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Influencer Ashton Hall Ran—Then Rode Bike From Alleged Fight

Ashton Hall is the big, muscle-bound man that one would think would put other people’s face in the sand. But that is not the case for this viral influencer. According to the internet and a recently posted video, Hall ran away from Mo Deen in Westfields.

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Who is Mo Deen? This is my first time hearing about bro. Well, the internet says, “Mo Deen is a vlogger who is known for his videos on TikTok and YouTube. He films videos of himself, usually with other people.” Well, that is pretty simple. I’m not sure if there’s more to this, but Ashton was scared.

The internet seemed to think Ashton was in fear that Mo Deen had a knife on him. So, the man know for running in viral vids ran out of the mall in a panic. And then, in a sudden twist, he grabbed a random kid’s (yute) Lime bike to solidify his great escape. What caused this?

I haven’t been able to get to the true bottom yet. but I have seen Mo Deen making fun of Brother Ashton. Check this out.

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Even though I never heard of Mo, that doesn’t mean a lot. Jake Paul does. He mocked him recently.

ANYWAY…if you are still here, you know this marks the second loss Ashton Hall has taken recently. Here is the other one…60,000 actually.

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Lastly, Ashton had a press conference explaining what happened. Here you go. (I’ll watch it later).

Nelly Reveals Parenting Hacks At Age 50

Nelly juggled diapers and reality TV as he opened up about raising a newborn at 50 while preparing to debut a new series with Ashanti on Peacock.

The Hip-Hop veteran and the R&B singer welcomed their first child together, Kareem Kenkaide, in July 2023, just months after tying the knot.

Now, the couple is pulling back the curtain on their home life in Nelly & Ashanti: We Belong Together, premiering Thursday, June 26.

During an appearance on NBC’s Today, Nelly didn’t hold back about the realities of parenting later in life.

“Listen, I told her before we had this baby, I said, ‘Now listen, I’m here. But chasing toddlers at 50…'” he said, trailing off with a laugh.

He added, “I said, ‘As many as you want, but as many nannies as we can afford.’ I pay for a professional chaser.”

Ashanti, 44, also spoke about the adjustment to motherhood, admitting in the show’s trailer, “KK is my first child, so I’m a little more frantic.”

Nelly chimed in with his own laid-back approach: “My parenting style is just don’t burn down the house.” The couple’s new docuseries promises a behind-the-scenes look at their day-to-day lives, from parenting to performing.

“We are really in real life managing our lives together, our child, our careers, traveling, getting those moments, the cameras, it’s a lot,” Ashanti said on Today.

Nelly is no stranger to fatherhood. He shares two adult children—Chanelle Haynes, 31, and Cornell “Tre” Haynes III, 26—with his ex-girlfriend, Chanetta Valentine.

In 2005, he also adopted his late sister Jackie’s children, Shawn “Lil Shawn” Thomas Jr. and Sydney Thomas.

Nelly & Ashanti: We Belong Together premieres June 26 on Peacock.

JAY-Z, Beyoncé & Super Bowl Smoke: Is Hov Plotting Ultimate Clap Back?

JAY-Z lit up Paris with Beyoncé this past weekend in a performance that folks are calling nothing short of legendary. That might be the other way around, but you get what I am saying. The Carters gave the City of Light a moment to remember. I wish I was there. I would’ve gladly stood in the rain wearing a Roc Nation hat in “formation” to witness that. Of course, there’s more brewing beneath the surface.

Now, let’s walk around the block for a minute.

Nicki Minaj, who has been very vocal lately, recently threw some verbal jabs in Jigga’s direction. According to her, JAY-Z and Roc Nation weren’t exactly the most supportive of her career. In fact, she’s claimed they tried to “put a kibosh” on it altogether. That’s not a little accusation. That’s a big one. Add that to her earlier gripes about the Super Bowl lineup not featuring Young Money, and this rumor I’m about to tell you gets WAY MORE interesting.

READ ALSO: Nicki Minaj Hints At Explosive Roc Nation Revelations In Cryptic Tweetstorm

Word on the curb is that JAY-Z might be the frontrunner to headline the next Super Bowl Halftime Show.

Now that would be what I like to call Apex Petty.

Let’s break this down.

Earlier this year, Lil Wayne expressed his disappointment that he wasn’t tapped to rock the halftime show. Instead, the NFL rolled with Kendrick Lamar—and that was the right choice. Nicki chimed in and said, essentially, throw the whole halftime team away and run Young Money. So if JAY-Z, who has a whole hand in curating these performances through Roc Nation’s NFL deal, chooses to step into the spotlight himself? Woo-Hoo! That’s a chess move.

It would be a power play on multiple levels.

First, it fires back at the criticisms without saying a word. Second, it potentially opens the door for JAY-Z to re-enter the musical arena with the type of rollout only he could orchestrate. You know Hov doesn’t release an album unless he’s going straight to No. 1. And let’s not forget, he’s been relatively quiet on the music front, letting Beyoncé cook instead. I think they’re slowly building out their family empire. But a Super Bowl performance? That’s how you make noise and continue legacy at the same time.

Plus, if Queen Bey hops on for a quick “Crazy in Love” moment—GAME OVER. God forbid they do a new song. Now, this is just a rumor, but something tells me there’s some smoke here.

