Rihanna’s father Ronald Fenty died in Los Angeles last month from a combination of respiratory failure and pancreatic cancer, according to a death certificate obtained by TMZ.
The father of Rihanna, 71, died at a hospital while “surrounded by family” following what was described as a “brief illness.”
The official document listed multiple causes of death, including aspiration pneumonia—a severe lung infection—along with acute renal failure and acute tubular necrosis, both of which point to severe kidney damage.
Fenty, who lived in Barbados, had kept a relatively low profile in recent years due to his strained relationship with his superstar daughter.
“I was so angry at him,” Rihanna told Oprah Winfrey during an interview in 2012, where she revealed she had repaired their relationship. “I was just angry about a lot of things from my childhood and I couldn’t separate him as a husband from him as a father.
She added, “I felt like if he was a bad husband, he was a bad father. I witnessed a lot of things in my childhood in my household.”
They did eventually reconcile and Ronald shared his joy publicly when Rihanna, 37, announced her second pregnancy during the 2023 Super Bowl Halftime Show.
At the time, he told TMZ he was “over the moon.”
The Grammy Award-winning singer has not yet issued a public statement regarding her father’s death. She is currently expecting her third child with A$AP Rocky, with whom she shares two sons—RZA, 3, and Riot, who is nearly 2 years old.
50 Cent slammed New York City mayoral candidate Zohran Mamdani on Instagram over his proposal to defund the police and raise taxes on the wealthy, claiming the Democratic socialist’s agenda would plunge the city into chaos.
“New York turns into Gotham city, if you defund the police. Trust me on this one, that’s not a good idea buddy,” the rapper wrote, alongside AI-generated images of a crumbling, dystopian Manhattan.
50 Cent also referenced the 1981 cult film Escape from New York, in which Manhattan is turned into a maximum-security prison following a national collapse.
The movie, directed by John Carpenter, depicts a lawless island overrun by criminals after the government abandons it, a scenario Fif seems to believe is not far off under Mamdani’s leadership.
“Escape from New York coming If you’re not careful,” 50 Cent warned.
In an earlier post, he mocked Mamdani’s economic platform and threatened to alert Donald Trump.
“Where did he come from whose friend is this? I’m not feeling this plan no. I will give him $258,750 and a first class one way ticket away from NY. I’m telling Trump what he said too!”
Mamdani, 33, currently represents Queens’ 36th District in the New York State Assembly and is the Democratic nominee for the 2025 mayoral race.
Born in Uganda to Indian parents, he moved to New York at age 7 and is the son of academic Mahmood Mamdani and filmmaker Mira Nair.
His platform includes free public buses, rent freezes, universal childcare and city-owned grocery stores.
“What I’ve proposed is we raise $10 billion to pay for our entire economic agenda and start to Trump proof our city,” Mamdani said during an interview onThe Breakfast Club.
The progressive candidate, backed by Bernie Sanders and Alexandria Ocasio-Cortez, defeated Andrew Cuomo in the Democratic primary.
If elected, he would be the city’s first Muslim, first Indian American and first millennial mayor.
The 2025 mayoral election is scheduled for November.
Kendrick Lamar is bringing his Grand National Tour to Latin America this fall with stops in five major cities as he continues his global takeover.
After selling out venues across North America and preparing for a summer run through Europe and the UK alongside SZA, Lamar has added a string of solo dates in Mexico, Colombia, Brazil, Argentina and Chile.
The newly announced shows, produced by Live Nation and pgLang, will take place in some of the region’s largest soccer stadiums.
The Latin American leg kicks off September 23 in Mexico City at Estadio GNP Seguros.
From there, Lamar will head to Bogotá’s Vive Claro on September 27, São Paulo’s Allianz Parque on September 30, Buenos Aires’ Estadio River Plate on October 4 and Santiago’s Estadio Monumental on October 7.
Argentine duo CA7RIEL & Paco Amoroso will serve as the opening act for all Latin American dates.
Lamar’s international schedule is packed through the end of the year.
Before heading south, he’ll perform across Europe with SZA, including stops in Cologne, Frankfurt, Glasgow, Birmingham, Amsterdam, Paris, Cardiff, London, Lisbon, Barcelona, Rome, Warsaw and Stockholm.
That run wraps on August 9 in Sweden.
In December, Kendrick Lamar will headline two solo shows in Australia—Melbourne’s AAMI Park on December 3 and Sydney’s Allianz Stadium on December 10.
The Grand National Tour marks another milestone for Lamar, who continues to draw massive crowds worldwide.
His latest expansion into Latin America signals both his global reach and the growing appetite for Hip-Hop across international markets
Tickets for each city go on sale at staggered times starting July 1.
Buenos Aires opens first on Tuesday, July 1, at 10 a.m. local time.
São Paulo follows on Wednesday, July 2, at 11 a.m. Mexico City and Santiago both release tickets on Thursday, July 3, at 2 p.m. and 12 p.m., respectively.
Bogotá rounds out the list on Friday, July 4, at 10 a.m.
Diddy faced the final day of his high profile federal trial in Manhattan Friday (June 27). His defense attorney, Marc Agnifilo, argued prosecutors targeted the Bad Boy Records mogul for his “lifestyle” rather than any criminal acts during a tense courtroom showdown.
Agnifilo, speaking directly to the jury, said the government’s case was built on “innuendo, suggestion and lifestyle”—not evidence.
“They took Astroglide and baby oil and that is the evidence in this case,” he said, mocking the items seized during raids on Diddy’s Los Angeles and Miami homes.
Agnifilo described his client as a demanding but respected businessman, who was a drug addict. He stated that his employees remained loyal despite the pressure.
He admitted Diddy assaulted ex-girlfriend Cassie Ventura in 2016 but framed their relationship as a “great modern love story,” even calling Ventura a “gangster” in court.
