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Chris Brown Faces Lawsuit From British Man Claiming Singer Hit Him With Bottle And Stomped On Him 

Chris Brown is in legal hot water, facing a lawsuit from a British man who accused the singer of viciously attacking him in a London nightclub. 

The R&B singer was in London during his U.K. tour when a brawl reportedly broke out at The Tape Club in London’s Mayfair on February 19.

Producer Abe Diaw alleged Brown hit him with a bottle repeatedly in an unprovoked attack before stomping on him while he lay on the ground.  

In the lawsuit, Diaw claims Chris Brown began by pounding him in the head with a tequila bottle, per TMZ. The “crushing blow” caused him to lose consciousness. However, the alleged victim says the assault didn’t end there. Diaw claims Chris Brown then stomped on him as he lay on the floor.  

According to the filing, Diaw claims Brown inflicted serious injuries and he had to be hospitalized. Diaw says he suffered cuts to his head and torn ligaments in his leg.  

London police have surveillance footage of the entire incident, Diaw claims. He also claims to have known Chris Brown for at least seven years and can identify him in the video. According to the producer, Brown is considered a fugitive in the U.K. as a result of the alleged incident. 

Brown’s accuser says he mistakenly believed the singer was coming to hug him when he approached with the bottle. Diaw is suing Chris Brown for damages, claiming he’s suffering serious emotional distress, trauma and possible permanent injuries.  

Back in May, a source told The Sun: “Chris knows he will be arrested if he goes back to the U.K. but is still doing everything he can to avoid it.” 

Lil Uzi Vert Reveals They’re “Very Stressed” Says Relationship With JT “Isn’t In The Best Shape” 

Lil Uzi Vert is going through it, revealing that they’re very stressed and has been holding back their feelings. 

The “Just Wanna Rock” hitmaker took to Instagram on Thursday (October 27) to let fans in on their thoughts. Uzi revealed that their relationship with City Girls rapper JT “isn’t in the best shape,” and that they’re “distant” with everybody.  

While they failed to mention what prompted their posts, Uzi hits back at suggestions of attention-seeking before explaining what they’re going through mentally.  

“I’m very stressed out and done with so many voice’s controlling my life,” Uzi penned on their IG Stories. “It’s like I never lived for me.” They also said, “I would give up all the money and perks that this comes with 2 live a perfectly normal life,” adding, “I’m okay with it.” 

In another post, Uzi explains that they cannot “stop now” and must turn in one more album. “After that I finally can genuinely smile.” Uzi says they feel they were “getting Judged from day 1” but has never responded to negativity. However, they explain, “I have a [talent] but I also have a heart and have been holding in a lot.” 

The Philly rapper then detailed some of the issues they’ve kept to themselves.   

“Im not as close to my family as I should be. My relationship isn’t in the best shape,” Uzi stated before adding, “I JUST WANNA BREATHE.”  

In their last post, Uzi acknowledged the support they receive from fans, but signed off with “I’ve been distant from everyone lately even if they are standing right next to me.” 

Read Uzi’s posts in full below. 

Instagram/Lil Uzi Vert

Lil Uzi Vert Announces They Will Retire After Luv Is Rage 3 Tour

Meanwhile, earlier this week, Uzi announced their plans to hang up the mic after one more project.  

Luv Is Rage 3 will be my last album,” they told the crowd during a Pink Tape Tour performance in Chicago. They also promised one more tour before expressing their desire to “try to live a normal life.”  

MC David J Takes Us on a Thrilling Ride with His Latest Single “we gon ride” 

In the bustling world of hip-hop, artists are constantly striving to create unique and infectious sounds that resonate with listeners. MC David J, a talented rapper and producer hailing from Atlanta, Georgia, is doing just that with his latest single, “we gon ride.” With an energetic approach to his music and a passion for creating beats that make you move, MC David J is making waves in the music scene. 

MC David J is not your average hip-hop artist. He is a multi-talented musician who plays a variety of instruments, with the trumpet and guitar being his main passions. When he’s not in the studio crafting beats, you can find him lost in the beauty of nature, as Georgia is where he calls home. His journey as an artist is a testament to his dedication and love for the craft. 

MC David J’s latest release is part of his 5-track EP, “Cozy Nights in da A, Vol. 1.” This EP includes the standout track, “we gon ride,” which has been captivating fans with its high-energy vibes and lyrical prowess. 

Describing his sound to those who haven’t heard it before, MC David J paints a picture of energy and bass. His music is a blend of rap bars that make you want to jump up and down, and soothing lo-fi vibes that can fit any setting – whether you’re in the car, sleeping, working out, or just relaxing. It’s this versatility in his music that makes MC David J a standout artist. 

“we gon ride” is more than just a song; it’s a declaration of greatness and a source of inspiration. MC David J delivers a braggadocious message, highlighting his prowess in music production and his sheer enjoyment of the process. It’s a track that uplifts and motivates, encouraging listeners to keep pushing towards their own goals and be the best version of themselves. 

The music video for “we gon ride” was brought to life in the heart of Atlanta, Georgia, late at night. Collaborating with directors B.U.G Antman and 8eight, MC David J has crafted a visual experience that perfectly complements the energy of the song. From the creative minds behind the camera to MC David J’s dynamic presence in front of it, this music video promises to be an exciting ride for fans. 

As MC David J releases “we gon ride,” it’s clear that his passion for music, his unique sound, and his commitment to inspiring others make him an artist worth watching. If you’re ready for a hip-hop experience that’s high on energy and bass, don’t miss the thrilling journey with MC David J in “we gon ride.”