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EXCLUSIVE: Solar Won’t Leave DJ Premier Alone—Once Again Suing Over “Gang Starr” Name

Solar, the controversial producer once branded the most “evil man in Hip-Hop,” is suing DJ Premier in a new bid to block him from using the Gang Starr name and logo while also demanding a share of the group’s earnings.

The lawsuit accuses Premier, along with Ill Kid Music Inc., Guru Productions Inc. and unnamed parties, of copyright and trademark infringement.

Solar, who worked with the late Guru during the rapper’s final years, claims he owns rights to the Gang Starr brand and wants the court to stop Premier from profiting off it.

According to court documents, Solar alleges that Premier and his affiliates “have used and continue to use Plaintiff’s copyrighted works and trademarks without authorization and have failed to pay royalties owed.”

He also claims they “have received and retained royalties and other income from the exploitation of Plaintiff’s works.”

The legal dispute stems from Solar’s collaboration with Guru on multiple projects under the 7 Grand banner. Solar says he co-wrote, produced and/or performed on Gang Starr’s album  The Ownerz as well as their final release, One of the Best Yet, and the track “Battle” from the 8 Mile soundtrack.

After Guru passed away from cancer on April 19, 2010, a bitter legal fight erupted over his intellectual property.

A lower court eventually ruled against Solar, and in March 2014, ruled in favor of Guru’s estate. The ruling stated that Solar did not own or have any rights to Guru’s creative works, recordings or certain trademarks, including “Gang Starr” and Jazzmatazz.

The court also found Solar to be dishonest and ordered him not to use or transfer those trademarks except to Guru’s estate.

On appeal, the Appellate Division partly agreed, retaining the decisions regarding trademarks and embezzlement of estate funds, but overturned the rulings concerning some of Guru’s creative works.

It also reduced the amount Solar had to pay the estate and removed some restrictions from the original order.

However, in December 2024, a judge permanently dismissed the Trademark Infringement, false designation of origin and copyright infringement claims.

Solar’s claim for unfair competition and conversion was dismissed as well, but the judge allowed them to be brought to court again in the future. Solar appealed the decision, which is still pending.

Despite the earlier dismissal of Solar’s claims for Copyright and Trademark Infringement being made permanent, he’s pursuing DJ Premier and the others again.

His latest attempt claims that Premier is using his contributions without credit or compensation and he’s once again suing the legendary producer for copyright and trademark infringement.

Solar is now seeking to have the court award damages, block further use of the disputed material and cover his legal fees.

Trademark records viewed by AllHipHop indicate that the original Gang Starr trademark was registered by Guru Productions in 2007, but it was subsequently abandoned. Solar filed for the trademark in 2011 and again in 2021; however, both applications were abandoned and are currently listed as “dead.”

Solar’s role in Guru’s final years remains a sore spot in the Hip-Hop world. He was accused of isolating the rapper from his family, controlling his communications and allegedly pushing him to keep working despite his illness.

Solar has denied those claims, insisting Guru was entirely in control of his decisions, but Guru’s family and much of the Hip-Hop community have long questioned Solar’s intentions. The lawsuit, filed more than 15 years after Guru’s death, is likely to reignite those tensions.

Cardi B Drops “Am I The Drama” Covers Along With Collectable Artwork

Cardi B dropped the curtain on her long-awaited second album, Am I The Drama?, with a dramatic visual rollout and a confirmed release date of September 19, 2025.

The Grammy-winning rapper unveiled two striking covers for the project, along with a deluxe collector’s box set now available for pre-order.

The standard cover shows Cardi B in a sculpted crimson coat with sharp shoulders and matching stilettos, surrounded by ominous crows flying through a gray sky.

A raven perches on her heel while another swoops above, adding a theatrical edge to the old Hollywood-inspired look.

A second version of the artwork offers a close-up of her face partially hidden by a crow’s wing, framed by a blood-red hat and matching cloak.

The limited edition box set includes the album, exclusive artwork, and custom packaging. The interior of the red box reads “YES I AM” in gold, while the outer design features Cardi B reclining in the same dramatic outfit from the main cover.

Also inside is a vintage-style poster styled like a noir film promo. The image shows Cardi B as a femme fatale with the word “VILLAIN” stamped across the bottom and a cheeky hotline number: “Call for trouble! 1-800-DRAMA.”

The visuals and packaging lean into the album’s theme of spectacle and self-awareness, with Cardi fully embracing her public persona.

Am I The Drama? marks her first full-length studio album since 2018’s Invasion of Privacy, which earned her a Grammy for Best Rap Album and solidified her place in Hip-Hop’s upper echelon.

She teased the announcement earlier in the day on June 23, then posted the artwork alongside a cryptic message: “Seven years and the time has come. Seven years of love, life and loss. Seven years I gave them grace, but now, I give them hell. I learned power is not given; it’s taken. I’m shedding feathers and no more tears. I’m not back; I’m beyond.”

She ended the note with a brash declaration: “I’m not your villain; I’m your tyrant. The time is here. The time is now.”

The announcement came just days after Cardi debuted her new single “Outside.”