Agnifilo dismissed accusations that Diddy orchestrated the arson of Kid Cudi’s Porsche as “nonsense” and said claims of drug trafficking were a “distraction,” arguing any drug use was personal and not part of a criminal operation.
At one point, Agnifilo referenced actor Michael B. Jordan to argue that Ventura was confident and in control of her career, noting she once turned down a man widely considered one of the world’s “most handsome.”
Tensions flared when Assistant U.S. Attorney Maurene Comey objected to Agnifilo’s remarks about the government’s motives. Judge Subramanian warned the defense, saying, “Mr. Agnifilo, for you, please don’t do that again. It’s grossly improper.”
The six-week trial ended without the music executive taking the stand or calling any witnesses in his defense.
The defense’s closing followed a five-hour summation Thursday (June 26) from Assistant U.S. Attorney Christy Slavik, who portrayed Diddy as the head of a criminal enterprise that used intimidation, violence and wealth to commit and conceal crimes for over 20 years.
Slavik described Diddy’s business as his “kingdom” and said his inner circle enabled his actions, including sex trafficking, drug-fueled parties called “freak offs” and physical abuse of multiple women. Prosecutors introduced surveillance footage, witness testimony and allegations of witness tampering to support their case.
The government is expected to deliver a rebuttal before jurors begin deliberations Friday afternoon and throughout the weekend.
Jim Jones doubled down on his belief that he’s more relevant than Nas, saying the Queensbridge legend hasn’t been this talked about since his early 2000s feud with JAY-Z.
Speaking on the “Bag Fuel” podcast with DJ Clue, Esso and Hynaken earlier this week, the Harlem rapper didn’t hold back when asked about the ongoing debate comparing his relevance to Nas.
“He’s never been this viral ever,” Jones said, claiming his recent comments helped push Nas back into the spotlight.
Jones argued that cultural presence and visibility matter more than legacy alone.
“There’s a lot of people that sold more records than me that are also not around anymore,” he said. “What I did for Nas probably never been done for him in his life. He’s never been that viral at all. Ever. He’s never been talked about like this ever in his life.”
The conversation kicked off in June 2025 after Jim Jones made waves on the “Joe & Jada” podcast, questioning Nas’s current place in Hip-Hop.
That appearance reignited a wave of online chatter, with many weighing in on whether Nas’s influence remains strong in today’s music scene.
Jones didn’t stop there. He questioned Nas’s impact beyond his lyrical reputation and said people are “stuck on the sales,” suggesting that commercial success doesn’t always equal cultural relevance.
He also made it clear that there’s no personal connection between the two. “I don’t know Nas personally,” Jones said, adding that he doesn’t care to, either.
Jim Jones previously admitted that the Nas comparison was partly strategic. He said the move helped boost his streaming numbers and garner attention.
Gambling fascinates risk-takers. For many, it’s pure luck. But some turn it into skill—and profit. Over time, famous professional gamblers have made headlines with massive wins and bold moves. They’ve taken casinos, poker rooms, and sportsbooks by storm. One flipped $50 into millions. Another beat Vegas with pure strategy. These aren’t flukes. They’re calculated triumphs by the world’s best gamblers. Some mastered Blackjack. Others crushed poker tables or exploited betting odds. Behind every win? Nerve, brains, and timing. Their stories aren’t just about money. They’re about mastery. Let’s explore how these famous professional gamblers rose to fame—and stayed there.
Kerry Packer – The World’s Most Famous Casino Gambler
When talking about the biggest gamblers in the world, Kerry Packer’s name always comes up first. The Australian billionaire was known for walking into Vegas casinos and placing six-figure bets as if they were pennies. His favorite games? Blackjack and Baccarat. He once turned a night of play at the MGM Grand into a win of over $20 million. His sessions were so legendary that casino staff reportedly feared his arrival. Experts often mention how Packer’s style wasn’t reckless—it was calculated. Many casinos offered him special treatment, bonuses, and exclusive rooms. Some sites today use similar strategies to attract high rollers. For anyone dreaming of such success, the thrill of a $2 deposit casino NZ may be the first step. Low-stake platforms with a casino bonus allow modern players to taste the excitement without the risk that Packer embraced. Kerry Packer changed the way Las Vegas treated big gamblers. His boldness and wins secured his place among the most famous gamblers in history.
Phil Ivey – The King of Poker
Phil Ivey isn’t just good—he’s a force. Known as the “Tiger Woods of Poker,” he blends focus, skill, and calm like no one else. With eleven World Series of Poker bracelets and over $30 million in career winnings, he stands among the top gamblers in the world. Ivey doesn’t chase luck. He watches. Waits. Strikes. He reads opponents like open books—one twitch, one blink, and he’s in control. Other famous Vegas gamblers admire him. They fear him too. Even with a weak hand, he wins. One day Daniel Negreanu said, “Phil Ivey is the best all-around player in the world.” In any talk about the best gamblers of all time, his name always comes first. Because when it comes to poker, Phil Ivey isn’t guessing—he’s calculating.
Don Johnson – The Blackjack Pro Who Beat the Casinos
Don Johnson isn’t your typical high roller. In 2011, he made headlines by winning over $15 million from three Atlantic City casinos. His game of choice? Blackjack. Rather than relying on luck alone, Johnson negotiated special rules that effectively eliminated the house edge. His approach was straightforward yet highly effective. By controlling the terms of play, he earned his place as one of the most successful gamblers in modern history. Unlike many professional gamblers, Johnson didn’t count cards. Instead, he leveraged negotiation and probability to tilt the odds in his favor. His strategic mindset turned him into a legend in the gambling world. Today, his story serves as inspiration for anyone playing in an online casino and looking for smarter ways to win. Attracting such players, platform https://casinosanalyzer.co.nz/free-spins-no-deposit/200-dollars offers free spins and provides a low-risk way to test strategies without spending your own money. It’s an ideal starting point for new players aiming to sharpen their skills while still enjoying the excitement of real casino games.
