T.I. and Tiny Harris’ famous family just got even bigger with the revelation that two of their sons are expanding their own brood.
The admission came during a recent appearance on Atlanta radio station Hot 107.9. T.I. and Grand Hustle artist Young Dro were on the show to promote their latest song, “Thank God,” featuring Kirk Franklin.
The conversation turned to T.I. and his wife finally enjoying their home now that their seven children have all left home. He joked about the kids, who he said “never cared” about the things in their home, and how they’re now learning the value of money.
T.I. Reveals Domani Recently Became A First Time Father
T.I. went on to explain that Domani just purchased his first home and was in the process of fitting it out. However, he then dropped a bombshell, explaining that his son Domani welcomed his first child while King has one on the way.
“I find pleasure in watching the realization kick in like, ‘Damn, I been messing up folk money all these years,’ you know?” T.I. said playfully. “And he just became a father. So I got two grandchildren.”
Tiny’s daughter, Zonnique Pullins, gave birth to the couple’s first grandchild in December 2020. T.I. also revealed that Domani has a daughter while King is expecting a son.
“I got two granddaughters,” he added. “I got a grandson on the way. King’s bout to have a son.”
T.I. then joked about King’s tough persona, adding, “I told him I’mma make this the greatest gangsta of all time. I will raise this child to torture you the way you tortured me. I promise you there will be an indictment in this young one.”
Check out the podcast below. T.I. opens up about his growing family around the 20 minute mark.
King Harris has made headlines in recent years following high-profile arrests and even a viral altercation with his father last year.
After the fight, T.I. defended King in an Instagram post. “Fck what dis internet talkin bout,” he wrote. “Da HFamily Tied Like a Knot. We all We Got…4LIFE… Ima RIDE to da heavens or da depths of HELL bout my Jr.& ain’t nothing gon change that.”
50 Cent may have been embroiled in a bitter feud with Fat Joe at one time, but he says they are the best of friends now.
While the pair went back and forth in the mid-2000s, sparking a longstanding war, the G-Unit mogul credits the Terror Squad founder for his loyalty to Ja Rule and Murda Inc. 50 Cent discussed his rift with Fat Joe during the latest episode of the Million Dollaz Worth of Game.
“The entire beginning of my career I was up against the leverage of Murder Inc.,” 50 Cent explained before adding that the “energy” from the beef spilled out onto other relationships. “I didn’t f### with people because they had already dealt with them. So, my whole beef with Fat Joe was really his loyalty.”
Nonetheless, they have since buried the hatchet, and Fiddy says they’ve become close. “Later we become the best friends, like I really f### with him,” he said. “He’s loyal to a default, because he worked with him.”
“Talk to Drake ‘cross FaceTime, he wasn’t feelin’ me/ Told me that he f### with Durk, damn, that s### was gettin’ to me/ Told me that he like the s### I’m doin’, but can’t do s### with me/ So when we cross our ways, f### what you say, b####, you my enemy,” he raps.
Meanwhile, earlier this month 50 Cent said he “wasted too much time arguing” with Fat Joe. He claimed the rivalry continued because “he’s more like me.”
“When we’re at odds, we are at odds, and we did that for a long time,” 50 Cent told The Hollywood Reporter. “And because of his loyalty to Irv [Gotti] and Ja because he worked with them, I was seeing him not be happy from the things that were making me happy.”
Check out the Million Dollar Worth of Game episode below. The 50 Cent and Fat Joe beef discussion kicks off the podcast.
GloRilla had a reason to celebrate over Labor Day weekend. The Martin Luther King Jr. College Preparatory High School graduate, who began pursuing music as a teen, was one of the special guests on deck for the Tennessee city’s annual 901 Day, a reference to the area code.
On Sunday (September 1), the Collective Music Group artist shared several photos of herself onstage downtown, where she was handed the Key to Memphis. She wrote in the caption, “Memphis made me Frayser raised me. I got da key to my cityyyyy ahhhhh Happy 901 day MEMPHIS!!!!!!”
She got props from Megan Thee Stallion, Kid Capri, Lola Brooke and a slew of others in the comment section of the post.
The honor arrives more than a year after Drake was gifted the Key to Memphis. Drake spent summers as a child in Memphis. His father, Dennis Graham, is from Tennessee’s second-most populous city. Throughout his career, Drake paid homage to his “second home” in his music and videos.
“We love our own. Memphis music touches the world. You got a lot of Memphis blood in you and you’re definitely touching the world,” Shelby County Chairman Mickell Lowery told Drake.
Footage of Drake receiving the key to Shelby County went viral on social media. One Twitter user reacted by tweeting, “This [is] so disrespectful to [Young Dolph], Key Glock, GloRilla, [Three 6 Mafia], Yo Gotti, [Moneybagg Yo]… need I go on?!”
GloRilla quote-tweeted that critic and added her own thoughts on their complaints about Drake accepting a key to Shelby County.
Rodney Jerkins recently reflected on Introducing JAY-Z to the late Michael Jackson before his iconic Summer Jam cameo and appeared to suggest HOV was potentially starstruck during the interaction.
In a recent interview, Jerkins revealed the behind-the-scenes story of the moment he introduced JAY-Z to Michael Jackson. The meeting would end up culminating in one of the most unforgettable moments in Hip-Hop history by essentially uniting the music titans on the same stage for the first time ever.
