’re anything like me, learn to defend your heart with your head.

Lamar’s favorite project he’s ever worked on is “TRAP MELODIES.” He claims that this effort illustrates who “Mitri Lamar” is or, to put it another way, imprints a bit of himself in it.

“Trap Melodies” showcases his variety and ability to change up his flow and melodies. It also illustrates his living situation and other events in his life.

Lamar knows how to keep calm when things don’t go as planned on a project. As a result of his experiences, he learned to remain serene over time, because stress is no longer something anyone wants to focus on. Consequently, he faces the matter head-on and does his best to deal with it. Even if he fails, he has given it his all. It is impossible to modify what already exists; all one can do is influence what will occur.

Because of his devotion and passion, Lamar received the “Miami Entertainment Award” for “Best Male Singer.”

Lamar’s most concrete achievement at the time was his honor.

You may find Lamar by searching for “Mitri Lamar” on your favorite search engine. He has conducted interviews in both text and video formats. Almost anything you need to know about Lamar can be found on the internet. The only other option is to obtain it straight from the source.

Connect with Lamar

Instagram: https://instagram.com/mitrilamar?utm_medium=copy_link

Check out his recent works on Youtube.

Youtube: 

https://youtube.com/c/MitriLamar

Julia Fox Debunks Kanye West Breakup Speculation

All is well between Julia Fox and Kanye West.

Julia Fox denied breaking up with Kanye West after her social media activity sparked rumors. The Uncut Gems star deleted some of her photos with ‘Ye on Instagram and unfollowed fan accounts, which led to speculation about a possible split.

“Guys, relax,” the actress said in an Instagram Stories video. “I unfollowed the fan accounts because I was tired of seeing myself, okay? Suddenly, Instagram was not a fun place anymore. And I took the f###### photos down because I read the comments and everyone was like, ‘Oh my God, you clearly only posted photos where you looked good in.”

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Julia Fox referenced critics of her photo selection in a message posted on Saturday (February 5). The post included several pictures of her alongside Kanye West.

“And of course special thanks to Ye,” she wrote. “pics by @arnold_daniel. YES IM AWARE I ONLY CHOSE PHOTOS THAT I LOOK GOOD IN.”

Julia Fox began dating Kanye West in January. The couple’s romance has garnered lots of publicity at a time when Yeezy’s frequently lashed out at his estranged wife Kim Kardashian.

Kanye West and Kim Kardashian are currently in the middle of a bitter divorce. Julia Fox is a divorcee herself following a split with the father of her child in 2020.

CC’ Talks Landing On Apple Musics “Best New Song” & Influences

CC’ is an up-and-coming R&B singer from South Central California and is currently making a statement in the music industry today. At the age of 9, she was inspired by the legendary great voices of Chaka Khan and Whitney Houston. More recent CC’ gained her musical inspiration from great talented artists like Jazmine Sullivan, Brandi, and Lauren Hill. CC’ began singing for her local church and remembers feeling the anointing in the room while the other choir members sang. She believed singing was something she was called to do and always believed that someday she was going to use her abilities in the form of a career.

Growing up the support from her family and peers encouraged her to keep singing and striving in the direction of her passion. As the years went by she focused on her craft and dedicated her upcoming career to her family using her hard work and determination to make it happen. Last year, CC’ dropped her debut first single “Love Again” and immediately received recognition as the song skyrocketed in numbers. CC’ has quickly gained a vast fan base with her voice and was mentioned as Apple Music’s “Best New Song” landing her at the #6 spot. 

“There are so many distractions in this world and many people are going through something, I believe every day is a new day to strive to be better than the day before. I want my music to create an atmosphere to place ease to a heavy mind in hopes to shed positivity for people who can relate to it. I hope to continue to make a positive impact on the R&B community as well as the world as a whole”, CC’ states when referring to the reason she continues to make music and what drives her when creating new material.  

Recently CC’ released her new single “Cold World” which has garnered a buzz similar to her debut. Self-improvement is important to CC’ and as she releases new music she continues to have us in amazement as she never lets her foot off the gas. CC’ has just announced her upcoming new single “Uno” and “3 Days” will be dropping soon, so it would be wise to keep up with this star in the making as she strives for greatness within the R&B industry. Follow CC’ On Instagram here: 

https://instagram.com/_iam.cc_?utm_medium=copy_link

Keep up with her on streaming platforms here: https://linktr.ee/_iam.cc_

Young Dolph Murder Suspect Can’t Afford Lawyer In Sex Offender Case

Justin Johnson, one of the men accused of murdering Young Dolph, is facing more legal trouble.

According to Action News 5, Johnson has also been charged with failure of a Tennessee sex offender to timely report or register. He told a judge he couldn’t afford an attorney to represent him in the case on Monday (February 7).

Johnson was convicted of aggravated rape in 2015. He’s required to report to police on a quarterly basis but failed to in December 2021.

A public defender will be appointed to represent Johnson for the sex offender registration violation. He’s still without a lawyer in the Young Dolph murder case.

Johnson and Cornelius Smith, the other man accused of killing Young Dolph, declined public defenders during their first court appearance in January. At their second appearance, a judge granted them an extra week to find lawyers.

Both men claimed they would be able to hire their own representation. The Young Dolph murder suspects are currently locked up without bond.

Johnson and Smith have been charged with first-degree murder, attempted first-degree murder, being a convicted felon in possession of a firearm, employment of a firearm during a dangerous felony and theft of property over $10,000. If convicted of murder, the two could face the death penalty or life in prison.

Acclaimed Musician, Frankie XY, releases an EP of his own – “Time & Space”

“The name Time and Space signifies the feeling of escaping reality – the moment when you’re going through a tough time and put on your headphones. Turn up the music and travel through time and space to another dimension where it all makes sense.” Headphones in, play. I listen to the handcrafted melody introduce itself — it immediately catches my attention. The build-up in ‘Intro’ lifted my brow, then put a smile on my face. Note after note, although encapsulated in one tiny EP, fills our ears with a timeless masterful collection. It’s rhythmic, electronic vibe on replay. The brilliant melody is bright and pleasing to the ear. Instrumentally, the song has a rich, full sound that could compliment almost any vocal track perfectly.