Jay-Z Admits Blue Ivy Didn’t Think He Was “Cool” 

Jay-Z has revealed Blue Ivy didn’t think he was a “cool” dad.

In a clip from his multi-part interview with Gayle King, the renowned rapper and record producer admitted that his eldest daughter used to question whether or not he was cool.

“Blue, she be frontin’ on me a little bit,” Jay said of the 11-year-old when Gayle asked if his children think he’s cool. “But I catch her. I catch her in the corner, you know? Now she asks me, you know, if this is cool if her sneakers (are cool).”

The 53-year-old added, “She’s come back.”

The Roc Nation founder explained that there had been a time when Blue was embarrassed by him.

“But there was a time where she was like, ‘Daaaad,'” he told the interviewer, doing an impression of his daughter while pretending to look embarrassed. “I’m like, ‘I’m cool. I don’t know what you sayin. At your house, your parents is cool.”

Jay-Z shares Blue and six-year-old twins Rumi and Sir with music icon Beyoncé.

Blue made headlines earlier this year after she joined the “Renaissance” tour as one of her mother’s dancers. The young performer showcased advanced choreography to her mom’s#### song, “My Power,” which quickly went viral and even started a dance trend on social media.

The rapper’s full interview with Gayle will be available to watch on Friday on CBS Mornings.

Takeoff Murder Case: Alleged Killer’s Lawyer Casts Doubt On Evidence In Deadly Shooting

Letitia Quinones-Hollins, the attorney for Takeoff’s alleged killer Patrick Xavier Clark, claimed the ballistics and video used to arrest her client won’t hold up at trial. The lawyer told Rolling Stone the evidence failed to prove Clark fired the fatal shot beyond a reasonable doubt.

“[Clark] maintains his innocence,” Quinones-Hollins said. “We do believe that he has a valid self-defense claim. I don’t think they can say with any degree of certainty that it was Patrick who actually fired the shot that took Takeoff’s life.”

She added, “There was someone else who started the shooting, it was not Patrick Clark. He was in the same position that Takeoff was in, he was trying to get out of there alive as well. He didn’t have anything to do with the argument that occurred. He just happened to be in the wrong place at the wrong time when people started firing weapons.”

Takeoff was shot and killed outside a Houston bowling alley in November 2022. Clark was arrested for the shooting a month later. A grand jury indicted Clark for murder in May 2023.

Clark remains on house arrest while awaiting trial. He appeared in court on Thursday (October 26). His next court date is scheduled for January 23, 2024.

Ja Rules Rolls Eyes At “Troll” 50 Cent; Defends Crucifixion Stunt

Ja Rule dismissed 50 Cent’s trolling in a conversation with Page Six. The former Murder Inc. artist was asked about comments made by 50 Cent, who mocked his longtime foe for staging a crucifixion at the 2023 BMI R&B/Hip Hop Awards.

“He is just a clown, a troll,” Ja Rule said.

Ja Rule rapped while tied to a stake at the awards show in September. 50 Cent called the performance “stupid” in an Instagram post.

“Look at this s### head, is he supposed to be Jesus,” 50 Cent wrote. “WTF you can’t make this s### up.”

Ja Rule defended his performance in his chat with Page Six at the Pencils of Promise gala. The rapper emphasized he was on a stake, not a cross.

“I feel like I’ve sacrificed a lot in this industry,” he said. “Not nothing in the realm of Jesus Christ, don’t get me wrong. What people fail to realize is they act like Jesus was the only one up there, and they were many men being crucified at that moment, too … They just so happen to be criminals. Maybe I am not mocking Jesus, maybe I am one of the criminals.”

View footage of the performance below.

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Lil Kim’s Bodyguard Gets A Year In Dubai Slammer For Protecting Trey Songz

Lil Kim’s bodyguard Cornell Whitfield received a one-year prison sentence for an alleged assault in Dubai. Whitfield was accused of slapping a man at the FIVE Palm Jumeirah hotel in March.

The 40-year-old bodyguard intervened when a drunk man confronted Trey Songz on their way out of the hotel in Dubai. Whitfield claimed he acted in self-defense, protecting Trey Songz from a man acting in a threatening manner.

According to the advocacy group Detained in Dubai, the alleged victim wanted $60,000 to drop his assault claims. Lil Kim’s bodyguard did not have the money to pay the man. Whitfield assumed he would be acquitted of criminal charges, but he was arrested when he returned to Dubai in August.

Whitfield’s family said security footage and witnesses confirmed he was simply doing his job. Detained in Dubai CEO Radha Stirling advocated for his release.

“We hope the police and judges will review the CCTV evidence and witness statements, understand that Whitfield was defending his client and allow him to travel home without incarceration,” Stirling said. “Until then, we recommend celebrities call out Dubai for these repeated cases of injustice.”

Stirling spoke with Whitfield, who said Lil Kim was “devastated” over his legal troubles. The bodyguard told Stirling the U.S. Embassy offered him no help.

Gunplay Thrown In Jail For Trying To Visit Estranged Wife Despite Restraining Order

Gunplay was arrested for allegedly violating a restraining order in Florida on Wednesday (October 25). According to TMZ, Miami-Dade County Sheriff’s deputies apprehended him outside of his estranged wife Vonshae Taylor-Morales’ home. He will reportedly remain in jail until his November 7 court date.

Earlier this year, Taylor-Morales obtained a restraining order against Gunplay after he was arrested for domestic violence and child abuse. The Florida Department of Corrections discovered the rapper was near his wife’s home thanks to his GPS ankle monitor. Authorities picked him up before he encountered Taylor-Morales or their infant daughter.

