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Scott Storch Goes MAGA: Producer Hooks Up With Donald Trump Weeks After Ex’s Racist Rant 

Scott Storch is facing intense backlash after hitting the golf course with Donald Trump, just weeks after his ex was ripped to shreds online for hurling racial slurs at parking attendants.  

The multi-platinum producer recently joined Trump and former boxer Evander Holyfield for a spot of golf. He took to Instagram on Tuesday (February 18) with some footage of his visit. 

In addition to posing with Trump and Holyfield, Storch seemingly serenaded his host on the piano, playing the intro to one of his best-known tracks “Still D.R.E.” 

Storch also shared a video of a bizarre mock interview in which he impersonated Donald Trump.  

“We’re gonna make America sexy again,” he declared. “As f###!” He gushed over Trump in the caption, writing, “Amazing lunch and golf day with @realdonaldtrump and @evanderholyfield #make america sexy again!!!!” 

However, anticipating the likely impending backlash, he disabled the comments on his post.  Nonetheless, disgusted followers flocked to his older posts to bash Storch for ” letting us know where you stand” and for deactivating his comment section on the post.  

“If you gotta disable comments you know doing sum wrong lol,” one person shared while another added, “Yeah you definitely condone racism.” 

A third wrote, “Scott Storch — you’ve profited off of Black culture & you stand with the president that wants to give police immunity to continue the execution of Black & Brown men in the streets. Culture vulture F’sho.” 

Others mentioned his ex-girlfriend Florence Mirsky, the mother of his son, highlighting her recent racist rant.  

Scott Storch’s Ex References Donald Trump In Racist Rant

Mirsky was caught on video using racial slurs at a valet stand last month. She spewed hateful comments at parking attendants she believed were Hispanic. She also told them, “Trump is doing good things. You guys rape and kill people.”  

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Mirsky issued a groveling apology after facing intense backlash over the viral video. Scott Storch reportedly expressed disgust over her racist comments. 

Drake’s New Leak Features Unknown Female Rapper—Fans Want Answers 

Drake has leaked an unreleased track that failed to get clearance on his “Plot Twist” finsta (fake Instagram account), leaving fans scrambling to identify the mystery female rapper featured on the song. 

The OVO Sound co-founder just dropped off a new collaboration album with PARTYNEXTDOOR $ome $exy $ongs 4 U. The project features 21 tracks but it appears there was at least one more song that didn’t make the album due to copyright issues. 

However, Drake wasn’t willing to let the track collect dust in the vault, so he dropped it on his “Plot Twist” account—a page he uses as a content dump of sorts. 

Late on Monday (February 17), Drake shared a two-minute-long snippet of a track that samples Mint Condition’s 1991 classic song “Breakin’ My Heart (Pretty Brown Eyes)” and sees him rekindle his love for the sound of New Orleans bounce. 

“no $$$AMPLE CLEARANCE for my goat,” the caption read.  

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Meanwhile, fans in the comments were left puzzled by the mystery female rapper on the track, with one asking, “Who is this even? I don’t recognize her voice at all.” 

However, rising New Orleans rapper OnlyHeaven has stepped forward, claiming to be the mystery artist on Drake’s track. She reposted the track on her Instagram Stories, writing, “Yeah he’s saving the best for next for sure.” 

OnlyHeaven also teased the possibility the song might be released, adding, “Drakes Deluxe Album??” 

While it’s unclear if the track will ever see an official release, OnlyHeaven’s claim has only added to the excitement surrounding the leak. Fans are now speculating whether Drake might include the song on a deluxe version of his recent project or if it will remain an underground gem. Either way, the buzz proves that even his unreleased material can still set the internet ablaze. 

SIGNS: Delta Aircraft Crash Lands Upside Down At Toronto Airport

Another plane crash has occurred in North America, leaving an aircraft overturned and dozens of passengers injured.

According to NBC News, at least 15 people were injured Monday (February 17) after a Delta plane overturned upon landing at Toronto Pearson International Airport. The crash left the aircraft flipped upside-down on the runway, prompting an emergency evacuation.

Footage from the scene captured the surreal moment as emergency workers rushed to assist passengers and secure the crash site. One passenger, John Nelson, recorded a video as he exited the plane.

“We just landed,” John Nelson said. “Our plane crashed. It’s upside-down.”

Describing the chaos around him, he reassured viewers that “most people appear to be OK” and that passengers were in the process of evacuating.

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All passengers and crew members were accounted for, according to the airport. Peel Regional Paramedic Services confirmed that 12 people sustained minor injuries and were transported by ground for medical attention. Two others, a man in his 60s and a woman in her 40s, were in critical condition and airlifted to trauma centers in Toronto. A child was also taken to The Hospital for Sick Children for evaluation.

The Federal Aviation Administration stated that Delta Air Lines Flight 4819, operated by Endeavor Air, crashed while landing in Toronto around 2:45 p.m. lcoal time. The CRJ-900 aircraft had departed from Minneapolis-St. Paul International Airport with 76 passengers and four crew members onboard.

Severe weather conditions may have played a role in the accident. Winds at the time were between 20 and 30 mph, with gusts reaching up to 40 mph. While earlier lake effect snow had been reported, visibility was clear at the time of landing. The temperature was 18 degrees, with a windchill of -2 as passengers were evacuated.

The Transportation Safety Board of Canada has launched an investigation into the crash, with assistance from the National Transportation Safety Board in the U.S. Transportation Secretary Sean Duffy confirmed that FAA investigators are en route to Toronto and coordinating with Canadian officials.

Operations at Toronto Pearson were temporarily halted due to the emergency, causing delays and cancellations. Delta Air Lines stated there were no reported fatalities and assured that they are fully cooperating with authorities to determine the cause of the crash.