Billy Walters – The Sports Betting Legend
Billy Walters is widely seen as the best sports gambler in the world. For over 30 years, he placed bets with terrifying accuracy. While most sports bettors dream of winning a little extra cash, Walters built a fortune—estimated at hundreds of millions. He used computer models, insider data, and a network of “runners” to place bets. Between 1980 and 2010, he had only one losing year.
Career highlights:
Earned up to $2 million a week on NFL games
Dominated Las Vegas sportsbooks for decades
Inspired fear in oddsmakers everywhere
To many, Walters wasn’t just a bettor. He was a businessman with a playbook. His methods raised the bar for professional gamblers worldwide.
Archie Karas – The Man Who Went From Rags to Riches
Archie Karas is the ultimate gambling folk tale. He walked into Las Vegas with just $50 and turned it into $40 million over two years. Karas did it through a streak of skillful poker, pool, and dice games, defeating the best in the business. His story is one of extreme highs and lows. He eventually lost it all, but for a brief period, he was the world biggest gambler. He took risks few dared and won amounts that stunned even the casinos. Karas wasn’t just lucky—he was fearless. His story remains a cautionary yet inspiring tale in the gambling world.
Zeljko Ranogajec – The Richest Sports Gambler
You may not know his face, but Zeljko Ranogajec is one of the most successful gamblers ever. The Australian betting mastermind turned sports and horse racing wagers into a billion-dollar empire. Nicknamed “The Joker,” Ranogajec is known for his low profile and high-volume strategy. He bets across markets, often placing thousands of small bets to avoid detection and manipulate odds in his favor.
Ranogajec by the numbers:
Allegedly responsible for 6–8% of annual revenue of Australian bookmaker TabCorp
Built a massive team for data analysis
Profits estimated in the hundreds of millions
He remains an icon among top gamblers in the world, not for flash, but for long-term consistency.
Comparison of famous gamblers of all time
While their games and strategies varied, all of these legendary gamblers left a lasting mark on the industry. From casino floors in Las Vegas to high-stakes sports betting operations and global poker tournaments, each carved out a unique path to fame—and fortune.
Name
Specialization
Biggest Wins / Achievements
Key to Success
Notable Facts
Kerry Packer
Casino (Blackjack, Baccarat)
$20+ million in one night at MGM Grand, Las Vegas
High stakes + calculated play
Casino staff reportedly feared his arrival
Phil Ivey
Poker
11 WSOP bracelets, $30+ million in career winnings
Skill, reading opponents
Nicknamed “Tiger Woods of Poker”
Don Johnson
Blackjack
$15+ million in 2011 from three Atlantic City casinos
Negotiated player-favorable rules
Didn’t count cards, eliminated the house edge
Billy Walters
Sports Betting
Up to $2 million per week, only 1 losing year in 30
Math models, insider info, betting networks
Considered one of the greatest sports bettors in history
Archie Karas
Poker, pool, dice
Turned $50 into $40 million in 2 years
Bold risk-taking, multi-game skill
Lost it all but became a legendary figure
Zeljko Ranogajec
Sports and horse betting
Hundreds of millions in profit, 6–8% of TabCorp’s revenue
High-volume, data-driven, low-profile strategy
Known as “The Joker”, built a billion-dollar betting empire
Gambling has seen its share of bold players, but a few rise above the rest—Phil Ivey, Kerry Packer, Billy Walters. They didn’t rely on luck. They used skill, grit, and nerve. These famous gamblers took massive risks. They rewrote the rules. They made headlines and history. Their names echo in poker rooms, casinos, and sportsbooks. Some chased millions in silence. Others thrived under Vegas lights. All of them proved one thing: with strategy and nerve, even chance can be mastered. Their stories still fuel the dream—to become the best gambler of all time.
Drake fired back at T-Pain’s criticism, accusing the “Bartender” hitmaker of long-held resentment after being called out for not following his own advice.
The back-and-forth started when T-Pain appeared on the “Crash Dummies” podcast and reflected on a past conversation with Drake about knowing when to step away from music.
“One thing I learned from Drake, here’s the crazy thing, the one thing I learned from but one thing he hasn’t followed—his own words—Drake said, ‘I want to be one of those people that gracefully bow out and not get kicked out,'” T-Pain said.
He went on to say he took that advice to heart and slowed down his output, while Drake, in his view, keeps trying to win over listeners.
“No, listen, I got another one,” he said, mimicking Drake’s approach. “Hold on, check this out. Y’all ain’t like that one? OK, real quick, just one more. Let me try one more.”
T-Pain didn’t stop there. He suggested Drake had become the very artist he once said he didn’t want to be.
“And I learned that from him,” he said. “I’m not trying to impress y’all n#####. Y’all n##### don’t give a f### if I live or die! Why the f### would I keep trying to impress y’all n#####? I’m out! I’m done; I did everything that I was trying to do.”
Drake, clearly unimpressed, responded to T-Pain’s comments on Instagram.
“This guy always had resentment for me,” he wrote. “You can hear it every time he speaks on my name.”
Offset also chimed in, defending Drake and calling out T-Pain’s remarks. “Da boy is da boy s### ain’t gone change all dat,” he wrote. “Hating on another grown man who do more number than everybody is Diobolical !!!!”
Kanye West and Christian “King” Combs joined forces on a new project, a surprise seven-track EP titled Never Stop.
The project dropped on Friday (June 27), with Ye executive producing for Christian. The EP’s centerpiece, “LONELY ROADS,” features Kanye West, Christian Combs, North West and a recorded prison call from Diddy.
