Kanye West has seemingly changed his tone about Drake and admitted that the root of their issues arose as a result of him being consumed by the green-eyed monster.
On Wednesday (March 5), the Chicago native interrupted his latest antisemitic rant on Twitter in order to give his arch nemesis, Drake, his flowers. Tweeted in his signature all-caps style, the message conveyed fleeting moments of humility and regret as Kanye explained that he actually “loves” Drake—as opposed to his recent rhetoric about the Canada native.
“I saw a video of Drake walking through his house and showing he had a library of rhyme books,” Kanye wrote in part. “Man, I wish I could have seen and remembered this when my jealousy over took me. I love Drake,” appearing to reveal that his own insecurities were at the root of the friction between them.
As if his words weren’t potent and visceral enough, Kanye West concluded the tweet, writing, “Ima save this… when I die I need you to speak at me funeral.”
Many of Kanye West’s fans speculated that a vintage video of Drake’s appearance on the “Unscripted” series may have been what inspired Kanye to share the message. In the video, which was released in 2004, Drake introduced himself as Aubrey Graham as he showed off his brand spanking new Acura TLX, his living arrangements with his mother and the fabled about composition notebook he filled with rhymes he would later use to manifest his rap career.
No matter the inspiration, West’s latest tweet about Drake is a far cry from how he has been speaking about Drizzy in recent months. In April 2024 Kanye West, explained why he joined Future’s battle against Drake on Justin LaBoy’s The Download podcast. According to Ye, Future recruited the controversial artist for a “Like That” remix to attack Drake.
“Pluto called me,” Kanye said. “I went to the studio, laid that. And then we went through the creative process, adding the chorus … You know, everybody was very, very excited about the elimination of Drake. Not excited – we was energized.”
Future and Metro Boomin released the original version of “Like That” featuring Kendrick Lamar in March 2024. The Drake diss track appeared on the duo’s We Don’t Trust You album.
Kanye West dropped the “Like That” remix later on. The remix was available to stream on his Yeezy website instead of streaming services.
“Pluto sent the drones, it hit like Metro beats/It’s a wrap for n#####,” West rapped. “Where’s Lucian? Serve your master, n####/You caught a little bag for your masters, didn’t ya?/Lifetime deal, I feel bad for n#####/Y’all so outta sight, outta mind/I can’t even think of a Drake line/Play J. Cole, get the p#### dry/Play this s### back 130 times.”
Chrisean Rock and Jaidyn Alexis are reigniting their ongoing feud, once again clashing online over Blueface, the father of their children.
Earlier this week, Alexis put Blueface on blast, accusing him of sleeping with her former friend and his friend’s girlfriend while they were together.
On Tuesday (March 4), Alexis fired off some tweets dissing Blueface and seemingly questioned why Rock is with the rapper.
“who marry a n#### who don’t call his kids and owe child support,” she wrote. “Just give me my moneyyyyyyy.”
Rock responded the following morning with a series of lengthy posts. However, after turning over a new leaf after release from prison, Rock attempted to extend an olive branch.
“I married him because I took a risk on love. You worried about why I married him I’m wondering why our kids ain’t fully met ?’ she wrote. “I truly empathize with what you’re going through.”
She also called out Alexis for trashing Blueface online and attempted to justify him not contacting their children from behind bars.
“Nobody wins beefing over penis! Beefing with you is childish and our kids are related,” she continued. “Instead put all that energy into your craft. & btw I’m taking this advice as well.”
Jaidyn Alexis Responds To Chrisean Rock
Nonetheless, Alexis ignored Rock, tweeting, “Chrisean I wouldn’t read all that even if I was paid to for the love of god s###.”
Rock fired back with “U replied which mean u read it!” insisting she was trying to help her out. She claimed Alexis was “screaming bout money and child support,” suggesting she was crashing out online because booking dried up after Blueface was jailed.
After several more tweets back and forth, Chrisean Rock claimed she and Jaidyn Alexis profit from the situation.
“You bein hurt is understandable but dang let s### go already,” she stated. “I’m not beefing with u anymore i can get us 500k just for a sit down like really make some money u crying bout child support that doesn’t exist.”
Alexis did not respond and it doesn’t look like she’ll be taking Rock up on her offer any time soon.
Canadian leaders including Prime Minister Justin Trudeau and Ontario Premier Doug Ford have vowed strong retaliation against new U.S. tariffs.
According to USA Today, the top leaders in the country are pledging to make “America feel the pain,” after President Donald Trump ended the tariff delay on Canada and Mexico. Now, a 25 percent tax on most Canadian imports has taken effect. Prime Minister Justin Trudeau hit back with 25 percent tariffs on $20.7 billion of U.S. imports, set to expand if Trump’s tariffs remain.
“It’s not in my habit to agree with The Wall Street Journal, but Donald, they point out that even though you’re a very smart guy, this is a very dumb thing to do,” Trudeau said on March 4.
In another remark, Trudeau criticized Trump for aligning the U.S. with Russia and Vladimir Putin, whom he described as a totalitarian, among other violent monikers.
“Today the United States launched a trade war against Canada, their closest partner and ally, their closest friend,” Trudeau said. “At the same time, they are talking about working positively with Russia, appeasing Vladimir Putin, a lying, murderous dictator. Make that make sense,” a visibly angry Trudeau said.
Ford backed Trudeau’s measures and escalated Ontario’s response by pulling American alcohol from distribution and canceling a contract with Elon Musk’s Starlink. The premier also announced a 25 percent surcharge on energy exports to New York, Michigan, and Minnesota, warning he may cut off supply if tariffs persist.
“A tariff on Canada is a tax on Americans,” Ford said, adding, “I will do everything, including cut off their energy with a smile on my face.”