Overall, Frankie XY’s latest sounds are distinctive and original, available on all platforms now. Behind The ArtistFrankie XY is a musician who has swiftly climbed to the top after releasing a plethora of various musical influences, garnering critical acclaim. Always having a passion for music, Frankie XY began to officially produce music in 2017. From then on, he expanded his creative boundaries and stretched his own musical palette – his style and genre were described as unclassifiable. It makes sense, as his fanbase has grown around his timeless and appealing sounds. Marching to their own beats, artists like Chris Martin and Ye, were great role models for Frankie’s craft. The music and songs we often value you the most are those that stand out – these unique characteristics are possessed naturally by Frankie XY and seen so evidently in his art. 

As the buzz around his upcoming release – Neatly produced for Drake is emphasized, Frankie XY is seen as more than just a Producer but also as an artist himself. He describes Time & Space as a ‘product of his creative energy and seeing how far he could push himself creatively, even drawing inspiration from personal life lessons. This body of work consists of tangible and intangible inspirations that were meant to inspire others. “Growing up in East L.A. it was unheard of to pursue your dreams. It was the classic, go to school, work construction, or work two jobs when you grow up.

Never made sense to me, so I decided to do what I wanted to do,” he explains, “I aim to do one thing: give people that courage to look past their own fears and go out and make their dreams a reality; like I did.”A musical genius, Frankie is an accomplished musician who has showcased a treasure chest of technical skills, creativity, and a forward-thinking approach to melody. Innovative and forward-thinking, his timeless music is sure to have a positive influence on whoever hears it. Find out more about Frankie XY’s, and do not miss out on his most recent releases and production works. Follow him on Instagram or Twitter and start listening on Spotify or Apple Music.

Spotify: 

Instagram: https://instagram.com/frankiexy_?utm_medium=copy_link
Twitter: https://twitter.com/frankiexy_?s=21

Vetted Artist Haan Talks Musical Inspiration, Warner Chappell and Production

Haan, one of Australia’s most exciting up-and-coming producers, has inked a worldwide co-publishing agreement with Warner Chappell Music. Haan, a longtime collaborator of The Kid Laroi, assisted in the production of the big global hit “Stay,” which ripped up the charts across the world and recently set an unprecedented milestone with over one billion Spotify streams — the fastest song ever to accomplish so, in just 118 days.

Haan is only 19 years old, but he’s one of the few hip-hop producers from Sydney, Australia, in the American music scene. His father, who produced and played instruments as a hobby, exposed him to music at a young age. Around the age of eight, Haan began playing the guitar and keyboard, accompanying himself to songs on the radio such as the Fugees’ “Killing Me Softly. 

From the recent interview between Genius and Haan, we got to know many things about his journey into the musical world. Haan added that he didn’t really start producing until January of last year. He was always into music and tinkering with things. He used to do vocals, record himself, and compose music with LAROI when he lived in Australia. He was actually DJing when he came out here [to Los Angeles] with him. He used to perform gigs and DJ parties. Then after a time, Laroi asked Haan, “you’re with me every day in the studio, why don’t you start producing?”.

It piqued Haan’s interest. He already had a solid understanding of music. He’s recently begun to put that into practice, going deep into production every day in the studio alongside Kid Laroi. Laroi pushed him to grow because he was always working with an artist and instead of generating beats, he was writing genuine songs.

Kid Laroi and Haan met in a concert in which they both were not allowed due to the age restrictions and then they both started hitting off the stage. Haan and Kid Laroi met up in Sydney, Australia. In comparison to America, it was a fairly minor scene back there. They were big fans of rap music, and there was a small scene in their neighborhood, but it was largely influenced by American and British culture. They were the only ones who made music at such a young age.

Now let’s talk about the song “Stay” ft. Justin Beiber and Kid Laroi which Haan produced alongside Charlie Puth, FnZ, Cashmere Cat, Omer Fedi, and Blake Statkin.

The concept was conceived eight months ago. Charlie Puth was invited to a studio session at the home of one of Haan’s close friends, Blake Statkin. Haan and LAROI had just pulled up to the house and were kicking it. “Let me record over that right now,” LAROI said as Charlie opened up this analog synthesizer and played the “Stay” melody. He came up with the idea and posted a snippet on Instagram, and it went viral.

After the song’s concept had been finalized. They left it alone for a few months before doing anything with it. “We should put the song out and put Justin Bieber on it,” [LAROI’s manager] Bibby said a few months ago. Because this was when LAROI was just getting started with Bieber and forming a relationship with him. Finally, LAROI requested that Haan complete this record, add something to it, and flesh it out. He went to FnZ, a producing duo from Australia based in Los Angeles. He connected them and began working on the song. The song’s final result is simply a mash-up of everyone’s ideas and variations.

Justin finally got on it approximately two months ago. They intended to release it at that time. Justin collaborated with LAROI on the track. LAROI had shown up at his studio and played him the record, and the two of them simply worked on the tune and finished it together.

“Yeah, this is a hit,” Haan said after hearing the song. The rhythm went crazy for Justin, and LAROI went crazy for it. Haan thought everything sounded finished when he put it all together

Haan also disclosed his favorite song in which he worked with Kid Laroi. “RUNNING,” from the first F-ck Love project, was one of Haan’s favorites. It’s really undervalued music; aside from Laroi’s core following, few people have heard it, but it’s one of his favorite recordings on the album, and it’s more of an R&B type song. And then there’s “NEED YOU MOST,” which is an interpolation of Ne-“So Yo’s Sick.”

Genius also asked why he has not produced for so long. The best advice is to be self-assured, not be afraid to be yourself, to form relationships, and to be extroverted. There have been moments when he wanted to stay in bed or avoid going to parties, but things like that absolutely help him. One must move in the manner of an artist.