Jerkins, who has worked with some of the biggest names in the music industry, recounted how the introduction between the King of Pop and the rap mogul came about. He explained that the connection was initiated by a request from JAY-Z’s team.
“So I get the call from my man, Big Chuck, who’s from Brooklyn, and Big John, the publisher that he’s now the CEO of Sony/ATV,” Rodney Jerkins said. “And he was like, ‘Yo, Jay really want to meet Michael. Can you make that happen?’ I was like, ‘I got you.'”
The meeting took place in the studio, where JAY-Z, known for his cool demeanor and unshakeable confidence, found himself in awe of Jackson. Jerkins described the scene, detailing how the “Big Pimpin'” rapper appeared to fawning over the “Thriller” hitmaker.
“That was the most humble I ever seen JAY-Z in my life,” Jerkins said. “For real. He could vouch for it. He had to feel a little bit intimidated. I knew Jay to be so cool and just so—and you could tell it was just like, it was a different thing when he got with Mike.”
The encounter set the stage for a momentous occasion at the 2001 Summer Jam festival, where Michael Jackson made a surprise appearance during JAY-Z’s set at Nassau Coliseum in Uniondale, New York. When Jackson touched the stage, the crowd erupted, given that the idea of the King of Pop making an appearance at a Hip-Hop festival was unheard of.
Fans marveled as Jackson, clad in a white suit and delivering his iconic wave to the crowd, shared the stage with JAY-Z during a performance of his classic record “Izzo (H.O.V.A.).” It was a moment that not only solidified JAY-Z’s standing as a cultural icon but also showcased Jackson’s enduring influence across all genres of music.
When comparing the careers of JAY-Z and Michael Jackson, it’s not hard to tell that both artists have left indelible marks on the music industry. However, their paths and impacts differ significantly. JAY-Z, who has 14 No. 1 albums on the Billboard 200, has become a blueprint for success in Hip-Hop, expanding his influence beyond music into business and philanthropy.
His 2001 album, The Blueprint, debuted at No. 1, selling more than 427,000 copies in its first week and has since been certified 2x-platinum by the RIAA. On the other hand, Michael Jackson, often hailed as the greatest entertainer of all time, boasts one of the highest-selling albums in history with Thriller, which has sold more than 66 million copies worldwide.
Check out the full video for Jerkins story about the legendary link up above.
Hold on to your tinfoil hats, Brooklyn! The Nuwaubian Nation, a UFO-believing cult with a bizarre history, is looking to cash in on its colorful and mysterious Bushwick property.
According to The New York Post, that the oddball building covered in ancient Egyptian motifs, is now up for sale for a whopping $6 million! Located at the corner of Bushwick Avenue and Hart Street, this quirky complex isn’t just a feast for the eyes—it’s the last stronghold of a group once notorious for its outlandish beliefs and even more outrageous leader.
The building, which currently functions as a community center and place of worship, has been home to the Nuwaubian Nation for more than four decades. But now, it’s time for the cult to cash out!
“We got an offer for $6 million,” a man named Thomas Smith told the Post. Smith, who claims to be acting as a middleman between potential buyers and the cult, added that they’re selling the properties as a bundle and are asking for $5 to $6 million for both. The 5,000-square-foot golden temple sits next to a three-story apartment complex and the “All Eyes on Egipt” bookstore, both owned by the Nuwaubians under the LLC Holy Trinity Seed Ministries.
The sale marks a potential new chapter for the Nuwaubian Nation, which the Southern Poverty Law Center (SPLC) describes as a “hate group” mixing Black supremacist ideas with Egyptian worship, UFO conspiracies, and Illuminati paranoia. The group, once at its peak in the 1970s and ’80s, owned dozens of properties in Bushwick, including 20 apartment buildings and various storefronts. Now, this temple is all that remains.
The group’s leader, Malachi Z. York, once forced followers to give up their possessions and work for free. He even handpicked their spouses! But the leader’s dream of a UFO saving 144,000 chosen people in 2003 was dashed when he was sentenced to over 130 years in federal prison on multiple charges, including child molestation. Despite his conviction, his followers have stayed loyal, even erecting a sign on the bookstore demanding that Liberia repatriate York.
As for the Bushwick property, its future is uncertain. Senab York, Malachi York’s son and the current building manager, expressed his sadness over the possible sale, saying, “A lot of people, they love taking pictures of this building. They love it. People love Egypt… To see it in Bushwick, like, ‘this came out of nowhere.’”
But if history is any guide, there’s money to be made in UFO real estate! This wouldn’t be the first time a property tied to out-of-this-world beliefs fetched a pretty penny. In Utah, a former UFO research ranch known as Skinwalker Ranch was sold for $4.5 million in 2016, and more recently, the infamous Scientology organization has been snapping up properties worldwide, amassing a real estate empire worth billions.
As Brooklyn’s gentrification continues, the question remains—who will be the new owners of this peculiar piece of Bushwick history? Will it be a trendy new condo development, or will another eccentric group take over the space?
Check out the tweet above for more details on the property.
A$AP Rocky reflected on Playboi Carti’s meteoric rise and emphasized the rapper’s position in the rap industry’s future.
