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Icewear Vezzo & Peezy Respond To Backlash Over Donald Trump Support 

Icewear Vezzo and Peezy supported Donald Trump on his visit to Detroit over the weekend as he campaigned in the city he once called a “living hell.” 

Trump surprised the pastor of 180 Church, a predominantly Black church on the outskirts of the city, staging a roundtable to court Black voters. Footage showed Sada Baby, Peezy and Icewear Vezzo supporting Trump at the event, which attracted a majority white crowd.  

During a speech, Trump said crime was “most rampant here, in African-American communities,” per Reuters. He also claimed that the “Black population wants law enforcement more than any other.” 

Peezy and Icewear Vezzo faced backlash after posting photos with Donald Trump on Instagram.  

“Can anybody explain why they so mad?” Peezy wrote on Instagram alongside a pic with Trump. “I thought we was free to vote for whoever we want?? What’s the problem? Does everybody have to be a follower? Do yall hate free thinkers?” 

One person replied with a list of all the reasons to be mad about Donald Trump, including his ties to white supremacists. 

Instagram/Peezy

Meanwhile, Icewear Vezzo explained the controversial meeting, claiming, ”not many of us will ever have the chance to really speak up for us.” He added, “the only way to attempt change things is to address things.” 

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Vezzo also acknowledged the backlash in a follow-up post, questioning. “Why can’t we respectfully agree to disagree?” 

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Peezy Wants A Pair Of Donald Trump Sneakers

Peezy previously voiced his support for Donald Trump earlier this year. He tried to get his hands on a pair of Trump’s$400 gold sneakers while blasting President Joe Biden.  

“I’m tying to find my n#### Donald Trump’s gym shoes, man,” he said in an Instagram video. “The Trump 1s, man. If anybody got them b###### in 13, call me. F### Joe Biden, I’m rocking with Trump. F### Kamala Harris.” 

Fat Joe Catches Heat For Comparing Chris Brown To Michael Jackson 

Fat Joe is continuing to heap praise on Chris Brown, likening him to Michael Jackson while questioning why the singer is still stigmatized for violently assaulting Rhianna in 2009. 

“If Chris Brown never got into the controversy with Rihanna we would be calling him Michael Jackson right now,” Fat Joe declared during an Instagram Live chat over the weekend. “He is the most talented singer, artist, performer, hit maker of our time. There’s nobody even close to Chris Brown, and it’s time we move past it.” 

According to Fat Joe, who recently likened Breezy to Tupac Shakur, while fans are “scared” to support Brown, “the streets” are on his side.  

“When the truth is an unpopular decision, everybody gets scared to say it. They get canceled, especially famous people. But you know the streets they know what it is. Streets always know, they tell you the truth,” he added. “The streets still bumping R Kelly. He’s in jail, he did terrible things.” 

“It’s a shame that we lying and we not giving it up to the king of R&B … We be thinking he could battle Michael Jackson, that’s all I’m trying to say. I’m not lying. If you really look at his body of work and you look at all his hits you see what he does.” 

Although Fat Joe claimed “there’s no more incidents” of violence surrounding the singer, Brown’s former partner Karrueche Tran sought a restraining order against him in 2017, accusing him of domestic abuse. Brown has also faced other accusations of violence and sexual assault.  

Fat Joe insisted he does not “condone” Brown’s assault on Rihanna and said he is “here to protect the queens.” 

Social Media Reacts To Fat Joe Comparing Chris Brown To MJ

While some agreed with Fat Joe, dubbing Chris Brown the “King of R&B,” others rejected the comparison to the King of Pop.  

“What Chris Brown music is even comparable to Michael Jackson’s? They not even in the same league,” one person wrote on X (Twitter). “I F### w Chris Brown to much to tell average joe how wrong he is,“ another person added. 

A third person said, “No the f### we wouldn’t” before adding, “Tired of this conversation.” 

Busta Rhymes Fires Back At 50 Cent In Hilarious Troll-Fest 

50 Cent and Busta Rhymes proved they can laugh at their own expense after playfully trolling each other.  

The Hip-Hop legends showed off their playful side on Sunday (June 16), roasting each other to plug the entertainment mogul’s upcoming comedy festival. Chief troll, 50 Cent kicked off the jokes, posting a throwback photo of Busta Rhymes from the 1999 VMAs. “Busta can nor wear This to Humor Harmony,” 50 Cent wrote on the pic.  

In the pic, Busta dons a yellow leather halter-top and pants set, in-keeping with the futuristic, space-inspired looks of the pre “Y2K’ era.  

“I don’t care who made the outfit,” Fiddy wrote in the caption. “Bro you gotta come with some fly sh!t to Shreveport. LOL” 

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“You Crazy as Hell,” Busta Rhymes replied in the comment section before hitting back at 50 Cent with his own post.  

He shared a photshopped pic of the G-Unit mogul with his hair in a feathered bob cut. “I THOUGH IT WAS FATHER’S DAY @50cent and YOU OUT HERE LOOKING LIKE THIS!!” Busta captioned his post. “DON’T LET ME FIND OUT THIS HOW YOU BE IN THE MIRROR PREPARING YOUR LOOK FOR SHREVEPORT!!” 