Ontario, Canada’s second-largest energy producer, primarily exports power to the U.S. while importing from Quebec. Though most Canadian imports now face a 25 percent tariff, energy is taxed at 10 percent.
“Unemployment, inflation is going to hit, and it’s going to hurt the American people,” Ford warned. “You need to speak up against Donald Trump and speak up for your people. That’s what we do here in Canada.”
Ice Cube has found himself trading West Coast sunshine in Cali for wild weather as Cyclone Alfred barreled toward Australia’s eastern shoreline, leaving the Hip-Hop icon temporarily stranded inside his hotel.
The legendary rapper, currently Down Under for upcoming gigs in Sydney and Melbourne, shared his weather-induced predicament during a chat with the hosts of Australia’s popular TV program, “The Project.”
Ice Cube took the unexpected storm in stride, offering an amusing take on his unusual experience.
“It is pretty cool. I haven’t been through a cyclone before. I can check this off my bucket list for sure,” Ice Cube joked. He added with a touch of dry humor, “You know, I’m right here on the beach. The beach looks like it is going to be in the lobby in a minute.”
Ice Cube’s unexpected brush with extreme weather comes on the heels of Green Day’s decision to pull the plug on their final Australian show due to Cyclone Alfred’s looming threat.
The pop-punk veterans were scheduled to take the stage at Robina Stadium on Australia’s Gold Coast on Wednesday (March 4) but canceled in response to the cyclone’s potential danger.
Cyclone Alfred, a Category 2 tempest, packs winds reaching speeds of approximately 75 mph and is anticipated to strike Australia’s eastern coastline early Friday (March 7).
Meteorologists highlight the cyclone’s track as notably unusual, marking it as the southernmost cyclone to menace the region in over half a century.
Experts suggest climate change and rising ocean temperatures could influence this atypical route.
The approaching storm threatens millions of residents along Australia’s densely populated eastern coast.
Tony! Toni! Toné! member D’Wayne Wiggins was rumored to have died earlier this week, but his family and group have assured his fans that’s not the case. According to an Instagram post from the legendary Oakland R&B/soul group, Wiggins is currently suffering from an unspecified health issue.
As they explained in the caption, “We wanted to share that D’Wayne Wiggins is experiencing medical complications. He is working through it one day at a time. We know how beloved he is by so many, and we are grateful for your prayers and concern. We also request that you respect the family’s privacy during this time.” The statement is signed by the Wiggins family.
The same post was included on Wiggins’ official Instagram account as well.
Tony! Toni! Toné!—comprised of Wiggins, his brother Raphael Saadiq (born Charles Ray Wiggins) and their cousin Timothy Christen Riley—emerged as vanguards of R&B in the late 1980s and early ’90s, revolutionizing the genre with their unique blend of traditional soul, new jack swing and contemporary production techniques. Their artistic boldness in refusing to restrict themselves to a single style of R&B set them apart, as they seamlessly fused vintage sounds with cutting-edge studio innovations. Their catalog contains a colorful selection of soulful ballads and irresistible dance anthems that dominated the charts, with a dozen singles reaching Billboard’s Top 10 R&B/Hip-Hop chart between 1988 and 1996.
Their albums, particularly Sons of Soul (1993), set a new standard in the genre, bridging the gap between critical acclaim and commercial triumph. Tony! Toni! Toné!’s impact paved the way for the neo-soul movement and influenced a generation of artists, including D’Angelo, Maxwell and even recent acts like Anderson .Paak and The Internet. Their legacy continues to resonate in the music industry, with their commitment to musicianship and innovative blending of past and present styles serving as a blueprint for contemporary R&B and soul artists.
Rumors Wiggins was in hospice care or, worse, had died started popping up online in recent days. On Tuesday (March 4), people were tweeting things like, “Our brother D’Wayne Wiggins and brother of Raphael Saadiq from Tony , Toni , Tone is receiving hospice care. Have Mercy” and “According to sources, D’WayneWiggins of Tony! Toni! Toné! is receiving hospice care. We’ve lost enough legends the last past week so let’s keep him lifted in prayer.”
Another person asserted, “According to sources, including Miki Howard and industry insider @artemusgordon, Wiggins has been sick for quite some time, which explains why his brother Raphael Saadiq pushed for the Tony! Toni! Toné! reunion tour in 2023. Reports also suggest that his health condition is the reason we haven’t seen an official DVD release from the tour. Wiggins was recently assisted off stage, raising concerns about his well-being. Fans, friends, and fellow artists have begun sending their prayers and positive energy, as he is said to need all the support he can get.”
DJ Quik, who collaborated with the trio on the 1996 single “Let’s Get Down,” reposted the latest update and is helping spread the world. AllHipHop sends our support to the Wiggins family and all those who love him.
Diddy’s high-profile claim of racial targeting is being dismantled by federal prosecutors in a response that painted the Hip-Hop mogul’s allegations as “outrageous and illogical.”
Diddy recently filed a motion alleging that federal authorities had singled him out on Count Three of his RICO indictment because of his race.
Count One charges him with racketeering conspiracy, alleging that he led a criminal enterprise involved in sex trafficking, drug distribution, and violent assaults over decades.
Count Two accuses him of sex trafficking, claiming he used force, fraud, and coercion to exploit victims for commercial sex.
Count Three, which Diddy seeks to have dismissed, specifically charges him under the Mann Act for allegedly transporting multiple victims, including male escorts, across state lines for the purpose of commercial sex.
Acting United States District Attorney Matthew Podolsky said that the charge is “overlapping and intertwined” with the more expansive racketeering and sex trafficking allegations documented in Counts One and Two, which span multiple years and multiple victims.
But in a sharply worded rebuttal, Podolsky asserted that race had “no role whatsoever” in the charges, which they emphasized stemmed purely from Diddy’s alleged “violent, abusive, and criminal conduct.”