The song had already stirred headlines earlier this year when a version titled “Lonely Roads Still Go to Sunshine” was teased, prompting Kim Kardashian to attempt legal action to prevent its release due to their daughter North’s involvement.
The original version opened with Diddy saying, “I just want to express my gratitude for taking care of my kids, man. Nobody has reached out to them; nobody has called them.”
West replies, “Absolutely, I love you so much, man. You raised me, even when I didn’t know you, you know what I mean?”
Another track, “FREE DIDDY,” leans into the controversy.
Christian Combs raps, “Like damn, why the f### I’m in these tabloids?/If it ain’t me, it’s my pops or my b####/Throwin’ franks, stay at the top of my dick/They cop pleas, I cop watches and fits, for real.”
The hook repeats, “N##### ain’t goin’ to sleep ’til we see Diddy free.”
Never Stop – King Combs, Kanye West
Kanye has remained vocal in his support of Diddy, attending court proceedings and speaking out amid the mogul’s legal troubles.
The EP’s release came just hours after news broke of three additional lawsuits against Diddy, including one accusing Diddy and his son Justin Combs of a brutal gang rape in 2021.
Christian Combs is also facing a separate lawsuit from a woman who claims he sexually assaulted her during a December 2022 yacht trip in St. Martin organized by Diddy.
Sean “Diddy” Combs and his son Justin are facing explosive new legal trouble in Los Angeles, where a woman has filed a lawsuit accusing the pair of orchestrating a violent gang rape after luring her from Snapchat to a Beverly Hills mansion.
According to the complaint, the woman says she first connected with Justin Combs in 2017 through Snapchat.
After exchanging explicit photos, she claims he offered to fly her to Los Angeles for the weekend. Once she landed, she says a driver picked her up and brought her to a home in Beverly Hills, where she was allegedly given alcohol and marijuana she believed had been tampered with.
The woman alleges Justin pressured her into taking multiple “poppers” before three masked men entered the room.
One of them, she claims, was referred to by Justin Combs as “Pops,” which she believes was a reference to Diddy.
She says she was then taken upstairs and told: “You better let this happen. Or else,” before being sexually assaulted by the three men from that night into the next day.
Diddy’s legal team has denied the allegations outright, stating: “No matter how many lawsuits are filed it won’t change the fact that Mr. Combs has never sexually assaulted or sex trafficked anyone—man or woman, adult or minor.”
Diddy Hit With Two Additional Lawsuits This Week
The woman is represented by attorney Tony Buzbee, who also filed two additional lawsuits earlier this week on behalf of two male plaintiffs. Those men allege they were invited to a Diddy-hosted party in Los Angeles, where they were “allegedly drugged and assaulted while there.”
This latest lawsuit adds to the growing legal firestorm surrounding Diddy, who is already facing a federal racketeering and sex trafficking case, along with more than 30 civil suits accusing him of sexual misconduct.
Buzbee said the claims in his lawsuits are “strikingly similar” to those outlined in Diddy’s federal RICO trial, highlighting a “pattern of behavior.”
Sean “Diddy” Combs is facing fresh legal trouble after being hit with yet another lawsuit.
A man named Brandon Adams filed a lawsuit accusing the embattled Hip-Hop mogul of sodomizing him at a 2021 house party in Los Angeles after allegedly hearing the phrase, “You’re about to get that Diddy love.”
The complaint, filed earlier this week, claims Adams met a driver at a gas station who invited him to a party at a private residence. Upon arrival, Adams says he was instructed to leave his phone in the vehicle.
According to the lawsuit, after consuming drinks that left him disoriented, Adams says he stumbled into an empty bedroom, passed out and later awoke to someone unbuckling his pants.
When he asked what was happening, he claims he heard a voice he believes was Diddy say, “You’re about to get that Diddy love.”
The alleged assault adds to a mounting list of legal battles for Combs, who is already the subject of a federal sex trafficking and racketeering case in Manhattan, alongside more than 30 civil lawsuits accusing him of sexual misconduct.
Combs has consistently denied all allegations. His legal team issued a statement saying, “No matter how many lawsuits are filed, it won’t change the fact that Mr. Combs has never sexually assaulted or sex trafficked anyone—man or woman, adult or minor.”
The suits were filed shortly before prosecutors began delivering their closing arguments in Diddy’s federal trial.
Diddy Hit With Two New Additional Lawsuits This Week, One Involving Son Justin Combs
Tony Buzbee, the attorney representing Adams, said this lawsuit is one of three he filed this week involving alleged abuse tied to Combs.
One of the other cases involves another man who claims he was also invited to a Diddy-hosted event in Los Angeles and was “allegedly drugged and assaulted while there.”
The third lawsuit was filed by a 25-year-old woman who accuses both Diddy and his son Justin Combs of gang rape.
Buzbee said the claims in these lawsuits mirror those presented in the federal RICO case against Combs.
“As we have watched, we have learned a great deal that confirms what we believe to be a pattern of behavior and, given the testimony and other evidence we have seen, remain extremely confident in our efforts in the civil courts,” Buzbee said.
A man has been arrested almost five months after waving a Palestinian flag with “Gaza” and “Sudan” scrawled across it during Kendrick Lamar’s Super Bowl LIX Halftime Show performance.
Zul-Qarnain Kwame Nantambu, a 41-year-old resident of New Orleans, was hired as a background performer for Kendrick Lamar.
He disrupted the February 9 show at the Caesars Superdome in New Orleans by climbing atop a black Buick GNX and revealing the flag mid-performance.
He refused to follow the security’s commands and was quickly detained. The incident triggered an investigation by Troop NOLA Troopers, who identified Nantambu through internal review and surveillance footage.
An arrest warrant was issued by the Orleans Parish Criminal District Court.
On Thursday (June 26), Nantambu turned himself in through his attorney and was booked into the Orleans Parish Justice Center.