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Fiddy replied telling Bus-a-Bus “you outta control, and your chains to BIG !” 

50 Cent was referring to Busta Rhymes’ 54mm Cuban chain after trolling him for wearing it during the Final Lap tour

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Chief Keef Returns: Epic Chicago Performance After 10-Year Absence 

Chief Keef lit up the stage on his return to Chicago at Lyrical Lemonade Summer Smash, his first performance in the city in over a decade. 

The Chicago rapper hasn’t performed in the city since 2012, so the anticipation was high for his headline set. On Sunday (June 16), the crowd lit up when Chief Keef returned to the stage to close out the festival. 

The Summer Smash crowd was also treated to his first-ever hometown performance of his classic hit “Faneto.” Chief Keef also turned his set into a Father’s Day celebration, performing with his daughter while G Herbo and his young son joined them onstage. 

Chief Keef discussed his monumental return to Chicago earlier this year, admitting, “it’s gonna be like I’m a tourist when I go there” during an interview for GRAMMY.com

“It’s been a long, long time. It’s been like 11, 12 years since I touched the pavement in Chicago, or Illinois, period. I’m ready. I know it’s going to be a big thing. A lot of new people probably think I’m a ghost,” Chief Keef explained. 

“So a lot of people are going to be excited, just knowing I’m from there and I ain’t been there in so long. People that’s not in even Chicago — all them surrounding cities gonna show up [too], because Sosa has not been home. And they know it’s gonna be big,” he added. 

Lil Mama Trends As Jay-Z & Alicia Keys Perform “Empire State of Mind” At 2024 Tonys  

Jay-Z and Alicia Keys’ performance of “Empire State of Mind” at the 2024 Tony Awards had fans wondering if Lil Mama was gonna show up and crash the stage like she infamously did at the 2009 VMAs. 

Lil Mama was trending on Sunday (June 16) after Keys teased an upcoming Jay-Z collab. “1 Billion streams Thank you! We love you. What’s next,” Keys wrote alongside a video teaser.  

However, social media users flooded the replies with Lil Mama memes. “A Lil Mama Collab???” one person wrote alongside an edit of the video featuring Lil Mama alongside Jay—Z and Alicia Keys.  

Nonetheless, the trolling continued after the announcement that the duo would perform the hit at the 2024 Tony Awards. 

“Lil mama has the opportunity to do the funniest thing ever,” joked an X (Twitter) user.   

“Empire State of Mind” is featured in Keys’ musical Hell’s Kitchen, which was up for multiple Tony awards at the 2024 ceremony. Jay-Z joined the Keys and the cast to perform the hit, although he delivered his verse via a pre-recorded segment.  

Lil Mama Responds

While Lil Mama did not repeat the stage invasion, she responded to the trolling. The Harlem native insisted she’s “part of the reason” for the song’s success and some agree with her.  

“This is Lil Mama’s song,” a fan wrote. “And she aint got a bar on it. Whenever I hear this I dont think about anything except for that Lil Mama moment. For the whole duration of the song.” 

Lil Mama has spoken about the iconic television moment over the years, most recently in March this year. “I was hurt, I was depressed,” she shared. “I was like, ‘What’s going on?’ You got everybody telling you you’re doing bad. People pointing at you like, ‘What did you do?’”  

Meanwhile, in 2021, Jay-Z said “That’s our sister. Man, we love her. I wouldn’t recommend people just jumping on other artists’stage, but we don’t wish her no harm.”  

Nas Helping Bring Classic Hip-Hop Movie “Beat Street” To Broadway: “It Wasn’t Just A Film”

Nas has announced the classic 1984 Hip-Hop film Beat Street is being adapted for the Broadway stage. The news came during the 40th anniversary screening of Beat Street at the Tribeca Film Festival over the weekend, and Nas could hardly contain his enthusiasm.

Beat Street wasn’t just a film—it spread the revolution of Hip-Hop culture throughout the country and the world,” Nas said in a statement. “It left an indelible mark, inspiring generations of young artists and creating new Hip-Hop fans alike. It’s a thrill for me to join the creative team of Beat Street, bringing the raw energy of Hip-Hop into the fabric of Broadway. It’s an honor to breathe new life into this iconic work and celebrate its enduring legacy.”

The musical adaptation is being produced by industry veterans Arthur Baker and Michael Holman, both of whom played significant roles in the original film’s creation, along with Harry Belafonte and director Stan Lathan.

According to Deadline, the production team is committed to maintaining the authenticity and spirit of the Hip-Hop culture that Beat Street depicted.

For those unfamiliar, Beat Street is a drama set in the Bronx, focusing on the emerging Hip-Hop culture of the ’80s. It highlights the art forms of rapping, breakdancing, DJing, and graffiti art, known for showcasing the early days of a movement that has since taken the world by storm.

The film’s plot centers around an aspiring DJ, a graffiti artist, breakdancer and composer, whose lives intertwine amid a backdrop of New York City’s gritty streets.

