homepage

Lil Meech Responds To 50 Cent’s Claim He’s Addicted To Drugs—Makes It Worse

Months after 50 Cent publicly accused Lil Meech of having a drug problem, the Black Mafia Family actor has addressed the allegations in a brief interaction with TMZ. When asked about 50 Cent’s claims, he replied, “Where I’m from everybody needs rehab”—not exactly a denial.

Taking note of Meech’s comments, 50 Cent re-shared the clip to his Instagram account on Sunday (May 4) and called him out for basically lying about his “street cred.” He wrote in the caption, “He from private school, never been in the street. MeMe gotta stop using the drugs, it’s to dangerous out here! HE MUST DIDN’T HEAR THEM SAY CUT @50centaction.”

Like 50 Cent, several people in the comment section thought Lil Meech appeared high in the clip, adding remarks like, “Damn he look burnt out fr” and “Tbh them kids in private school be strung tf out.”

View this post on Instagram

A post shared by 50 Cent (@50cent)

50 Cent initially made the allegation against Lil Meech in February and claimed he had to send him to rehab while he was still working on the popular STARZ series.

“I thought about it,” he wrote on Instagram at the time. “I think he was uncomfortable with me and MeMe’s relationship. I’m telling MeMe I don’t want him doing drugs. He telling him he use to do X like it’s cool. I tell meme chill stop spending all ya money, he telling him how much money he blew.

“People don’t know I had to send MeMe to rehab Russell Hornsby peeped he was high as fck on set he started throwing up at a weapons test then Ian told me the little had whippets in his truck. I said what the fck is whippets I look it’s the sh*t that be in Bebe guns.”

50 Cent later shared a photo of Lil Meech asleep in a wheelchair, soundtracked by the Amy Winehouse hit “Rehab.” He added in the caption, “Damn, this is BAD. You believe me now? Oh, now you want to believe me, OK.”

The television mogul’s comments only widened the rift between 50 Cent and Big Meech. The tension between them started after Big Meech aligned himself with 50 Cent’s longtime rival, Rick Ross, for a “Welcome Home” concert following his prison release. Although the show wound up getting canceled, the bad blood continues to boil.

Kanye West’s “Donda 2” Lifts Imprisoned Producer Out Of His Depression

Fat Money says Kanye West’s Donda 2 helped pull him out of a dark mental space while he serves time in a Kentucky federal prison for a weapons charge.

He sent a message to producer Digital Nas after hearing about the album’s release.

“WE DID IT KID, WE DID! dis Fat Money, this my text service number frm da feds bro. this t delayed too, its 4:59pm in Kentucky where im locked at,” he wrote. “Tell Ye i love him too. U did that t bro! I dont got a lotta access to the internet, but ppl been textin me about the album.. That t jus took me out a depression in here lmfao! GOOOO.”

Digital Nas responded, “I love you bro. I can’t wait till your out. We gotta get back in the lab.”

Fat Money is currently serving a 20-month federal sentence after pleading guilty to being a prohibited person in possession of a firearm and ammunition.

In April 2024, he admitted to trying to bring a loaded Glock 9mm and ammunition through security at Los Angeles International Airport.

TSA agents discovered the weapon during a routine bag check, and Raybon attempted to flee before being taken into custody.

His prior felony convictions and a misdemeanor domestic violence charge in Illinois barred him from legally owning a firearm. Despite being behind bars, Fat Money’s influence on Kanye West’s Donda 2 was substantial.

Digital Nas, who worked closely on the project, posted the message exchange on X with the caption, “This made my whole day. Message from Fat Money, who wrote alotttt of Donda 2.

The album, which initially dropped exclusively on Kanye West’s $200 Stem Player in 2022, was released to major streaming platforms on April 30, 2025.

It features 18 tracks with appearances from XXXTENTACION, Alicia Keys, Future, Don Toliver, Playboi Carti, and Jack Harlow.

But the rollout hasn’t been smooth. Kanye, now legally known as Ye, is facing legal threats from producers Boogz Da Beast and Brian “AllDay” Miller, who claim their beats were used without permission or payment.

Managed by DeAndre “Free” Maiden, the duo seeks to pull the album from streaming services, citing nearly $3 million in unpaid work.

As of now, Donda 2 remains available on major platforms despite the legal battle.