Playboi Carti, who made his mark with the A$AP Mob’s 2016 single “Telephone Calls,” later signed to AWGE, the creative agency A$AP Rocky founded in 2014.
Carti’s fame skyrocketed with the release of his debut mixtape in 2017, followed by his albums Die Lit in 2018 and Whole Lotta Red in 2020.
When asked if he viewed Carti as the future of rap, A$AP Rocky confidently told Billboard, “That’s where rap is. I knew that’s what it was going to be. What do people expect?”
A$AP Rocky, a key figure in Carti’s career trajectory, added, “We not just signing people to be signing people. We want to be the best of the best and that’s all it is, and his s**t speaks for itself.”
Rocky also pointed to Carti’s statistical success as validation.
“Statistically, what I’m saying is right. Sonically, theoretically, what I’m saying is right,” he noted, highlighting the data behind his claims.
A$AP Rocky elaborated on AWGE’s broader impact over the past decade, claiming the agency has shaped many of today’s influential musicians.
“Because there’s a Pharrell (Williams) that comes with (each) generation. There’s a Jay-Z that comes with (each) generation. There’s a Kanye West that comes with (each) generation. There’s a 50 Cent that comes with (each) generation,” Rocky stated. “The people that’s been most influential in the past 10 years, nine times out of 10 comes out of our camp. If not, we rubbed off on them or they picked up some type of influence.”
Founded by A$AP Rocky in 2014, AWGE has been a significant incubator for artistic talent.
Pras Michel’s bid for a new trial has been denied as a federal court ruled an error involving Diddy cited in his motion did not justify overturning the jury’s verdict.
Michel, a member of the Grammy-winning group Fugees, faced allegations of involvement in three separate schemes related to conduit contributions, witness tampering, and illegal foreign lobbying.
Specifically, he was accused of collaborating with fugitive financier Jho Low in facilitating the transfer of significant sums of money from foreign banks into the United States.
The accusations included allegations that Michel used Jho Low’s illicit funds to funnel millions of dollars to support the 2012 presidential campaign of then-President Barack Obama through a network of at least 20 proxy contributors, thereby obscuring the true origins of the finances.
In an alleged attempt to influence U.S. governmental decisions, Pras Michele is accused of orchestrating a covert operation in 2017 aimed at persuading Obama’s administration and the Department of Justice to drop their investigation into Jho Low, who faced accusations of embezzling billions of dollars from Malaysia.
Pras Michel also allegedly made substantial donations to convince President Donald Trump’s administration to stop the probe.
In April 2023, a jury convicted Michel on ten counts.
Following the conviction, Michel filed a motion seeking a new trial, citing various alleged errors that, he argued, undermined the jury’s verdict.
However, his request was ultimately rejected by the court.
One distinctive aspect of Michel’s defense was the innovative use of artificial intelligence (AI) during closing arguments, a strategy his attorney, David Kenner, employed.
The AI was used to analyze the voluminous evidence presented and to help craft a persuasive narrative for the defense.
Kenner incorporated AI-generated content into his final argument, though some phrases were modified. Interestingly, the AI mistakenly attributed lyrics from Diddy’s song “I’ll Be Missing You” to Michel, an error that went unnoticed.
Judge Colleen Kollar-Kotelly said the mistake did not influence the jury.
“Michel does not explain how this mistake—the mistaken attribution of a Puff Daddy song in the closing argument—resulted in prejudice.”
She continued, “Specifically, Michel has not shown that there is a reasonable probability that the result of his trial would have differed had Kenner correctly attributed a lyric to him. Notably, the content derived from the AI program did not relate to any evidence in the case, only general sympathetic statements and one lyrical quote.”
The court concluded that Michel had not demonstrated ineffective assistance from his counsel based on the AI’s use in closing arguments.
Another of Michel’s contentions involved evidentiary rulings made in the presence of the jury without curative instructions, which he claimed amplified prejudice against him.
However, the court determined any potential mistakes in these rulings did not affect Michel’s substantial rights, given the context and the jury instructions provided.
Lil Troy, most famous for his 1998 hit “Wanna Be A Baller,” has reportedly suffered a heart attack. According to fellow Houston native Willie D, he’s in rough shape.
On Sunday (September 1), the Geto Boys rapper shared an Instagram post that read: “Lil Troy Suffers Heart Attack..Fighting for His Life.” He included a link to his YouTube channel, which Willie D said included more details although nothing could found on the channel. AllHipHop has reached out to Lil Troy and his team for comment.
Lil Troy has faced a harrowing situation in 2021, when his semi-truck caught fire on a highway. The platinum-selling artist, who transitioned from music to truck driving, was reportedly driving the 18-wheeler when the incident occurred. The fire engulfed the truck, leading to dramatic scenes as flames and thick black smoke billowed into the air.
Fortunately, Lil Troy managed to escape the burning vehicle unharmed, though the truck itself sustained significant damage.
“Yesterday I had the scare of my life and the blessing of my life,” Troy posted on Instagram. “My truck caught on fire while I was driving on the freeway and I was blessed that I was able to get out of traffic and pull over and get out the truck with no nobody getting hurt. GOD IS good.”