“The preliminary investigation revealed that during the halftime performance, a performer deviated from his assigned role, retrieved a Sudanese flag bearing the message ‘Sudan and Free Gaza’ and disrupted the halftime show by running across the field with the flag. Security and law enforcement personnel on site quickly recognized the unauthorized action and apprehended the performer after he refused to comply with their commands to stop,” police said in a statement.
He faces charges of resisting an officer and disturbing the peace by interruption of a lawful assembly.
The NFL permanently banned Nantambu from all league events. The protest took place during one of the most-watched Super Bowl halftime performances in recent history.
French Montana cut his interview short and left the set of Sited with Rah Ali after being asked about the ongoing tension between Rick Ross and Drake, two of his longtime collaborators.
The abrupt exit unfolded during a recent taping of Rah Ali’s podcast, where the Hip-Hop artist appeared visibly irritated when the conversation shifted toward his personal life and the high-profile feud.
The interview was going smooth until French Montana, with the rapper revealing longtime associate Max B would be coming home on November 9, which is also French’s birthday.
When asked about his love life, French Montana somewhat dodged the question, but with a good explanation.
“I just want to keep my private life. My private life,” French Montana said. “I feel like every time it hit the media, it just, it was down to s### after that.”
When he was asked about the rift between Ross and Drake—French didn’t just refuse to answer, he suddenly excused himself.
“I’ll be right back I think I double parked my car outside,” he said before walking off-set. He never returned.
The moment added another layer to the already public tension surrounding the Ross-Drake fallout. Ali, clearly surprised, attempted to continue the show but acknowledged the awkwardness.
The Drake-Rick Ross feud, which ran parallel to the Canadian rap star’s beef with Kendrick Lamar, was one of Hip-Hop’s most talked-about conflicts last year, with diss tracks and social media jabs exchanged between the two former collaborators.
French Montana, who has worked closely with both artists, has largely stayed silent on the matter—until now, or instead, until his silence spoke volumes.
Kim Kardashian is stepping into the role of a villain for Amazon MGM’s upcoming live-action Bratz film, as the studio capitalizes on Hollywood’s toy-to-screen trend sparked by 2023’s Barbie.
The project is still in early development, but it is already drawing attention thanks to Kardashian’s casting and the enduring popularity of the Bratz brand, which has sold over 200 million dolls globally since its debut in 2001.
Kim Kardashian’s role marks a return to scripted acting following her stint on American Horror Story: Delicate as well as PAW Patrol: The Mighty Movie and adds a new layer to her evolving entertainment portfolio.
Amazon MGM reportedly landed the rights to the film after a competitive bidding process, hoping to tap into the same cultural energy that made Barbie a box office juggernaut.
According to Variety, the Bratz dolls have maintained strong online engagement, making them a prime candidate for a cinematic revival. The film is being produced in collaboration with Picturestart and MGA Entertainment, the company behind the original dolls.
Writers Charlie Polinger and Lucy McKendrick are penning the script, while Erik Feig and Julia Hammer will produce under Picturestart.
No release date or additional casting details have been confirmed.
New York, New York (June, 20 2025) – Rising rap sensation Neecy J is coming in hot with her boldest statement yet: “ATF” — a hard-hitting, unapologetic anthem made for the girls who know their worth and never lower their standards.
Dubbed the “bad b#### anthem of the summer,” “ATF” is a full-body affirmation disguised as a club banger. From its slick lyrics to its bass-heavy bounce, Neecy J delivers every bar with the confidence of a woman who demands the Birkin life—and refuses to settle for anything less. With a hook that struts like a runway model and shakes like a stadium speaker, this is more than just a record—it’s a lifestyle.
“‘ATF’ isn’t about size—it’s about presence. It’s about knowing you’re THAT girl. If you ain’t got that money, don’t even step.”
— Neecy J
With charisma, bars, and boss energy to spare, Neecy J is carving her own lane and making sure every girl who ever felt “too much” knows she’s just enough. Don’t miss your chance to be part of the movement.
For press inquiries, interviews, or additional information, please contact:
Born Chanice Jonnaé Lee and raised in Charles County Maryland , Neecy J learned her strong work ethic and unshakeable faith from self-made parents who were stamped in their careers; more notably her father who managed professional boxers and made a name in the industry.
Growing up, Neecy’s life revolved around school and sports. Her basketball skills earned her a scholarship to Shippensburg University, where she majored in Communication Journalism with a concentration in Electronic Media. Neecy went on to coach college basketball at Wilson College while obtaining a Masters degree in Leadership and Communications. Her court game was so tight that offers to play pro ball in Europe rolled in. Except there was one problem: She was feeling the music more.
Diddy sat stone-faced in a New York federal courtroom Thursday (June 26) as prosecutors delivered a blistering four-hour closing argument, accusing the Hip-Hop mogul of orchestrating a sprawling criminal enterprise built on coercion, violence and control.
Assistant U.S. Attorney Christy Slavik described Diddy as the undisputed leader of a network that enabled sex trafficking, drug distribution and physical abuse, all to maintain his power and status.
“He didn’t allow the word ‘no,'” Slavik told the jury, laying out a case that has unfolded over 31 days and included testimony from 34 witnesses.
The government’s narrative centered on two women—Cassie Ventura and a woman identified only as Jane—who prosecutors say were manipulated, abused and trafficked across state and international lines.
The prosecution alleged Diddy used his wealth and influence to isolate and dominate them, often with the help of close associates.
Slavik pointed to a 2016 incident at the InterContinental Hotel in Los Angeles, where Diddy allegedly beat Ventura and then paid $100,000 in cash to suppress surveillance footage.
Prosecutors said his chief of staff, Kristina Khorram and longtime bodyguard, D-Roc, helped count the money. The motive, Slavik said, was simple: public exposure would “ruin him.”