Follow him on Instagram: https://instagram.com/fuckhaan?utm_medium=copy_link

R&B Syl Johnson Dead, One Of The Most Sampled Artists By Hip-Hop Producers, At 85

R&B legend Syl Johnson, an artist heavily sampled by Hip-Hop artists, has died at the age of 85. His name might not ring bells, but his music will.

Songs like Public Enemy’s “Fight the Power,” Wu-Tang Clan’s “Shame on a N***a,” Eric B. & Rakim’s “I Know You Got Soul,” Kwamé’s “Ownlee Eue,” De La Soul’s “The Magic Number” EPMD’s, “It’s My Thing,” Boogie Down Production’s “Criminal Minded,” Kool G Rap & DJ Polo’s “Talk Like Sex,” RUN-DMC’s “Beats to the Rhyme,” Nas’ “Made You Look (Apache Remix),” and Jay-Z and Kanye West’s “The Joy,” starring the late Curtis Mayfield are jams that feature elements of his work, specifically the hit single “Different Strokes,” from his 1968 debut album Dresses Too Short.

In total, according to WhoSampled, more than 300 songs have sampled portions of that one song, making it one of the most important works in Hip-Hop culture.

His family confirmed his death in a statement that read in part, “Fiery, fierce, fighter, always standing for the pursuit of justice as it related to his music and sound … He will truly be missed by all who crossed his path. His catalog and legacy will be remembered as impeccable and a historical blueprint to all who experience it. To his fans around the world, he loved you all. A lover of music and a Chicago icon, Syl Johnson lived his life unapologetically.”

While many have used his work, it was not without cost to the culture.

In 2011, AllHipHop.com broke the news that Johnson sued rappers Jay-Z and Kanye West for the unauthorized use of portions of his song in their composition, “The Joy.” The lawsuit would eventually seek a settlement and the song was able to stand using the sample. Other artists sued by Johnson for using his work without proper permission are names like Michael Jackson and Cypress Hill.

The artist’s daughter is R&B singer Syleena Johnson. Here is a tribute she previously did to her father.

Since his death, she did not speak outside of the family’s statement. She did retweet a promotion for her father’s 2016 documentary Syl Johnson: Any Way the Wind Blows , an in-depth review of his career and life.

Johnson’s brother, Blues legend Jimmy Johnson, died a little over a week before him on January 31.

AllHipHop.com extends our deepest condolences to his family, friends and fans during this time of bereavement.

WattsHomieQuan: From ‘Wild ‘N Out’ To Working With Beyonce And Starting His Own Comedy Sketch Show

WattsHomieQuan is here to entertain the masses, spreading nothing short of good vibes and laughter from Watts to the rest of the world. Exploding onto the scene with his hilarious Instagram skits and accurate impersonations of all your favorite celebrities, WattsHomieQuan, real name Watts Hannin is an actor, comedian, director, writer, and rapper all in one.

In describing himself, he states, “I’m a young dude from Watts, Los Angeles. I basically maneuvered my way through the city and took my life’s experiences and created relatable skits dedicated to the people in the city that I’m from. The hood, I gave people from LA a voice by wanting to show the world who we are and what we do. Have some fun with it.”

WattsHomieQuan got his big break auditioning for Nick Cannon’s Wild ‘N Out, and proceeded to do 4 seasons of the show (Seasons 12 through 15). That instantly opened the door for even greater opportunities, such as being featured on Issa Rae’s “Insecure” and assistant directing for Beyonce’s “Black Is King” musical and visual album.

But his biggest passion project to date? His own comedy sketch show called Growing Up IN LA. The goal is to bridge the gap between black and Latino communities in Los Angeles while giving his community the platform to speak their truths.

AllHipHop: Being from Watts, what was that like growing up?

WattsHomieQuan: Growing up in Watts was an amazing experience for me because it taught me so many things. I was forced to grow up a lot faster — not in a bad sense, but being able to see what’s going on in the city and decide which sides I should go to. Should I go to the positive side or should I go this gang side? Where I see because it’s all around us. We don’t have too many opportunities in Watts. I allowed the things around me to shape and mold me into this person to be able to explain why we do certain things, or why someone would have this state of mind or that mindset.

Growing up in Watts, it was amazing. Things people don’t know about Watts, it’s a lot of love within the city too. You gotta get in there to know. If you hear it from somebody else, “Oh, Watts is dangerous” — it is. It has its moments, but it’s not like that. We have a lot of dope people that came from Watts, musical roots, all different stuff like that. It was an amazing experience growing up in the city.

AllHipHop: When did you realize you were funny?

WattsHomieQuan: As a kid, my mom used to have me doing dances that I knew and cracking jokes amongst the family. Grown people used to laugh at me, so I thought, “Okay, alright. I got a lil something.” It was really my personality. I never really thought about it at first, I was 8 years old like, “Alright, I’m just funny.”

AllHipHop: Who were your biggest influences?

WattsHomieQuan: Martin Lawrence, Eddie Murphy, Richard Pryor, the Wayans, Jamie Foxx, Dave Chappelle, Katt Williams, Ice Cube, DJ Pooh. Bernie Mac, because my parents used to have all the VHS tapes of Def Comedy Jam. I used to watch that as a kid and say raunchy jokes. [laughs]

AllHipHop: What was your first big break?

WattsHomieQuan: My first big break musically was Diddy’s REVOLT TV. It was a time where they had a contest for Big Sean’s Dark Sky Paradise. I had to rap on stage with Big Sean, and I had to recite his lyrics. That was the first big thing I did. It helped push me because I had a chance to work with Big Sean, and then Wild ‘N Out was the next one. That was two years after that, but that’s what sparked for some people to remember me.

AllHipHop: How was your experience rapping on stage with Big Sean?

WattsHomieQuan: It was in Hollywood. It was amazing because Big Sean gave me dope advice, letting me know that it’s okay to be nervous but to be comfortable. Just have fun and do it. He said, “I don’t even remember half of my lyrics sometimes.” He’ll say a part of his verse and when he stops, I go. It was an amazing experience.