It featured performances from legendary Hip-Hop artists such as Kool Herc, Grandmaster Melle Mel and The Furious Five, The Treacherous Three, Lisa Lee, Debbie Dee and MC Sha-Rock (Us Girls), Doug E. Fresh, The New York City Breakers and The Rock Steady Crew, offering an authentic reflection of the era.

Produced by Belafonte, Beat Street aimed to elevate Hip-Hop culture to mainstream audiences—and succeeded—and drew inspiration from real-life stories and figures within the early Hip-Hop scene, even though it was fictionalized. A premiere date as yet to be announced.

Diddy & Kanye West Accused Of Sexual Assault By Niykee Heaton: “I’ll Never Forget”

Singer-songwriter Niykee Heaton has accused both Diddy and Kanye West of sexual assault, alleging bystanders watched and took no action to prevent the incident.

In a lengthy Instagram Live, Heaton recalled the alleged 2014 occurrence took place when she was 19, following the success of her song “Bad Intentions” featuring Migos and OG Parker.

According to Heaton, she soon received a late-night invite to connect with Diddy and West in the recording studio, which she accepted. Upon arriving tot he studio, Heaton claims she met Diddy and West, who were with three other men, one of which was Ye’s cousin, in addition to at least nine other women she called “studio hoes.”

She alleges she was immediately offered a drink, which she claims was laced, and says things began to take a turn for the worst when everyone except Diddy, West and the other three men left the studio. Heaton then claims the assault began once Diddy and West demanded she take her clothes off.

“They were like, ‘c’mon! It’s just us, we’re all just friends lets just see how you look,'” Heaton said in part. “I still haven’t gotten scared yet. I’m like, this is a bad situation, I’m creeped out, but there’s no reason to panic. There are other men here.”

Heaton continued, alleging that after she refused to remove her clothes, both Diddy and West forced themselves on her and began taking off her clothes without her consent.

“This is the part that for long as I live I’ll never f###ing forget,” Heaton said. “It isn’t actually the aspect of being sexually assaulted. That’s not what haunts me…i’s as these two grown men were pawing at me trying to take my clothes off, I look over to this man asking for help, and I literally mouth the word ‘help’ and we lock eyes, and he looks away.”

Heaton says the attack left her devastated, claiming that once she managed to escape, she “sat there for like 20, 25 minutes just like crying like, ‘What the f##k do I do?’ The moral of the f###### story, stay out of the industry. If you have daughters make sure to tell them that their idols they should never meet and never go to the f###### studio with anyone even if you’re invited there as an artist, unless you have a bodyguard with you.”

Heaton’s allegations follow a lawsuit filed by her former manager, Lauren Pisciotta, who was Ye’s former assistant, accusing West of sexual assault, contract breach and wrongful termination.

Heaton also alleged that Pisciotta was present during the night the alleged assault took place and claims she left the room, despite requests to stay. Heaton says she didn’t come forward with the allegations sooner due to the fact she felt as though no one believed her. She also cited Pisciotta’s recent lawsuit as part of the reason she elected to speak out now.

On the other hand, Pisciotta’s lawsuit alleges West perpetrated multiple sexually explicit crimes against her, including allegedly sending her lewd texts and masturbating while speaking to her on the phone. The lawsuit also accuses West of pleasuring himself in front of her after trapping her in a private area on his plane. Watch the full video from Heaton’s IG Live above.

How Daz Dillinger, Kurupt & Snoop Dogg Made Peace To Drop New Dogg Pound Album

Daz Dillinger and Kurupt—collectively known as Tha Dogg Pound—were somewhere in Canada mid-tour with Snoop Dogg when they hopped on Zoom. With weed smoke wafting through the air, the longtime duo chopped it up about their new album, W.A.W.G. (We All We Got), their first release on Death Row Records since their 1995 debut, Dogg Food, and their ever-evolving relationship with Snoop Dogg.

The 14-track project, which boasts eight collaborations with Snoop Dogg in addition to guest verses from RBX, The Lady of Rage, Butch Cassidy, DaBaby and more, bumps with nostalgia while simultaneously ushering in another chapter for the bona fide OGs.

Now in their 50s, both Daz and Kurupt know how fortunate they are to still be doing what they love, especially in an era of microwave rap. In fact, Kurupt admitted he’s somewhat surprised by the positive feedback they’re getting on the project.

“I was pretty shocked at the response,” Kurupt told AllHipHop. “Being in our 50s and people still appreciating our music is great. We love the love. We love the people. We love the fact that they still riding with us.”

Daz Dillinger and Kurupt said it took just four days to complete the album, a miraculous feat in itself considering Snoop Dogg is a modern day renaissance man, who seems to be everywhere at once.

“When Snoop said go, it was a solid go,” Daz said. “He was fitting it in his schedule. And once he got around us, he wouldn’t let us go. The chemistry never left.” Kurupt added, “We was knocking down 45 records a day! Dogg has this aura about him. We Snoop’s first group ever, Tha Dogg Pound, so Dogg already knows where to go with us. All he asked was for us to just follow his lead.