As Lil Troy counted his blessings, he had a few clever words for ABC13: “If you notice, I hit the highway, making money the fly way. You know what I’m saying? Truck driving is the new way,” a nod to the “Wanna Be A Baller” lyrics.
“Wanna Be A Baller” featured Fat Pat, Lil’ Will, Yungstar, Big T and H.A.W.K. and lives on the album Sittin’ Fat Down South, which peaked at No. 25 on the Billboard 200 chart. But nearly everyone involved in the song’s creation died at an early age. Friends and family are praying he doesn’t suffer a similar fate.
Judge Greg Mathis felt heartbroken when his wife filed for divorce after nearly 40 years of marriage. Judge Mathis admitted he was struggling with the reality of his situation when questioned about it on Friday (August 30).
“I’m not good,” the longtime TV judge told a paparazzo at the Los Angeles International Airport. “It’s the worst days of my life … I’m not holding up very well.”
Judge Mathis admitted he took his wife for granted for many years, noting how she was never the top priority in his life. He hoped to repair their relationship and convince her to dismiss the divorce.
“We’re still in the same house,” he said. “We’re still maintaining a friendship. And I’m trying to get my wife back. I have to show her that though. Hopefully, I can show her why we’re there together. And hopefully, she doesn’t complete the process [of the divorce]. But I’m changing in hopes that she will.”
Judge Mathis boldly declared, “I’ma get my wife back.” He also denied infidelity rumors and disturbing gossip.
“I just wanted to eliminate all the rumors too that it’s something about a baby or even me molesting a child,” he said. “It’s none of that. I just told you what it is.”
Judge Mathis and his wife share four adult children. The family appeared together in the reality TV show Mathis Family Matters.
Kanye West has sold his architecturally designed Malibu home and he took a huge financial loss in the process.
Kanye West purchased the oceanfront property in 2021 for a substantial $57.3 million, but recently sold it to Belwood Investments for $21 million.
The transaction left the Hip-Hop artist with a shortfall of around $36 million.
Belwood Investments, a crowdfunded firm, didn’t just acquire any house; they bought a piece of architectural art.
“This is not just a phenomenal real estate investment; it is an opportunity to revitalize and preserve an architectural gem by the renowned Tadao Ando, ensuring it remains a jewel of Malibu,” Belwood said in its public statement. “This acquisition exemplifies Belwood Investments’ commitment to transforming properties with historical and architectural significance while delivering exceptional returns for our investors.”
Initially, the 47-year-old rapper planned a complete overhaul of the property.
He gutted the house almost immediately after the purchase, intending to remodel it from scratch.
By January 2024, however, those ambitious plans were abandoned, and West placed the home back on the market with a $53 million asking price. Even at that price, he was expecting to take a loss.
The home remained unsold, prompting him to reduce the price further in April to $39 million.
Despite these efforts, no buyer emerged until the recent sale to Belwood Investments.
Cardi B and Offset put on a united front for their son Wave’s birthday party over Labor Day weekend, prompting reconciliation rumors. Cardi was photographed dancing with her son in her arms while Offset partied in the background. He also took some time to dance with his son as he celebrated his third birthday.
Cardi—who is pregnant with their third child—posted several photos and videos to her Instagram account to commemorate the party, which included burgers and mac ‘n cheese.
The Invasion of Privacy rapper filed for divorce from the Migos member on July 31, marking at least the second time she’s planned to leave him. As news of their split made the rounds, Cardi B shared an Instagram message for her unborn baby.
“With every ending comes a new beginning,” she wrote on August 1.” I am so grateful to have shared this season with you, you have brought me more love, more life and most of all renewed my power! Reminded me that I can have it all! You’ve reminded me that I never have to choose between life, love, and my passion! I love you so much and can not wait for you to witness what you helped me accomplish, what you pushed me to do! It’s so much easier taking life’s twists, turns and test laying down, but you, your brother and your sister have shown me why it’s worth it to push through!”
Cardi B and Offset began dating in 2017 and publicly confirmed their relationship in February of that year. The couple got engaged just 8 months later, when Offset proposed during a live performance at the Power 99 Powerhouse concert in Philadelphia. They secretly got married in September 2017, a month before the public proposal, but it wasn’t revealed until June 2018.
Their first public breakup occurred in December 2018. The primary reason for their split was due to rumors and allegations of Offset’s infidelity. Cardi B announced the breakup in an Instagram video, where she mentioned that things just hadn’t been working out between them for a long time and that they had “grown out of love.”
Offset later publicly apologized and made efforts to win Cardi B back, including a high-profile moment when he interrupted one of her performances to ask for her forgiveness. Despite the breakup, the couple eventually reconciled in early 2019, and they tried work through their relationship challenges.
But the infidelity rumors continued, and Cardi B appeared to have enough earlier this year. In July, he was reportedly spotted at a casino with an alleged ex. Although he denied the rumors, Cardi followed through with filing the paperwork. People, however, are convinced they’ll get back together sooner than later, especially after their third child is born.
Alicia Keys has a major problem. Something happened last week. In a strange occurance, the megastar singer had a viral video that blew up for all the wrong reasons.