AllHipHop: Is your name from Rich Homie Quan?

WattsHomieQuan: Right. My real name is TyQuan, so the Quan is mines. Rich Homie Quan was dope. He was going crazy, everybody was listening to his music. I wanted to include the city in my name wherever I went, his name sounded hard so I said “Rich Homie Quan? WattsHomieQuan, that’s hard! Alright, cool.” And it stuck.

AllHipHop: Talk about how Wild ‘N Out happened. Nick [Cannon] is the kindest soul, so how was that experience?

WattsHomieQuan: That experience was crazy. It was during a tough time in my life where I was homeless, this was back in 2018. I was talking to God and I asked him to show me a sign, like “I need something to do.” When I got on Instagram, Nick Cannon posted, “Hey, who do y’all want to see on Wild ‘N Out?” So I took the last money I had, went to the Slauson, bought a Wild ‘N Out hoodie and got the dude to put the fake Wild ‘N Out logo on there. I did skits every single day to get his attention.

Then DJ Hed from the radio called me because that’s my partner. He said, “Aye, bruh, you got a chance to talk to Nick?” I said “nah, people are playing.” Because people were telling me that they’d introduce me to Nick. just to get closer to me and talk to me. Nobody really does it but Hed did it. He called Nick Cannon, put him on the phone. Nick said, “Hey, I ain’t seen your content, but people telling me to work with you. I can’t guarantee you’ll make my show, but I can give you an audition.” I told Nick straight up, “Bro, don’t give me nothing. Give me an audition and I’ll show you why I deserve to be on this show.” And I did it.

AllHipHop: Were you funny as hell?

WattsHomieQuan: Hell yeah. They made me do my own audition tape, and I‘d never really done that before. I went to the barbershop, I decorated the barbershop like the Wild
‘N Out audience. I got some girls to be the Wild ‘N Out girls, and I played this game. I did it back and forth: I played the red team, the black team. I made my own video with just me, doing all these different games. Two months after that, they called me and let me know that they wanted to fly me out to Atlanta to audition.

AllHipHop: How’d it feel getting the audition?

WattsHomieQuan: It felt good man, I was nervous. I didn’t believe that it was real until that first episode. I was in shock, because it’s a dude from Watts who’s from the hood, who doesn’t have any cosign, no representation, nobody to do that. I was able to do that. I felt good because my situation allowed people who come from where I come from to see hope and know that they can do it too, because I’m from the same spot they’re from.

AllHipHop: You’ve done 4 seasons right?

WattsHomieQuan: I did 4. Technically, I’m a senior at Wild ‘N Out.

AllHipHop: Favorite episode?

WattsHomieQuan: There’s two. My first episode, with Kandi Burruss and Lil Baby. The second one, I was able to give a Nipsey Hussle impression after he passed away. That was big for me and the culture because Nipsey was one of my partners, so it felt good to be able to do that.

AllHipHop: What was your relationship like with Nip?

WattsHomieQuan: I’m the only person that can do Nipsey’s voice, so I used to do his impressions on Instagram. Lauren London commented on it laughing, he commented on it. Plus the street s###, my family is associated with his section so he already knew about me. We’re talking like, “Hey, come to the set.” We started doing some s### together. 4/20, I did the impression in front of him and Lauren London. They laughed. After that, me and Nipsey became cool. Everywhere he was at and I was there, he’d walk over and say something. Or even if I’m somewhere and he’s doing something, he’d stop and come talk to me, just show me love.

AllHipHop: Talk about being in the new House Party remake!

WattsHomieQuan: Oh my God! It was directed by my boy Calmatic, executive produced by Lebron James. It’s a dope film, we have a lot of amazing stars in there. I play myself, but also the hood character I play on Instagram. It’s ScammerQuan, and I’m pretty much a hood dude who hasn’t really been out the hood. I’m exposed to this fantasy s###. I’m thinking about flockin’ the house so I’m asking “how much does this cost?” [laughs] Pretty much I’m a hood dude inside the movie.

AllHipHop: How does it feel to be acting and doing all these projects in that world?

WattsHomieQuan: Amazing man, amazing. This is something that I’ve dreamed for, that I wake up everyday saying, “Lord, this is what I want to do.” To be able to get in a New Line Cinema film, it’s truly amazing. A blessing, and it’s the start amongst many more.

AllHipHop: Talk about doing an episode of Insecure as well.

WattsHomieQuan: I was playing myself, WattsHomieQuan. It was a scene where Issa Rae’s boo thing, sneaky link, whatever you wanna call it, Nathan was in a barbershop and his friend got mad at him for taking his barber client. He exposed that he’s bipolar to the shop, I walk in in the heat of the moment. The sad thing about it was I had to get my hair cut by the dude who was angry, so I got a f##### up haircut. It was an amazing experience though, to be able to have fun and improv, be on the set for the last season of an epic show. Issa Rae really worked hard. I watched it on Youtube before it got picked up so to see that and be a part of history, it was a fun experience for me.

AllHipHop: You were also the assistant director for Beyoncé’s Black Is King! That’s huge.

WattsHomieQuan: I was 2nd’s assistant director. I got the alley oop from a dope director named haitianev. He works on a lot of music videos and dope stuff for celebrities. He gave the opportunity to my son’s mom, Myeka Williams, another director inside the DGA. She’s a dope director, directs promos and videos for TV shows. We got the call, and we didn’t know it was Beyoncé until we got there.

AllHipHop: Who did you think it was?

WattsHomieQuan: I just knew it was a high-profile artist. They gave us the shot list, they gave us everything. They said “Oh by the way, it’s Beyoncé.” I’m like, “What?” They said “Yeah, Beyoncé requested you guys.” We’re like, “Oh s###, okay.” We get in there, it was amazing to see her work in person. We’re able to see her in front of us, perform, dance, set the whole choreo up. She was so sweet to everyone. She thanked the whole crew, she took her time out to say thank you to everyone. She gave so much love. I had the chance to chill with Blue Ivy. Her favorite snacks are Cheeto Puffs and Capri Suns. [laughs] It was funny, a dope experience. I was blown away because I’m from the hood, I’m here working in front of Beyoncé. She chose us to work. Man, it was crazy.