The crash highlights an increasing trend in accidents in the airline industry, which have caused heightened scrutiny on air traffic control safety measures amid both the crash in Philadelphia earlier this month and the deadly Black Hawk helicopter crash in Washington D.C. last month.

See the video of the wreckage as recorded by the passenger in the post above.

EXCLUSIVE: Fat Joe’s Missing IHOP Contract May Decide “All The Way Up” Battle For Millions

Fat Joe’s legal battle over the rights to his 2016 smash hit “All The Way Up” isn’t going anywhere anytime soon.

A judge refused to dismiss key copyright claims brought by Eric “Fly Havana” Elliott, the Miami-based songwriter who insists he co-created the track but never got his fair share.

The latest ruling means Fly Havana’s fight for recognition—and royalties—will continue, keeping the pressure on Fat Joe, French Montana, and their co-defendants.

A judge dismissed several state law claims but kept Fly Havana’s copyright case alive, signaling that the court sees enough merit in his claims to warrant further examination.

Fly Havana alleges that in late 2015, he and producer Shandel “Infared” Green laid the foundation for “All The Way Up” during a four-to-five-hour studio session in Miami.

He claims he wrote lyrics, crafted the melody, and coined the song’s now-iconic hook. He also asserts that he willingly allowed the track to be shopped to Fat Joe and French Montana, believing it would be a collaborative effort.

However, when the final version dropped in March 2016, Fly Havana’s name was nowhere to be found on the credits—or the royalties. He confronted Fat Joe, who allegedly acknowledged Elliott’s work and promised to compensate him.

A meeting at an IHOP in Miami Beach soon followed, where Fat Joe handed Fly Havana a $5,000 check with a memo line that read “write.”

Fly Havana signed a “piece of paper” but later argued that it was not a full rights transfer—and neither party has been able to locate a signed copy of the document.

Fat Joe and co-defendants Remy Ma, Warner Chappell Music, Universal Music Group, Roc Nation and others maintain that Fly Havana has no legal claim over the song.

They argue that he does not qualify as a co-author under copyright law even if his allegations are true.

Initially filed in 2019, the lawsuit hit a turning point when the Second Circuit Court of Appeals overturned a 2022 ruling that dismissed Fly Havana’s claims due to the missing contract.

That decision revived his case, allowing him to pursue co-authorship and ownership rights under the Copyright Act.

This latest ruling from Judge Naomi Reice Buchwald represents another win for Fly Havana. While the court dismissed his state law claims for fraud, unjust enrichment, negligence, and conversion, the copyright claims remain intact.

The ruling suggests Fly Havana has presented enough evidence to at least argue that he contributed significantly to the song’s creation.

If Fly Havana proves co-authorship, he could be entitled to a share of the song’s royalties, which have stacked up over the years. “All The Way Up” was a massive hit, going triple platinum, earning Grammy nominations, and attracting remixes from artists like Jay-Z and David Guetta.

For now, the case moves into discovery, where both sides will be forced to dig up contracts, communications, and any other evidence that could prove—or disprove—Elliott’s claims.

The missing IHOP contract and the payment will be the primary focus of upcoming hearings, said Judge Naomi Reice Buchwald in her ruling.

Drake Disrespects DeMar DeRozan As Melyssa Ford Goes Rogue Over “Gimme A Hug” Bars

Drake has once again made it known that he’s not pleased with his former NBA pal DeMar DeRozan.

On Monday (February 17), a video of Drake performing at his Anita Max Win Tour in Australia went viral after a fan captured him tossing a DeRozan jersey to the ground from the stage.

The moment occurred when a fan apparently threw the former Raptors player’s jersey on stage while the Toronto rapper was in the middle of performing he and 21 Savage’s Her Loss album cut “Rich Flex.”

In the clip circulating on social media, Drake can be seen un-wrinkling the balled up jersey and taking a peak at the back of it for a split second before crumbling it back up and throwing it beneath his feet.

The decisive move quickly sent shockwaves through social as users began rehashing the fallout between Drake and DeRozan following the Compton native’s appearance in the music video for Kendrick Lamar‘s Grammy award winning diss track “Not Like Us.”

In a response embedded within the extensive thread of replies on the tweet featuring the video, a user wrote, “Dissing basketball players instead of the rapper that called him a p### in front of millions of people.”

Another user added, “CONTEXT: DeMar DeRozan then appeared on stage during Lamar’s Juneteenth concert at the Inglewood Forum and later made a cameo appearance in the “Not Like Us” music video. Can’t blame Drake I’d do the same.”

As if Drake’s public humiliation ritual involving DeRozan‘s jersey wasn’t enough of an ante-upping antic a part of his game of get back post-Kendrick Lamar beef, yet another one of Drizzy’s targeted frenemies is also indirectly feeling his wrath.

Following the release of he and PARTYNEXTDOOR’s collaborative album $ome $exy $ongs 4 U, which sees Drake mercilessly diss his friend-turned-foe Joe Budden on the album track “Gimme A Hug,” he reportedly paid for all of the meals at a steakhouse in Texas. The petty detail of it all lies in the rumor that the entrepreneur believed to be the owner of the establishment is apparently the spouse of the rapper-turned-podcaster’s ex.

Additionally, Drake’s strategy of name-dropping Budden’s podcast cohost, Melyssa Ford, on the aforementioned track also appears to be wreaking havoc. In addition to adding the track with the inflammatory lyrics about Budden to her Instagram profile, Ford’s reaction to hearing Drake’s lyrics about her seemingly lack any sort of sympathy for the awkward position they put the “Pump It Up” rapper in.

Check out the clip of Budden and Ford reacting to Drake’s “Gimme Me A Hug” in the post below.