The government also accused Diddy of using drugs, including liquid Molly, to control Jane and force her into what were described as “freak-offs” and “Wild King Knights”—sex parties involving multiple partners and paid escorts.
Prosecutors said Diddy threatened to release explicit videos of Jane to her child’s famous rapper father if she refused to participate.
Khorram was portrayed as a key player in the alleged enterprise, responsible for sending drugs and cash to Diddy across the country. Prosecutors argued that these actions, along with the use of cellphones and interstate travel for sex workers, violated federal commerce laws.
The trial also revisited a 2009 incident where Diddy allegedly beat Ventura and confined her to a hotel room until her injuries healed, which they said proved kidnapping.
Prosecutors said he later demanded $20,000 from her family after learning she was romantically involved with rapper Kid Cudi. That same month, Diddy moved $3.2 million through one of his accounts, according to financial records presented in court, so he didn’t need the money – it was all about control.
Slavik claimed Diddy was behind the torching of Kid Cudi’s car, calling it a calculated act of intimidation. Capricorn Clark, one of Diddy’s former assistants, testified that she was ordered to track down Cudi—another act prosecutors labeled as kidnapping.
The government argued that Diddy’s business empire functioned like a kingdom, with young, eager employees willing to procure drugs or sex workers to stay in his favor.
Prosecutors said the abuse extended beyond the women to their families, all to reinforce Diddy’s control.
Diddy’s defense is expected to begin closing arguments tomorrow, June 27 and the jury could begin deliberations.
Atlanta, GA – June 3, 2025 — With an unshakable voice, sharpened pen, and unfiltered authenticity, B Mogul is rewriting the narrative of southern, conscious rap. His latest single, “Don’t Call Me Twin,” is officially out now, and it’s already shaking the pavement with its unapologetic honesty and elevated lyricism.
Rooted in raw storytelling and delivered with timeless conviction, “Don’t Call Me Twin” is more than a flex — it’s a declaration. From diner-table love to back-against-the-ropes resilience, B Mogul speaks for those who stand alone and speak their truth, no matter the cost.
“I’m vintage like a Casio, but I’m moving like a franchise.”
That line says it all. Nostalgic, sharp, and visionary — B Mogul is forging a path on his own terms. The production offers a soulful yet gritty backdrop for his bars, blending Eastern grit with introspective finesse.
“Don’t Call Me Twin” proves that authenticity doesn’t need an introduction — it announces itself. And B Mogul? He’s not just coming up — he’s building something that lasts.
For press inquiries, interviews, or additional information, please contact: [email protected].
About B.Mogul
B.Mogul is an emerging Hip Hop artist hailing from Albany, Georgia, now making waves in Atlanta’s dynamic music scene. Known for his gritty southern flair and sharp lyrical content, B.Mogul brings authenticity, hustle, and heart to every track he touches. Inspired by the
struggles and triumphs of his hometown, his music reflects real-life experiences, raw ambition, and a relentless drive to elevate his voice in the industry.
Since relocating to Atlanta, B.Mogul has been steadily building his presence, performing at local showcases, collaborating with underground producers, and developing a sound that blends Southern storytelling with modern-day hustle. With his eyes set on greatness, B.Mogul isn’t chasing fame—he’s building a legacy.
Naomi Campbell dropped a surprise music update during a pop-up appearance with viral selector DJ AG in London, revealing she’s not only producing but also stepping back into the booth.
The supermodel-turned-recording artist told the crowd she’s working on a remix of her recent collaboration with Miley Cyrus.
“We’re actually working on the remix right now,” Campbell announced. “I’ve been producing, and I’ll be on some other tracks and having fun with music.”
Campbell showed up at the event alongside former British Vogue editor Edward Enninful, where DJ AG—known for spotlighting both emerging and established talent—was spinning.
Earlier this month, Campbell appeared in the music video for “Every Girl You’ve Ever Loved.” The track appears on Cyrus’s album, Something Beautiful.
The song marked a rare return to music for Campbell, who hadn’t released new material since her 1994 debut album Baby Woman.
In an interview with Dazed, Naomi Campbell opened up about the collaboration. “For me, it’s just fun to be able to do something like this, which is not my day job. To be able to be a part of this with [Miley] is an honor, a pleasure, it’s fun. I can play it for my kids one day and say, ‘Look! Mummy did this’. My kids love music.”
Campbell’s first and only album, Baby Woman, was released in October 1994 through Epic Records.
Though it failed to chart in the U.S. and peaked at No. 75 in the UK, the album sold over one million copies globally, thanks largely to strong sales in Japan
In the hip-hop genre, it’s incredibly common for rappers to pursue business ventures. Just look at Jay-Z, who became the industry’s first billionaire thanks not only to his music but also to his diverse business ventures. However, he’s not the only rapper to achieve business success; he’s just the best-known.
Many artists explore and demonstrate their skills well beyond the studio by entering the business world. Increasingly, rappers are moving out of ventures that are directly related to the music industry, like starting their own record label or talent agency. Instead, they’re entering into the world of tech, which has countless opportunities, whether investing in a startup, founding their own tech brand, or partnering with one.
Read on as we explore a few of the many rappers making waves in tech-based industries. We’ll also look at the role of digital branding and the increasing demand for interactive and immersive experiences that resonate with individual user preferences.
The Meeting of Music and Entrepreneurship
The financial power that successful rappers hold enables them to dive into ventures they truly believe in and that they hope will make an impact beyond music. They leverage the credibility and trust they’ve built with their fans and use this to propel their ventures forward. Some stand-out examples of rappers who are excelling in the tech-based business space include Chamillionaire, Nas, will.i.am, and Timbaland.