Pre-orders for Am I The Drama? are now live ahead of its September 19 release.

Nicki Minaj Says She’s Being Watched & Shadowbanned On Social Media

Nicki Minaj unloaded a barrage of accusations and cryptic messages on X over the weekend, claiming interference with her music career and personal life has kept her from releasing new material since her December 2023 album Pink Friday 2.

The Hip-Hop heavyweight told her 28 million followers she’s been dealing with what she called a “distraction,” alleging everything from family sabotage to social media manipulation.

“Needing the Barbz is \@ an all time high for every distraction,” she wrote. “So let me start talking about what I’ve found out. About them. Real juicy. Confirmations. #MakeABaby #BannedFromNO #PaidMoles Order in the court.”

Minaj, 42, suggested that someone is actively trying to destroy her marriage to Kenneth Petty, with whom she shares a four-year-old son. “Trying to tear a husband away from his wife & family with lies & friends in high places. Yuck,” she posted. “no one hates a happy marriage more than ppl in an unhappy one.”

She also claimed she and her Barbz have been targeted online, alleging that their posts are being flagged or hidden. “Barbz save all info on everytime you get flagged or suspended & what platform it’s on… They don’t want you to see what I’m liking. So that feature was demolished. Listening devices. Cameras. Car tags. Pages you don’t follow under the ‘following’ section of X now? Hmmmmmm. Do I get paid for that?”

When a user mentioned her absence from TikTok, Nicki Minaj responded that she believes her accounts have been compromised. “They’ve had access to my accounts on all platforms. I didn’t change the passwords either… And you have no idea how disgusting it gets. Enough is enough.”

In another post, Minaj appeared to throw shade at Memphis Bleek, a longtime associate of Jay-Z and former Roc-A-Fella artist. “Let’s call Goofy Bleek to the rescue,” she wrote. “Would you continue working in a field where you were maliciously being kept away from your audience while everyone pretends to be mute?”

Over the weekend, Nicki reposted shocking allegations by Demoree Hadley, the daughter of Roc Nation CEO Desiree Perez.

Hadley is suing her mother for having her committed to a mental health facility against her own will.

During a livestream, Hadley claimed Perez and Roc Nation could be involved in a conspiracy to ruin Nicki Minaj’s career.

As of now, neither Minaj, Memphis Bleek, nor representatives from Roc Nation have issued public statements addressing the remarks.

Nicki Minaj’s last album Pink Friday 2 dropped in December 2023.

Nas Clowns Jim Jones In Viral 2005 Footage As Dipset Rapper Reignites Feud

Nas clowned Jim Jones in a resurfaced video from 2005, brushing off the idea that the Dipset rapper ever deserved a lyrical response, just as their renewed rivalry has reignited online.

“Imagine putting pen to paper to write about him,” Nas said to a laughing crowd in the throwback clip, which has been making the rounds again following Jones’ recent claims that he’s more impactful than Nas.

The Queensbridge icon didn’t stop there. “I’m not anxious to hear the Jim Jones diss record,” he added, explaining that Jones never made his peers “nervous” the way rappers like Notorious B.I.G., Tupac Shakur, Canibus and Eminem did.

“You had to go hard against rappers like them,” Nas said.

He continued roasting Jones with a smirk, saying, “But these n#####, like a Jim Jones,” before an audience member interrupted with, “Who the f### is that?” Nas didn’t miss a beat: “Exactly.”

The clip resurfaced just days after Jones stirred up debate by claiming on the “Joe and Jada” podcast that he has more hits than Nas and is more relevant to younger listeners.

His words lit up social media and led to a tense back-and-forth with Shannon Sharpe on the “Nightcap” podcast.

Sharpe didn’t hold back, asking, “What were you smoking when you said you’re better than Nas?” while defending Nas’ legacy.

Jones clapped back, mocking Sharpe’s style and doubling down on his claims.

Despite the heated exchanges, Jones later admitted on Instagram that his Nas comparison was part of a calculated move to boost his streaming numbers.

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The original clip of Nas dismissing Jones was reportedly filmed in 2005. During the early 2000s, Dipset frequently took shots at Nas on mixtapes and radio freestyles.

Diddy Haggled Over Escort Rates, Demanded Large Amounts Of Baby Oil “In This M###########”

Diddy bargained over escort prices and used his corporate empire to bankroll sexual encounters, according to federal testimony presented on June 23 in his ongoing racketeering and sex trafficking trial in New York.

Jurors spent Day 28 of the trial listening to Homeland Security Investigations agent Joseph Cerciello walk them through a digital trail of hotel bookings, flight records and financial transactions prosecutors say were used to traffic Combs’ former girlfriend, referred to in court as “Jane.”

Cerciello produced texts showing Diddy personally negotiated with Cowboys 4 Angels, a male escort service, to lower prices despite his billionaire status.

In one message, Diddy allegedly told a representative, “Stop raising my rate. I am a long-timer.”

The jury also viewed explicit video files labeled “freak-off” that were allegedly filmed between December 17 and December 21, 2021. Cerciello said agents found 50 such files in Combs’ possession.

Prosecutors say the videos and financial records are part of a broader pattern showing Diddy used his companies and staff to organize and fund sexual encounters and held on to the videotapes to force participants into silence.