Apparently, she questioned DJs and their role, which caused some drama —especially among DJs! I saw this posted on AllHipHop’s IG, but then it disappeared. What happened? Her team started reaching out to publications like ours, insisting that it wasn’t her and that AI was to blame. Some people believed it, but I’m not so sure. Word on the street (her team) is that it was diabolical AI, but was it?
After looking into it, and this is not fact, but it seems like Alicia had some sort of situation with the EDM collective Swedish House Mafia overseas. I don’t know exactly what the strategy was, but a source told me the video was in support of their partnership. And her comment about DJs wasn’t about our Hip-Hop culture, but about EDM culture, which is less about turntablism and more about pushing buttons, according to my source. This turned into a stroke of bad luck when it went viral in America. Now the jocks’s are/were mad, thinking it was just AI.
But the timeline lines up too well. I think it was a bad move, but if they’re saying it was AI, then it was AI, right? By the way, Funk Master Flex’s post came a day or two after ours, and it’s still up. Hmmmmmmm…
Although life saving measures were attempted onsite, he later died at a local hospital at just 53 years old. Naturally, social media has blown up with tributes to Fatman Scoop, but AllHipHop was able to talk directly to some of his friends, who shared similar sentiments about the man Fatman Scoop was.
“Scoop was one of the coolest brothers you could ever meet, we had the pleasure of sharing the stage and sharing friendship, his loss is a big deal for Hip-Hop,” C+C Music Factory’s Freedom Williams told AllHipHop, while Brand Nubian’s Lord Jamar added, “Fatman Scoop had an infectious voice and energy that will be sorely missed by Hip-Hop fans around the world, my condolences to his family and friends. R.I.P.”
Artwork: Chuck D
Fatman Scoop (real name Isaac Freeman III) was widely known as one of the best hype men in Hip-Hop in addition to his roles as a promotor and Hot 97 radio personality. His energetic voice and catchphrases, often featured on party tracks and club anthems, were unmistakeable. His most famous song, “Be Faithful,” became a huge hit in the early 2000s, particularly in clubs and on the radio. The track samples several classic R&B and Hip-Hop songs and became a global dance anthem.
“I am deeply saddened to hear about the sudden passing of Fatman Scoop, a monumental figure in the world of Hip Hop,” Rocky Bucano, co-founder of the Hip-Hop Museum, said. “His vibrant energy, unmistakable voice, and passion for the culture made him a beloved icon, not just to those of us in the industry, but to fans across the globe. Last night, we lost more than just a performer; we lost a true ambassador of Hip Hop who dedicated his life to uplifting others through music.
“Fatman Scoop’s presence on stage was electrifying, and his ability to connect with people through his art was unparalleled. His contributions to the culture are immeasurable, and his legacy will continue to inspire generations to come. My thoughts and prayers are with his family, friends, and all who were fortunate enough to know him. Rest in power, Fatman Scoop. Your voice will continue to echo in our hearts forever.”
3rd Bass MC Pete Nice concurred, adding, “Fatman Scoop’s contributions to Hip-Hop were great. He will be missed. Myself and the entire Hip-Hop Museum family mourn his loss and send condolences to his family.”
Whodini’s Jalil continued, “If you got a $100 bill put your hands up.,.for Fat Man Scoop. He was the greatest hype man in the game. My condolences to my family.” Meanwhile, Peter Gunz remembered his authenticity, saying, “He never changed. Same funny cool guy I met in ’95. Love you king rest well.”
Rahiem of Grandmaster Flash & the Furious 5 fame praised Fatman Scoop for what he brought to Hip-Hop culture: “He left his indelible mark on the world through rap music and radio broadcasting with his incomparable voice and energetic delivery. My condolences to his family and friends,” while SWV’s LeLee stated, “My condolences to the family and friends of one of the most recognizable party voices in Hip-Hop—Fat Man Scoop. We will miss him dearly.”
Legendary New York City promotor Van Silk, whose relationship with Fatman Scoop stretches back decades, called for a day of silence in honor of his fallen friend.
“My dear brother Fatman Scoop, whom I adored, was humble and traveled the world doing his show that made fans happy,” Silk said. “We occasionally talked to make sure he was alright. He’s well deserved of any accolades that come with the culture of Hip-Hop.”
Finally, Video Music Box founder Ralph McDaniels concluded, “Peaceful journey to the party, mix show, Grammy Award winner and legendary Fatman Scoop.” AllHipHop sends our condolences to all those who loved him.
Lizzo announced on Instagram that she had taken pride in her personal transformation since 2021, showcasing photos in a cutout red swimsuit.
Lizzo reflected on her progress related to both physical and mental well-being.
In her caption, she expressed, “I wasn’t gonna post this on IG, but 2021 me would be soooo proud of 2024 me. And I’m NOT only talking about my body if yall only KNEWWWW what I’ve done for my mental & emotional health in the last year…”
Lizzo also hinted at new music inspired by this journey. “Wheeeew don’t worry imma write a album about it,” added the 36-year-old.
This revelation comes while she enjoys a break in Bali, Indonesia, as shared in a video where she appears in a black one-piece swimsuit during a rain shower.
“I’m taking a gap year & protecting my peace,” she noted, highlighting her current focus on self-care away from the limelight.
Earlier in the year, Lizzo voiced a commitment to steer clear of negativity.