The government’s blistering response didn’t mince words, stating explicitly that Diddy offered nothing beyond his own “say-so” to substantiate claims of discrimination.
Podolsky highlighted that the indictment included multiple severe allegations of violence, abuse, and sexual coercion involving multiple victims across several years.
He argued emphatically that the severity of these allegations alone “defeats the Motion.”
The government stressed that Diddy’s case fundamentally differed from the examples his attorneys cited, including former New York Gov. Eliot Spitzer, Jerry Falwell Jr., and unnamed escort clients.
“The Motion misleadingly suggests that anyone who has ever hired an escort is similarly situated to [Diddy],” Podolsky stated, adding that such comparisons ignored the serious “aggravating factors” present in Diddy’s charges.
He noted explicitly that Diddy allegedly violated the Mann Act by hauling multiple victims through coercion and force for commercial sex acts—allegations missing from the cases cited by his defense team.
[Diddy] used his wealth and power to build an enterprise characterized by violence against victims, employees, and rivals alike,” Podolsky said. “And he used that same enterprise to fund the transportation of victims and escorts in violation of the Mann Act. Nothing in the Motion suggests that Spitzer, Falwell, or the other clients of the escort service transported escorts as part of a pattern of racketeering activity or that they committed any other crimes whatsoever during the same period when they engaged in commercial sex.”
The government’s scathing rebuttal ultimately said his claims lacked merit and factual support and should be denied.
Texas Democratic Representative Jasmine Crockett, a devoted Kendrick Lamar fan, is once again channeling the West Coast rapper—this time as a form of protest against Donald Trump.
Ahead of Trump’s joint address to Congress on Tuesday evening (March 4), Crockett joined the viral trend, sharing a video of herself and two aides performing K. Dot’s “Not Like Us” dance from his Super Bowl performance.
While lip-syncing to the track, Crockett put her own spin on the intro, proclaiming, “The country is divided—somebody’s gotta fight for it.”
She also urged a boycott of Trump’s address, writing, “Well…the State of the DisUnion will begin shortly. I’m gonna be in attendance. DO NOT WATCH!”
Well…the State of the DisUnion will begin shortly. I’m gonna be in attendance. 😒 DO NOT WATCH! pic.twitter.com/R4KEolh7E3
— Congresswoman Jasmine Crockett (@RepJasmine) March 5, 2025
Crockett was initially hesitant about attending Trump’s address, joking that she wished she could seek advice from Kendrick Lamar.
“I’m still unsure about my attendance tonight,” she tweeted. “I must say that I wish I could tap Kendrick and ask, ‘What would K Dot do?’”
Ultimately, Crockett and several other Democratic Congress leaders walked out in protest.
They cited “the President’s betrayal of key campaign promises to improve the economy, increase the number of jobs, and strengthen our economy,” in a joint statement following the walkout.
Crockett declared, “What this moment demands me to do is step up the fight and let America know Democrats won’t back down.”
The joint statement concluded, “We will not normalize this, in fact we will fight back in each and every way this moment demands. The future of America is on the line. House Democrats are dug in and ready. Now it’s up to the American people to decide — do we roll back or press forward?”
All legends don’t fade. Some transform. Cult Jam, the iconic group that defined an era of Latin freestyle, R&B and even Hip-Hop, stands as a testament to endurance and reinvention. AllHipHop.com’s Chuck “Jigsaw” Creekmur sits down with founding member Mike Hughes and dynamic new lead singer Mystina Sol to unpack a journey that spans decades, controversies and a renewed creative passion.
The interview comes fresh on the heels of the Lifetime biopic Can You Feel the Beat: The Lisa Lisa Story. Cult Jam isn’t just revisiting history—they’re writing a new chapter. But, like Kendrick Lamar said, “You know we got some sh#t to address.” The Lifetime movie presented the world a story that has been met with controversy and contradiction. Hughes offers a first-hand take on the movie that was co-produced by Lisa Lisa and her now manager Toni Ménage. He talks the “lies” as well as the mysterious missing Full Force, the group that discovered, produced, wrote and sang for the group.
Cult Jam and Mystina continue to ride the wave of their latest album Love, staying focused on the music, but also correcting the narrative. This is not just about Lisa Lisa. This is about the complex origin story that includes Full Force, U.T.F.O, Howie Tee, Chubb Rock, Whistle and numerous others that exploded on the scene in the 1980s. They also explore the vibrant New York music scene that shaped them. Without member Alex “Spanador” Moseley, Mike Hughes and Mystina Sol open up about family, friendship, music and their new artistry.
AllHipHop: Cult Jam has been making music again. Can you tell us about your recent projects?
Mike Hughes: Yes! We released an album in 2023 called Gem Love, featuring our lead singer, Mystina Sol. Right now, we’re knee-deep in writing new music for 2025. It’s exciting because even though we have a legacy, it’s like we’re a new group again, proving ourselves to a new generation.
AllHipHop: Mystina, how does it feel to be part of such an iconic group?
Mystina Sol: It’s amazing! I grew up listening to Can You Feel the Beat, and as soon as I heard it, I knew Lisa Lisa was Puerto Rican, just like me. It was so relatable. Now, being part of Cult Jam, performing those songs—it’s surreal.
AllHipHop: Let’s talk about the Lifetime movie. Were you surprised when it was announced?
Mike Hughes: Oh, for sure. We found out about it just a month before it came out. At first, it was like, “Wow, someone thinks our story is interesting enough for a movie.” But then we thought—”Wait, if no one reached out to us, what’s actually in this movie?“
AllHipHop: What was your reaction when you watched it?
Mike Hughes: Shocked. At first, I thought they’d just show the back of our heads during performances. But no—they had actors playing us. And they got so many things wrong. Full Force, the group that literally created our music, was completely erased. That’s not just an oversight—that’s rewriting history.