Gunplay is not allowed within 500 feet of Taylor-Morales. He allegedly violated the restraining order multiple times before his October arrest.

Taylor-Morales filed for divorce following her husband’s August arrest. He was charged with aggravated battery with a deadly weapon, false imprisonment and child abuse. A Florida court granted her sole custody of their child.

Gunplay, whose real name is Richard Morales, can only see his daughter via virtual visits. His visits must be monitored by the court.

Taylor-Morales is seeking child support from Gunplay. She also blamed his drug use for their daughter’s heart defect. Taylor-Morales claimed her husband overdosed on ketamine twice in addition to his abuse of cocaine.

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Hip Hop Executive Ventures into Tech Innovation and Entrepreneurship: Stephen Byrd’s Quest to Develop the Ultimate AI Voice Search-Activated App

Stephen Byrd stands out as a notable figure in both the realms of Hip Hop and Business. Initially establishing himself as a hip-hop executive, this serial entrepreneur successfully ventured into various facets of the entertainment industry, including producing his show and collaborating with Starz Entertainment with a television series named Hip Hop Raw & UnCut Concert Series. Recently, he clinched a significant deal with MVD Entertainment Group.

However, his journey extends far beyond his achievements in entertainment, with a keen interest in technology driving him to pioneer mobile live streaming two years before Twitter, Facebook, and other platforms adopted the technology. Presently, he’s returned to the tech world with a renewed focus on artificial intelligence and voice assistant devices.

Byrd’s Early Success in Music

Stephen’s lifelong passion for hip-hop and entertainment drove his entrepreneurial pursuits. As the music industry rapidly shifted towards digitalization, he recognized the impending obsolescence of physical media distribution. “I foresaw early on that we wouldn’t be stocking movies and CDs in stores,” Stephen explains. In response, he was determined to create a platform that allowed artists to publish and sell their music without relying on middleman services.

His extensive experience in the music industry provided a smooth transition into the world of technological entrepreneurship. Whether it was establishing his own record label, Byrd Records, in partnership with Universal Music Group-Fontana, launching the Starz Entertainment series “Hip Hop Raw and Uncut Concert Series,” securing a branding deal with MVD Entertainment Group, or pioneering the first live streaming platform for artists, Byrd consistently championed promotion and disruption.

Using AI And Voice To

Disrupt Digital Advertising 

Over the past twelve years, Stephen has shifted his focus towards technology development. With a specific emphasis on artificial intelligence and voice recognition, he identified a gap in the market—real-time business offers tailored to specific industries were lacking. This gap led to the creation of VoiceeAds, a revolutionary platform enabling real-time offers and deals through voice-activated searches. For Stephen, the concept is simple; this software seamlessly combines convenience and practicality.

In a recent press release for Yahoo Finance, Byrd said this “People don’t want to be tethered to their screens; they want the freedom to stay on the move, access information effortlessly, and place orders seamlessly.” While awaiting the final patent approval, Stephen’s voice assistant app is already available and has garnered significant attention from the newspaper and magazine industry for helping with a new and innovative way for readers and advertisers through voice to get news, stories and advertisements. Acquisition offers on the horizon as well.

For consumers, it’s the ideal solution for obtaining instant information on their preferred topics through voice assistants. For businesses, it’s the perfect opportunity to present their products and offers to potential customers ready to make a purchase, whether it’s a sports ticket, a meal, or their favorite team’s jersey.

To learn more about Stephen Byrd’s remarkable journey in making real-time deals accessible through voice-activated artificial intelligence, visit his website “Just Go Live Ai VoiceeAds Search Assistant Marketing” for additional information.

The 10 Best Hip-Hop Music Videos

A well-e­xecuted video can e­levate a simple song to a visually captivating experience, captivating vie­wers and leaving them e­ager for more.

These are some of the best hip-hop music videos of all time.

10. Mo Money Mo Problems

The song, fe­atured on Notorious B.I.G’s second and final album Life Afte­r Death, is called ‘Mo Money Mo Proble­ms’. It includes collaborations with Puff Daddy and Ma$e and prominently sample­s Diana Ross’s 1980 track ‘I’m Coming Out.

The song talks about online casinos and casinos in general and how money and success can lead to problems. At the time of its release, the song topped the Billboard Hot 100 for two weeks and is considered one of the biggest songs in hip-hop history.

It’s a classic hip-hop song that is still relevant today and certainly deserves to be on any hip-hop Playlist. 

9. This is America 

Childish Gambino’s music video for this song was re­leased to widespre­ad acclaim and quickly became a viral sensation. It re­mains one of the most iconic and widely discusse­d music videos to date.

It uses a lot of symbolism to signify different opinions on important issues to stir up meaningful discourse. The artist is seen in many violent scenarios dealing with police brutality and racism while dancing awkwardly to show the state of American society.

The vide­o took everyone by surprise­ with its unexpected and controve­rsial nature, but it is undeniably one of the­ standout music videos of the 2010s.

Source: BBC

8. Not Tonight (Ladies Night Remix)

This eve­nt elevated the­ concept of a girls’ night out to extraordinary heights. It was a production with ample­ resources, showcasing awe-inspiring se­ttings and captivating lyrics that appealed to the audience. The lineup included some of the most prominent female artists of the 1990s like Lil Kim, Missy Elliot, Le­ft Eye, Angie Martinez, and Da Brat. Additionally, notable­ figures in the Ninetie­s entertainment sce­ne like Xcape, Mary J. Blige­, Queen Latifah, actress Maia Campbe­ll, and Blaque made appearance­s in the music video.