“Daz ain’t produce a record on there, and that was very difficult for Daz ’cause he’s a producer. This is what he does. And Daz said, ‘I’m following your lead, Dogg.’ I’m very proud of Daz for doing that right there ’cause he never gives up that position, but he did for the Champ and for the team. And the Champ led us to the championship. He had ideas, he’d lay ’em and me and Daz executed them.”

Daz and Kurupt have come a long way since their early days at Death Row. After Dogg Food debuted at No. 1 on the Billboard 200, Tha Dogg Pound were featured on 2Pac’s Death Row debut, All Eyez on Me. Kurupt appeared on “Got My Mind Made Up” and “Check Out Time,” while Daz produced “2 of Amerikaz Most Wanted,” “Ambitionz az a Ridah” and “I Ain’t Mad at Cha.” They also made an appearance on Snoop Dogg’s album Tha Doggfather. But amid mounting tensions within the label, Daz and Kurupt wound up leaving on their own accord in 1998.

Unexpectedly, Kurupt took an executive producer role at Death Row four years later, which Daz, Snoop Dogg and the rest of the DPGC viewed as a betrayal. From roughly 2003-2005, Daz and Kurupt routinely traded shots on wax. Daz took aim at Kurupt and Death Row on “U Ain’t S###” and “I Don’t Give a Fucc,” while Kurupt brought the heat throughout his 2005 Originals album, including the bonus track “Eat a Dicc (Fucc Daz).”

Fast forward to 2024 and Daz had nearly given up on rap. “I was doing construction. I was going to retire from rap. We reached the pinnacle of rap. What more could I do?” But in March, Kurupt swung by Snoop’s studio and noticed a guy sitting in the corner with his hat down low. He went to say what’s up and didn’t initially realize it was Daz. Needless to say, he was shocked to see him there.

“I said, ‘You big head muthafucka, what the s###!?” Kurupt said. “I look at Dogg, he on the board. He just turned around and smiled. All we did was smoke up. Dogg said, ‘It’s DPGC time.'”

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Ultimately, everybody was able to make peace. As Daz explained, “It was up and down at first, but then we got it together. We’d been feuding for a little bit, but we back—you know, family s###. Me and Snoop are first cousins, so it’s up and down. We’ve been doing this s### every day for the last 15 years. But we through with it now. We just continue to mash. We see where we’re going. We see what the people is. And hey, the money flowing over here at Death Row and opportunity flowing.”

Daz did admit, “I was anti-Snoop at one time, so if you looked at him or breathed on him or anything, I would block your ass. I looked at it like it was a distraction.”

But Kurupt quickly concluded, “That’s where the family come in at, because we all butt heads. If we was just friends, it could be broken, but family will always get over the hump.”

W.A.W.G. (We All We Got) was released as a Gala Music exclusive and is currently available on all DSPs. Highlights include the title track, “Favorite Color Blue” and “House Party.”

Find it above.

Sonny Digital & Honorable C.N.O.T.E Trade Father’s Day Shots: “My Son Made Himself A Legend”

Sonny Digital and Honorable C.N.O.T.E opted to give each other a hard time on social media in light of the Father’s Day holiday weekend.

The producer pair, who have been each other’s fellow collaborators for well over a decade, engaged in a brief exchange on Twitter (X) during which both claimed to be each other’s elder. Initially kicked off by C.N.O.T.E, the Michigan-bred producer remarked on hypothetically fathering Sonny at a young age while also affectionately acknowledging his Atlanta counterpart’s own individual success.

“I was young when i had you my son, I was nervous didn’t know how things would turn out … but i can actually say my son made himself a legend and i’m a proud father on this day … @SonnyDigital i’m so proud of you my son keep striving to be the best!!!,” C.N.O.T.E wrote in his first tweet.

Sonny immediately fired back, “My son, back in 1980 when I had you I knew you were going to be famous look at you now champ.”

In the thread of Sonny’s reply, a user added, “You know damn well cnote about 100 years older than you just play along,” to which he replied, “Don’t matter . I’m his father.”

But it appears C.N.O.T.E got the last laugh as he shared a follow-up tweet of an Instagram Story he shared featuring a throwback photo of himself and Sonny.

“The father that’s always here when life starts living,” he wrote in the text on the photo he tagged himself as pops in.

It’s great to see both producers still have such an amicable rapport with each other, given the amount of ground they’ve covered together. The collaborative relationship between C.N.O.T.E. and Sonny has been marked by a series of major music industry wins, which have highlighted their creative chemistry and innovative production styles. They first crossed paths in the mid-2010s as both became distinguished figures in the Atlanta trap rap wave.

Their synergy culminated in notable releases, including their work on tracks like 21 Savage’s “Red Opps” and Future’s “Incredible,” both of which showcased their ability to blend gritty beats with melodic undertones. Fast forward to 2024 and their collaborations have achieved significant commercial success, with their productions frequently charting on the Billboard Hot 100 and receiving heavy rotation on urban radio stations.