AllHipHop: Talk about starting your own comedy sketch, Growing Up In LA!

WattsHomieQuan: My TV show, it’s on Youtube. 5 episodes. I wanted to create a sketch show because we don’t have anything of that nature from the hood standpoint. It’s tied into many things that inspired me as a teen growing up until now. It’s a variety of sketches about my experiences growing up in the hood and trying to maneuver throughout the city. It’s also a way to do regular content that’s suited for everyone around the world with the TV. What I’m watching on the TV is the skits I’m reenacting. TV shows like Cops, Cheaters, Reno 911, I’m watching myself act. I’m portraying all these characters through the TV, that was a way to be able to bridge all the comedy sketches. I did it all myself: took the last money I had in my bank account, and made it happen. No budget, no other, back support. Just made it happen.

AllHipHop: Talk about uniting the Black and brown communities as well.

WattsHomieQuan: That was very important to highlight because in the city, no one’s really showcasing or highlighting that. We have differences between both communities, but people that are really from here know that we get along well within the community. There’s a chosen few that we did some stuff on our end, they’ve done some stuff on their end, and they’re tryna push a narrative. But I wanted to do something different by showing it because we live in the same neighborhoods, we go to the same grocery stores. We have to interact and work with each other. I wanted to bridge that gap because I love everyone, and I want to push more peace in the city amongst the Black and brown community, to show them that it’s okay. It’s okay to love each other, it’s okay to not be ashamed of it. Because if you go to a Snoop Dogg concert or an Ice Cube concert, who’s there? It’s us. I wanted to show love and bring us together.

AllHipHop: What’re you most excited for next?

WattsHomieQuan: Everything, everything in my life has to unfold. There’s certain things that I’m going to do that I’m not sure of as of yet. Big things are gonna pop up, but I’m excited for it because this is what I want to do. I want to do more films, TV shows. Write more, direct stuff. I’m excited for everything. Whatever’s gonna come, I’m excited for.

AllHipHop: Goals for yourself?

WattsHomieQuan: My goal is to continue to be an inspiration to those who are around these areas, who don’t see a way out. I want to be a voice for us, to show us that it is possible to do so. My other goal is to continue to move in who I am and become a dope actor. I want to get another role in a feature film. It could be a Western, it could be an action film, it could be a love story. It could be one of those old, Black, singing documentary-style movies. I want to do it all. My goal is to work, work, work, and inspire.

AllHipHop: Anything else you’d like to let us know?

WattsHomieQuan: You can find my content, besides Instagram, on Youtube at WattsHomieQuan. All my skits will pop up there. You’ll find my TV show inside of a playlist, all 5 episodes. Instagram @WattsHomieQuan, TikTok @WattsHomieQuan1.

I’m thankful for y’all to be a part of this and watch my journey. Also believe in yourself wholeheartedly! Whatever you want to do, whatever creative, trust yourself. Trust in the journey. You don’t need validation because if you got it in your spirit and God gave it to you, that’s the only validation you need. Push hard, keep going. Those no’s aren’t no’s, they’re just no’s for you right now because you’re not supposed to enter that door.

You’ve got another path to go through. That way, you’ll understand and know what it takes to get there. Don’t worry about the time. Push and make that s### happen because one day it’s gonna come true, and nobody can f### that up but you.

The Story Of Elizabeth Taylor Greenfield, America’s First Black Pop Star

Elizabeth Taylor Greenfield. Wikimedia Commons

Adam Gustafson, Penn State

In 1851, a concert soprano named Elizabeth Taylor Greenfield embarked on a national tour that upended America’s music scene.

In antebellum America, operatic and concert songs were very popular forms of entertainment. European concert sopranos, such as Jenny Lind and Catherine Hayes, drew huge crowds and rave reviews during their U.S. tours. Lind was so popular that baby cribs still bear her name, and you can now visit an unincorporated community called Jenny Lind, California.

Greenfield, however, was different. She was a former slave. And she was performing songs that a burgeoning field of American music criticism, led by John Sullivan Dwight, considered reserved for white artists. African-American artists, most 19th-century critics argued, lacked the refined cultivation of white, Eurocentric genius, and could create only simple music that lacked artistic depth. It was a prejudice that stretched as far back as Thomas Jefferson in his “Notes on the State of Virginia” and was later reinforced by minstrel shows.

But when Greenfield appeared on the scene, she shattered preexisting beliefs about artistry and race.

‘The Black Swan’

Elizabeth Taylor Greenfield was born into slavery in Natchez, Mississippi, around 1820. As a girl, she was taken to Philadelphia and raised by an abolitionist.

Largely self-taught as a singer, she began her concert career in New York with the support of the Buffalo Musical Association. In Buffalo, she was saddled with the nickname “the Black Swan,” a crude attempt to play off the popularity of Jenny Lind – known as “the Swedish Nightingale” – who was wrapping up one of the most popular concert tours in American history.

In 1851, Colonel Joseph H. Wood became Greenfield’s promoter. Wood, however, was an overt racist and inhumane promoter known for creating wonderment museums in Cincinnati and Chicago that featured exhibits like the “Lilliputian King,” a boy who stood 16 inches tall. With Greenfield, he sought to replicate the success that another promoter, P.T. Barnum, had with Jenny Lind.

Joseph H. Wood’s museum in Chicago. Encyclopedia of Chicago

In a letter to Frederick Douglass, Martin R. Delany, a physician, newspaper editor and Civil War hero, wrote that Wood was a fervent supporter of the Fugitive Slave Act of 1850 and would not admit black patrons into his museums or at Greenfield’s concerts.

For Greenfield’s African-American supporters, it was a point of huge contention throughout her career.