The girls in the music video engage in various activities, creating a lively atmosphere that mirrors an actual party. The song itself is cente­red around celebrating women and their many achieveme­nts in an industry known for its competitiveness. It’s definitely a video worth watching.

7. Get Your Freak On

Missy Elliot gained acclaim for her captivating music videos that pushed boundaries. She was praised for her innovative, futuristic sound and me­ticulous attention to detail in her visual storyte­lling. This particular song is no exception, leaving a lasting impact on liste­ners.

The film features exciting cameos from popular artists such as Eve­, Ludacris, LL Cool J, and Busta Rhymes, making it a delightful watch.

6. Ready or Not

Ready or Not is a song from the Fugees second album The Score. It draws inspiration from Irish singer Enya and the Delfonics. Lauryn Hill still loves to perform this song whenever she goes on tour. 

Rele­ased in 1996, this song is renowned for being the first hip-hop video to exce­ed a million-dollar budget. The production required three full days of shooting, with its standout fe­ature being the captivating Y2K style­. Comprising Wyclef Jean, Lauryn Hill, and Pras Michel, The­ Fugees were­ revolutionary advocates fighting for justice.

They sang while navigating through motorbikes and military helicopters, creating an atmosphere reminisce­nt of an adventure film.

This song quickly became a hit in the United Kingdom and reached the top of the charts. It also achieved success internationally, reaching the top 10 in 15 different countries. Rolling Stone­ magazine recognizes it as one­ of the influential songs that shaped Rock music.

5. Moonlight

Jay-Z is known for his business acumen, creative mind, and thinking outside the box when it comes to his concepts for music videos and this was no exception. The song Moonlight is a reimagination of Friends featuring an all-black cast. It featured Issa Rae, Tiffany Haddish, Tessa Thompson, Lakeith Stanfield, Lil Rel Howery, and Jerrod Carmichael playing different members of the famous Friends cast. 

It plays with the view that Friends was a white version of a black sitcom Living Single that premiered in 1993 about a group of six friends living together in a Brooklyn townhouse. Moonlight is still regarded as one of Jay-Z’s most visually appealing music videos. 

Source: Esquire

4. Alright

“Alright” is a music video re­leased in 2015 featuring Ke­ndrick Lamar and directed by Colin Tilley and the­ Little Homies. The vide­o has a distinct visual style, shot entirely in black and white­, and includes powerful imagery and symbolic e­lements.

In this music video, Lamar channe­ls his frustration regarding the mistreatme­nt of Black Americans and police brutality. Despite­ the inclusion of intense sce­nes, the overall tone­ resonates with hope and positivity, signifying a glimpse­ of light amidst adversity.

3. Can’t Nobody Hold Me Down

Puff Daddy and Ma$e collaborate­d to create an iconic song that showcased the­ir talent. The music video accompanying the­ song was groundbreaking and pushed creative­ boundaries during the 90s. This single marke­d Diddy’s debut as a performer, and he­ went all out in creating a unique and me­morable video expe­rience.

With his luxurious Rolls Royce gliding through the­ desert and a dance in an e­thereal room reminisce­nt of an illuminated Gravitron, Diddy captivated audience­s. This song dominated the charts for an impressive­ 25 weeks upon its rele­ase in 1997, marking a remarkable start to Diddy’s care­er as a performer.

2. Drop It Like It’s Hot

In 2004, Snoop Dogg and Pharrell Williams collaborate­d on a song called “Drop It Like It’s Hot,” with music video dire­ction by veteran director Paul Hunte­r. The song quickly climbed the charts and re­ached number one on the­ Billboard Hot 100, where it remaine­d for three wee­ks. Billboard even recognize­d it as the most popular hip-hop song of the entire­ 2000s decade.

The vide­o was filmed using black and white visuals, featuring conve­rsations with Pharrell and Snoop about how the public perce­ives them and their life­styles.

1. The Rain (Supa Dupa Fly)

Missy Elliott’s creative­ genius in both her songs and music videos se­t her apart, establishing her as a star and one­ of the groundbreaking women shaping the­ future of the music industry.

Missy’s music video for The­ Rain showcased her signature cartoon-like­ visuals and avant-garde fashion choices. She proudly fe­atured her friends as vide­o vixens, demonstrating her acce­ptance and celebration of individuality.

The song was a re­bellious statement aime­d at the music industry, emphasizing that embracing one­’s true self will always be fashionable­, regardless of the time­ period.

MF DOOM Estate Sues Ex-Stones Throw Exec For Allegedly Stealing 31 Notebooks From Late MC

MF DOOM‘s widow, Jasmine Dumile Thompson, reportedly filed a lawsuit in federal court on Tuesday (October 22), claiming his former label collaborator, Eothen “Egon” Alapatt, stole 31 of the late MC’s notebooks. According to Billboard, the notebooks contained tracks from Operation Doomsday (1999), Madvillainy (2004) and MM…FOOD (2004) in addition to unreleased songs ideas, musings and “other creative ideations.”

Alapatt started working with MF DOOM when he was the GM and A&R at Stones Throw Records. He’s also Madlib’s former manager and founder of Now Again Records. Alapatt has admitted to having the notebooks in the past, but Dumile-Thompson says he refuses to return them. Instead, the docs allege Alapatt wants the notebooks to be “donated to a university or government archive” or a “museum or other institution of [Alapatt’s] choosing. [The notebooks] were intended by DOOM to be secret and confidential.”

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The notebooks inadvertently fell into Alapatt’s lap after MF DOOM traveled to the U.K. to perform in 2010 but was prohibited from returning to the U.S. due to immigration issues. The 31 notebooks of lyrical material were left behind in his Los Angeles studio and Alapatt “took unlawful possession” of the books about six years later, the lawsuit contends.