EXCLUSIVE: Man Claims Travis Scott’s Security Left Him Permanently Injured

Travis Scott is facing a new lawsuit after a man claimed he suffered permanent injuries at the hands of the rapper’s security team outside a New York City concert.

According to court documents obtained by AllHipHop, Omar Majdi Muhanna alleges he was violently assaulted on August 17, 2024, by a security guard working for We All We Got Personal Security, a firm hired to provide protection for Scott.

Travis Scott was in town for an appearance at the Fanatics Fest NYC 2024 at the Jacob Javits Center in New York City, although the alleged assault happened at a different venue.

The lawsuit names Scott, his record label Cactus Jack Records, the security company, its owner Mario Allen, and an unnamed guard listed as “John Doe.”

Muhanna’s complaint states that the guard attacked him “without cause, provocation, or justification” outside a venue at 862 6th Avenue, where Scott was performing.

The alleged assault resulted in what Muhanna claims are “serious and permanent injuries.”

The lawsuit accuses Travis Scott and the other defendants of negligence, arguing they failed to properly hire, train, and supervise their security personnel.

It also holds Scott and his label responsible under the legal doctrine of “respondeat superior,” which says employers are accountable for their employees’ actions while on the job.

Muhanna is seeking damages, but the exact amount remains unspecified. Scott has not yet commented on the lawsuit.

The case adds to the rapper’s complicated legal history, including the aftermath of the 2021 Astroworld Festival tragedy, where multiple people died and hundreds were injured in a crowd surge.

The latest lawsuit against the rapper focuses on an alleged physical assault rather than crowd control issues, but it raises fresh questions about security practices at Travis Scott’s events.

DJ Paul Denies Three 6 Mafia’s Name Is Ode To Satanism—Despite Late Lord Infamous Exploring It

DJ Paul has opened up about the origins of the stage name for the iconic Memphis Hip-Hop group Three 6 Mafia.

In a recent episode of the Dumb Blonde Podcast with Bunnie XO, DJ Paul set the record straight about the origins of Three 6 Mafia’s name and shut down long-standing speculation that it has any connection to satanism. When asked about the inspiration behind the group’s name, DJ Paul explained that it initially stemmed from a lyric by Lord Infamous.

“Basically Lord Infamous said ‘Triple Six Mafia’ in a song,” he recalled. “That wasn’t even our group name. He just said it. He was just like, ‘A Triple Six Mafia falling dun, dun, dun in a silencer.’ And I liked that. And I was like, ‘Whoa, that’s dope.'”

DJ Paul continued, explaining how he began sampling the phrase in the music he was producing, and as a result, it quickly gained popularity among their audience.

“It still wasn’t our name,” he said. “I would just sample it. And then, when it was time to form a group, I was like, ‘Hey, we should call ourselves Triple Six Mafia.’ And everybody liked it.”

He noted that as the group gained traction, an unexpected fan base emerged.

“Next thing I know, white fans came like that,” he said. They flocked to us. Then we got a call to do a show in Bartlett, Tennessee. I’m like, ‘Bartlett, Tennessee? I didn’t even know Black folks could go out there.’ And then we just started doing shows in nothing but white clubs.”

As the conversation continued, DJ Paul switched gears and addressed the rumors about his deceased rap peer Lord Infamous’ alleged ties to satanism. Though DJ Paul didn’t shy away from confirming that Lord Infamous did indeed “experiment” with the non-theistic religion, he made it clear that it was never a serious belief system for him.

“I know Lord Infamous has gone on record to say that he dabbled in like Satanism and all that stuff,” he said. “He didn’t do that for real. He didn’t know. I just watched an interview with him last night where he was talking about how he went to hell and demons were torturing him. And like, it was crazy. And I was just high.”

When Bunnie XO pressed him on whether there was any real satanic reasoning behind the name, DJ Paul was firm in his response.

“No, the lore has always just kind of like—your reputation precedes you,” he said. “Yeah, it was just an image. It was just something that was cool. We never studied Satan or any of that. I don’t know nothing about all that.”

DJ Paul also countered any claims about the sinister intent of the group’s name by emphasized his deep roots in church, highlighting his musical upbringing.

“I grew up singing ‘Amazing Grace’ in the church and playing the organ,” he said. “Everybody knows that every Sunday in Mississippi. It don’t get no more churchier.”

Lord Infamous passed away in 2013 at age 40 after suffering a major heart attack. Before Three 6 Mafia existed, DJ Paul and Lord Infamous were apart of a duo called Da Serial Killaz. They released their popular mixtape Come With Me To Hell in 1993 which was home to what would eventually become the Three 6 Mafia fan-favorite tracks “Tear da Club Up” and “P#### Movie.”

The Art of the ‘Good Gumbo’: Lucien Emmanuel Reveals How He Blends Music Styles to Promote and Create Unforgettable Music Events

Lucien Emmanuel has been at the forefront of the music event promotion industry for over two decades, carving out a niche for himself as a master of cultural fusion and innovation. 

Drawing inspiration from his Haitian Francophone roots and the vibrant diversity of the Bahamas, Lucien has perfected what he calls “the art of the good gumbo”—a metaphor for blending diverse music styles and cultural elements to create events that resonate deeply with audiences.

“Entertainment is like cooking,” Lucien explains. “Just as you can’t make a good gumbo without a mix of spices, meats, and vegetables, you can’t create a truly memorable music event without blending genres, cultures, and experiences. It’s about harmony, balance, and a touch of boldness.”

Building a Vision: The Foundation of a Good Gumbo

Lucien’s process begins long before the lights go up or the first chord is struck. His approach to event planning is rooted in meticulous research and an acute understanding of his audience. 

“The first step is knowing who you’re serving,” Lucien says. “Whether it’s Haitian Creole music fans, reggae and hip-hop enthusiasts, or lovers of French Creole ballads, you need to understand their tastes, expectations, and aspirations.”