Doechii Calls Out Critics Over Lip-Sync Accusations

Doechii tackled Grammy backlash and internet trolls head-on during a recent Cosmopolitan interview where she made it clear she’s not afraid to speak up—when it matters.

The 26-year-old rapper, who took home Best Rap Album for Alligator Bites Never Heal at the 2025 Grammy Awards, responded to accusations that she lip-synced during her high-energy performance.

“That is my DJ’s voice picking up on the lines that I can’t say because I was doing a somersault. That entire performance was live!” she said in a video message shortly after the show in February.

Reflecting on the incident, Doechii said: “With the Grammys, I was halfway joking. Like, please don’t play with me. I don’t cheat. I don’t cut corners, and I take my performances really seriously. So I was clapping back a little bit.”

Though she’s not one to constantly engage online, the Tampa-born artist made it clear she won’t stay silent if the moment calls for it.

“Am I going to be constantly online responding? No, that’s not something I like to practice,” she said. “But I do 100 percent believe that there are times and places to defend myself. If that happens to be through the internet, then maybe.”

Still, she acknowledged the toll it can take.

“But it’s not sustainable for me to constantly be going back and forth and reacting to people online.”

Doechii became only the third woman to win Best Rap Album at the Grammys, a milestone she achieved on February 4.

Michelle Obama, Tina Knowles & Kamala Harris Join Viral Dance Craze

Michelle Obama and Tina Knowles lit up the stage in National Harbor, Maryland, this week with a surprise performance of the viral “Boots on the Ground” dance during a stop on Knowles’ Matriarch book tour—prompting a roar of applause from the packed crowd.

Knowles, who revealed the track is one of her personal favorites, danced alongside Obama to the delight of attendees.

View this post on Instagram

A post shared by Tina Knowles (@mstinaknowles)

The moment quickly exploded online, but it didn’t stop there. Former Vice President Kamala Harris also jumped on the trend, showing off her own moves after learning the choreography from a TikTok creator.

View this post on Instagram

A post shared by Dougie Furtick (@803freshsc)

The dance, set to the infectious track by viral sensation 803Fresh, has gained traction on social media thanks to its catchy rhythm and high-energy moves.

Meanwhile, the song’s momentum reached another level when Beyoncé incorporated a mashup of “Boots on the Ground” with her Cowboy Carter track “Heated” during a tour stop earlier this week.

The performance marked a major co-sign for 803Fresh, who shared his reaction in an emotional Instagram post.

“From a small town like Wagener, SC… this moment was overwhelming and a shock to me,” he wrote. “To have Beyoncé even know what my song is – let alone do a piece of it – made me so ecstatic. Unbelievable to hear Boots on the Ground performed on one of the biggest stages in the world by the Queen. I’m so excited to see what the future holds!”

Dave Blunts Encourages White Fans To Use The N-Word During Concert

Dave Blunts was hit with backlash after telling white audience members to yell the N-word during a recent live show.

In a video circulated widely online, Blunts is seen lounging on a couch onstage, instructing the crowd to shout the slur.

“I know in my music I say a lot of words they tell me I shouldn’t say, or can’t say. But I want everybody to know, you come to my show, you get a free N-word pass. When there’s a song that has the N-word, I wan’t ya’ll to scream that s###. Will you guys say the N-word with me tonight?”

The predominantly white audience cheered and followed his lead, chanting the word as Blunts watched and then launched into his performance of his song “First Day Out The Hospital.”

He later posted the clip with a sarcastic caption that read, “You Can’t Say That.”

The footage, which has almost 1.5 million views on X, quickly gained traction across social media platforms, drawing criticism and reigniting debates over racial boundaries in Hip-Hop culture.

Blunts, who has worked with high-profile artists including Kanye West, has not issued a formal statement addressing the incident.

This isn’t the first time a rapper has faced scrutiny over allowing white audiences to use the N-word.

In a 2013 interview, ScHoolboy Q said he was fine with white listeners rapping along to his lyrics during concerts. But in 2024, he reversed his stance, saying he no longer condones white people using the term.

He explained the shift by saying he had been under the influence when he made the earlier comments. Kendrick Lamar also confronted the issue in 2018 during his set at the Hangout Festival in Alabama.

After a white fan repeatedly used the N-word while rapping along to “M.A.A.D City,” Lamar stopped the performance and told her, “You gotta bleep one single word.”