One male escort flew from Atlanta to Newark in September 2023 and stayed at the Trump International Hotel & Tower in New York. The $2,890 bill was charged to Diddy’s American Express card, according to Cerciello.

His Chief of Staff, Kristina Khorram, appeared to help coordinate logistics. In one text, she mentioned booking a room at the Waldorf Astoria Las Vegas and placing Plan B in the nightstand.

The jury also heard a voice message from Diddy to Khorram requesting “more baby oil, 20 bottles in this m###########.”

Prosecutors presented a $5,000 wire transfer from Diddy to Jane and demonstrated that Bad Boy Entertainment had covered her travel expenses. In contrast, Jane paid for the travel of another individual named Cabral, according to Cerciello.

The government is expected to rest its case on Tuesday (June 24) after Cerciello’s testimony, which capped five weeks of detailed allegations that Diddy used his wealth and influence to orchestrate a sex trafficking network under the guise of business.

Drake Faces Brutal Backlash After Appearing With Morgan Wallen In Houston

Drake drew heavy criticism over the weekend after walking out with Morgan Wallen during the country singer’s show in Houston, reigniting outrage over Wallen’s past use of a racial slur and raising fresh questions about Drake’s standing in the Hip-Hop Community.

The Toronto rapper appeared alongside Wallen and baseball icon Roger Clemens in a moment that quickly went viral—not for the music, but for the optics.

Many in the Hip-Hop community saw the move as a calculated attempt by Drake to tap into Wallen’s massive fanbase, even if it meant aligning with someone whose past behavior remains a sore spot.

“Drake came out as a guest for someone that was calling us n###### a few years ago… Not like us indeed,” one user posted on X, referencing Kendrick Lamar’s diss “Not Like Us.”

In that song, Lamar accused Drake of exploiting Black culture, labeled him a “colonizer” and questioned his authenticity in Hip-Hop.

The online backlash was swift and brutal. “Drake being buddy buddy with a white man who calls Black people the hard -er makes a lot of sense actually. this is the same man who thought ‘rapping like you tryna free the slaves’ was an insult,” another person wrote.

Critics also pointed to a deeper pattern in Drake’s career, arguing that his recent public losses—especially to K. Dot—have left him scrambling to maintain relevance.

“Yall was comparing Drake to Tupac earlier LMFAO pac had BLACK PANTHERS in his family,” another user added. “This idiot asked Kendrick why he ‘tryna make the slaves free’ and now on stage w. a white man who says n####…he been ignorant & tone deaf his entire career.”

Morgan Wallen Sparked Outrage For Using Racial Slurs

Wallen, who in 2021 was caught on video using the N-word outside his home, faced widespread fallout at the time.

He was suspended by his label, pulled from radio and streaming playlists, and barred from major music awards. Though he has since returned to the spotlight, his name still carries controversy—especially in communities that haven’t forgotten the incident.

Drake’s appearance wasn’t just a surprise—it was seen by some as a betrayal. Hip-Hop commentators argued the move further distances him from the genre that helped build his career. Some labeled the moment “atrocious” and “cringe,” accusing him of chasing clout at the expense of integrity.

The collaboration also fits a pattern for Wallen, who has brought out big-name guests throughout his tour. But none have stirred the kind of backlash Drake’s walkout did.

High Stakes & Hip-Hop: When Rappers Hit Casino Floor

The thrill of the casino, with its flashing lights, high stakes, and unfiltered energy, has become a powerful symbol within hip-hop culture. From the shuffle of cards to the spin of the roulette wheel, the gambling world reflects the boldness, hustle, and hunger for success that define the genre. 

For many rap artists, casinos represent more than just entertainment, they’re metaphors for risk, ambition, and reward. Whether through lyrics, lifestyle, or business ventures, rappers have embraced the casino as a backdrop for their narratives of triumph and danger.

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Why Casinos Appeal to Rappers

The culture surrounding casinos resonates deeply with the image many rappers cultivate: luxury, exclusivity, and control. From private VIP rooms to extravagant wagers, physical casinos provide a backdrop that amplifies themes of wealth, hustle, and bravado. 

So, for many rappers, gambling has become more than a pastime; it’s a narrative tool that reflects both the risks taken to reach the top and the rewards of having arrived.

As life becomes increasingly digital, many artists are also turning to online casinos as a more flexible alternative. According to them, these platforms retain the allure of traditional casinos but add layers of convenience, discretion, and variety. Notably, Onkaji’s demo play feature allows players, including rappers new to the scene, to explore games freely, learn the mechanics, and build confidence before placing real bets. 

Gambling as a Lyrical Canvas

In hip-hop, words are weapons, and gambling provides a rich vocabulary for crafting vivid narratives. The language of dice, cards, and bets serves as a powerful metaphor for life’s uncertainties. 

Artists draw parallels between the risks of the casino and their personal journeys, where every move carries the weight of potential triumph or defeat. For instance, in his track Vegas, Kendrick Lamar uses casino slang to compare love to a high-stakes game, rapping about blackjack and rolling the dice to underscore emotional gambles.

Similarly, Ghostface Killah’s Pokerface incorporates poker terminology, equating strategic bluffing to navigating the music industry’s pressures.