AllHipHop: Why do you think Full Force was left out?
Mike Hughes: We’ve thought about that a lot. The movie’s creators said it was about Lisa Lisa’s personal journey. But the name of the movie is Can You Feel the Beat—a song written and produced by Full Force! If the film was just The Lisa Lisa Story, maybe it could’ve skipped some things, but they took a core part of our history and made it disappear. It’s just not right.
AllHipHop: Did anyone involved with the movie ever reach out to you or Full Force?
Mike Hughes: Not at all. No one asked for our input. And that’s the crazy part—we were there, we lived it, and yet they didn’t bother to consult us. If they had, they could have told a much more accurate and authentic story.
AllHipHop: What do you think of the way Tony, Lisa’s background singer and later manager, was portrayed?
Mike Hughes: They made it seem like she was there from the start. But she wasn’t. She joined years later. The movie blended Lisa Lisa’s early years with her solo career, which completely distorts the real story. They tried to make their friendship seem like the foundation of everything when that wasn’t the case at all.
AllHipHop: Some fans have said that Lisa Lisa herself should have spoken up about the inaccuracies. What are your thoughts on that?
Mike Hughes: That’s tough to say. I don’t know how much control she had over the script, but it would have been nice for her to say, “Hey, let’s get this right.” At the end of the day, this movie affects all of us, not just her. People now think that what they saw is the truth, and it’s not.
AllHipHop: Was there ever an effort to reunite Cult Jam and Lisa Lisa?
Mike Hughes: Yes! Lisa’s management, Snoop Dogg Entertainment, reached out to us about a reunion tour. We all got on a Zoom call—except Lisa Lisa wasn’t there. When Tony told us she wouldn’t be on the call, we knew right then—it wasn’t going to happen.
AllHipHop: Have you spoken to Lisa Lisa since the movie aired?
Mike Hughes: No. The last time I saw her was at her 50th birthday party. There’s no animosity on my end, though. She’ll always be my baby sister. I don’t think she personally did anything wrong—I think the wrong people told the story, and they just got it wrong.
AllHipHop: Mystina, have you ever met Lisa Lisa?
Mystina Sol: Nope! But I’d love to. Lisa, if you’re listening—Godmommy, please meet your goddaughter!
AllHipHop: Do you still perform the classic Cult Jam songs?
Mike Hughes: Absolutely! We still sing All Cried Out, Can You Feel the Beat, I Wonder If I Take You Home—those are part of our legacy. And Full Force still joins us on stage when they can.
AllHipHop: If you could say one thing to Lisa Lisa today, what would it be?
Mike Hughes: That she’ll always be my baby sister. We didn’t have a falling out. The movie just got things wrong. But Lisa will always be family to me.
Mystina Sol: And for me—Lisa, I’m still a fan. I’d love to meet you someday.
AllHipHop: Cult Jam has been through a lot, but you’re still here. What’s next?
Mike Hughes: More music, more performances, and keeping our legacy alive. From 1985 to 2025, we’re still here, still doing what we love, and still staying true to who we are.
Bhad Bhabie‘s boyfriend, Le Vaughn—father of her child—was reportedly shot in the hand early Wednesday morning (March 5).
The incident unfolded at Sam’s Hofbrau strip club near downtown Los Angeles, according to TMZ. Sources told the outlet that a brawl erupted between two groups in the early hours, escalating into gunfire.
Authorities reported that the violence continued outside the venue, where more shots were fired. Two people were struck in the chaos, including Le Vaughn.
The second victim, a man, was shot in the shoulder. Both victims were transported to the hospital, where they were treated for non-life-threatening injuries.
Police attempted to detain an unnamed suspect driving a white Mercedes G-Wagon, but the individual managed to evade capture.
Le Vaughn is reportedly recovering from his injuries, and according to the outlet, he is expected to make a full recovery. Bhad Bhabie wasn’t at the strip club with Le Vaughn, instead she was on a livestream with DDG Tuesday night (March 4).
Bhad Bhabie and her boyfriend have made headlines recently amid a feud with Alabama Barker.
The spat began when Bhabie accused Alabama Barker, Travis Barker’s daughter, of trying to “steal” Le Vaughn from her.
The two women exchanged insults online, each releasing diss tracks aimed at the other.
Last week, Bhabie released the visuals for her “Ms. Whitman” diss track, which samples Kanye West and Ty Dolla $ign’s song “Carnival.”
The music video includes a lookalike of Travis Barker, who’s married to Kourtney Kardashian, the sister of West’s ex-wife. The track also makes several references to the famous family, subtly mentioning Kim Kardashian and suggesting that the blink-182 drummer was interested in her but ended up with Kourtney instead.
Mike Epps is giving Ice Cube his flowers after confirming that the long-awaited fourth installment of the Friday film franchise has been greenlit while urging Chris Tucker to return as the beloved character Smokey.
Epps, who played Day Day in the movie’s two sequels, announced the good news during an appearance on The Breakfast Club Tuesday (March 4).
“Cube called me the other day and said, ‘We just finished the deal,’” he began. “So we doing Last Friday.”
He continued, “I haven’t seen the script but I’m pretty sure it’s good. And we gonna bring in the new comics. We gonna bring the DC Young Flys and all of them in with the OGs and it’s gonna be a good ass time.”
Mike Epps also shared his desire to bring Chris Tucker back to reprise his role for the first time since the original Friday movie.
“We need to get Chris Tucker in that because people still love Chris Tucker,” he added. He’s still Smokey—he laid it down! He positioned me to do it. Chris, if you listening: we need ya, baby boy. Come on back!”
Chris Tucker previously indicated he’s open to reprising his role for Last Friday but only under the right circumstances.