“Alapatt never consulted with DOOM about his acquisition of the notebooks and took advantage of DOOM’s being out the country to obtain them,” the lawsuit said. Alapatt allegedly lied to DOOM’s face about having them, but his landlord informed him that was untrue, so DOOM confronted Alapatt again.

Alapatt allegedly then told DOOM he was holding on to them because DOOM owed $12,500 in past-due rent, and Alapatt claims to have paid that rent on DOOM’s behalf. As a result, he allegedly said the physical notebooks themselves were legally his property. Dumile-Thompson suspects DOOM owed no additional rent, and Alapatt simply paid $12,500 to the landlord to buy the books.

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In 2020, Alapatt apparently offered to send MF DOOM and his family photocopies of the contents of the notebooks for the “sole purpose” of allowing DOOM access but wouldn’t return the books themselves—which MF DOOM refused. Right before his October 2020 death, Alapatt sent MF DOOM a hard drive with large format scans of every notebook he lost, all of which were time stamped between 2018 and March 2020. The lawsuit claims this is proof Alapatt was infringing on his estate’s intellectual property by creating and disseminating unlawful copies of DOOM’s lyrics.

Alapatt said he doesn’t “intend to publish” the unauthorized digital copies he made, he doesn’t have to “publish” the copies of his infringing copies to be found liable.” The complaint continues, “Regardless, [DOOM’s estate] alleges that Alapatt actually shared the copies of the notebook he made with others.”

Dumile-Thompson is intent on getting the notebooks returned to the family, the photo copies destroyed and “significant compensation” for the damage Alapatt has inflicted. In addition to copyright infringement, the lawsuit alleges “fraud, conversion, unjust enrichment, constructive trust and declaratory relief.” The estate is also requesting a jury trial.

What Musical Education Will Be Helpful for a Rap Career?

Embarking on a rap career is a journey rich with rhythm, rhymes, and realness. It’s an art form where words weave intricate patterns of storytelling, and beats build the foundation on which these tales stand. A solid musical education is the backbone of this craft, providing aspiring rappers with the knowledge and tools to hone their artistry.

Musical education unfurls a canvas where creativity meets technique, where raw passion intertwines with structured knowledge. Areas such as musical theory, rhythmic training, and vocal techniques become crucial threads in the fabric of a rap artist’s musical tapestry.

Understanding Musical Theory

Grasping the basics of music theory is akin to acquiring a map for the musical journey ahead. It illuminates the path, providing clarity on the intricacies of rhythm, harmony, and melody. For rap artists, it enriches the creative process, offering a structured approach to composing captivating musical pieces.

In the midst of mastering music theory, it might seem daunting to balance academics. Utilizing resources like ‘write my essay‘ essay writing service can be invaluable, allowing artists to devote time to honing their musical skills without compromise. Thus, music theory becomes a powerful ally in crafting compositions that resonate with depth and authenticity.

Rhythmic Training

Rhythm is the heartbeat of rap, a pulsating force that drives the flow of words and melodies. Rhythmic training nurtures this elemental aspect, refining an artist’s innate sense of timing and beat. Through dedicated practice and specific exercises, mastery over rhythm is cultivated, enhancing the dynamism of rap performances.

Engaging in rhythmic practices, like using a metronome or tapping to beats, solidifies one’s timing. This forms a solid foundation, allowing the essence of the rap—the words and the message—to unfold seamlessly, creating a powerful, rhythmic resonance in each performance.

Vocal Techniques and Health

Vocal prowess is an indispensable asset in a rapper’s toolkit. It’s not solely about the lyrics, but how those words are delivered, riding the rhythms with precision and impact. Learning vocal techniques can dramatically bolster one’s performance, enabling control, clarity, and adaptability in various rap styles.

Vocal health is equally crucial. A well-maintained voice ensures longevity and consistency in one’s rap career. Simple practices such as proper hydration, warm-ups, and rest play a significant role in preserving vocal quality. Investing time in these aspects enables rappers to deliver their messages powerfully and proficiently across diverse performances.

Songwriting and Composition

Crafting original songs is the soul of a rapper’s creative expression, like crafting original papers is essential for an essay service. It allows them to share unique stories and perspectives. It requires a fusion of imaginative lyricism and a keen understanding of song structures, cultivating a balanced blend of innovation and coherence.

Mastering the art of songwriting involves exploring various composition techniques, learning how to structure verses, hooks, and bridges to construct a compelling narrative. In rap, words wield power, and through education in songwriting and composition, artists learn to harness this power, creating songs that resonate with authenticity and emotional depth.

History of Rap and Hip-Hop

Immersing oneself in the history of rap and hip-hop is akin to exploring the roots of a mighty tree. Understanding the origins, evolution, and diverse styles of this genre bestows valuable insights, offering a rich reservoir of inspiration.

By studying the journey from its inception to contemporary variations, artists gain a deeper appreciation of the craft. Different styles and subgenres, each with unique rhythms, rhymes, and cultural imprints, unfold. This historical knowledge nurtures a well-rounded perspective, enabling artists to create music that respects tradition while embracing innovation and individuality.

Performance Skills

A magnetic stage presence is a vital aspect that transcends the boundaries of mere lyrical mastery in a rap career. Performing live, an artist breathes life into words, embodying the essence of each lyric and rhythm. It’s a space where connection with the audience is forged, turning mere words into memorable experiences.

Learning how to engage an audience, maneuver the stage, and convey confidence are essential skills to cultivate. These elements combined enhance the overall impact of a performance, ensuring that the message not only resonates audibly but also creates a vibrant, unforgettable atmosphere in each live show.