Check out the back-and-forth between the producers above.

From Dame Dash To Ice T: How Hip-Hop Is Celebrating Father’s Day 2024

Father’s Day landed on Sunday (June 16) and, par for the course, a flood of emotional posts are inundating social media.

From those who have lost their fathers to those who are able to be with them in person, a laundry list of Hip-Hop artists are paying tribute to the men in their lives who molded them into the people they are today. Pioneering rappers like Jimmy Spicer—whose 1980 single “Adventures of Super Rhyme (Rap)” was one of the earliest recorded Hip-Hop songs—and Biz Markie were commemorated in Instagram posts shared by their loved ones.

Ice T, Naughty By Nature’s Treach, Dame Dash, Yelawolf, Chika, Sleepy Brown—who celebrated generations of Browns, including his father and Brick founder Jimmy Brown—Jurassic 5’s Chali2na and Brand Nubian’s Lord Jamar were just a handful of people celebrating fathers.

Scroll through the posts below.

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Kanye West & His “Sunday Service” Choir Helped Former Def Jam Artist Exit Contract

Kanye West’s Sunday Service choir performances provided more than just a place of worship for a former Def Jam artist.

In a dramatic turn of events, Kacy Hill—once a promising talent under West’s G.O.O.D. Music label—recently opened up at a concert about her tumultuous journey to break free from her record deal with Def Jam. Hill, known for her ethereal voice and soulful music, shared the incredible story of how she found an unlikely savior in West after putting in some major legwork. Apparently, it all began with album cover.

“The Kanye West, we’ve all heard of him, I think,” Hill began. “So, I was signed to him. I was signed to G.O.O.D. Music. It was so crazy. Def Jam basically paid to shoot all the album cover for my second album, whatever.

“And then they were like, ‘Actually, we don’t know if we want you still’. And I was like, ‘That’s crazy. I don’t want to be here either’. And then they were like, ‘We actually don’t want to pay for that’. But I had already shot it, and I was like, ‘OK, crazy. And I was like, ‘So do you want me or do you not? What are we doing here?”

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Caught in a limbo of indecision and contractual obligations, Hill found herself in a bizarre predicament. Long story short, there was one man—and one man only—who could help her navigate her exit from the label.

“We were in, I was literally in a situationship with Def Jam records where I was like, what are we? And anyway, they were like, ‘We actually can’t keep you or let you go. The only person that can keep you or let you go for your next record is Kanye West himself,” she said.

The revelation that her fate rested in West’s hands was daunting, especially since he had adopted a unique approach to communication. “I was like, no problem. However, at that time he decided he didn’t want to use email and he also didn’t have an assistant. So I was like, that is so crazy,” Hill recounted with a hint of disbelief.

@feeltheroom

kanye stories are always wild 🤣 #kanyewest #kacyhill #kanye #goodmusic #defjam

♬ original sound – feel the room

Determined to secure her freedom, Hill embarked on a journey that would test her patience and resolve. It was at this point, Hill had to literally lock in and go on a wild goose chase to track down West, who had practically unplugged from the grid, despite still having high visibility.

“For six months of my life, I went to Sunday Service,” she revealed. Kanye’s Sunday Service, known for its gospel music and celebrity attendees, became her weekend pilgrimage. “I went to Sunday Service every weekend of my life for six months or something,” she added.

Hill’s persistence was nothing short of remarkable. She described the surreal experience as something close to being a wedding crasher.

“It was like going to someone’s wedding with a contract in your hand where I’d go and I’d be like, ‘That was really beautiful, sir’. And then I’d be like, ‘Can we talk?'” she said.

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Despite her repeated attempts to discuss her contract, the outcome remained elusive, at first.

“And every time he was like, ‘Okay. And I’d be like, ‘Okay.”

After months of relentless effort, Hill finally received a breakthrough invitation.

“Finally, he was like, ‘Okay, come to rehearsal on Friday’. I was like, ‘Sick’. And then I was like, ‘What the f##k is rehearsal?’ I didn’t know where and when rehearsal was,” she said laughing.

Eventually, Hill found herself in an office in Calabasas, face-to-face with West.

“He was like, ‘Why are you here? And I was like, ‘I need to get out of this deal’,” she told the audience. West apparently responded “‘OK, what do I need to do?’ And I was like, ‘You can text literally anyone and say that I’m done’. And so he did and he texted someone and said I was done. And I was done.”

Hill’s story concluded on a high note as she recalled West’s reaction to her music. “And then afterwards I played him my second record and he was like, ‘This is cool. Could you make it a gospel song? And I was like, ‘Sure, whatever you want’.”

Kacy Hill’s saga is a testament to her perseverance and the power of personal connections. Despite the challenges she faced, her collaboration with Kanye West remains a significant chapter in her career. West, known for his unpredictable yet impactful influence in the music industry, has worked with Hill on tracks such as “90210” and “Say You Will.”

Check out the full video above.