Critics reconcile their ears with their racism

In antebellum America, the minstrel show was one of the most popular forms of musical entertainment. White actors in blackface exploited common stereotypes of African-Americans, grossly exaggerating their dialect, fashion, dancing and singing.

The cover of Zip Coon. Library of Congress

For example, the popular song “Zip Coon” portrayed African-Americans as clumsily striving for the refinement of white culture. The cover of the sheet music for “Zip Coon” shows an African-American attempting to mimic refined fashions of the day and failing. The song goes on to mock its subject, Zip Coon, as a “learned scholar,” while putting him in situations where his apparent lack of intelligence shows.

Greenfield’s performances, however, forced her critics to rethink this stereotype. The Cleveland Plain Dealer described the confusion that Greenfield caused for her audiences:

“It was amusing to behold the utter surprise and intense pleasure which were depicted on the faces of her listeners; they seemed to express – ‘Why, we see the face of a black woman, but hear the voice of an angel, what does it mean?’”

Critics agreed that Greenfield was a major talent. But they found it difficult to reconcile their ears with their racism. One solution was to describe her as a talented, but unpolished, singer.

For example, the New-York Daily Tribune reported that “it is hardly necessary to say that we did not expect to find an artist on the occasion. She has a fine voice but does not know how to use it.” (We see a similar phenomenon today in sports coverage, in which black athletes are often praised for their raw physical athleticism, while white athletes are praised for their game intelligence.)

By performing repertoire thought too complex for black artists – and by doing it well – Greenfield forced her white critics and audiences to reexamine their assumptions about the abilities of African-American singers.

A star is born

On Thursday, March 31, 1853, Greenfield made her New York City premiere at Metropolitan Hall.

Originally built for Jenny Lind, it was one of the largest performance halls in the world. The day before the concert, the New-York Daily Tribune carried an ad that read, “Particular Notice – No colored persons can be admitted, as there has been no part of the house appropriated for them.” The ban resulted in a citywide uproar that prompted New York City’s first police commissioner, George W. Matsell, to send a large police unit to Metropolitan Hall.

Greenfield was met with laughter when she took to the stage. Several critics blamed the uncouth crowd in attendance; others wrote it off as lighthearted amusement. One report described the awkwardness of the show’s opening moments:

“She was timidly led forward to the front of the stage by a little white representative of the genus h###, who seemed afraid to touch her even with the tips of his white kids [gloves], and kept the ‘Swan’ at a respectful distance, as if she were a sort of biped hippopotamus.”

Despite the inauspicious beginning, critics agreed that her range and power were astonishing. After her American tour, a successful European tour ensued, where she was accompanied by her friend Harriet Beecher Stowe.

A singer’s legacy

Greenfield paved the way for a host of black female concert singers, from Sissieretta Jones to Audra McDonald. In 1921, the musician and music publisher Harry Pace named the first successful black-owned record company, Black Swan Records, in her honor.

But these achievements are byproducts of a much larger legacy.

In Stowe’s novel “Uncle Tom’s Cabin,” one of the slave children, Topsy, is taken in by a northern abolitionist, Miss Ophelia. Despite her best attempts, Ophelia can’t reform Topsy, who continues to act out and steal. When asked why she continues to behave as she does – despite the intervention of implied white goodness – Topsy replies that she’s can’t be good so long as her skin is black because her white caregivers are incapable of seeing goodness in a black body. Her only solution is to have her skin turned inside out so she can be white.

Stowe’s argument was not that we should begin skinning children. Rather, Topsy is a critique of the act of “othering” African-Americans by a dominant culture that refuses to acknowledge their full humanity.

After Greenfield’s New York concert, the New-York Daily Tribune recognized the monumental nature of Greenfield’s heroics. The paper urged her to leave America for Europe – and to stay there – the implication being that Greenfield’s home country wasn’t ready to accept the legitimacy of black artistry.

But Greenfield’s tour did more than prove to white audiences that black performers could sing as well as their European peers. Her tour challenged Americans to begin to recognize the full artistry – and, ultimately, the full humanity – of their fellow citizens.

Adam Gustafson, Instructor in Music, Penn State

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Rapper Faces Prison Sentence After Using Capitol Riot For Album Cover

A rapper could spend almost two years behind bars for entering the U.S. Capitol building during the infamous January 6 insurrection.

According to WUSA9, the Department of Justice is recommending a 21-month prison sentence for Antionne Brodnax a.k.a. Bugzie The Don. Brodnax posed for photos during the pro-Trump attack and used one of himself on top of a SWAT vehicle as an album cover.

Brodnax was charged with entering and remaining in a restricted building or grounds; disorderly and disruptive conduct in a restricted building or grounds; disorderly conduct in a Capitol building; and parading, demonstrating or picketing in a Capitol building.

The DOJ said it was going to offer Brodnax a plea deal for a single misdemeanor charge, but the agreement fizzled out due to his requests. He ended up pleading guilty to all four charges with no deal in place.

Although Brodnax wasn’t accused of any violence at the Capitol, prosecutors are seeking a 21-month prison sentence due to his criminal history. He entered the building while on probation for a felony charge.

Brodnax was previously convicted for possession of and manufacturing a controlled substance, robbery and possession of a firearm by a felon. Over a decade ago, he was sentenced to two years in prison for violating the terms of his supervised release.

Mary Maguire, Brodnax’s lawyer, argued for an advisory sentence of two to eight months. Maguire said probation and two months of house arrest would be a more appropriate punishment for her client.

Brodnax is scheduled to be sentenced on February 23. U.S. District Judge Paul Friedman will handle the sentencing.

Tyrese Gibson Asks For Prayers; Mom In Coma From Pneumonia And Covid-19

Tyrese Gibson has asked fans to send his mother their prayers after she was hospitalized with pneumonia and Covid-19.

Over the weekend, the “Fast and Furious” star revealed on Instagram that he received a phone call in the middle of filming his new movie and found out his mother, Priscilla Murray, was in the intensive care unit (ICU) of a hospital with pneumonia and Covid-19.