This audience-first approach allows Lucien to create deeply personal and culturally significant events. His 2020 Pink & White Affair brought the Haitian Francophone band Enposib to downtown Nassau for the first time, drawing over 3,000 attendees. 

“People thought it was impossible to bring a band like Enposib to an English-speaking country and sell out a venue,” Lucien recalls. “But by understanding the community and their love for both their culture and new experiences, we made the impossible possible.”

Lucien was born in the Bahamas to Haitian parents and always enjoyed music and the performing arts, even participating in a school play of Annabel and I. Even with this interest, he initially pursued a degree in Law and Criminal Justice at the University of the West Indies. 

This changed after the death of his brother who was murdered, dying at only 10 years old. It was a moment that changed Lucien’s journey.

“It was a very dark period, full of depression and reflection,” Lucien recalls. “I questioned whether this was the route I wanted to pursue. Losing my brother was a turning point.”

He took his tragedy and turned it into a way to express himself through arts and entertainment and has used his platform not only to entertain, but to teach young people how to channel their emotions into something positive and productive for their community.

Curating the Ingredients: Selecting Artists and Genres

A hallmark of Lucien’s events is the seamless blending of music styles and cultural influences. He carefully curates lineups that appeal to a broad demographic while maintaining artistic integrity. 

The range of music Lucien promotes is just as diverse as the audiences he caters to. He works with artists whose music ranges from Haitian Kreyol, French Creole, hip-hop, rap and reggae. 

“A good gumbo needs variety,” he says. “You might have hip hop, reggae, and Creole music all in one show. It’s not about catering to just one group but creating an atmosphere where everyone feels included and energized.”

One notable example was his collaboration with Oswald, a French artist who performed in the Bahamas for the first time in 2022. The event attracted Haitian and Bahamian fans and attendees from Canada and the United States. 

“Bringing Oswald was a game-changer,” Lucien reflects. “It showed that you could break cultural and linguistic barriers by framing the event as a shared celebration.”

Lucien’s keen ear for talent also plays a significant role. He is known for discovering and promoting emerging artists, often giving them their first opportunities to perform internationally. 

“I always say, talent is universal, but opportunity is not,” he explains. “My job is to create those opportunities and help artists share their gifts with the world.”

The Flavor of Collaboration: Partnering with Stakeholders

Every successful event needs a network of collaborators, and Lucien excels at bringing them together through his relationships with artists, sponsors, venues, and government agencies. 

“Collaboration is like adding the right seasoning,” he says. “If one ingredient is off, the whole dish can fall apart.”

Aligning with stakeholders who share his vision for excellence is key and he has worked closely with hospitality agents to ensure that visiting artists receive first-class accommodations, creating an environment where they can focus on their performances. 

“When artists feel valued, they give their best on stage,” he notes. “And when audiences see that level of passion, it elevates the entire event.”

Lucien has also worked with brands, including Cuba Libre Bahamas. In 2023, he collaborated with the company for a successful event held at the Fusion Superplex in Nassau. 

“Mr. Emmanuel is very capable of top-notch production,” Armbrister says who has worked with him on events. 

Lucien also lends his expertise to the field through collaborations with several production companies as a consultant, partner and advisor. These include Sun Art Film & Entertainment, Florida-based Purgatory Studio and Lion King International. 

Stirring the Pot: Marketing and Promotion

No gumbo is complete without stirring, and for Lucien, this translates into dynamic marketing campaigns that generate buzz and excitement. “Promotion is about telling a story,” he says. “You’re inviting people to be part of an experience.”

Lucien’s marketing strategies combine traditional grassroots methods with cutting-edge digital outreach. From designing eye-catching posters to leveraging social media platforms, he ensures that his events reach the broadest possible audience. 

One particularly innovative campaign was the Curfew Cash Challenge, an online talent competition he organized during the pandemic: “We had over 100 contestants showcasing their skills virtually,” he recalls. 

“It kept the community engaged and showed that creativity doesn’t stop, even during challenging times.”

The Secret Sauce: Passion and Purpose

At the heart of Lucien’s success is his unwavering passion for the transformative power of music: “Music is a universal language,” he says. “It can unite people, heal wounds, and inspire change.”

This passion extends to his mission of using music events to address broader social issues. Many of Lucien’s projects are designed to provide opportunities for young artists and create safe spaces for cultural expression. 

“I’ve seen firsthand how music can save lives,” he shares. “It gives people a platform to channel their energy positively and connect with something bigger than themselves.”

Lucien also uses his skill to mentor young people and event planners. Mackenson Desir, Trader with Desir & Co, reached out to Lucien for guidance on planning an event in Nassau for Haitian act Djapot. He sees Lucien as a person who infuses his community into everything he does. 

“He is known for being a hard-working individual who’s never afraid to tackle the most difficult task to the benefit of his community,” Desir says. 

Within his community, Lucien pioneered the first live Haitian Creole freestyle session on 100 JAMZ in 2016. He also organized the first multi-cultural performance for Language Day at C.H. Reeves Junior High School. 

Serving the Gumbo: Creating Lasting Memories

For Lucien, the ultimate measure of success is his events’ impact on audiences and artists alike. “When people leave my events, I want them to feel transformed,” he says. 

“It’s about the music, the memories, the connections, and the feeling that they’ve been part of something special.”

This ethos was evident in his Sweet Night event featuring Roody Roodboy, which drew 1,500 attendees in 2023: “The energy in the room was electric,” Lucien recalls. “You could see it on people’s faces—they were completely immersed in the moment.”

Narcisse Fievre, Manager for Roody Roodboy, speaks to why Lucien is able to create exceptional experiences across cultures.  

“During these events, Lucien demonstrated exceptional professionalism and expertise, which significantly contributed to the success of the events and ensured a smooth experience for everyone involved,” Fievre says.