She was only allowed to continue after agreeing to censor herself.

Beyoncé Just Changed Country Music’s Rules

When Beyoncé kicked off the COWBOY CARTER TOUR in Los Angeles on April 28, it felt like more than just the start of a show. Much like THE RENAISSANCE TOUR, it marked the beginning of something bigger, a cultural movement. Through this next chapter in her three-act saga, Beyoncé continues her mission to redefine genre, reclaim space, and shine a light on stories that have long been erased from American music history.

With Cowboy Carter, she centers Black voices in country music while still carrying the energy and legacy of Renaissance, which celebrated Black queer artistry and ballroom culture. Dressed in all-white Western looks styled through a distinctly Black lens, Beyoncé steps onto the stage and immediately challenges the traditional image of country music — and who it’s meant for.

This isn’t a departure from Renaissance but a continuation. She weaves in tracks like “I’m That Girl,” “Cozy” and “Alien Superstar” to remind us that the journey she’s on is about reclaiming genres that Black artists helped create. These songs help connect the dots between the two acts, showing how ballroom and country actually share deep roots in Black expression.

What Beyoncé is doing on this tour isn’t just about art. It’s a form of cultural storytelling. It’s about healing, resistance, joy, and visibility. She’s creating a space that challenges how both country music and ballroom culture have been cleaned up and watered down in the mainstream. And she’s bringing them together in a way that feels both radical and deeply familiar.

There are meaningful details throughout the show like cowboy-themed statues in the interludes and her grand entrance on a golden horse. In Beyoncé’s world, line dancing and voguing exist side by side. She builds a bridge between Black rural tradition and queer urban rebellion, two communities that have often been overlooked or pushed to the margins.

Her dancers, many of whom come from the ballroom scene, vogue, duckwalk, and even Riverdance across the stage. It turns these country music venues into ballrooms filled with joy and celebration. It’s a powerful reminder that queer Black joy has always been here even if it hasn’t always been welcomed.

As the story continues to unfold, Beyoncé shows us that the field and the ballroom were never that far apart. And now, with her spotlight, they’re both being seen like never before.

Act II is here — and it’s arriving with boots on the ground and bass in the trunk.

The Renaissance isn’t over. It’s just evolving, through the eyes and vision of Beyoncé Giselle Knowles-Carter.

Lil Wayne Still “Hurt” By Super Bowl Halftime Show Snub

Lil Wayne has ruled out ever performing at the Super Bowl Halftime Show after being overlooked for this year’s coveted slot in his hometown of New Orleans in favor of Kendrick Lamar.

The Grammy-winning rapper told Rolling Stone he was “hurt” by the decision and said the snub was enough to make him walk away from the idea for good.

“They stole that feeling. I don’t want to do it. It was perfect,” he said in the magazine’s cover story.

Wayne, 42, had hoped to take the stage in February at the Caesars Superdome, where the NFL will host Super Bowl LIX.

Instead, the league tapped Lamar, the Compton-born Hip-Hop artist, to headline the show. Wayne didn’t tune in for the performance.

“Every time I looked, it was nothing that made me want to go inside and see what was going on,” he said, recalling how he spent the evening playing pool and smoking outside with a friend.

The “Lollipop” rapper said he had been led to believe he was in serious consideration for the show after the NFL encouraged him to increase his public visibility.

He pointed to appearances he usually wouldn’t do, including a project with NFL legend Tom Brady.

“To perform, it’s a bunch of things they’re going to tell you to do and not do, a*ses to kiss and not kiss,” Wayne said. “If you notice, I was a part of things I’ve never been a part of… I’m doing s**t with Tom Brady. That was all for that. You ain’t never seen me in them types of venues. I ain’t Drake. I ain’t out there smiling like that everywhere. I’m in the (studio), smokin’ and recording.”

Wayne also revealed that someone from the NFL later apologized, telling him they weren’t responsible for choosing the Halftime Show act.

Despite the disappointment, Wayne said there’s no bad blood between him and Kendrick Lamar.

Before the performance, he called the “Not Like Us” rapper to offer support and clear the air.

Benny The Butcher Recruits Boldy James For “Duffel Bag Hottie’s Revenge”

Buffalo’s own Benny The Butcher is back with a vengeance, linking up with Detroit’s Boldy James for the hard-hitting new single “Duffel Bag Hottie’s Revenge.” The track is the first taste of Excelsior, Benny’s seven-track project that was just released.