“I don’t know, it has to come back right,” he said during an interview in 2024. “Because, like I said, at this point, you know, I’m only doing stuff that I know that I could do my best and I can have a lot of fun, got to be right.”
Meanwhile, last November, Ice Cube revealed he had a Last Friday script ready to go but studio executives rejected it.
Cube revealed he struggled to get executives to approve the script, which would see the returns of fan favorites including Deebo, Smokey and Ezal.
Ice Cube reveals that the script for the new Friday movie featured Craig and Day-Day being forced to enter rehab, ran by Smokey, but Hollywood executives rejected it.
Elon Musk is weighing in on a campaign urging Donald Trump to pardon Derek Chauvin, the former Minneapolis police officer convicted of murdering George Floyd.
On Tuesday (March 4), Musk amplified a controversial post from right-wing commentator Ben Shapiro bizarrely claiming the “evidence demonstrated” that Chauvin “did not, in fact, commit the murder of George Floyd.”
He claimed that Floyd was “high on fentanyl” and “had a significant pre-existing heart condition”
He also said Floyd said he couldn’t breathe while inside the police car, not on the ground.
Additionally, Shapiro argued that during large portions of the footage shown at trial, Chauvin had his knee on Floyd’s shoulder rather than his neck and that an autopsy concluded Floyd died from “excited delirium.”
Floyd’s death sparked nationwide protests in 2020 after video footage circulated showing him pleading, “I can’t breathe,” while a Minneapolis police officer knelt on his neck for roughly nine minutes.
The incident sparked months of protests against racial injustice and police brutality and contributed to the growth of the Black Lives Matter (BLM) movement.
Musk reposted Shapiro’s proposal to pardon Chauvin on his X platform where he has 219 million followers, writing, “Something to think about.”
While it was determined Floyd had a trace amount of fentanyl in his system, a coroner and medical experts confirmed it was Chauvin’s knee cutting off Floyd’s oxygen supply that killed him. The disgraced officer was later convicted of Floyd’s murder and sentenced to 22 years in prison.
Musk’s tweet sparked outrage online, with some accusing him of supporting a racist agenda.
However, even if Trump were to pardon Chauvin, he wouldn’t be freed because he’s concurrently serving 22 and a half years of a state sentence.
In a statement, Minnesota Attorney General Keith Ellison affirmed “murdered George Floyd in front of the whole world.”
Ellison told the Minnesota Star Tribune, “The only conceivable purpose would be to express yet more disrespect for George Floyd and more disrespect for the rule of law.”
Rapper Offset also weighed in on the controversy, accusing Musk of “playing in black folks faces.”
Jim Jones has escalated his long-running feud with Ma$e by resorting to body-shaming in his latest attack.
In an interview with XXL published on Tuesday (March 4), Capo also addressed the tension with Cam’ron, insisting that his former Dipset partner could never diminish his role in solidifying the group’s legacy.
When asked about Ma$e’s legacy in Hip-Hop, Jim Jones didn’t hold back, criticizing the Harlem rapper’s health and physique.
“Ma$e need to go on a diet,” Jones shot back. “He need to get his life together. He need to go to the doctor and get a physical.”
However, Jones wasn’t done, adding, “He looks terrible. Bad-body, back-ass n####. N#### look big around the neck, waist look crazy. I’m body-shaming this n####. He need to get his s### together. Go on the treadmill, do some pushups, do somethin’. Especially if you’re playin’ with me.”
Jim Jones opened up about his strained relationships with Cam’ron and Ma$e during an interview earlier this year. He also discussed the origins of his feud with Ma$e, explaining that it stemmed from Ma$e’s behavior towards Cam’ron and others.
“It started with Ma$e. He didn’t do the right thing,” Jones explained. “I watched Ma$e s### on Cam and everybody around him. Like all the time.”
Jones said that he didn’t like how Ma$e treated Cam’ron and how Cam’s loyalty to Ma$e made him even more upset.
“Cam enemies were my enemies,” he stated. “Anybody Cam didn’t like, I didn’t like. And I already see how [Ma$e] was handling Cam, so I definitely didn’t like him, ya dig. And then I seen how much love Cam had for him and how Cam was jumping out the window for him, which a friend should.”
Donald Trump delivered his first address to Congress of his second term on Tuesday night, facing fierce resistance from Democrats, including walkouts, silent protests, and heckling as the speech unraveled into chaos.
During his hour-and-40-minute speech—the longest ever delivered by a president to Congress—Trump emphasized significant spending cuts, a tough stance on immigration, and his economic vision from the early weeks of his administration.
He reiterated his statement about “the dawn of the golden age of America” and claimed that his administration had “achieved more in 43 days” than most others accomplish in an entire four- or eight-year term.
Trump also boasted about ending the “tyranny of so-called diversity, equity and inclusion policies,” insisting, “our country will be woke no longer.”
Elsewhere in his speech, Trump threatened to implement “reciprocal tariffs” on other nations taxing the U.S. just hours after launching a trade war against Mexico, Canada, and China—America’s three largest trading partners.
The speech was met with strong resistance inside the chamber. Rep. Al Green (D-Texas) was ejected after interrupting Trump in protest of Medicaid cuts.
Other congressional leaders staged silent protests, with some wearing pink to oppose Trump’s policies on women and families, while others sported yellow and blue ties to show support for Ukraine following his hostile meeting with Ukrainian President Volodymyr Zelenskyy.
The NAACP strongly condemned Trump’s address on social media, calling it “full of arrogance, lies, and bigotry.”
The civil rights organization also called out Trump on his DEI remarks, tweeting, “Claiming “America is back” while our democracy is backsliding, unemployment is rising, and #DEI is being stripped away is nasty work.”