“His dedication to promoting Haitian culture with a unique fusion of English elements is truly admirable, and his efforts have not gone unnoticed.

A Recipe for Excellence

Lucien’s approach to event promotion is a masterclass in blending creativity, strategy, and cultural sensitivity. By embracing the art of the good gumbo, he has redefined what it means to create music events that are not only successful but also meaningful.

“Every event is a chance to bring people together, to celebrate diversity, and to remind us of our shared humanity,” Lucien says. “That’s what the good gumbo is all about.”

As Lucien continues to push the boundaries of what’s possible in the music event industry, his legacy of cultural connection and artistic excellence grows with every event he creates.

EXCLUSIVE: Damon Dash Accused Of Dodging Payments, More Creditors Try To Seize Assets

Damon Dash faces another financial crisis as author and entrepreneur Edwyna Brooks moves to seize his assets after securing a $78,289.57 judgment against him.

Brooks successfully sued Dash for copyright infringement in 2019 and asked a judge to auction off his stakes in several companies, including Poppington LLC, The Dash Group LLC, and DGCO LLC.

The legal action stems from Brooks’ lawsuit against Dash, where she accused him of unlawfully marketing and distributing her book series Mafietta without permission.

Her court victory secured a $300,000 judgment, but after years of unsuccessful collection efforts, Brooks is now escalating her fight to claim what she is owed.

She isn’t stopping at Dash’s corporate holdings.

Brooks also demands that U.S. Marshals auction Poppington’s intellectual property, including film rights to Honor Up, Too Honorable, and We Went to China.

If successful, the move could strip Dash and his longtime business partner Raquel Horn of significant assets tied to their production company.

Damon Dash’s troubles don’t end with Brooks.

Filmmaker Josh Webber, who won a $823,284.71 judgment against Dash for defamation and breach of contract related to the movie Dear Frank, is also hunting for Dash’s remaining assets.

Webber, who took Dash to court in 2019, intensified his legal action after Dash publicly insulted him in interviews, calling him a thief.

Webber’s legal team has already petitioned a judge to authorize the seizure of Dash’s personal assets, including high-end watches, his wedding ring and potential revenue from past film and music ventures.

His lawyers argue that Dash’s attempt to sell his Roc-A-Fella Records stake—an auction meant to generate substantial funds—did not come close to covering his debts.

Dash’s 1/3 ownership stake in Roc-A-Fella Records fetched $1 million at a federal auction in Manhattan in November 2024, but the proceeds fell short of addressing his sprawling financial obligations, which total around $8 million.

Brooks’ battle with Dash is years in the making. Despite securing a judgment in 2019, she claims Dash has dodged payment by shifting assets between businesses.

New York’s legal framework allows creditors like Brooks to force liquidation of assets, and court documents indicate she is pursuing that option to the fullest extent.

Her motion explicitly calls for Dash and Horn to hand over assets and business interests to be auctioned off publicly, ensuring some form of compensation for the outstanding judgment.

Mike Tyson Sets Record Straight On Parkinson’s Disease Rumors  

Mike Tyson is setting the record straight amid rumors he has Parkinson’s Disease following comments made by Jake Paul.  

The heavyweight boxing legend took on the YouTube personality-turned-fighter in a highly anticipated bout last year.  

While Tyson went eight full rounds with Paul, who is more than 30 years younger, the 58-year-old champ’s critics argued he should have hung his iconic gloves years ago.  

However, Paul recently claimed that Tyson was battling Parkinson’s Disease and could only return to the ring due to a mysterious “cure.”

He made the claims during a recent livestream with Adin Ross while discussing the benefits of psychedelics. 

According to Paul, smoking “toad cured Tyson’s Parkinson’s so he could come back and fight.” 

Tyson has made no secret of his experiences with frog venom (specifically from the Sonoran Desert Toad, which can be smoked to produce a short psychoactive trip) and other psychedelics.  

Tyson claims he “died” during his first experience with toad venom but described death as “beautiful.” He credits toad venom with helping him lose 100 pounds, reconnect with his family, and improve his outlook on life.   

Nonetheless, a rep for Mike Tyson denied Jake Paul’s claims, insisting, “He doesn’t have Parkinson’s or any other illness.” The rep told TMZ, “Mike is happy and perfectly healthy.” 

Despite this, the clip quickly went viral, prompting Paul to backtrack, insisting he had simply “misspoke.”  

“Bruh… Mike Tyson didn’t have no Parkinson’s,” Paul wrote alongside a clip of himself making the claim. “WTF. Why the f### is the internet so stupid for. I misspoke. Meant he used toad to heal his pain. He has spoken about it many times. Just like I do. Just like many do.” 

Kendrick Lamar Named Checked In “Black Jeopardy” Skit On “SNL”—MAGA Furious

Kenan Thompson kicked off Saturday Night Live’s 50th anniversary special with a sharp-witted quip about Kendrick Lamar as his game show host character, Darnell Hayes, welcomed audiences to another edition of “Black Jeopardy.”

“The only Jeopardy! where every single Black viewer fully understood Kendrick’s halftime performance,” Thompson joked, earning instant laughter from the crowd.

The comment was a slick nod to the ongoing conversation about Kendrick Lamar’s Super Bowl LIX Halftime Show performance.

Some saw Kendrick Lamar’s set as a powerful statement on racial injustice and cultural identity and defended it as a celebration of Black artistry on one of the world’s biggest stages.

Some conservative detractors criticized it as unpatriotic, while Kid Rock labeled the performance DEI turned into an “IED.”

 

The “Black Jeopardy” sketch on Saturday Night Live’s 50th anniversary featured notable legends Tracy Morgan, Leslie Jones, Eddie Murphy, Chris Rock and actor Tom Hanks.