Navigating the rap industry demands a continuous learning approach, and studying current artists and trends is pivotal. By dissecting the strategies and styles of successful artists, there’s a wealth of knowledge to be gleaned, facilitating personal growth and innovation.

Analyzing trending sounds, lyrical approaches, and overall presentation grants clarity on what captivates contemporary audiences. This insight becomes a fountain of inspiration, aiding artists in crafting music that is both genuine and attuned to the evolving musical landscape. Such awareness fosters adaptability, ensuring that artists remain relevant and vibrant in their creative expressions.

Technology and Production Skills

In the realm of rap, technological adeptness is a powerful ally. A foundational understanding of production skills unlocks a world where creativity knows no bounds. Artists can transform raw musical ideas into polished pieces, having a command over various stages of music creation.

Knowledge of music software and equipment is instrumental in this journey. From beat-making to mixing, mastering the tools of the trade enhances artistic autonomy. It allows artists to experiment, innovate, and fine-tune their musical compositions, enriching the overall quality and originality of their rap creations. Thus, technological proficiency is a quintessential aspect of a thriving rap career.

Continuous Practice and Improvement

In a musical journey, stagnancy is not an ally, but continuous improvement is. Artists must immerse themselves in a cycle of learning and practice, ensuring their artistry evolves and stays vibrant. By doing so, one’s craft remains not just relevant but also progressive and dynamic.

Sometimes, it might be beneficial to clear space for focused musical growth. Using resources like the best paper writing service can help manage academic pressures, allowing more freedom to hone musical skills. Thus, with a balanced approach and a commitment to constant growth, one navigates towards a fulfilling and successful career in rap.

Conclusion 

Pursuing a multifaceted musical education is a golden pathway to flourishing in a rap career. An expansive knowledge base, cultivated through diverse educational pursuits, acts as a sturdy foundation, supporting and nurturing your artistic journey. Education unravels the many dimensions of music, enabling artists to create with depth, authenticity, and innovation. Embrace learning as your steadfast companion in the quest to carve a meaningful and triumphant path in the rap industry.

Tupac Shakur’s Former Manager Reveals How He Was Discovered

The 1996 death of Tupac Shakur has captivated the Hip-Hop community since Keefe D’s arrest last month. Journalist Allison Kugel recently sat down with Shakur’s former manager, Leila Steinberg, who talked about what it was like to be the artist’s mentor and first manager. Steinberg seemed concerned about ensuring people don’t forget who Shakur was.

Steinburg met the “Dear Mama” MC when he would come to her now legendary Mic Sessions workshop in the Bay Area. She worked with the young artist, helping him get his presentation together for an audition in front of the late Shock G, hoping to be invited to join Digital Underground. The rest, as they say, is history.

“The reason 2Pac came about is because I kept saying, ‘Oh gosh, we need a rapper that is about social justice, that gets some of the same things [as me],’” Steinburg said in the interview. “I kept looking for someone that was kind of like me; someone who read like crazy and could tackle issues that we don’t talk about. Public Enemy was too radical. There were artists that were in hip hop that were using their voices, but they couldn’t penetrate the schools, because they were too extreme.”

She continued, “I was looking for somebody that could straddle these worlds like I could,. One day Luanda, who was one of our group members said there was a kid that just came from Baltimore, and that he was it. She’s the reason ‘Pac came to the group. He had lots of poems. Poems, lyrics… and from the first poem, I knew.”

Another person keeping Shakur’s memory alive is his godfather, Jamal Joseph.

On November 3, the filmmaker will join music journalist Nicole Duncan-Smith and director Lauren Lazin in a celebration of the 20th Anniversary of the TUPAC: RESURRECTION documentary at the Brooklyn Academy of Music at  Peter Jay Sharp Building BAM Rose Cinemas.

The film is being shown as a part of the “Let The Record Show: Archived Cinema” film series curated by Jessica Greene. The night will be a community effort as the Brooklyn Alumnae Chapter of Delta Sigma Theta Sorority, Inc. has sponsored approximately 30 young people from Usher’s New Look to experience the great poet in his own words. Tickets are on sale here.

Ma$e Suggests NBA Teams Refuse To Sign Dwight Howard Because Of His Sexuality

Former NBA player Dwight Howard finds himself at the center of attention in a court of law and the court of public opinion. Howard’s sexuality became a trending topic this week, and even Ma$e shared his opinions on the subject.

According to reports, Dwight Howard admitted to “consensual sexual activity” with a man named Stephen Harper and another man just known as “Kitty” in July 2021. Harper had filed a lawsuit in Georgia against Howard, claiming the 6’10” basketball star sexually assaulted him.

Ma$e and Cam’ron talked about the Dwight Howard story on the It Is What It Is sports talk show. That conversation included Ma$e suggesting the ex-Laker was not on an NBA team because of his sexual preferences.

“We gotta stop telling people, ‘I don’t care what you do on your own time.’ Because we do care,” stated Ma$e. “We gotta stop telling n#####, ‘What you do in your own personal time has nothing to do with me.’ It does, my n####. It does matter. Those are the lies that are going on in society.”

The Harlem-bred rapper also added, “When it comes down to making money off the story, it matters. When it comes down to who’s dating you, it’s gonna matter… When it comes down to if you’re gonna be in the locker room with them, it matters. Because there are about thirty teams that did not sign Dwight Howard because it matters.”

As far as the civil case against Dwight Howard, the accuser, Stephen Harper, claims the Atlanta-born athlete also inflicted emotional distress and falsely imprisoned him. Howard’s legal team has denied those allegations.