Additionally, several Democratic lawmakers, including Jasmine Crockett (D-Texas) and Sydney Kamlager-Dove (D-California), walked out in protest.
Check out some of their responses to Donald Trump’s address to congress below.
BREAKING: Jasmine Crockett just walked out of Trump's speech in the middle of it and filmed this:
“He is spewing all kinds of nonsense and b####### let me just be real.”
The Health, Hope and Hip Hop Foundation made history this February, hosting its first-ever “Hip Hope Ball: A Celebration to Ignite Change” on the final day of Black History Month. The star-studded event brought together Hip-Hop legends and healthcare advocates with a unified mission: raising awareness about multiple myeloma and other cancers in the Black community.
Founded by Oya Gilbert, who was diagnosed with multiple myeloma in December 2017 after experiencing symptoms for two years, the foundation has become a powerful voice for awareness. Gilbert’s journey from diagnosis to advocacy has positioned him uniquely to leverage Hip-Hop culture for critical health education.
Gilbert’s impact has not just been as a health advocate but also as a MC. Under the moniker Grand G, Gilbert laid groundwork that would influence some of Hip-Hop’s most significant architects, creating a ripple effect throughout the culture that many stars unknowingly benefit from today.
“He made it possible for all of us to believe and to dream,” Young Guru, ROC Nation’s acclaimed engineer and producer, said speaking directly to Gilbert during an emotional moment at the gala. “Whatever you need, I’m there for you. You know why? Because you influenced my life and put me on a path that would lead me to something great.”
In a revealing personal anecdote, Young Guru shared how Gilbert, known then by his rap moniker Grand G, had been an early inspiration.
“When I was 15 years old, I saw somebody that looked like me on the cover of an album,” Young Guru explained, referencing a compilation called Project X. The future Grammy winner recalled begging to visit the studio with Gilbert and his colleagues, an experience that would eventually shape his legendary career.
The evening’s performances elevated the celebration to another level.
Philadelphia’s own Freeway took the stage to thunderous applause, performing while also sharing his personal health journey as a kidney transplant recipient. His appearance was particularly poignant following his own medical challenges and the tragic losses of his son Jihad in 2020 and daughter Harmony in 2021.
The highlight of the night came when Hip-Hop icon Slick Rick “The Ruler” delivered an electrifying performance that transformed the fundraiser into what attendees called “a party with a purpose.”
Young Guru, who introduced the legend and revealed he’s working on Slick Rick’s upcoming project, helped bridge Hip-Hop’s past and future through the lens of health advocacy.
The event was sponsored by pharmaceutical giants including Pfizer (Platinum sponsor), along with the International Myeloma Foundation (Gold), Sanofi, and Kite: A Gilead Company. Notable attendees included Delaware Hip-Hop giants and AllHipHop.com founders Chuck Creekmur and Grouchy Greg Watkins, Dr. Joseph Mikhael of the IMF, Rob Ruckman from Pfizer and Briana McCloud of Johnson and Johnson.
The foundation presented its “Posture of a Pearl” award to Shea Robinson, while Dr. Robert Winn delivered a powerful keynote speech about the importance of addressing health disparities in communities of color.
Multiple myeloma, a blood cancer affecting plasma cells, disproportionately impacts Black Americans, who are twice as likely to develop the disease. Rapper Guru from Gang Star and Roots bass player Leonard “Hubb” Hubbard both succumbed to the illness.
Through Gilbert’s leadership, the Health, Hope & Hip Hop Foundation is creating a new model for health advocacy that speaks directly to communities using cultural connections and authentic voices from within Hip-Hop.
As the inaugural ball concluded, it was clear Gilbert’s vision of uniting Hip-Hop’s influence with health education had successfully launched a movement that promises to save lives through increased awareness, early detection and continued research.
Travis Scott may have injured a professional wrestler while he was having the time of his life during his recent appearance at a WWE event with John Cena and The Rock.
According to wrestling journalist Dave Meltzer, wrestler Cody Rhodes, who faced off against Cena during the Elimination Chamber match, reportedly suffered a busted eardrum and black eye after Travis Scott struck him. Viral footage of the incident circulating on social media may capture that the moment the purported injury occurred.
The close-up shows Cena was holding Rhodes down before La Flame proceeded to pin him down by the neck, wind up his arm and deliver the blow directly to his face.
Travis Scott says he didn’t know WWE was fake, explaining why he slapped the s### out of Cody Rhodes pic.twitter.com/ppWVVdnQhp
Scott, who at the time likely didn’t know of Rhode’s alleged injury, appeared to rave about his experience in footage of an exchange he had with WWE legends Triple H and The Rock after upon exiting the ring.
“Bro, bro, bro, bro,” Travis told Triple H. “This might be better than like low-key performance, bro. It was like a whole ‘nother vibe, man. Yo, it was so crazy because it was like, in the ring I was like, ‘Oh, y’all, I think we about to do like straight bad guys,’ And I was like, ‘oh, it’s about to hit’.”
Scott went on to reveal his plans to build wrestling rings at his homes in Houston and Los Angeles after being inspired by his experience during the match with Cena.
“I already seen it, just off that little rip, I know how it get real,” he said. “I’m already hooked. I’m going back to the H [Houston] tonight. What? I’m going to the ring tomorrow. What the f### you talking about? I’m about to build a ring in all the cribs. I don’t think y’all know.”
Washington, DC, mayor Muriel Bowser caved to congressional pressure and ditched the iconic Black Lives Matter Plaza in Washington, DC, after Georgia Rep. Andrew Clyde threatened federal funding cuts to the nation’s capital.
The nationally recognized Black Lives Matter plaza, famously painted in bold, towering yellow letters spelling “Black Lives Matter,” first appeared during the height of protests against police brutality in June 2020.