In April, she declared her intention to “quit” focusing on “negative energy” and encouraged her followers to adopt the same mindset.
However, her tranquility was interrupted in August 2023 when three former dancers filed a lawsuit against her, alleging sexual misconduct and a hostile work environment.
Lizzo denied the accusations, labeling them as “sensationalized stories.” The lawsuit is now on hold.
Bernard Bronner Takes Legal Fight to Atlanta: Trial Date Set for September 16
A 10-year-old legal case is finally set to go to trial in a high-profile courtroom showdown.
Businessman and media mogul Bernard Bronner will take his legal battle against Rainforest Films, Will Packer, Rob Hardy and TRF Productions, LLC to court September 16 in Atlanta. The decade-long dispute is over alleged corporate mismanagement and breaches of fiduciary duty.
In In the suit, Bronner accuses Rainforest Films and its associates of failing in their fiduciary responsibilities and misappropriating assets.
Bernard Bronner, a notable figure in the business world and a leading philanthropist, claims his significant financial input into the company—co-founded by Hollywood heavyweights Packer and Hardy—has not yielded the expected returns, igniting this protracted legal conflict, according to legal doc obtained by AllHipHop.
With numerous court appearances and legal maneuvers behind them, the upcoming trial is a crucial juncture in this prolonged saga. Bronner, Chairman of Bronner Bros. and Publisher of Upscale Magazine, has positioned himself as a staunch advocate for accountability, reflecting his broader commitment to supporting Black entrepreneurs and creatives.
On the flip other, Will Packer, a celebrated producer whose hits include “Think Like a Man,” “Ride Along” and “Girls Trip,” remains a formidable figure in Hollywood. His latest venture, Lift starring Kevin Hart, is set to drop on Netflix on September 5, further cementing his status in the entertainment industry.
Former Yo! MTV Raps co-host Ed Lover shed light on the bond the late MC’s 2Pac and Biggie Smalls once shared before their untimely demises.
In a recent interview with The Breakfast Club, Lover opened up about the early relationship between 2Pac and Biggie before their bitter rap beef tore them apart. Lover recalled the camaraderie between 2Pac, rapper/producer Stretch and Treach from Naughty by Nature and Biggie, noting how tight-knit their circle was in the early ’90s.
“Stretch and ‘Pac both heavy weed smokers and Treach from Naughty, they all friends,” he remarked. “So whenever Pac came to New York we’d pick ’em up and the first thing he would always ask us, ‘Did anybody talk to Big? Where big at?’ We holler at Big or page Big, he page back and they go to Brooklyn and see Big. So they were really, really tight.”
The shift in their relationship, according to Lover, began after the infamous incident at Quad Studios, where 2Pac was shot and subsequently accused Biggie of being involved in the setup. Lover described the escalating tension that followed, which culminated in the East Coast-West Coast feud that dominated Hip-Hop headlines in the mid-90s.
“Once that ball got rolling, it was just impossible,” he said. “And then you got Vibe Magazine and all of these people doing East Coast, West Coast beef. It wasn’t that, it was Bad Boy, Death Row. That was it. It was hurtful to see two friends just turn what they’d love to have to ashes. So I just tried to stay out of it as much as I can.”
The strong bond made the eventual rivalry between 2Pac and Biggie all the more heartbreaking for those who witnessed it firsthand. Lover even emphasized how the souring of the friendship between the two was difficult to understand for even Big himself while he was enthralled in it.
“I tried to talk the Pac, he just, he wasn’t hearing it,” he said. “Big was stunned. Big didn’t know where it was coming from, why it was coming. He was hurt. Cease [Lil Cease] probably told you all that before. Big was honestly hurt by it because they loved each other that much.”
Before their untimely deaths, Ed Lover had the opportunity to work with both 2Pac and Biggie on several projects. He contributed to 2Pac’s Me Against the World album, specifically the track “Temptations,” which showcased Pac’s introspective side during a tumultuous period in his life. With Biggie, Ed Lover was involved in the production of “Party and B#######,” one of the tracks that helped establish Biggie as a formidable force in the rap game.
JAY-Z made history in 2008, when he headlined the Glastonbury Festival, making him the first rapper to do so. His performance was highly anticipated, not only because of the genre barrier he was breaking but also due to the controversy leading up to the event.
Some critics, including Oasis’ Noel Gallagher, questioned whether a hip-hop artist was suitable for Glastonbury’s traditionally rock-oriented lineup. JAY-Z responded to this criticism in a bold and unforgettable way by opening his set with a cover of Oasis’ iconic song “Wonderwall.”
As the opening chords of the song played, JAY-Z walked on stage with a guitar, humorously mimicking Gallagher’s stance and sang the first verse, much to the crowd’s delight. The unexpected performance set the tone for the rest of his show, which was a triumphant blend of Hip-Hop and rock that captivated the audience.
The cover of “Wonderwall” became a defining moment of Glastonbury 2008, symbolizing JAY-Z’s ability to transcend genres and challenge musical boundaries. By incorporating a song that was emblematic of British rock culture, JAY-Z cleverly addressed the skepticism surrounding his headlining slot and proved that music is a universal language.