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“My mother is in a coma, in ICU, with Pneumonia and she caught Covid they got her so sedated she can’t breathe or even eat on her own,” Tyrese wrote. “I need prayers the most sincere prayers from you prayer warriors…. Hold on mother I’m there by your side in a few days….. I feel helpless and need my prayer warriors to cover my mother please please keep her father God she’s got so much more to do…”

The 43-year-old continued to ask for prayers in further Instagram posts, including one in which he revealed the director of his movie rearranged his schedule so he could be by his mother’s side.

On Sunday, Tyrese shared a photo from the hospital and thanked his followers for their well wishes.

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“Thank you for your outpouring of prayers love and energy mother is still here and she’s still fighting…… Since I’ve arrived I feel the warmth of love and angels surrounding mother……. I feel this powerful overwhelming since of calm,” the actor wrote. “The prayers are working all of her vital signs are UP since last night… Thank you Jesus for every 24 hours literally thank you Jesus for every BREATH!!!! Life belongs to you and I’m so grateful that you have blessed my mother to see another day……….. Amen Amen Amen!!!!!!!!!!”

In a video taken inside the hospital, Gibson clarified that his mother had been placed in an induced coma.

According to IMDb, the actor is currently filming the drama on April 29th, 1992.

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Kim Kardashian’s Boyfriend Pete Davidson Booed At Syracuse University Basketball Game

Kim Kardashian’s new boyfriend Pete Davidson had to endure boos while attending a Syracuse University basketball game over the weekend due to his past comments about the city.

The “Saturday Night Live” star called the city “trash” in an interview with Howard Stern three years ago, and locals from Upstate New York made it clear they had not forgotten when he attended the University’s Carrier Dome stadium on Saturday.

“Pete seemed to be prepared for what was coming to him,” a season ticket holder who attended the game between the University’s Syracuse Orange team and Louisville Cardinals told Page Six. “He brushed it off and had a laugh, as did the locals.”

Davidson, 28, was seemingly aware his presence might cause a stir as he kept a low profile by wearing a grey hoodie, sunglasses, and a furry winter hat emblazoned with the Syracuse logo.

“Pete remained bundled throughout the game. Maybe because of the single-digit temps,” the onlooker added. “Or perhaps because of the cold welcome from natives.”

After the match, which Syracuse won by 23 points, Davidson told Syracuse.com reporter Mike Curtis in a video that he and his friends had a “really great time” and asked for “peace” between himself and the locals.

Davidson, who has been dragged into Kim’s divorce war with Kanye West, criticized Syracuse after shooting the 2019 film “Big Time Adolescence” there.

He told Stern: “Dude, I was shooting this movie out in Syracuse. Syracuse, you know, it’s trash. Worse than (his native) Staten Island.”

Nipsey Hussle Family To Launch Second Marathon Store On Melrose

The marathon, indeed, continues as Nipsey Hussle’s family has embarked on opening a second clothing store, fulfilling one of the late rapper’s dreams.

According to Blacc Sam, the deceased rapper’s brother, the family has purchased a commercial property in the Melrose Arts District in Los Angeles for the new store.

He further stated to The Guardian, “This second location is a dream that Nipsey always had, and it’s important that his kids are able to see his plans fulfilled.”

The first The Marathon store is located at Crenshaw Boulevard and Slauson Avenue. Currently, the brick and mortar is closed and is being used as a memorial space for friends, fans, and family to leave tributes in his memory.

AllHipHop.com reported that during the early years of the first store, the LAPD profiled Nipsey Hussle and his brother, alleging that their business was not legitimate. They tried to not only distract people from supporting the store but instigate conflicts to justify their targeting of the family.

The hope for the original store and a lot of properties on the strip, that are still owned by the family, is to transform it into a community center for children. The new facility will offer free music lessons for young people and be modeled after a program that Nispey Hussle attended when he was little.

Currently, the new Melrose store is being remodeled. No information on when the grand opening of the new location will be — But Black Sam intends on it is making it another extension of his brother’s tremendous legacy.

Nipsey Hussle was shot and killed in from of The Marathon store in March 31st, 2019. His murderer is preparing for trial.

NYPD Connect Uptick In City Shootings To Gangs And Drill Music

NYPD detectives are saying that the spike of gun violence in the city can be traced to the new genre in rap music called drill. Some investigators have connected drill music and the Big Apple’s uptick in gang violence.

Others are clear that there is a difference between being the source of the violence and expressing it.

NYPD Deputy Chief Joseph Gulotta, commanding officer of detectives in Brooklyn South, told the New York Daily News, “The music definitely inflames the situation. But these are gang shootings.”

“I think sometimes rap and the lyrics ignite, cause some issues. But I don’t think that’s the underlying motive at the end of the day,” he continued.

Over the last week, “issues” around the rap music and gang affiliation “ignited,” with the shootings of Nas Blixky and Tdott Woo, a young rapper affiliated with Pop Smoke and Fivio Foreign.

Rapper Nas Blixky, as reported by AllHipHop.com, was down with another rapper named Nick Blixky, who was murdered in May 2020, and Lu Blixky, who was killed in Brooklyn, in October 2020. 

Nas Blixky, who is said to be a member of one of the Blood sects within the Cho Gang in Brooklyn, was shot on January 27th, but survived outside a deli on Rogers Ave. in Prospect Lefferts Gardens and gunned down as he ran for his life.

The Blixky’s family linked the violence to the music and the trash-talking within the bars. They also said that he was going to reinvent himself as an artist.

“Many people want him dead,” Nas’ stepfather said to the Daily News. “I told him he’s better than that. You want him dead? He’s [the old Nas Blixky] dead. He’ll be back with better music and better lyrics.”

A few days later, Tdott Woo met his fatal demise on February 1st, after also being shot in the head. Officials note that he was affiliated with the G Stone Crips, a Canarsie-based crew, but he is also accredited with creating the Woo Walker dance— connected with that larger collective.