Rumors: After Diddy Default, Howard University Sees Increased Financial Support

As we’ve established, Diddy Combs attended the esteemed Howard University. Although he never graduated, he was once the pride and joy of the college. However, now he seems to be a source of shame and sorrow. The school said Diddy is “no longer worthy to hold the institution’s highest honor.” The school recently revoked his honorary degree and returned the $1 million donation he had given. They also said keep the 2023 million that was never honored. But did he actually give that money to them?

Much was made of this donation because $1 million is a significant amount. For someone to return that, it would be a big deal. Most historically black colleges and universities (HBCUs) face financial challenges in raising funds and getting support, so $1 million would have been a substantial contribution. However, it turns out – inside sources say – they never actually received the money. So, that means they never got the first million or the second million either, if this is true.

I have read the statement from the school multiple times, and while it implies that they gave the money back, it essentially says they do not want any of the money now. With all of his legal troubles, it does not appear that they would even be able to receive those funds. On the positive side, there is now an overwhelming groundswell of support from alumni and others who are donating money to make up for the loss.

Diddy’s Honorary Degree Revoked by Howard University

Howard University is one of the top schools in the nation and one of the prominent HBCUs in the country. Back in the day, Biggie and Diddy would go there and perform (see above video). I bet that was a lot of fun! Although these days may not be as vibrant as back then, the students at the school now are still amazing, and I hope they continue to receive support from around the world. This is not intended to paint Diddy in a poor light but rather to show support for Howard!

To Donate, Hit This Link: https://giving.howard.edu

Sean Paul Says Falling Mango Turned Into Sweet Beyoncé Song

Sean Paul remembered the genesis of his friendship with Beyoncé, a collaboration that catapulted both artists to global acclaim with their 2003 chart-topper “Baby Boy.”

Years before they became household names, a serendipitous performance in Jamaica laid the groundwork for his future alliance with Beyoncé.

Talking to The Hollywood Reporter, the reggae star recounted their early days,

“She opened on a show here in Jamaica with Destiny’s Child. They only had one song, and I was on that same show. That’s where we all met. And knowing she called me back a couple of years later for her first solo project was awesome,” Sean Paul said.

Sean vividly recalled penning his verse for their massive hit single “Baby Boy” in a pastoral setting.

“I was writing my part of the song in the back of my house underneath a mango tree. And while I’m writing my verse, a mango falls out the tree and lands straight through the window of my car into my lap. And I was like, ‘That must mean that this song is a sweet song.'”

Reflecting on this pivotal period, Sean Paul praised Beyoncé for embracing the Dancehall music genre.

“At the time, people were hollering at me to do collabs—I was working with Busta Rhymes, I was doing stuff with Clipse and Blu Cantrell—and all of those things were very dope but they were more Hip-Hop oriented. This was such a big artist, and she was stepping out on her own.”

Janelle Monáe Picks Movie Roles If Their P#### Hair “Vibrates”

Janelle Monáe, who identifies as non-binary, shed light on their criteria for selecting film roles.

“The story is the big one. Also the set: I love places that have snacks like Skittles and M&Ms; on set! But, really, I love to get to know the characters and feel with anything I’m doing. I really have to feel it in my p#### hairs – they have to vibrate,” she told The Guardian.

Janelle Monáe expressed an eagerness to join the cast of the upcoming third installment of the “Knives Out” franchise.

And true to her word, Monáe shared, “My underarm hairs definitely tingled when I got the ‘Glass Onion: A Knives Out Mystery’ script.”

Despite the series’ tradition of featuring a new ensemble each time, Janelle Monáe remains hopeful for a return after her enjoyable experience filming “Glass Onion,” the 2022 sequel.

Janelle Monáe, known for their roles in “Hidden Figures” and their music career, cherished working with director Rian Johnson and the star-studded cast in Greece for “Glass Onion,” praising the collaboration.

“That was exciting, to go to Greece and work with Rian Johnson, who is a wonderful human. The whole cast were amazing; I loved having the opportunity to be in a film with Daniel Craig,” Monáe stated to The Guardian. “I’m so excited for ‘Knives Out 3’ – I want to be a part of it so badly that I might get plastic surgery and audition as a brand new character.”

In “Glass Onion,” Janelle Monáe portrayed Cassandra ‘Andi’ Brand and her identical twin sister Helen, sharing the screen with Edward Norton, Kate Hudson, Kathryn Hahn, and Dave Bautista.

The next film, “Wake Up Dead Man,” started production this week and will include performances from Josh Brolin, Kerry Washington, Cailee Spaeny, Glenn Close, Josh O’Connor, Andrew Scott, and Jeremy Renner.

“Blade” Setback: Director Cuts Out

Director Yann Demange has exited Mahershala Ali’s “Blade” film, adding another hurdle to Marvel’s ambitious project.

The Wrap reported that Demange’s departure leaves the project’s leadership void as Marvel searches for a new director for the long-awaited reboot.

Initially, Demange had stepped in to replace Bassam Tariq of “Mogul Mowgli” fame, who himself withdrew over creative disagreements.

This marks the second time “Blade” has lost a director, casting uncertainty over its future.