“The truth is Mr. Howard blocked Mr. Harper on social media and then was confronted with two options — pay to protect his reputation or have a fabricated story made public,” Howard’s attorney, Justin Bailey, told ESPN.

Dwight Howard played for seven NBA teams during his professional basketball career. His most recent stint in the league took place in 2021-2022 with the Los Angeles Lakers. He won an NBA Championship as part of the Lakers franchise in 2020.

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Tupac Shakur Was Worried About Security Getting Shot As He Bled Out In BMW

New revelations have emerged in the Tupac Shakur murder case following Duane “Keefe D” Davis’ arrest. A grand jury met over five times and scoured over 300 pages of transcript throughout the course of three months to indict the former gangbanger on one count of murder with a deadly weapon with a gang enhancement. Keefe D’s own testimony in various interviews and his book implicated him as the person who called for Shakur to be killed.

“Duane Davis was the shot caller for this group of individuals that committed this crime, and he orchestrated the plan that was carried out,” LVMPD Lt. Jason Johansson said.

Shakur was shot on September 7, 1996 and died six days later the University of Nevada Medical Center. The primary suspect, Orlando Anderson (who’s also Keefe D’s nephew), was killed in a drive-by two years later.

“When [Davis] passed the firearm to Orlando, Orlando didn’t have a clear shot,” a witness affiliated with Keefe D’s Crip sect told the grand jury. “Big Dre is 6’6. At this time, he’s 370, 400.  He’s big. And you’re not going to be able to lean over a big guy like that and get — I mean, my time of knowing things, doing — you’re not going to reach over like that because shells would have been popping all in Big Dre’s face and all kind of stuff. He can’t bend down or anything, he’s too big.”

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The witness said Big Dre, who’s now dead, was actually the one who shot Shakur. Another witness testified to the grand jury that Shakur was looking out for others during those last moments of his life.

The wounded Shakur was bleeding out in his BMW’s passenger’s seat and he said to the security member approaching him, “Get on the ground. They’re going to shoot you,” according to 8NewsNow.com.

It seems that ‘Pac always knew he was on borrowed time. His former manager, Leila Steinberg, sat down with Allison Kugel to talk about why she believes her friend and former mentee is no longer alive today. She blamed it on his life at Death Row and connection to Suge Knight.

“He had many lucid moments when he got it and he wanted out,” she said. “Oh, he wanted out. But some lines you cross, you can’t come back from. The deal with Suge, you can’t come back from that. He couldn’t just walk away. I don’t think he ever wanted in [with Death Row Records].

“He was in jail and desperate, and he made a move based on desperation, and he did not understand the cost or the consequence because he was dealing with real gangsters. He is not alive today because he was dealing with real gang members. That was not him. He thought he could do this deal, get out, give Suge these three records and have his freedom. It didn’t work that way. It was never going to work that way.”

While Keefe D’s indictment is “somewhat” justice to her, she also believes it’s bittersweet because he’s here and her friend isn’t.

“You know, Keefe D lived his life for the last 27 years,” she said. “There is some relief, but it’s complicated. He wasn’t the only one involved. It’s going to take some years for this to play out. Does it make me feel better? Not really. I believe in justice, so yes, I think it was important. It’s important that these next few years play out, but it didn’t make me feel any better, or whatever I thought maybe I would feel.”

Offset On The Lack Of Creativity In Current Hip-Hop: “That S###’s Getting Boring”

There has been a lot of conversation about the state of Hip-Hop culture in 2023. Earlier this month, Juicy J called for an industry meeting to address the declining sales of rap music. Offset has now weighed in on the topic as well.

Apple Music’s Ebro Darden caught up with Offset to discuss his new Set It Off studio LP. The Atlanta-raised entertainer also talked about the transition taking place in Hip-Hop from more established artists to newer artists and the criticism directed at the up-and-comers.

“I’m noticing that the no-content music ain’t catching nobody’s ear. I’m noticing that the numbers are down in our genre specifically because I feel like everything is so the same,” Offset said. “The next new n#### is another n#### that was just here. It’s nothing new being brought to the game.”

He continued, “Not just on the sound side, but just all the way around as creatively too. Most videos be like a Rolls Royce in the background, some chains on, and that s###’s getting boring, fellas. It’s like no real entertainment.”

Offset went on to say that modern-day Pop and Country musicians find commercial success because they present the “full package” as artists. For example, Country singer Morgan Wallen has dominated the Hot 100 and Billboard 200 charts this year.

Hip-Hop stars Lil Uzi Vert (Pink Tape), Travis Scott (Utopia), Rod Wave (Nostalgia) and Drake (For All the Dogs) made it to the top of the Billboard 200 chart in 2023. However, ten Hip-Hop acts scored No. 1 albums by this time last year.

Offset’s Set It Off opened at No. 5 on the Billboard 200 chart dated October 28, 2023. He previously had two projects peak at No. 4 – 2017’s Without Warning with 21 Savage & Metro Boomin and 2019’s Father of 4. Set also scored two Number Ones as a member of the Migos rap group.

Lil Yachty Teases Joint Project With Drake

Both Drake and Lil Yachty dropped solo albums this year. Lil Boat’s Let’s Start Here arrived in January, and Drizzy’s For All the Dogs landed earlier this month. But will the two rap stars join forces for a collaborative project soon?

Lil Yachty played a role in crafting and promoting For All the Dogs. The Georgia native co-produced several songs off the LP, including “Calling For You,” “What Would Pluto Do” and “Another Late Night.”