While the opening joke set the tone for the sketch, the rest of the segment has supporters of Donald Trump fuming.

At the heart of the controversy was the return of Tom Hanks in the role of Doug, the MAGA-hat-wearing contestant first introduced in 2016. After Doug correctly answered a question about the white “Church Lady,” he ranted about faith.

“If more folks went to church, we wouldn’t be in this mess we are in now,” Doug said. But he is reluctant to shake Doug’s hand, who then offers to start a new show, “White Jeopardy.”

The original sketch, which garnered over 83 million views on SNL’s YouTube channel, had been widely praised for its satirical approach.

However, this time, some viewers found the humor had lost its edge, while others took issue with what they perceived as a mockery of Trump supporters.

Online backlash was swift, with critics calling Tom Hanks’ portrayal “racist and disgusting.”

Some conservative commentators claimed the segment misrepresented their beliefs, portraying them as out of touch with Black culture.

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Pusha T & Pharrell Williams Share New Song “Mike Tyson Blow To The Face” 

Pusha T fans eager to hear his upcoming Clipse album, produced entirely by Pharrell Williams, are buzzing with excitement over a new song that surfaced online over the weekend.  

The song, titled “Mike Tyson Blow to the Face,” sees King Push and Williams join forces on the soundtrack of the legendary producer’s new short film All Day I Dream About Sport

Snippets of the track quickly went viral, with fans hyping the single, praising Pusha’s flow, and eagerly anticipating the long-awaited album. 

“We bringing real Hip-Hop back in 2025,” one fan shared. “All that other water down s### is going out the window.” 

Another added, “The wordplay and rhyme aches are amazing. Pusha is really at his best when he’s making music with Pharrell and his brother.” 

A third stated simply, “I’m actually speechless on how excited I am.” 

Pusha T’s “Mike Tyson Blow to the Face” is featured in Pharrell Williams’ 20-minute film, created with Gabriel Moses, and described as “a visual love letter to West African culture, deeply rooted in the everyday experience of life in Senegal.”  

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A post shared by LE CINÉMA CLUB (@lecinemaclub)

The film is available to watch free on Le Cinéma Club until Friday (February 21). 

Meanwhile, Clipse—comprised of Pusha T and No Malice—are poised to drop their first project, Let God Sort Em Out, after a 15-year hiatus.   

Pusha T and No Malice confirmed the album was complete during an interview with AllHipHop’s Chuck Creekmur last October.  

“The album’s done,” Pusha T said. “So, the album’s done, we just [handling] all the logistics right now. It’s ready. So, as soon as it’s ready, y’all getting it. That’s it.” 

Malice added, “It’s time. The album is ready. The album is right. I feel it’s something that Hip-Hop has been missing. And we got it, so we ready.” 

Viral Woman Dubbed “Queen Of Pakistan” Missing In Dubai

Onijah Andrew Robinson, the Bronx-born woman dubbed the “Queen of Pakistan” who has captivated social media, now has people worried about her fate in Dubai.

Robinson has been detained in Dubai, leaving her fate shrouded in mystery because no updates have surfaced since February 7.

She arrived in Dubai from Karachi intending to board Emirates flight EK203 to New York. However, she was escorted off an Emirates flight bound for the United States.

She had entered Dubai on an on-arrival visa and was later spotted wandering the streets before being taken into what authorities describe as “protective custody,” though details remain unclear.

Authorities have not disclosed any law violations that would justify her detention.

@maroneseven

Onijah Andrew Robinson has been arrested in Dubai after violating enforcement laws 😮🤦🏾‍♂️ She cooked? #fypシ #foryoupage #uae #dubai

♬ original sound – Mar17

Reports suggest that while Onijah Andrew Robinson is on a valid visa, officials are struggling with deportation logistics due to concerns about her mental health and behavior.

Arab media also reports that airline officials have reportedly hesitated to allow her on a 15-hour flight back to the U.S., citing security issues.

Robinson’s rise to viral fame began with her controversial October 2024 trip to Pakistan, where she sought to marry 19-year-old Nidal Ahmed Memon, whom she had met online.

Her hopes for marriage crumbled when Memon’s family disapproved, leading to Robinson’s brief hospitalization in Karachi, where she was diagnosed with bipolar disorder.

Her son, Jeremiah Andrew Robinson, previously confirmed her struggles with mental health, adding more complexity to her current predicament in Dubai.

Though Robinson made headlines for requesting funds from the Pakistani government to aid the country’s rebuilding, her time abroad has been marred by legal uncertainties and health concerns.

Rumors have also circulated suggesting Robinson was once married to a cast member of VH1’s “Black Ink Crew,” a reality show centered around a Harlem-based tattoo shop.

Drake Transforms Sydney Show Into Fairytale With Huge Wedding Gift

Drake transformed an ordinary concert night into an unforgettable fairytale when he gifted a newly engaged couple a honeymoon and $25,000 after witnessing their proposal during his show in Sydney.

The Canadian rapper, currently on the Australian leg of his It’s All A Blur: Big As The What? tour, halted his set when he spotted a man getting down on one knee in the crowd.

Wasting no time, Drake had the moment broadcasted on the venue’s giant screens, ensuring that the entire arena could witness the heartfelt proposal.

As the young man presented a diamond ring to his stunned girlfriend, the crowd erupted in cheers. Her answer? A resounding yes.

“Put the ring on her, man,” Drake said with a grin. “Put that ring on her, man, you can kiss later,” he added, as the couple embraced.

Still riding the energy of the moment, the five-time Grammy winner reflected on past proposals at his shows.

“Maybe a long time ago we had somebody get married at one of our gigs. It’s been years, it’s been years,” he told fans, his voice tinged with nostalgia.