These lyrical references do more than paint pictures – they humanize the artists’ struggles. The casino becomes a stage where rappers confront fate, much like they face systemic barriers or personal challenges. 

Hip-Hop’s Influence on Gambling

Hip-hop’s reach stretches far beyond music, reshaping industries like gambling with its cultural firepower. Rappers have become prime targets for casinos, especially digital platforms looking to harness their star power.

A standout example is Drake’s partnership with Stake Casino, a cryptocurrency-based betting platform that’s redefined online gambling. Since 2022, Drake has elevated Stake’s profile through live-streamed betting sessions, where he wagers millions on games like roulette. 

This influence flows both ways. Casinos lean into hip-hop’s aesthetic to craft experiences that vibe with rap fans. From slot games like Hip Hop Panda to marketing campaigns pulsing with trap beats, gambling brands tap into the genre’s energy to create immersive, culturally relevant experiences. 

Casinos as Cultural Symbols in Hip-Hop

Beyond bets and business, casinos hold a deeper significance in hip-hop as emblems of triumph. The glittering lights of Las Vegas or the virtual dazzle of online platforms symbolize the pinnacle of success, a world where artists who once faced adversity now command the table. 

Music videos often depict rappers surrounded by chips and champagne, a visual shorthand for having made it. This imagery resonates because it reflects hip-hop’s core narrative: the journey from struggle to sovereignty.

Where Culture and Risk Collide

The relationship between hip-hop and gambling is more than stylistic. We see it as a reflection of shared values rooted in risk, resilience, and reward. From smoky backrooms to digital platforms, casinos represent the high-wire act that mirrors many artists’ rise to fame: uncertain, unpredictable, but often thrilling. 

In this cultural landscape, the casino becomes a true canvas for self-expression, and a proof of the enduring parallels between life at the table and life in the spotlight.

Cardi B Declares War On Her Past In Haunting Album Teaser

Cardi B hinted at a rebirth in a cryptic teaser for her long-awaited second studio album, her first full-length project since 2018’s Invasion of Privacy.

The Bronx-born rapper posted a dramatic video on Sunday (June 22), standing in a dark, moody field surrounded by circling crows.

She began, “Seven years and the time has come. Seven years of love, life and loss. Seven years I gave them grace, but now, I give them hell. I learned power is not given; it’s taken. I’m shedding feathers and no more tears. I’m not back; I’m beyond.”

Cardi concluded, “I’m not your villain; I’m your tyrant. The time is here. The time is now.”

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The teaser arrived just days after Cardi B premiered her new single “Outside” live at a Spotify event in Cannes, France, on Friday (June 20). The track, her first solo release of 2025, channels raw emotion and defiance, with many interpreting the lyrics as a response to her public split from Offset.

Cardi B Kicks Off Album Rollout With New Single “Outside”

Though “Outside” has been well received, Cardi made it clear the rest of the album won’t follow the same sonic path.

“I’m happy that you guys love ‘Outside,’ but I just cannot wait for you guys to listen to my album,” she said. “I know you guys think that my songs are gonna be sounding like that, and it’s not. I also heard somebody say that my songs are gonna be like ‘Bongos.’ I’m coming very different. It’s a completely different vibe, but a good vibe.”

She also confirmed that the upcoming album will feature both familiar and fresh collaborators, although she didn’t reveal any names.

The official title and release date remain under wraps, but Cardi hinted at more news coming very soon. “TIMES UP,” she wrote alongside the teaser clip. “I got an announcement to make tomorrow.”

Cardi’s last album, Invasion of Privacy, won the Grammy for Best Rap Album and set streaming records, making her follow-up one of the most anticipated projects in Hip-Hop.

Harlem Rapper T-Rex Collapses Onstage During URL’s NOME 15 Battle With Geechi Gotti

T-Rex is recovering after suffering an apparent seizure onstage during his headline battle against Geechi Gotti at Ultimate Rap League’s NOME 15 event Sunday night (June 2) in New York.

The Harlem battle rap icon was midway through his first round when he suddenly collapsed, prompting staff to rush to his side.

The livestreamed event quickly turned serious as the crowd fell silent and paramedics arrived to transport him to a hospital.

Footage of the incident showed T-Rex performing before abruptly collapsing. Battle rap media outlet Let’s Talk Battle Rap later provided an update, posting, “Rex was conscious before the Paramedics left to the hospital.”

The incident sparked an outpouring of concern across social media, with viewers sending prayers and well-wishes.

Fellow Harlem battle rap legend Murda Mook reassured everyone shortly after the incident, tweeting, “Rex is Good yall! Thank everyone.”

Compton native and champion battle rapper Gotti also checked in with an update after visiting Rex in the hospital.

“Prayers up for Rex,” he tweeted. “Just saw my boy in the hospital! He was doing better let’s continue to pray for bro and send good energy his way!”

Later that night, Rex broke his silence on social media, thanking a nurse friend who was onstage during the emergency. “Thank god for JuJu,” he wrote. “I appreciate you so much.”

According to reports, Rex was released from the hospital late Sunday and is now recovering.