Chamillionaire
In 2015, Chamillionaire became the entrepreneur in residence for Upfront Ventures, a Los Angeles venture capital firm with a focus on digital media and SaaS startups. He has also shaped an invite-only investment firm called Access 12, focused on supporting Black startups, though its investments extend beyond just digital startups. In 2017, he launched Convoz, a video-based app that encourages people to share their thoughts and opinions on meaningful subjects. People then share them on the app to inspire others, including celebrities, to respond and start important conversations.
Nas
Nas has leveraged his music fame to help him become a prolific Silicon Valley investor. He formed his own venture capital firm, QueensBridge Venture Partners. Through this firm, he invests in a range of tech start-ups, including those in healthcare, fintech, and crypto. Nas’s investments through the firm have included Silicon Valley success stories like Lyft, Dropbox, and Coinbase.
will.i.am
In 2012, will.i.am, of Black Eyed Peas fame, founded the consumer tech company i.am+. It emphasizes developing tech that will shape the music industry and have ripple effects across pop culture. The company is now heavily invested in AI to achieve its mission.
Timbaland
Timbaland, like many hip-hop artists, has incorporated music production into his career and became a cofounder of Beatclub, a music creator platform. While he has stayed firmly in the music world, his latest business venture has been controversial. Most recently, Timbaland has branched into newer tech, with the launch of his AI-centric entertainment company Stage Zero. The company has launched its own AI artist, TaTa, and is expected to create multiple AI artists as the company grows. It’s these artists and the use of AI to create music that’s causing the controversy.
The Rise of the Digital Personal Brand
Rappers like Chamillionaire, Nas, and Timbaland have large audience bases from the success of their music careers. This, undoubtedly, sets them up for success as they begin their business ventures and grow awareness around them. They’ve established a presence in the media and online through avenues like social media that allow them to amplify their personal brands, and through that, their new business ventures.
Through their:
social media,
email, and
website presence,
these rappers can communicate directly with their audience.
There, they can broadcast the latest developments and share them as part of their overall personal brand. They can create branded content around their new ventures that helps them get their ideas off the ground. Essentially, they monetize their content and online presence to get attention and excitement around their persona that goes far beyond promoting their music by also promoting their business ventures.
The Fusion of Music and Entertainment: iGaming and Interactive Culture
Thanks to developing tech, the way rappers maintain and grow their audience through digital-first personal branding hasn’t been the only evolution. Music and entertainment are more closely intertwined than ever, since music tracks are no longer reserved for the soundtrack of movies and shows.
Today, gaming is fused with hip-hop hits, aesthetics, and slang to appeal to player demographics who listen to rap and are immersed in its culture. In some cases, games and platforms are built around artists and their unique personas to gain attention. You can find examples of this genre coming to life in video games (like Grand Theft Auto) and even in the iGaming industry with new slots and other casino games.
The rapper leading the charge in this arena is Snoop Dogg, who partnered with the online gambling platform Roobet in 2023 to become its “Chief Ganjaroo.” Roobet gets to benefit from Snoop Dogg’s global reach—including through his personal brand on social media—and speak directly to his fanbase with branded platform features like:
Snoop Dogg Dollars
Snoop’s High Rollers
HotBox
They create an immersive experience for his fans, complete with voiceovers from Snoop himself and custom soundtracks.
The fusion of music and gaming creates an interactive experience with the genre, in which players aren’t just selecting a song and listening; their interactions with the game cause the music to respond to their actions. This level of personal interaction is not only growing in demand across entertainment experiences, but also helps business ventures, like partnering with Snoop Dogg, take off.
Why Rappers Are Thriving as Digital Entrepreneurs
While it’s hard to pinpoint exactly what drives so many rappers to try their hand at business, it’s easy to see why the rappers who take these business gambles find success. Determination and dedication play key roles. It takes a determined mindset, along with an unwavering commitment to the process and the work, to succeed in the competitive music industry and to make it in business. But there are also other factors at play—like having a loyal fanbase, being authentic to their personal brand, and having the funding to draw from.
A loyal fan base can help rappers launch their business, but if it doesn’t align with the personal brand they’ve built with these fans, it will do more harm than good. The rappers who are excelling in digital entrepreneurship are doing so because they’ve carefully aligned their business with themselves and how their audience perceives them. For instance, Chamillionaire’s venture capital firm and the steps that led him there were all rooted in problems he saw while starting in the music industry, like piracy, and wanting to understand what could be done. It was a natural growth that moved alongside the development of his brand.
Producer and rapper Pharrell Williams is coupling his entrepreneurial spirit and activism with the launch of Black Ambition, an incubator for Black and Latinx entrepreneurs launching startups in tech, design, healthcare and consumer products https://t.co/80gqBEE6Wm by @Immeltypic.twitter.com/oSIP0LVt4u
We also can’t forget that rappers who are moving into business ventures are doing so with the success of their music careers financially supporting them. This opens up many doors, enabling them to take more risks and to support their ventures when and where needed.
The hip-hop genre has always pushed limits, challenging artists and inspiring their listeners, so it’s no surprise that its artists do the same in their business ventures. The focus on digital brands is helping to bring new startups and ideas to the forefront in such a powerful way that the next tech brand to shake up daily lives might not be from Silicon Valley—it might be emerging from a music studio.
PG Soft’s Butterfly Blossom is a visually stunning nature-based gaming experience that entices users by way of intricate animations and innovative mechanics. The medium volatility slot is an example of the developer’s focus on mobile design with related features crafted to cater to casual gamers and professional players. A play of the demo slot PG Butterfly Blossom reinforces the fact that the game integrates sophisticated gameplay features in soothing butterfly garden imagery that creates a life-like gaming atmosphere.
Released in March 2022, Butterfly Blossom is the signature of PG Soft’s ability to create visually appealing games with smooth performance on multiple device platforms. The 5×3 reel set and 20 paylines of the slot guarantee easy-to-understand gameplay mechanics combined with complex bonus features that keep the player entertained throughout extended periods of play.