Then, in a move that sent the stadium into a frenzy, Drake turned back to the lovebirds and dropped a jaw-dropping surprise.

“Listen, from me to you, from me to you, we’re sending you on a honeymoon wherever you want to go in the world, and I’m gonna give 25k. Congratulations, congratulations,” he announced, met with deafening applause.

JAY-Z Reveals Death Threats & Financial Fallout From Dismissed Lawsuit 

JAY-Z is speaking out about the distress his family endured following the now-dismissed rape lawsuit, detailed in a declaration supporting his lawsuit against attorney Tony Buzbee. 

A Jane Doe accuser alleged JAY-Z and Diddy assaulted her at an after-party following the 2000 MTV Video Music Awards. The Hip-Hop mogul denied the claims from the outset and blasted the “frivolous, fictitious and appalling allegations,” when the suit was dismissed with prejudice last week.  

However, JAY-Z’s case against Buzbee still lingers. He recently filed a declaration detailing the harrowing experience.  

According to the filing, JAY-Z and Beyoncé have received death threats as a result of the lawsuit.  

“People have said ‘I can’t wait until you join (Combs) in prison. Then later in hell’,” the declaration reads in part. “Other comments have accused me of being a ‘satanist’, a ‘trafficker’, a ‘terrorist’, and a ‘monster’, called me the N-word and threatened violence against me and my wife, including to ‘kill’ or “execute” us.” 

JAY-Z also pointed to the timing of Buzbee’s filing, which came on the eve of the London premiere of Mufasa: The Lion King. The movie features Beyoncé and their 13-year-old daughter, Blue Ivy Carter. 

Hov notes he was “harshly criticized” for accompanying his family to the premiere. He alleged, “Buzbee purposely filed this lawsuit on the eve of my daughter’s premiere to put me in the position of having to choose between supporting my daughter or hiding to avoid the negative press coverage.” 

JAY-Z Alleges Tony Buzbee Tried To “Destroy” Him

JAY-Z considered the suit an “existential threat to my reputation” and described experiencing “mental anguish,” at Buzbee “attempting to maliciously destroy me.” 

He added, “I felt that Mr. Buzbee was placing a gun to my head that I either bow to his demands or endure personal and financial ruin.”  

Additionally, JAY-Z claims he lost $20 million in Roc Nation contracts overnight after the potential “career-ending” allegations became public. 

Meanwhile, JAY-Z blasted “1-800 lawyer” Tony Buzbee in a social media statement. He also insisted he never paid Jane Doe to drop the suit.  

Instagram/Roc Nation

50 Cent Shares Cryptic Post Amid Big Meech Feud: “Can’t Press Me” 

50 Cent has been stirring up buzz with his relentless social media trolling, but in his latest post, the G-Unit boss makes it clear that no one can check him—without naming any specific targets. 

On Sunday night (February 16), 50 Cent took to Instagram, posting a photo of himself reclining in a chair with his feet propped up on a desk, casually reading a book. 

“They gonna say somebody pressed me,” he captioned the post. “You can’t press me fool. All you can do is make me nervous, and You don’t want to make me nervous, because I start doing s###. LOL.” 

Instagram/50 Cent

His post follows weeks of tension with Big Meech after the Black Mafia Family (BMF) co-founder joined forces with Rick Ross to promote his now-canceled “Welcome Back” Legacy Concert. 

Fif accused Big Meech of being a “rat” on social media, implying he cooperated with authorities. Meech denied 50 Cent’s accusations, stating he has “never folded, never told — never will.” 

The feud escalated, with 50 Cent posting mocking images and videos about Big Meech, even dragging Lil Baby into the drama.  

50 Cent claimed he helped Big Meech’s family make over $5 million through the BMF TV series and criticized him for not helping his son Lil Meech’s acting career. 

The future of 50 Cent’s Starz series BMF appears uncertain due to the tension, with 50 Cent implying Lil Meech no longer has a role on the show.

Meanwhile, 50 Cent denied any involvement in the cancellation of Big Meech’s concert. 

“I had nothing to with this,” he wrote on Instagram last week. “Please stop calling my phone. I sincerely hope you have a nice day today Happy Valentine’s Day. I’m stronger then you think I am.” 

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T-Pain Believes Drake & PARTYNEXTDOOR Dropped Throwaway Album

T-Pain shared his thoughts on Drake and PARTYNEXTDOOR’s new album $ome $exy $ongs 4 U, calling it a solid project but suggesting it consists of leftover tracks that failed to make the cut for their previous albums. 

The “Buy U a Drank” hitmaker opened up about the project on a recent livestream. T-Pain speculated Drake may have only recorded the album as a way to keep PARTYNEXTDOOR in the fold.  

“I feel like [Drake] recorded a bunch of s###,” he stated. T-Pain then speculated that Drake suggested to PARTY that he could “take 10 or 15 of these songs, put a verse on them,” to create a new joint album.  

Nonetheless, T-Pain clarified he wasn’t criticizing the album. 

“I’m not saying that they’re bad,” he added. “These are just songs that didn’t make albums. Or the other way around. Or PARTY came to him with an album and was like, ‘Hey Drake, could you put verses on these particular songs.’” 

Elsewhere during the stream, T-Pain claimed a reporter recently tried to twist his words to make it seem like he was trashing Drake and PARTYNEXTDOOR’s project.  

He claimed that when a TMZ reporter asked for his thoughts on the project, he responded by questioning whether they had posed the same question to Drake. 

According to T-Pain, the reporter asked “Is that a diss?” and begged for permission to publish his remarks as a diss.  

“They’re looking for something and I understand that. But the thing is, I’m a Drake fan,” T-Pain added. “I’m more of a PARTY fan than I am a Drake fan.” 