The NOME 15 card was stacked with Hip-Hop royalty and battle rap heavyweights. French Montana, Benny The Butcher and Conceited were all in the building to witness the highly anticipated matchup. Other rappers on the card included Tay Roc, T-Top and Ms. Hustle.

Charleston White Crushes Island Boy Twin In Wild Viral Boxing Match

Charleston White defeated Island Boy Kodiyakredd in the second round of their headline bout at Adin Ross’ Brand Risk 008 influencer boxing event in Nashville on Sunday night (June 22), delivering a powerful punch that sent social media into a frenzy.

The matchup, streamed live and free on Ross’ Kick channel, ended with a technical knockout after White landed a clean shot that forced the Island Boy to retire.

Charleston White Knocks Down Island Boy Before Retirement

The crowd erupted, and the internet followed suit with memes, disbelief and plenty of side-eye commentary.

Leading up to the bout, the tension was already boiling. At the pre-fight press conference, White shoved Kodiyakredd in the face and mocked his skills, making it clear this wasn’t just for show.

The fight itself was short but chaotic. White, who is more known for his controversial online persona than athleticism, came out swinging. Kodiyakredd, one-half of the viral Island Boys duo, struggled to keep up. By round two, it was over.

The event, which featured nine total fights, was billed as a showdown between internet personalities with real-life beef. But it was the main event that stole the spotlight, thanks to its absurdity, trash talk and unexpected outcome.

Social media reactions poured in immediately.

One viewer posted, “Yall thought an OG TX n#### wasn’t gone train for the fight? They gone have to hear Charleston White mouth for the next 30 years.”

Another joked, “Lmfao that Charleston White vs Kodak Red fight was rigged asf. Ain’t no way you lost to somebody with 1 eye, let alone he 30 years older than you. Bro couldn’t even move, was outta breath in the first.”

A third added, “Charleston White just beat up one of the Island Boys. 2025 is not real.”

JAY-Z & Beyoncé Set Paris Ablaze With First Joint Performance Since 2018

JAY-Z sent the Stade de France into a frenzy Saturday night (June 22) when he unexpectedly joined Beyoncé on stage during the final Paris stop of her “Cowboy Carter” tour, marking their first joint performance in nearly seven years.

The Hip-Hop mogul emerged mid-set to rap his verses on their 2003 smash “Crazy in Love,” igniting deafening cheers from the packed stadium.

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Beyoncé hyped the moment even further, urging the crowd to show love for her husband.

The energy didn’t dip as JAY-Z launched into his anthem, “N**as in Paris,” while the crowd rapped along word for word.

The couple then delivered a sultry rendition of “Drunk in Love,” the first time the track had been performed live during the “Cowboy Carter” tour. Their onstage chemistry drew loud applause and capped off a night already stacked with surprises.

This marked the first time Beyoncé and JAY-Z have performed together since the Global Citizen Festival in Johannesburg back in December 2018.

The evening was a full-on family affair. Their daughter Blue Ivy hit the stage as one of the dancers, while Beyoncé’s mother, Tina Knowles and Kelly Rowland watched from the audience.

Cardi B, dressed in a cowboy-inspired outfit, was also turning up with Tina Knowles and Rowland. Beyoncé’s mom even posted a clip of Cardi rapping along to JAY-Z’s “N**as in Paris.”

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Earlier in the week, JAY-Z publicly praised his wife during an interview at Fanatics Fest in New York City on Friday (June 20).

Young sports reporter Elijah Bloom asked him to name his favorite collaborator. Without hesitation, he called Beyoncé “the best. He added, “She’s amazing. She’s an incredible songwriter and an incredible performer.”

The concert wrapped the European leg of Beyoncé’s “Cowboy Carter” tour. The next stop is the United States.

R. Kelly’s Fiancée Breaks Silence To Address “Sex Slave” Claims Amid Baby Plans

Joycelyn Savage shut down years of speculation and family accusations on Sunday night (June 22) by declaring her loyalty to R. Kelly, denying claims that she’s being held against her will and insisting they’re planning a family together.

“I am not a victim,” Savage said in a video message, directly addressing the long-standing allegations from her parents. I’ve been with Robert for 10 years. He has been incarcerated for six years, and I have seen him every weekend for the past six years.”

The 29-year-old said she proposed to the embattled singer three years ago and that the couple is planning a future together.

“He said yes,” she added. “We are planning on getting married and having a family, and I am very excited about that.”

Savage also pushed back against the narrative pushed by her parents, Timothy and Jonjelyn Savage, who have publicly accused Kelly of manipulating and isolating their daughter.

“Please do not believe the lies that my mother and father are coming out here saying about me and Robert,” she pleaded, adding, “I am not held against my will. I am not a sex slave. I am not brainwashed or any of those crazy lies that were told on me.”

She said she has a phone and is fully capable of contacting her family but chooses not to.

Savage ended her message by asking for prayers and expressing her desire to see Kelly released.

“I just want Robert to get the righteous justice that he deserves,’ she stated. “Because he deserves to be free. Enough is enough. I’m tired, and he’s tired as well.”

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Joycelyn Savage’s Parents Insist Daughter Remains Under R. Kelly’s Control

The Savage family, however, remains unconvinced. Their attorney, Gerald Griggs, reiterated last week the family’s belief that Joycelyn is still under Kelly’s control.