His performance not only won over critics but also solidified his status as a global superstar capable of uniting fans across different musical tastes. The moment was widely praised in the media and is often cited as one of the most memorable in Glastonbury’s storied history.
Now, with the earth-shattering announcement that Oasis brothers Liam and Noel Gallagher have reunited for a world tour after years of estrangement, the clip has been making the rounds again.
After years of speculation and fervent hopes from fans, the Gallagher brothers have finally put aside their differences to reunite for what promises to be an epic global tour. The 2025 tour is expected feature a setlist packed with their greatest hits—from “Wonderwall” and “Don’t Look Back in Anger” to “Champagne Supernova.”
50 Cent was a recent guest on the Million Dollarz Worth of Game podcast, where he touched on the Kendrick Lamar and Drake beef. At one point, he was asked about his issues with Rick Ross. 50 Cent replied, “Nothing else works for him outside of mentioning me. When things get bad, he mentions me.”
Once Ross caught wind of his comments, the Maybach Music Group boss headed to Instagram to air out his grievances, while questioning 50 Cent’s loyalty to Dr. Dre.
“I thought Dr. Dre put you on,” he said. “Dr. Dre was the set. I thought you was loyal to Dr. Dre. You mean to tell me you went with the Canadian over Dr. Dre who you say changed your life?” Ross continued before giving him some props. “You did shut the f### up once the Canadian took the L — you got totally quiet.”
Rick Ross talking about 50 cent being on the Gillie & Wallo podcast siding w/ Drake & not Kendrick Lamar! 50/RickRoss beef bout to go off again!! 🤣🤣 pic.twitter.com/6Bk2Yorgvx
The ongoing beef exploded in June, when Ross and his crew got attacked in Canada for playing Kendrick Lamar’s chart-topping Drake diss, “Not Like Us,” during a show. 50 Cent addressed the situation on Instagram at the time, saying, “Hey guys. I just saw a very unfortunate situation that took place in Canada, and I want to say to everyone that I hope that that brother made it home safely.
“I hope that he now has a different perspective and a better sense of what to do and what not to do while you’re out in the world. That part where that young guy went like—he did this little move and s### and got knocked the f### out—that does not reflect him. That reflects his camp.”
50 Cent addresses his beef with Rick Ross on upcoming episode of Million Dollaz Worth of Game.
Dr. Dre played a pivotal role in launching and shaping 50 Cent’s career, particularly in the early 2000s. In 2002, Dr. Dre, along with Eminem, signed 50 Cent to their respective labels, Aftermath Entertainment and Shady Records. It proved to be a major turning point for 50 Cent, giving him the backing of two of the biggest names in rap at the time.
Dr. Dre also produced several tracks on 50 Cent’s debut album, Get Rich or Die Tryin’, including the hit single “In Da Club,” one of 50 Cent’s most iconic tracks. Throughout the years, he’s provided mentorship and industry knowledge, helping 50 Cent navigate the complexities of the music business. While Dr. Dre’s influence was most prominent in the music, his business acumen also influenced 50 Cent, who later went on to make lucrative business deals.
Kendrick Lamar, meanwhile, signed with Aftermath in 2012 as part of a joint venture with Top Dawg Entertainment (TDE) and Interscope Records.
L’Trimm—the Miami Bass duo comprised of Lady Tigra and Bunny D—were just teenagers when they signed a deal with Atlantic Records. Their inaugural album, Grab It! (1988), spawned the single “Cars With The Boom,” which peaked at No. 54 on the Billboard Hot 100 and became their biggest hit.
With each subsequent release, Drop That Bottom (1989) and Groovy (1991), Tigra and Bunny grew increasingly disinterested in conforming to what the label wanted from them. Instead, they decided to part ways and pursue their own solo endeavors. But over the years, not only have they maintained their close friendship, they’ve also reunited on occasion.
Most recently, L’Trimm was the surprise guest at 808 Day (August 8) in Los Angeles alongside Egyptian Lover, Peanut Butter Wolf, DJ Rhettmatic, Prince Paul, J.Rocc and N.W.A’s Arabian Prince. A day later, Tigra was on a boat in Marina Del Rey to celebrate J.J. Fad rapper MC JB’s 60th birthday, where she and the other guests danced to Kendrick Lamar’s “Not Like Us” and (naturally) “Supersonic.”
After connecting with AllHipHop at the party, an interview was inevitable. After all, there are very few with L’Trimm floating around out there and with their latest reunion, it seemed an appropriate time to tell their story—or at least part of it. Hopping on ZOOM less than a week later, Lady Tigra and Bunny reflected on their journey and explained why they decided to leave Atlantic after three albums.
“The suits came marching in and they stopped making it fun,” Tigra said, matter-of-factly. “Our prefrontal cortex hadn’t developed yet, so we had no respect for contracts and stuff like that. We were just like, ‘We’re out!’ It started with we had our whole record to ourselves. Then the second one, they started giving us concepts for songs that weren’t feeling.
“We’re Miami Bass and they’re trying to follow trends, having us remake ‘Cars With The Boom.’ There’s a song called ‘The Love Bug.’ There’s just songs about cars and we’re like, ‘What’s this got to do with anything?’ ‘Cars With The Boom’ was something we were naturally doing. We were cruising Coconut Grove with speaker systems. That’s why it hit the way it did because we meant it. But then they were like, ‘Well, you did a song about cars.’ They had us write a song about the Batmobile. They had us write a f###### ridiculous car song.”