Marvel’s Eric Pearson, known for his work on “Fantastic Four,” is currently drafting the latest script iteration. Nic Pizzolatto and Michael Green crafted previous versions.

“Blade” has faced numerous challenges since its reveal at San Diego Comic-Con in 2019. Its initial production start date of late 2022 was pushed back following Tariq’s unexpected exit.

Further delays ensued amid last year’s writers’ strike, despite Mahershala Ali’s commitment to the titular role, briefly teased in a voice cameo during the post-credits of 2021’s “Eternals.”

Marvel remains cautious about not rushing the production.

An insider revealed that the studio prioritizes perfecting the storyline over adhering to a hasty schedule.

With “Deadpool & Wolverine,” “Captain America: Brave New World,” “Thunderbolts,” and “Fantastic Four” already lined up – either completed or mid-production – Marvel can afford to take its time with “Blade,” currently slated for release in November 2025.

The task of bringing the iconic vampire hunter back to life is no small feat.

Wesley Snipes’ portrayal in the original Blade trilogy from 1998 to 2004 set a high bar.

The studio’s strategy suggests a careful, calculated approach focused on getting every detail right.

Snoop Dogg’s Play-By-Play Steals Show At Brewers Game

Snoop Dogg grabbed the spotlight at the Brewers’ American Family Field with a flair as he provided some wild commentary during the Milwaukee Brewers game against the Cincinnati Reds.

The night began with Snoop, dressed in a Brewers jersey, throwing out the ceremonial first pitch.

His presence electrified the crowd as he walked through the Brewers’ clubhouse, snapping photos with players and signing autographs for excited fans.

But it was in the Bally Sports Wisconsin broadcast booth with Bill Schroeder and Brian Anderson where Snoop Dogg gave an unforgettable performance.

Fans and players alike couldn’t get enough of Snoop’s humorous and animated commentary.

During a thrilling play, he cheered Christian Yelich after he hit a single to the right infield and raced Reds’ pitcher Elly De La Cruz to first base.

“He better not outrun you! You better not let the pitcher outrun you dog!” Thankfully for Yelich, he beat De La Cruz.

“Come on now that’s what I’m talking about!” Snoop Dogg exclaimed.

The footage of Snoop’s time in the broadcast booth spread like wildfire online, with baseball fans demanding more of his colorful commentary.

This wasn’t Snoop Dogg’s first foray into the world of sports commentary.

In 2020, he gained fame for his hilarious commentary on equestrian dressage during the Tokyo Olympics and continued expanding his sporting credentials.

NBC has even tapped him as a Special Correspondent for their primetime coverage of the 2024 Summer Olympics in Paris, where he will provide regular reports and commentary.

Kodak Black Threatens To Knock Out SteveWillDoIt Over $500K Richard Mille Theft Claim

Rapper Kodak Black threatened to knock out SteveWillDoIt after the YouTuber claimed Kodak attempted to rob him of a $500,000 Richard Mille watch.

SteveWillDoIt accused Kodak Black of the attempted theft in a series of tweets.

“Do rappers make money? Kodak Black just tried to rob me for my Richard Mille,” he tweeted. “Is every rapper broke? The guy smokes meth, probably insane. Kodak Black is 100% on drugs.”

The accusation, which SteveWillDoIt eventually deleted, sparked a heated exchange between the two public figures.

“That’s why I hate drunk s###. I hate drunk s###. People always get beside they self. That’s why I don’t drink liquor no more,” Kodak Black said.

“Why are you being prejudiced, sir? Have you saw me do any drugs? You made a tweet to the whole world like I wasn’t finna get on the internet and say, ‘Oh, SteveWillDoIt is a b#### ‘ I told you to your face and I threw your s### on the floor,” Kodak Black added in an angry IG live.

The incident, which allegedly occurred without context or additional witnesses, remains shrouded in uncertainty.

However, Kodak Black appears to be taking the accusations seriously enough to threaten SteveWillDoIt with physical harm.

“I don’t give [expletive] about none of them muscles or that tight ass suit you was wearing yesterday,” Kodak fired back. “I told you to your [expletive] face. A n#### will knock your drunk ass out.”

The back-and-forth has drawn significant attention online, with fans and followers weighing in on the dispute.

While some support SteveWillDoIt’s version of events, others find it implausible that Kodak, who reportedly owns multiple high-end watches, would attempt such a theft.

Lil Uzi Vert Dragged By His “Man Bag” In Gender Debate Over New Marc Jacobs Campaign

Rapper Lil Uzi has sparked an intense debate over masculinity and femininity in Hip-Hop.

The Philadelphia rapper teamed up with Marc Jacobs to introduce the limited-edition 40th Anniversary Tote Bag in collaboration with the estate of the late American artist Stephen Sprouse.

The new Stephen Sprouse x Marc Jacobs tote was announced accompanied by images of Lil Uzi in oversized shorts striking a pose.

Lil Uzi was styled by Alastair McKimm and photographed by Nick Newbold holding the vibrant green tote, which features Sprouse’s signature graffiti print.

The tote bag captures the essence of Sprouse’s vibrant graffiti art with the quote, “Grant me the serenity to chill.”