The family last spoke to her directly during a brief phone call in 2019. Since then, all communication has reportedly gone through intermediaries or Kelly’s legal team.

Meanwhile, Kelly is attempting to shake up his legal situation. The singer, convicted in 2022 on federal charges related to child pornography and obstruction of justice, is serving a 30-year sentence at FCI Butner in North Carolina.

He recently filed a motion to remove the entire U.S. Attorney’s Office in Chicago from his case, accusing prosecutors of misconduct and bias.

Jim Jones & Shannon Sharpe Rage At Each Other Over Nas

Shannon Sharpe and Jim Jones turned a routine podcast into a verbal brawl on June 22 after Sharpe challenged Jones’ claim that he’s a better rapper than Nas, igniting a heated exchange that veered from Hip-Hop rankings to gym routines.

The confrontation unfolded on the Nightcap podcast, co-hosted by Sharpe and Chad “Ochocinco” Johnson, after Sharpe questioned Jones’ lyrical comparison to Nas.

“Were you smoking when you said you’re better than Nas? Lyrically, I’m a keep it a stack with you. Y’all ain’t happy with Nas,” Sharpe said directly to Jones.

Jones didn’t back down and fired back with a jab at Sharpe’s appearance.

“Yeah, but look how you dress. Look how you dress,” Jim Jones said. He then doubled down on his earlier claims, adding, “You got a bunch of 40 or 50-year-olds in their panties cause I said I’m better than Nas. I’m still playing. I will run circles around Nas rapping right now. I’ll run Saturn around Nas right now, rapping. Everybody knows that. He’s [Shannon Sharpe] doing it for the views to get Jim Jones on there to get him hot, I understand that.”

Shannon Sharpe, visibly irritated, snapped back by defending the platform’s reach and status.

“This is the biggest podcast you’ve ever been on,” he said. “When you get big, you get invited to Club Shay Shay. Nas gets invited to Club Shay Shay. Jadakiss gets invited to Club Shay Shay. You are not on that level yet, bro.”

The tension originated from Jones’ earlier appearance on the Joe and Jada podcast, where he claimed he had more Billboard hits than Nas and resonated more with today’s audience.

That statement caught Sharpe’s attention, leading to the on-air confrontation.

The conversation quickly spiraled beyond music. At one point, the two began comparing workout regimens, with Sharpe mocking Jones’ fitness level while Jones dismissed Sharpe’s physique as irrelevant to rap credibility.

Check out the full episode below:

Oprah Winfrey & T. D. Jakes Break Silence On Diddy’s Freak-Off Parties

Oprah Winfrey shut down rumors linking her to “Diddy’s” alleged sex-fueled parties during a live appearance at T.D. Jakes’ Good Soil Forum in Dallas, calling the claims completely false and absurd.

“I have never been near a puff party. And anybody who knows me knows if there is a party, I’m the first one out,” Winfrey told a crowd of more than 2,000 people on June 19.

The media mogul’s remarks came amid swirling speculation that she and Bishop Jakes were among unnamed public figures who took part in what have been described online as “freak-offs” hosted by Diddy.

The allegations surfaced as Diddy is facing multiple lawsuits and is currently on trial in a federal racketeering trial tied to sexual misconduct and abuse.

Jakes also addressed the rumors directly, explaining that his only connection to Diddy was a short visit to wish him a happy birthday.

“I stopped by Puffy’s house for 30 minutes to say happy birthday to him during the day at 2 o’clock with staff people. And out of that came a love affair and all kinds of stuff. You can’t fight it. You can’t sue it down. You can’t tear it down because of a small law that is included in the way that our laws are written right now. And our people don’t know that. And not only do they not know that, they help spread it,” T.D. Jakes said.

He criticized the public’s appetite for gossip over substance.

“But people love salacious stories. And you can tell them stories about you feeding those girls in South Africa. They don’t want to hear about that at all. If you tell them about Puffy’s Biceps, they want to follow you all the way around the world.”

T.D. Jakes also warned that the timing of such rumors often distracts from more important issues.

“We are drunk off of things that don’t matter to distract us from the things that do matter. And if you watch the timing of it, the intoxicant always comes out while something big is happening that we need to be paying attention to. And we pay no attention because we are engrossed in counting up something that is salacious and not true,” T.D. Jakes said.

JID Helps Offset Go Crazy On “Bodies”

JID and Offset is an unlikely pairing that we needed.

The two titans have set the tone for the summer with a fiery new offering titled “Bodies,” the second official single from Offset’s 2025 campaign. They rap over a sample of Drowning Pool’s 2001 hard rock anthem of the same name. And this song is setting it off with all of the drama between him and wife Cardi B.

He dropped “TEN,” but Offset seems to be charging up for a darker creative path. “‘Bodies’ is one of them ones I had to really take my time with,” Offset explained in a statement. ““It’s about standing on who you are, coming out the mud, and being confident in the face of adversity.”

Lyrically, “Bodies” feels like a battle cry.  Offset’s bars are paired perfectly with JID’s razor-edged flow. We have to admit that the Dreamville lyricist is surgical like a precise surgeon, while Offset’s welding a battle axe.