While appearing on Our Generation Music’s “A Field Trip w/ Lil Yachty & Concrete” vlog, Boat hinted that an official collaborative body of work with Drake may not be a far-fetched idea.

“Yeah, we talked about it before. It would be nice, right?” Lil Yachty stated. “I think he’s gonna take a little second to breathe. I’m gonna take next year and figure out my situation and we’ll look into it in the future. He’s gonna take a break, I’m gonna press the gas. And then after that, we can see what’s up.”

After For All the Dogs hit DSPs on October 6, Drake announced he would be taking a break from making music. The Toronto-bred entertainer revealed health concerns as the main reason for the upcoming hiatus.

“I want people to be healthy in life, and I’ve been having the craziest problems for years with my stomach,” Drake explained. “I was just saying what it is now. I’m saying I was gonna say it. I’ll say it. So I, I need to focus on, on my health and I need to get right.”

For All the Dogs debuted at No. 1 on the Billboard 200 album chart with 402,000 first-week units. Let’s Start Here launched at No. 9 on the weekly rankings. Lil Yachty’s fifth studio album brought in 36,000 units in its first week of release.

Nicki Minaj Becomes First Female Rapper To Have Two Billion-Viewed Solo Music Videos

Nicki Minaj continues to make history. The Trinidadian-born rapper once again cemented herself as a trailblazer in Hip-Hop by reaching an impressive milestone.

According to Chart Data, Nicki Minaj became the first female rapper with more than one music video as a soloist to cross the 1 billion view mark on YouTube. She recently achieved that feat with “Super Bass.”

The video for Minaj’s 2011 single now sits at around 1,000,041,006 YouTube views. “Super Bass” joined 2014’s “Anaconda” which has amassed more than 1,115,436,013 plays on the platform.

“Super Bass” lives on the deluxe version of Nicki Minaj’s debut studio LP, Pink Friday, which peaked at No. 1 on the Billboard 200 album chart. “Anaconda” is off the No. 2 debuting The Pinkprint.

The Recording Industry Association of America certified “Super Bass” as Diamond (10 million units) in November 2021. “Anaconda” reached 2x-Platinum status seven years earlier.

In addition to her two solo records topping 1 billion views, Nicki Minaj also made it into the Billion Club with collaborations like Jason Derulo’s “Swalla” (1.7B), Jessie J’s “Bang Bang” (1.9B) and Ariana Grande’s Side To Side (2.1B).

Cardi B currently holds the record for the most-viewed YouTube music video with a female rapper. Maroon 5’s Diamond-certified “Girls Like You” featuring the Bronx native has amassed more than 3.5 billion plays.

Wiz Khalifa has the most-viewed music video for any Hip-Hop act in YouTube history. “See You Again” featuring Charlie Puth has over 6 billion views. Luis Fonsi’s “Despacito” featuring Daddy Yankee holds the all-time record with 8.2 billion views.

21 Savage Addresses Breaking Up Fight At His Birthday Party

21 Savage (born Shéyaa Bin Abraham-Joseph) celebrated his 31st birthday with a party at Underground Atlanta on October 21. Unfortunately, a fight broke out at the rapper’s event.

Footage of the incident shows 21 Savage attempted to stop the brawl. According to reports, even his cousin, Young Nudy, got involved in trying to end the violence.

Savage took to his Instagram Story to address the viral clip. The Her Loss album creator suggested social media users have been making the situation appear to be worse than it actually was.

“Why is y’all dragging a video of me stopping a fight and twisting it into what you want it to be? Who wants to fight on their birthday?😂😂😂😂😂,” wrote the Grammy-winning recording artist.

In addition to celebrating reaching 31 years old, 21 Savage has spent the last several weeks reestablishing himself as a solo performer. He appears to be turning from his Her Loss era with Drake back to dropping music on his own.

Savage recently released the “Call Me Revenge” single featuring Houston native David “d4vd” Burke. The track is part of the rollout for the Call of Duty: Modern Warfare III video game.

Plus, 21 Savage will return to his birthplace of London, England for his first-ever show in the United Kingdom. He plans to run a concert inside The O2 Arena on November 30.

Cesar Pina Says DJ Envy Had “Nothing To Do” With Alleged Real Estate Scam But Denies Envy’s A “Victim”

DJ Envy’s former business partner, Cesar Pina, has spoken out in defense of The Breakfast Club host, claiming Envy had nothing to do with the alleged real estate scam and is only being targeted because he’s the “bigger name.” 

Federal authorities arrested Pina and charged him with allegedly defrauding dozens of real estate investors. Many question whether DJ Envy was involved. However, the accused fraudster took to Instagram Live to deny the claims.  

“DJ Envy was never in the room with me,” Pina told his followers. “DJ Envy has nothing to do with any of these 20 lawsuits of these people who are suing me. It f###### sucks, bro.” 

He explained his fury “that all these people are bashing DJ Envy,” stating the radio presenter “is so successful in hip-hop, as far as a DJ, that people just don’t like him.” 

Pina also said people are “being coerced to sue people affiliated with me just because they are a bigger name.” He added, “That’s the situation that breaks my heart. In all these lawsuits, these 20 lawsuits, DJ Envy was never in the room with me.” 

Pina also addressed Envy’s lawyer’s argument that the DJ is also a victim of the real estate scam.  

“I understand his attorney, his defense to DJ Envy is a victim. That’s the dumbest s### I ever heard in my life,” Pina said. “Me and him were partners in the real estate seminars. We are partners in a couple of real estate transactions. That’s it. He’s not a victim. He was my partner. He was an investor.”  Check out the clip below and watch the live at the end of the page.