Situated just steps from the White House on 16th Street NW, the two-block stretch became a powerful symbol of civic activism and social justice, officially renamed “Black Lives Matter Plaza NW” by Mayor Muriel Bowser herself.
But now, with Republicans firmly back in control of Congress and the White House, Clyde’s ultimatum to rename the plaza “Liberty Plaza” and erase the mural altogether—under threat of withholding federal highway funds—seems to have forced Bowser’s hand.
On March 4, Bowser revealed that the plaza would transition into a broader artistic initiative commemorating America’s 250th anniversary.
Although she stopped short of announcing a new name, the shift clearly signaled the mayor’s reluctant surrender to political arm-twisting from Capitol Hill.
“We have long considered Black Lives Matter Plaza’s evolution and the plaza will be part of DC’s America 250 mural project, where we will invite students and artists to create new murals across all eight wards. The mural inspired millions of people and helped our city through a very painful period, but now we can’t afford to be distracted by meaningless congressional interference. The devastating impacts of the federal job cuts must be our number one concern. Our focus is on economic growth, public safety, and supporting our residents affected by these cuts,” Bowser said in a statement on March 4.
Mayor Bowser released the following statement on the evolution of Black Lives Matter Plaza: pic.twitter.com/6dk8Jbc5ir
The Black Lives Matter plaza, which cost taxpayers $4.8 million to permanently install in October 2021, served as a rallying point for demonstrations, celebrations, and community gatherings, capturing national attention as a symbol of defiance and unity.
Clyde argued the street should “go back to the way it was” before the mural’s existence, sparking controversy over federal interference in local governance.
Now, as Bowser pivots toward a less controversial, more patriotic artistic project, Washington residents await the plaza’s next chapter—still unnamed, yet clearly marked by political compromise.
In a city defined by its symbols, Bowser’s decision closes a dramatic chapter on Black Lives Matter Plaza, leaving questions about activism, autonomy, and the delicate dance between local pride and federal power.
Hot Boy Turk is doing his part to clear the air when it comes to rumors circulating about Birdman’s recent appearance at a reunion concert.
The Hot Boys’ reunion tour has been making waves amid an onslaught of footage from their electrifying performances circulating in droves on social media. However, a viral clip of a moment from a recent show had fans buzzing after Birdman appeared to doze off mid-set. In the video in question, Birdman appears to be slumped over and dozing off mid-performance, while Turk continues to rock the mic.
While social media ran wild with speculation, Hot Boy Turk has set the record straight, shutting down the noise in a recent interview with B High TV.
“I don’t know what be going on, man,” Turk said when asked about Birdman’s onstage pause. “I be on that muthafucka having Turk fun. I’ve been in Turk’s world doing what I’m doing.”
He believes media has a way of twisting narratives.
“They gonna always turn something into something that ain’t, you know what I’m saying?” he explained, adding that their performances include the use of a teleprompter on stage. “We have different little moments where we have to look down and see what’s going on.”
Teleprompter and all, Turk still distanced himself from the viral moment, claiming he was too locked into his own performance to know what Birdman was up to.
“Like I said, I don’t know what Stunna was doing, because, s###, on that part, I’m doing what I’m doing,” he said. “So I don’t know what he was doing.”
When asked if Birdman had addressed the controversy, Turk didn’t mince words.
“Baby don’t give a f###,” he declared. “Baby come right back out there the next day and talk some s### again.”
According to Turk, Birdman isn’t concerned about public perception.
“See, they put what they want to put out there,” he said. “Like he came and he talked, and he talked his s### again, you know, the next show. We’re in St. Louis, you know what I’m saying?”
Turk emphasized that Birdman’s unbothered nature is nothing new.
“He gonna always talk his s###, and he ain’t gonna give a f###,” he said. “That’s why he never really even say nothing about the s###. Like, man, it is what it is.”
Turk says there’s a teleprompter onstage that Birdman was most likely looking at in viral video, where he appeared to be sleep
Damon Dash found himself at the center of yet another costly controversy after his recent podcast remarks allegedly cost filmmaker Josh Webber a $4 million directing gig alongside Hollywood veteran Billy Bob Thornton.
The Roc-A-Fella co-founder, already entangled in legal pitfalls, faces fresh allegations from Josh Webber.
The director claims Dash’s March 30 appearance on the popular “Earn Your Leisure” podcast triggered the collapse of his lucrative film contract to helm the upcoming thriller “Fast Life,” featuring Thornton and Scott Eastwood.
Webber contends Dash’s enraged comments reignited old accusations against him, specifically that he and his associates had “stolen” the film “Dear Frank” from Dash.
The Hip-Hop mogul had previously been removed from that project amid allegations of disruptive behavior on set. He ultimately lost a 2022 court battle and was ordered to pay Webber and Muddy Water Pictures $805,000 in damages.
Yet Dash refused to move past the bitter feud.
During the podcast interview, he labeled Webber and his lawyer, Christopher Brown, as “d########” while doubling down on his claims.
Dash stated clearly, “What I lost was defamation because these guys trigger me and steal my s###… you think there is freedom of speech, it’s really not,” according to Webber’s latest lawsuit against the Roc-A-Fella founder.
Webber alleges that Damon Dash’s inciting remarks had immediate and devastating repercussions.
Just eight days after Webber inked a deal with Rebel Entertainment to direct “Fast Life,” the production company abruptly terminated the agreement.
Rebel Entertainment founder Rock Jacobs said an investor would pull funding if Webber stayed on board after viewing Damon Dash’s podcast remarks.
“While I haven’t had the opportunity to delve deeply into these allegations, initial online searches do not paint a favorable picture. As you can understand, our investor, being a family-oriented individual, is adamant about not associating his name or the project title with any controversial matters. Regrettably, based on the findings outlined above, I must officially terminate our agreement. Please accept this as formal written notification of our decision,” Jacobs emailed Webber.