Produced by Nunchuk, the song features both MCs trading bars over a soulful horn-laced beat. Benny and Boldy, longtime fixtures in the underground rap circuit, sound as cohesive as ever. They are grimy, deliberate, and entirely unbothered by the industry’s glossier side.

While Excelsior is being billed simply as a “project,” it marks Benny’s first solo effort since 2024’s acclaimed Everybody Can’t Go. The full tracklist includes appearances from Styles P, Skyler Blatt, P.R.E.M.O., Sule, and Fuego Base. Production includes Harry Fraud, Daringer, and more.

Benny and Boldy filmed the video on a Brooklyn subway platform to to match the track’s energy. Neither rapper calls the borough home, but we don’t care. “Duffel Bag Hottie’s Revenge” proves that when Benny and Boldy link up, the streets are always listening

A$AP Rocky Embraces His Femininity: “I Don’t See Any Barriers”

A$AP Rocky has revealed Rihanna steals his clothes “all the time.”

The rapper, who shares two sons with the Umbrella singer, discussed his relaxed attitude towards fashion in a new interview with Vogue’s The Run-Through podcast.

A$AP Rocky insisted he doesn’t see a problem with unisex clothing, as he joked pieces from his wardrobe often go missing when Rihanna takes a shine to them.

“For me, it’s not fair that my girl could just go in my closet and take anything from it and wear it,” he shared. “She does it to me all the time, man! Sometimes you just see her on an interview or see a paparazzi photo, like, ‘Wait, there goes my Miu Miu f**king jacket!… I was looking for that since 2021!'”

After A$AP Rocky revealed that Rihanna admires his sense of style, he went on to confess that he has borrowed items from her closet, too.

“That goes both ways,” he explained. “She has pieces she don’t know that I actually stole.”

A$AP is often lauded for his fashion sense and this year he will co-chair the prestigious Met Gala alongside Colman Domingo, Lewis Hamilton and Pharrell Williams.

The 36-year-old star insisted he had no qualms about wearing women’s clothing as he underlined his freedom to dress as he pleases.

“I do what the f**k I want,” he told hosts Chioma and Leah Faye Cooper. “I wanna be a catalyst for daring men. I don’t know who drew the line between femininity – or being feminine – and masculinity. I don’t see any barriers.”

Elsewhere in the interview, A$AP called fatherhood “amazing” and a “dream”.

Finesse2tymes In Federal Custody Over Alleged Terroristic Threats

Finesse2tymes is back in federal custody.

The Memphis rapper surrendered Friday (May 2) over prosecutors’ belief he made terroristic threats against a woman in January, violating the conditions of his supervised release. In addition, they say he failed two drug tests—one in 2022 and the other in 2024—by testing positive for marijuana.

Finesse2tymes confessed he was on his way to jail in an Instagram Stories post and explained it was related to his former protégé, FNG King. He wrote, “Damn that’s crazy. My P.O. just called and said they violated my probation for ts happen. wit king finna go turn myself in.”

View this post on Instagram

A post shared by AllHipHop (@allhiphopcom)

In October 2023, King’s female guardian told police Finesse2tymes confronted her outside of a Texas smoke shop and requested a private conversation with the 12-year-old kid. Instead, King ran from the store and reportedly yelled, “They trying to send me back to Memphis!”

That’s when Finesse2tymes supposedly made a gesture about shooting somebody, presumably the woman. She said she saw an outline of a gun and told her, “You gonna die on camera today.” His attorney, Carl A. Moore, later told TMZ he “did not threaten the complainant in any way. We are confident this matter will be resolved justly once the state of Texas applies the applicable law to the facts.”

Finesse2tymes (real name is Ricky Hampton) is best known for songs likd “Back End,” “Get Even” and “Goin’ Straight In”. Finesse2tymes began gaining significant attention in the late 2010s, particularly after releasing his mixtape Hustle & Flow in 2019 while serving a prison sentence.

After his release from prison in early 2022, Finesse2tymes quickly rose in prominence, releasing popular singles and his album 90 Days in December 2022, which featured collaborations with artists like Moneybagg Yo, Gucci Mane, Lil Baby and producer Tay Keith. He’s been affiliated with major labels, signing with Moneybagg Yo’s Bread Gang in September 2022 and later joining J Prince Jr.’s Mob Ties in a joint venture with Atlantic Records.