On January 18th, drill rapper C Blu was accused of shooting an NYPD police officer over a stolen gun in the Bronx. He, an alleged member of the Reyway crew, a subset of the Crips, has been charged with weapon possession, assault, and other gun charges and was freed on $200,000 bail.

C Blu is close friends with Kay Flock, a teen rapper currently facing murder charges for shooting a man outside a Manhattan barbershop in December.

“These are ongoing gang disputes in the same geographical area,” Gulotta said. “Can they be connected? They sure could. These are longstanding beefs between these groups, and they’re right there on top of each other.”

Arrests for Nas Blixky shooting and Tdott’s death have not been made as of publishing.

Kanye West Deletes All Posts About Kim Kardashian And Their Children

Rapper Kanye West has deleted all of the posts on his Instagram profile that says anything about his wife and his children.

The passionate artist does the social media scrub after images of him spending unsupervised time with his children emerge.

According to Page Six, the billionaire multi-hyphenate, who spent the past few weeks blasting Kim Kardashian-West, the primary caretaker of their four children, for keeping him away from them and allowing their oldest to make TikTok videos.

The father was pictured escorting three of his children on Sunday to Jason Lee’s “The Future Brunch,” a gathering that preceded Ye’s officiating over his own Sunday Service.

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This is a refreshing turn in the Kardashian-West parenting drama, one that Momma K has said has impacted the children. AllHipHop.com reported that Kim K was upset at his public sharing.

The Skims founder wrote, “Kanye’s constant need for attacking me in interviews and on social media is actually more hurtful than any TikTok North might create. As the parent who is the main provider and caregiver for our children, I am doing my best to protect our daughter while also allowing her to express her creativity in the medium that she wishes with adult supervision — because it brings her happiness.”

Kanye’s has apologized in the past for public sharing.

On Thanksgiving and throughout his new album, he has spoken about his desire to restore the trust in his family that he caused by saying whatever he is thinking.

Dwayne Johnson Backtracks On His Support For Joe Rogan

Dwayne Johnson has retracted his support for controversial podcaster Joe Rogan after videos of him using the N-word circulated over the weekend.

Earlier this month, the actor surprised fans when he showed his support for “The Joe Rogan Experience” host on Instagram when he posted a video addressing claims he spreads Covid-19 misinformation on his podcast.

Johnson commented on the video, “Great stuff here, brother. Perfectly articulated,” and told Rogan he was looking forward to “breaking out the tequila” with him.

However, he retracted his support over the weekend when videos showing Rogan using the N-word on his podcast resurfaced on social media.

Author and activist Don Winslow told the action man on Twitter that defending the host, “a guy that used and laughed about using the N word dozens of times, is a terrible use of your power.”

Johnson retweeted the message and replied, “Thank you so much for this I hear you as well as everyone here 100% I was not aware of his N word use prior to my comments, but now I’ve become educated to his complete narrative. Learning moment for me.”

Singer India.Arie shared several clips on Instagram of Rogan using the N-word on his podcast to explain why she decided to pull her music from Spotify.

She follows in the footsteps of Neil Young and Joni Mitchell, who remove their music from the platform over claims of Covid-19 misinformation on Rogan’s podcast.

Addressing the new controversy, the host said he “felt sick” watching the clips and wished he could take his comments back. He called his use of the N-word “shameful,” offered his “deepest” apologies, and said, “I do hope that this can be a teachable moment for anybody that doesn’t know how offensive that word can be coming out of a white person’s mouth.”

However, he defended himself by insisting the clips had been “taken out of context of twelve years of conversations on my podcast.”

T.I. Is Now A Stand-Up Comedian

Tip!

The rapper T.I. is a lot of things to a lot of people. We’ve seen him be a rapper, a dope boy, philanthropic genius, and then some more depending on who you ask. But now we see him emerge as a standup comedian.

I have to admit, this is not the first time I heard this and I don’t think it’s a surprise to many. But I did not report on it sooner, because I just wasn’t sure if he was serious about it. Now, I am absolutely sure. Tip recently did a performance at the Laugh Factory of all places to present his latest performance comedically.

And he appears to be evolving quite nicely as a standup comedian! I just can’t believe I’m seeing the ultimate dope boy in the trap now as a comedian, but that’s what evolution looks like.

Somebody was in the crowd and videotaped his performance so why don’t you take a minute and look at it.

By the way, T.I. is also still actively rapping and apparently has a new album on the way. I can pretty much guarantee it will not be a comedy album, but I wouldn’t be surprised if it was a different flavor of hip-hop than were used to seeing from him.

Here is the first one a couple weeks ago.

Juice WRLD Earns First RIAA Diamond Award For “Lucid Dreams”

Jarad Anthony Higgins passed away from a drug overdose on December 8, 2019. The late musician, better known as Juice WRLD, left his imprint on Hip Hop with hit records such as “Lucid Dreams.”

The Recording Industry Association of America certified “Lucid Dreams” as a Diamond-selling single. The Goodbye & Good Riddance track officially crossed the 10 million units sold mark.

This gives Juice WRLD his first Diamond Award from the RIAA. In addition, “All Girls Are the Same” is currently 6x-Platinum, “Robbery” is 5x-Platinum, and “Lean wit Me” is 4x-Platinum.

On the album side of the ledger, 2018’s Goodbye & Good Riddance reached 3x-Platinum status. Juice WRLD’s 2019 sophomore LP, Death Race for Love, is currently certified 2x-Platinum. The posthumous 2020 project Legends Never Die is also 2x-Platinum.

Juice WRLD was back in the headlines in recent months following the release of the Tommy Oliver-directed documentary Juice WRLD: Into the Abyss. The HBO film served as an unofficial companion piece to 2021’s Fighting Demons album.

Into the Abyss featured appearances by Lil Bibby, Polo G, G Herbo, Ski Mask the Slump God, Cole Bennett, The Kid Laroi, and other associates of the deceased Chicago-bred rhymer. Juice WLRD’s mother, Carmela Wallace, is credited as a producer for the documentary.