With Dash already in default after repeatedly disregarding court deadlines, Webber’s legal team argues this terminated $4 million deal directly exemplifies the financial damages inflicted by Dash’s defamation.
Notoriously outspoken and unapologetic, Dash has not yet publicly addressed the latest accusations. The court will hear Webber’s motion for default judgment on April 7, 2025.
If the decision goes against Dash, the Hip-Hop entrepreneur could be saddled with another multimillion-dollar judgment, a costly price for words spoken without restraint.
Kirk Burrowes, the co-founder and former president of Bad Boy Entertainment, is making explosive claims about Sean “Diddy” Combs‘ alleged involvement in the death of Tupac Shakur in a new lawsuit.
Burrowes accuses the disgraced mogul of sexual abuse, coercion, violence, intimidation, career sabotage and financial extortion spanning more than a decade.
The filing also includes allegations about Diddy’s connection to the West Coast rap icon’s death.
The lawsuit details Diddy’s alleged “unchecked jealousy” of Tupac Shakur’s rapid rise in the music industry, describing how the embattled mogul became increasingly insecure about Shakur’s influence, which posed a threat to his own dominance in the Hip-Hop world. According to Burrowes, Diddy engaged in smear campaigns against Shakur, fueling the rivalry to undermine the West Coast rapper’s credibility and career.
Burrowes also recounts several instances of Diddy expressing frustration over Shakur’s success and his friendship with The Notorious B.I.G. These tensions are said to have pushed Diddy into taking “reckless” actions that contributed to the “dangerous environment” within the industry, eventually escalating to the violence that marked the infamous rivalry.
The lawsuit further claims that prior to Shakur’s fatal shooting on September 7, 1996, Diddy had been in contact with a West Coast record executive and various street gang factions, discussing the ongoing East Coast-West Coast conflict.
Burrowes alleges that a few days before the shooting, Diddy rented vehicles and instructed several men from Harlem to drive to Las Vegas, an unusual move given that flying would have been more practical. These men were reportedly not connected to the company, raising questions about the true purpose of their trip.
Additionally, the lawsuit alleges that Diddy was involved in a deal with Duane “Keefe D” Davis, who is currently awaiting trial on charges of orchestrating Tupac Shakur’s murder.
“Upon information and belief, Keefe D was expecting a payment of $1 million, which had not been received,” the filing reads. “Reports suggest that this sum was promised as compensation for facilitating actions that contributed to the assassination of Tupac Shakur.”
Burrowes contends that tension arose between the two after the payment “failed to materialize.”
The complaint alleges that Diddy ultimately paid a courier to deliver the money to Keefe D, but the transaction failed, further intensifying the dispute.
Burrowes argues that Diddy’s involvement in the events surrounding Shakur’s murder may have been more than coincidental and questions the motivations behind his actions in the lead-up to the tragic shooting.
Keefe D was arrested and indicted in 2023 in connection with Tupac Shakur’s death. He is the sole individual charged in the murder.
In past interviews and his memoir, Keefe D admitted to being in the Cadillac involved in the shooting and claimed he passed the gun to the backseat, where his nephew, Orlando Anderson, allegedly fired the fatal shots.
In 2023, audio surfaced of Keefe D revealing his struggles to get paid for Shakur’s murder after Diddy allegedly offered $1 million for the hit.
Keefe D allegedly told Harlem gangster Eric “Von Zip” Martin to collect the money from Diddy days after the murder, but Martin allegedly avoided him.
Years later, an associate claimed Martin had kept the payment for himself, which Keefe D said led to his confession. Keefe D also admitted to a failed attempt to confront Diddy at his Hollywood Walk of Fame ceremony in 2008.
Diddy’s former bodyguard, Gene Deal, also addressed the $1 million payment during a 2024 interview.
The soulful R&B icon was just 63 years old. Stone’s two children, Michael and Diamond, and her two grandchildren are mourning the sudden loss and have shared an emotional statement.
The family took to Instagram, expressing gratitude for the outpouring of love and support from the public.
“It is with heavy hearts that the children of the R&B singer Angie Stone along with her extended family want to thank you all for your love and well wishes during what is an extremely difficult time,” the statement read.
The family highlighted Stone’s cultural impact and influential presence as a powerful role model, especially within the African-American community.
“Angie was an example for black women and girls everywhere. Angie also loved and championed for black men with her Number One Hit entitled ‘Brotha.’ Angie Stone was a pioneer of rap music that began with a female rap trio, The Sequence and ultimately led to her solo career that defined neo soul,” the statement continued.
Michael and Diamond also asked respectfully for privacy as they navigate through their grief, writing, “Diamond and Michael, along with the rest of Angie’s family, want to thank you for reaching out, but also asked that you respect their privacy as they grieve the loss of their beloved mother.”
Beyond her celebrated musical career, Angie Stone was deeply committed to community service.
Through her charitable organization Angel Stripes, the Angie Stone Foundation, she sought to uplift those around her.
Recently, the singer embarked on a spiritual journey, enrolling in college ministry courses driven by a passionate desire to share her faith and inspire others toward Christianity.
“Angie Stone believed in giving back to her fans in the community with her foundation Angel Stripes, the Angie Stone foundation. Recently, Angie was also attending college for ministry. Her love of God and her faith led her to have a deep desire to share her belief in God and bring more people to Christ,” the family stated.
Plans for memorial services and funeral arrangements are still underway, with the family promising to keep the singer’s admirers informed so that they can celebrate her life and legacy.
“Currently funeral services are still being planned along with the memorial service so that Angie’s fans can honor her life, music, and legacy. Even though Angie is no longer with us physically her family wants you to keep her legacy alive,” the family’s statement concluded.