Meek Mill & Nick Cannon React To Elon Musk’s 13th Child With Hilarious Challenge 

Meek Mill and Nick Cannon had a surprising reaction to reports that Elon Musk welcomed his 13th child last year, playfully expressing their ambitions to keep up with the tech billionaire’s growing family. 

On Sunday (February 16), the entertainers hopped online with their reaction to MAGA influencer Ashley St. Clair, claiming she gave birth to Musk’s 13th child five months ago. 

Cannon, who fathered 12 kids with six women, felt inspired by the news and playfully suggested he needed to keep up. 

 Yo @elonmusk got me out here looking for my Super Suit again!” the Wild N’ Out star tweeted. “LOL Congratulations my brother!” 

Meek Mill, who shares three children with two women, also saw the news as a friendly challenge. 

He joked, “It’s no way I’m letting Elon musk have more baby mothers than me lol.” 

Meanwhile, like Meek Mill and Nick Cannon, Elon Musk’s estranged daughter, Vivian Jenna Wilson, shared an amusing reaction to her father’s alleged 13th child.  

“Wow, if I had a nickel for every time I found out I had half-siblings through Reddit, I’d have two nickels,” she shared on TikTok. ‘Which isn’t a lot but it’s weird that it’s happened twice, right?” 

@vivllainous

♬ original sound – Sky

Elon Musk Reacts To 13th Child Reports

Musk has 12 other children with three women. He has five children with his first wife, Justine Wilson, three with singer Grimes, and three with technology executive Shivon Zilis. 

St. Clair made the announcement on X on Saturday (February 15). She stated she had previously kept it private to protect the child but was revealing it due to impending tabloid exposure.  

However, Elon Musk remained cryptic about the news, neither confirming nor denying it. His initial response to a post accusing St. Clair of trying to “ensnare” him was simply, “Whoa.” 

St. Clair fired back at Elon, slamming him for engaging in online gossip while ignoring her.  

“Elon, we have been trying to communicate for the past several days and you have not responded,” she wrote. “When are you going to reply to us instead of publicly responding to smears from an individual who just posted photos of me in underwear at 15 years old?” 

St. Clair’s representative stated that she and Musk “have been privately working towards the creation of an agreement about raising their child for some time,” adding, “we are waiting for Elon to publicly acknowledge his parental role.” 

Lil Wayne’s Daughter Defends Father After Backlash Over “SNL50” Performance  

Lil Wayne’s performance at SNL50: The Anniversary Special has sparked a heated debate among fans, prompting his daughter Reginae Carter to step forward to defend the rap icon.  

Dave Chappelle introduced Weezy to the stage for Saturday Night Live’s 50th anniversary special on Sunday (February 16). He was joined by The Roots and DJ T. Lewis to perform a medley of his biggest hits, including “Uproar,” “Lollipop,” “6 Foot 7 Foot,” “Mrs. Officer” and “A Milli.” 

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A post shared by Lil Wayne (@liltunechi)

The SNL50 special was a star-studded three-hour event on NBC and Peacock, featuring iconic sketches, musical performances, and appearances from former cast members and special guests. 

While many fans applauded Lil Wayne’s set, others found it underwhelming. Some used the Young Money founder’s performance as evidence of why he wasn’t chosen for the Super Bowl, while others went as far as claiming it outshined Kendrick Lamar’s Halftime Show

“I love Lil Wayne with my whole damn heart,” one fan shared. “But this SNL performance is making those who said he should have played the Super Bowl look even dumber.”  

“People were dead serious saying Lil Wayne should’ve done the Super Bowl halftime show over Kendrick,” added another. “Please watch this SNL performance.”  

A third declared, “This SNL performance proves that Lil Wayne shouldn’t ever do a Super Bowl.” 

However, Lil Wayne’s eldest child, Reginae Carter, fired back at the critics. 

“Yall are some d riders !” she wrote on Instagram. “My dad been having fun performing for years ! He is truly himself when he hit the stage . Go play with yall mf kids .. he collected a check after this .. what yall get for hating? Not a damn thing!” 

Check out Lil Wayne’s SNL50 Anniversary Special performance below.  

Baby Making Machine Elon Musk Outed As Father Of 13th Child

Elon Musk addressed swirling speculation Saturday after conservative influencer Ashley St Clair alleged she gave birth to his child five months ago.

The billionaire responded with a single-word reaction on X, the social media platform he owns after a post claimed St Clair had been strategizing for years to have his child.

“Whoa,” Elon Musk wrote in response to a user’s post that read, “Ashley St Clair plotted for half a decade to ensnare Elon Musk.”

St Clair, an author and online personality, quickly retorted, criticizing Musk for engaging with internet chatter instead of addressing her directly.

“Elon, we have been trying to communicate for the past several days and you have not responded. When are you going to reply to us instead of publicly responding to smears from an individual who just posted photos of me in underwear at 15 years old?” she wrote.

St Clair’s claim, first reported by the New York Post, suggests she and Musk share a 5-month-old child. Her representative, Brian Glicklich, released a statement on X, saying both parties have been negotiating a co-parenting agreement.

“Ashley & Elon have been privately working towards the creation of an agreement about raising their child for some time,” Glicklich posted. “We are waiting for Elon to publicly acknowledge his parental role with Ashley, to end unwarranted speculation, and Ashley trusts that Elon intends to finish their agreement quickly, in the best interests of the wellbeing and security of the child they share.”

Elon Musk, already a father of 12 with three different women, has not publicly confirmed St Clair’s assertion.

The Tesla and SpaceX CEO is known for embracing fatherhood, often discussing his views on population growth and the importance of having large families.

The situation marks yet another chapter in Musk’s widely scrutinized personal life, which has frequently played out in public view. While he has not disputed St Clair’s claims outright, his brief reaction leaves more questions than answers about their relationship and the child.