Visual Design and Atmospheric Elements
The game transports players to a peaceful butterfly garden within lush flora and peaceful water features. Symbol graphics forego traditional playing card symbols for stunning flower varieties like roses, tulips, dahlias, and bluebells that create a realistic botanical atmosphere. All the symbols display meticulous attention with petals, leaves, and color transitions beautifully crafted in high definition that maintains visual integrity at different screen resolutions.
Background animations have some movement, which adds to the immersive experience without causing distractions in the gameplay. Sunlight filters through leaves, water ripples on the pond slightly, and fluttering butterflies from time to time give life to the static reels. These atmospheric moments show how PG Soft is keen on developing full gaming environments instead of mere spinning mechanisms.
Sound design also adds to visual elements with soothing nature sounds, soft musical background, and nice audio effects for winning and bonuses. The sound never overpowers, leaving the slot quiet but still providing crucial gameplay information through clear sound indicators.
Unique Transmuting Wild Gimmick
Butterfly Blossom’s distinct feature is its transmuting wild feature that emulates butterfly lifecycle stages in nature. Wild symbols initially manifest as caterpillar symbols that appear in winning combinations before they transform into cocoon symbols. The cocoons transform into beautiful butterflies when part of the subsequent wins.
Every transmutation stage has unique benefits:
Caterpillar Stage: Acts as normal wild, substitutes regular symbols
Cocoon Stage: Sticks for one additional spin
Butterfly Stage: Drops +5 to rightmost multiplier before disappearing
The growth mechanic creates tension as the players watch wilds go through their life cycle, acquiring massive multiplier values due to ongoing winnings. The feature is enhancing strategy without compromising the integrity of the slot game’s nature theme.
Free Spins and Multiplier Boost
Spinning three scatter symbols on the reels anywhere triggers the free spins bonus feature, initially awarding eight free spins with higher multiplier values. During this feature, the base game multipliers 1x, 2x, 3x, and 5x are enhanced to 3x, 6x, 9x, and 15x respectively.
Free spins additional scatters contribute more to the feature:
One scatter: +2 additional spins
Two scatters: +3 additional spins
Three scatters: +8 additional spins
The combination of the wilds turning plus wilds and more substantial multipliers in free spin leads to big rewards, with the +5 bonus on the butterfly wild proving particularly helpful combined with the 15x top multiplier.
Casino sites with Butterfly Blossom tend to present it in conjunction with other PG Soft offerings, where players can get used to the similar themes while experiencing the difference in mechanics. Slots such as demo slot PG Mafia Mayhem and demo slot PG Soft Lucky Neko reflect the variety the developer can create across themes and volatility to enable players to determine their gaming choice prior to using actual money.
Final Assessment
Butterfly Blossom performs as an enticing eyesore and fun slot machine, with groundbreaking features wrapped in idyllic natural themes. Although the highest potential win of 7,125x doesn’t look nearly as massive as some volatility-optimized choices, the consistent hit rate of the game and the generous RTP provide value for players seeking well-balanced gaming sessions.
The revolutionary wild mechanic separates Butterfly Blossom from other nature-themed slots, creating new gameplay experiences that reward players with long periods of play. PG Soft has developed a game that will appeal to players who appreciate both the aesthetic value and the mechanical novelty in slot gaming choice.
Scott Storch revisited his early days with The Roots during a recent interview where he aired out long-standing frustrations and said he walked away from the group because he felt “very underappreciated.”
The veteran producer made the remarks to conservative entrepreneur Patrick Bet-David on his “PBD Podcast.”
“I started in The Roots and did a lot of stuff for them,” Storch began. “I was the guy who, again, came up with a lot of the nucleus of what that s### was, and I left the group and was told that I was like the Pete Best of The Roots.”
Pete Best, often referred to as the “forgotten Beatle,” was famously replaced just before The Beatles reached global superstardom.
Storch compared his exit to that moment, claiming his departure wasn’t just professional—it hit him personally.
Storch, who joined The Roots in the early 1990s as a keyboardist, said he couldn’t continue touring with a group that didn’t value his contributions.
“I’m not going to go on the road with a bunch of guys that don’t appreciate me and be like, ‘That’s the white guy who plays keys in The Roots’,” he said. “No, I’m the f###### guy coming up with all the s###.”
He also said he was subjected to racial insults. “They call me the white devil,” he claimed. “I’m like the most harmonious, loving, nonracist person ever and it just hurt me.”
Storch claimed that even after he left in the mid-1990s, some members of The Roots mocked him for working with Dr. Dre.
“They were like, ‘Ah, you working with Dre 10 years too late, bro. Good luck,'” he said.
Nonetheless, Storch said and Dre “went on the run of runs” and claimed The Roots were “haters.”
While Bet-David tried to dismiss The Roots by asking, “What happened to those guys?” Storch acknowledged their continued relevance.
“I’m not trying to just dog them,” he said, pointing out their longstanding role as the house band on NBC’s The Tonight Show Starring Jimmy Fallon.
Social Media Users React To Scott Storch’s Remarks About The Roots Comments
Clips from the interview circulated online, drawing mixed reactions.
One person wrote, “This is why everyone shouldn’t be allowed into the culture. His beef with them being played out in front of old white men that could care less about hip hop, is disrespectful. Alchemist would never.”
Another added, “No shade on him – but The Roots are STILL the greatest Hip Hop Band in history – with him or without – They’re doing just fine.”
Others still referenced the recent controversy surrounding his ex. However, Storch did not address his ex-girlfriend’s viral racist rant or the backlash over his public support of Donald Trump during the interview.
In addition to their talkshow slot, The Roots continue to perform live, with recent concerts and appearances. The group also hosts their own annual music festival, The Roots Picnic, launched in 2008.
Furthermore, last year Questlove hinted The Roots are set to drop their first album in over a decade later this year.