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A post shared by Roc Nation (@rocnation)

However, Lil Uzi’s involvement in the advertising campaign garnered the most attention, which is most likely the goal.

Lil Uzi’s management company, Roc Nation, and Marc Jacobs’s official Instagram account posted the photos.

People debated the rap stars’ involvement. Some claimed Hip-Hop was deliberately being feminized, while others blasted Marc Jacobs for not using a woman in the campaign.

One user offered an opinion about the music genre of the related post, saying, “To each his own… just stop calling this HIP HOP. This is Pop music I wish him well.”

Legendary rap veteran DJ Chuck Chillout expressed his disapproval. “Straight ridiculous this is NOT HIP HOP,” he wrote under the image.

One user, g1vontae, suggested a viewpoint that society often favors self-embarrassment over self-empowerment, hinting at a belief that actions such as men dressing in traditionally feminine attire might be seen as an opportunity for ridicule rather than a liberating choice.

Another user wrote “This ain’t rocnation it’s fruitnation.”

Another said, “If you asked @jayz @biggsburke and @duskopoppington in 1996 what the Roc Boys would look like in 2024…I don’t think this is what they had in mind. Who is running s### over there anyway?? Tf.”

Rah Digga,” simply stated, “I’m just here for the comments,” accompanied by a popcorn emoji as the mayhem in comments unfolded.

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A post shared by Marc Jacobs (@marcjacobs)

Chris Brown Fan Defended For Spending $1,000 On Goofy Photo With Singer

Chris Brown made headlines by charging fans $1,000 for a VIP meet-and-greet experience that includes a photo opportunity. The premium package, part of his tour promotions, provides fans with a chance to interact with the artist more personally, albeit at a steep price.

While some fans have criticized the high cost as excessive and exclusionary, others have embraced it as a once-in-a-lifetime opportunity to meet their favorite performer.

One photo, in particular, is making the rounds online. The image shows Brown and the fan touching fingers in a bizarre pose. The caption read: “Paying $1,000 to meet another man just to take a picture like this is crazy to me. But go off.”

Comments quickly flooded the post with one person writing, “If I’m paying $1000 for a picture, I’m definitely making him do some weird, out of the ordinary poses lol.” Snow Tha Product, however, thought there was nothing wrong with it. She added, “Chris really into it. That’s cool!” Dee-1 added, “go off!”

Most people celebrated the photo and criticized anyone poking fun at the fan. As one person said, “Caring about what another man spends his money on is the reason most of yall don’t get no money.”

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Chris Brown’s approach to monetizing fan interactions highlights the evolving dynamics of celebrity-fan relationships in the modern entertainment industry, where exclusivity and personalized experiences are increasingly being commodified.

Brown is currently on his 11:11 Tour in support of his 11th studio album, 11:11. The tour kicked off on June 5 at the Little Caesars Arena in Detroit and includes 26 stops across North America, including major cities like Chicago, Toronto and New York​.

Special guests Ayra Starr and Muni Long will join him on various dates, with Starr performing from the start of the tour until June 22, and Long joining for the later dates​​. The tour will feature performances from both artists, highlighting their rising presence in the R&B genre alongside Brown​.

Kel Mitchell Almost Scrapped With “All That” Writer In A Closet

Kel Mitchell recounted a heated clash with former Nickelodeon showrunner Dan Schneider inside a closet on the set of “All That.”

Schneider, who faced a barrage of accusations earlier this year, including sexism, racism, and inappropriate behavior, was a central figure in the controversial docuseries “Quiet on Set: The Dark Side of Kids TV.”

Speaking on the “Baby, This is Keke Palmer” podcast, Kel Mitchell, who did not participate in the documentary, shared his personal confrontation with Schneider.

He noted a dramatic shift in the atmosphere of “All That” when Schneider assumed control from creator Brian Robbins.

“They left us with the head writer, Dan Schneider. So he’s writing, and me and him kind of bump heads a little bit,” Kel Mitchell, now 45, recalled. “I remember me and Dan had a big argument on set. He was like, ‘Let’s go over here to this room right here, in this closet.’ He closed the door and he just took off, you know, just yelling all this wild stuff.”

Kel Mitchell was clear about the impact of this confrontation, reflecting on his decision-making process at the time.

“Being an adult at this point, I had a decision to make, you know what I mean? I was just like, ‘Okay, either we are going to fight or either I’m going to leave.’ And so that’s what I did. I left the situation.”

Mitchell’s relationship with Schneider became increasingly strained during his time on “All That” from 1994 to 1999.

Kel Mitchell and co-star Kenan Thompson also headlined the popular Nickelodeon series “Kenan & Kel” from 1996 to 2001.

Following the release of “Quiet on Set: The Dark Side of Kids TV,” Schneider issued a statement vehemently denying most of the allegations against him.

However, he did express regret over asking employees for neck massages.

Schneider later pursued legal action against the docuseries’ producers, arguing they falsely suggested he was a child sex abuser by associating his image with that of convicted sex offender Brian Peck.