EXCLUSIVE: Diddy Jurors Have Serious Questions To Ponder: Read Verdict Sheet

Diddy faces a reckoning in a New York federal courtroom where jurors will prepare to dissect five weeks of disturbing testimony and decide if the Hip-Hop mogul ran a criminal enterprise fueled by sex trafficking, violence and coercion.

The verdict form outlines a complex series of questions that go far beyond a simple guilty-or-not decision.

The first count—racketeering conspiracy—asks jurors to determine whether Diddy orchestrated a criminal network involving kidnapping, bribery, drug trafficking and prostitution across multiple states.

If jurors check “guilty” on Count One, they must then specify whether those crimes occurred in California or New York and whether they involved acts like forced labor or witness tampering.

The second and third counts focus on Cassie Ventura, who testified that Diddy trafficked her from 2009 to 2018. Jurors must decide whether he transported her across state lines for commercial sex and whether the relationship was exploitative or consensual.

Counts Four and Five mirror those charges for a second woman, identified only as “Jane,” who alleges abuse and trafficking between 2021 and 2024.

Jurors are being asked to weigh a mountain of evidence, including surveillance footage, financial records and emotional testimony from Ventura, her mother, and former associates.

Makeup artists and escorts described bruises and fear. Two male escorts testified that they were paid to have sex with Ventura while Diddy watched and even played with their ejaculate.

Jurors also heard from rapper Kid Cudi, who claimed Diddy firebombed his car out of jealousy.

The defense has admitted Diddy harmed Cassie Ventura but insists the case is about a toxic relationship, not organized crime. They argue a $20 million settlement he paid after a video showing Diddy beating Cassie was a business decision, not hush money.

Prosecutors disagree. They argue Diddy used intimidation, money and manipulation to control women and silence witnesses.

The trial began on May 12 and closing arguments are expected this week, while deliberations could start shortly after.

A single guilty verdict on any count could carry serious consequences. Diddy is facing anywhere between 10 years in prison and life.

Diddy has pleaded not guilty and remains in federal custody since his arrest in September 2024.

EXCLUSIVE: R. Kelly Demands Entire Chicago Prosecutor’s Office Be Removed From His Case

R. Kelly wants the entire U.S. Attorney’s Office in Chicago kicked off his case as he continues to push for his release, citing a wild plot to assassinate him in prison.

The disgraced singer is accusing the prosecutors of misconduct and conflicts of interest that he claims make a fair trial impossible.

In another court filing, R. Kelly’s attorney, Beau Brindley, requested that a federal judge disqualify the Northern District of Illinois from handling any further proceedings involving the imprisoned singer.

The motion alleges that at least one former prosecutor engaged in “serious malfeasance” or, if not outright crimes, may have been too close to the situation to remain impartial and that others in the office may be similarly compromised.

“While it is theoretically conceivable that one single AUSA went rogue and participated in all of this misconduct on her own, with neither the participation nor knowledge of any of her colleagues or supervisors in this prosecution, that possibility is both remote and in need of full and impartial investigation,” Brindley said.

“Every single AUSA who worked on the investigation or prosecution of this case has a personal interest in the outcome of this investigation. Every supervisor who oversaw any part of the investigation or prosecution of this case has a personal stake in the results of Mr. Kelly’s motion,” Brindley added.

Brindley argues that the office cannot investigate itself and that any further involvement would violate both Justice Department policy and public trust.

He urged the court to bring in prosecutors from another district or from the Department of Justice in Washington, D.C.

The motion singles out Assistant U.S. Attorney Jason Julian—not for wrongdoing—but because he led the trial and may be called as a witness. Kelly’s team says that alone is enough to require his removal.

The filing also references Judge April Perry, who previously recused herself from a related matter due to her past employment with the same office, even though she wasn’t accused of misconduct.

Kelly, who was convicted in 2022 on federal charges tied to child pornography and obstruction of justice, is currently serving a 30-year sentence at FCI Butner in North Carolina.

His legal team is pushing for a new trial, claiming newly uncovered evidence shows his rights were violated and the case was tainted by corruption.

R. Kelly’s attorneys accused prosecutors and prison officials of a wide-ranging conspiracy to sabotage his defense. The allegations include stolen legal mail, coerced testimony, and even an alleged murder plot.

“This is not coincidence,” Brindley wrote. “This is not an R. Kelly production. This is what they are doing to him as these words are being written.”

The motion claims the government’s key witness, referred to in court as “Jane,” was pressured into changing her story under threat of prosecution and with promises of financial gain.

That reversal played a central role in Kelly’s Chicago conviction.

Brindley also alleges that a prison informant, Kishan Modugumudi, stole confidential legal documents and passed them to another inmate, Larry McGee, who then showed them to witnesses to provoke damaging testimony.

R. Kelly also claims that Mikeal Glenn Stine, an Aryan Brotherhood member, was sent to kill Kelly in exchange for early release. Stine allegedly refused and now says he’s willing to testify under oath.

R. Kelly’s team also says he was overdosed with prescription drugs and denied urgent medical care for blood clots. He claims doctors at Duke University Hospital had scheduled emergency surgery, but officers with guns drawn removed him and placed him in solitary confinement.

The court has not yet ruled on either motion.