For L’Trimm’s second album, Drop That Bottom, the label allowed them to flex their creativity only on the B-Side. Tigra recalled, “We wrote a whole album and we only cared about half the songs, and the rest we had to do because they told us, ‘Write a song about this, write a song about that.'”
By the third album, the label was trying to turn them into C+C Music Factory, a New Jack Swing duo—basically, whatever was “hot” at the moment. But L’Trimm was evolving and weren’t interested in being kept in a “box,” as they described it, so they left the label—but not before making a definitive statement.
“I showed up with the lyrics sheet and we were ready to throw down,” Tigra explained. “And they look at it and they say, ‘Black people don’t speak this way’ and crumple it up and throw it in the garbage. We looked at each other and we’re like, ‘Oh hell no!’ The disrespect at that point by a bunch of older white dudes telling us what Black people speak like and what good Hip-Hop is was crazy. So, we were like, ‘Oops, deuces. We boycotted.'”
British pop icon George Michael had put out the single “I Want Your Sex” in 1987, which Tigra felt illustrated how unfairly they were being treated.
“It was a whole big thing,” she said. “He had this video and it said ‘monogamy’ on it and everyone was scrambling to understand what the word monogamy meant. And I’m like, ‘Well, if people who listen to pop music can go get a dictionary and look up ‘monogamy,’ they can look up the words that we’re saying. So our middle finger on the last album was ‘What’s the Story,’ where we just kind of spoke to everything that we’d experienced.”
Lady Tigra and Bunny were also facing allegations of being “soft” because they refused to dress up like the boys and liked to smile; they weren’t “mean” rappers.
“So we wore skirts and just owned it,” Tigra said. “Then I did a whole verse, pulling every gigantic word that every ancestor had left in my DNA from like my lizard brain to write a diss track to them. I dissed the hell out of them so that they couldn’t understand. So they boycotted the third album [Groovy]. If you look at the third album cover, they had to cut and paste songs from previous sessions to make the songs.
“And if you look at the album cover, even the album cover is paper doll cutouts of clothing, sort of like Dee-Lite’s style, psychedelic dresses and all that. They had to take the photos from the second album and use those photos, because we wouldn’t show up for photo shoots either. If you look at the Groovy album cover, it’s from the second photo shoot.”
Despite the tumultuous ending, Lady Tigra and Bunny engrained themselves in Hip-Hop history, thanks in part to “Cars With The Boom.” In 2020, the song saw a significant resurgence after it went viral on TikTok with more than 1.1 million videos, including one from JoJo Siwa. New generations are continually discovering the song and giving it new life, which L’Trimm loves to see.
And they’re still working on music. Bunny, who recently retired after decades of being a nurse, is making gospel music with her husband. She also jumped on Lady Tigra’s upcoming collaborative EP, Black Rice, with producer SPNCR. The project boasts features from Egyptian Lover, Kid of Kid ‘N Play, the Pharcyde and, of course, Bunny. It will mark L’Trimm’s first new song in 35 years.
Check back with AllHipHop for Part 2 of the L’Trimm interview soon.
Photo credit: Geoff Moore
Hair: Johnny Stuntz
Make-up: Sole Alberti
Styling: The Lady Tigra
LL COOL J and Eminem’s first collaboration “Murdergram Deux” officially dropped on Friday (August 30). The track is a sequel to LL COOL J’s song “Murdergram.”
“And that’s on everything, she love my heavy chain/My yellow diamond shining, got her whipping like lemon meringue/Stripping in front of the gang, she’s slipping inside of the Range/Quick to go out with a bang, it’s like I threw out a grenade/Once you pull up in this, when the killing will begin/You feel me pulling off your skin, I really came to get it and deliver/Murdergrams, turn over your ambulance, 30 bullets in advance/Candlelight and crying fans, we go in and buy a land/Slide up behind you, testing my rifle/Give blessings to my disciples, professional I’m a sniper/Like eight miles away, me and Marshall doing murders/With dirty burners, break them down and melt them in the furnace,” he rapped.
“Murdergram Deux” hit streaming services a week before the release of LL Cool J’s comeback album The FORCE. The song leaked two months ago, but LL COOL J said it wasn’t “the right version.” Now, fans can enjoy his finished creation.
“Now when I hit the booth, I figure the days are over when I was quick/This fool used to fly off the handle like a f###### witch’s broom/I called it plucking flowers ’cause I was so quick to pick a tool up/Like it’s petunia, sick medulla, but thanks to Cool J, he created a monster/Spaghetti sauce and mozzarella on a tray full of pasta/You got a couple of m############ trained killers-on-ya (lasagna)/And I’m just being as frank as Sinatra/When I be saying that I’ma keep this s### gangster as mobsters/But when you got fanatics going so crazy, they mob ya/Looking like organized crime because you can’t get ’em-off-ya (mafia)/And all your m############ enemies, they wanna off ya like Hoffa/And dump your body in Lake Minnetonka,” Eminem rapped on the closing verse.
LL Cool J’s The FORCE is scheduled to drop on September 6. He hasn’t released an album since 2013.