Needless to say, his career has been marred by legal issues. He was sentenced to five years in federal prison in 2018 on a weapons charge following a nightclub shooting incident in Little Rock, Arkansas, though no fatalities occurred. He was released in 2022 but has since faced other legal challenges, including theft charges related to a rental car in Houston and now, the alleged probation violations.

British Rap Icon Wretch 32 Delivers His Most Personal Album Yet With “Home?”

Wretch 32 has dropped a genre-blending bombshell with Home?, his sixth studio album, weaving Afrobeat, grime, dancehall and reggae into a 15-track deep dive on identity, migration and what it means to belong.

The North London wordsmith doesn’t hold back on Home?, released Friday (May 2), pairing sharp social commentary with global rhythms and heavyweight collaborators.

The album’s lead single, “Like Home,” features Nigerian star Teni, while the previously released “Black And British” brought together Benjamin A.D. and Little Simz for a raw reflection on heritage and pride.

Wretch teased the project with cryptic video snippets featuring Mercston and Ghetts, building buzz across social media.

View this post on Instagram

A post shared by Wretch 32 (@officialwretch32)

View this post on Instagram

A post shared by Wretch 32 (@officialwretch32)

The album includes appearances from both artists, alongside Skip Marley, Protoje and more, blending Caribbean and African influences with the grit of UK Hip-Hop.

“Celebrating my 40th birthday recently put so much into perspective, I’m alive, I’m healthy & for just that im grateful…,” Wretch wrote on Instagram back in March. “Music is a part of the reason for this as at a time when I was lost it gave me purpose, it allowed me to release, to vent, to tell stories, our story & my own…”

He continued, “Home ? is just that, our story the Windrush story, the Immigreat story! If you’ve ever yearned to feel at home where you live I wrote this searching for mine with you in mind.”

The album doesn’t shy away from heavy topics. Wretch tackles homelessness, the devastation of Hurricane Beryl in the Caribbean and the refugee crises in Ukraine, Palestine and Congo.

“Everything I have went into this,” he added. “So if you’re a Wretch supporter I’d love you to help me spread the word.”

View this post on Instagram

A post shared by Wretch 32 (@officialwretch32)

Wretch 32 – Home?

Donald Trump Urges Stephen A. Smith To Run For President In 2028

Donald Trump has urged Stephen A. Smith to run for president during a lively NewsNation town hall Wednesday night (April 30) after the outspoken ESPN host grilled him on race and policy.

Trump didn’t hold back when asked about Smith’s political ambitions.

“I’d love to see him run,” he stated, “I’ve been pretty good at picking people and picking candidates, and I will tell you—I’d love to see him run.”

Trump praised Smith’s charisma and presence, calling him “a smart guy” and “a good guy,” adding, “I love watching him. He’s got great entertainment skills, which is very important—people watch him.”

Smith, who has hinted at a possible 2028 presidential campaign, looked visibly caught off guard when the question came up. As the audience laughed, he covered his face and said, “Oh, boy.”

The moment came after Smith pressed Trump on his stance on Harvard following the university’s refusal to meet sweeping demands from the Trump administration. However, Trump appeared confused, and began ranting about riots in Harlem, stating “I got a very high Black vote.”

Smith has not ruled out a run for office. “I’m officially leaving all doors open,” he said earlier this year, citing encouragement from political insiders and wealthy backers. 

“I have no choice,” he added. “People have walked up to me, including my own pastor… ‘You don’t know what God has planned for you.'”

He’s also made it clear he’s not impressed with the current political class. “All politicians disgust me,” Smith declared. “They talk endlessly, but what action do they take?” 

Black Twitter Celebrates WNBA’s Kiki Iriafen For Tossing “Maga Barbie” Like A Rag Doll

Kiki Iriafen sent Sophie Cunningham crashing to the hardwood during a loose-ball scramble in a WNBA preseason matchup between the Washington Mystics and Indiana Fever.

The incident ignited a viral moment that had Black Twitter lighting up with applause.

The collision happened as both players lunged for possession, with Kiki Iriafen, a 6-foot-3 rookie forward out of USC, overpowering Cunningham and tossing her to the floor.

Cunningham popped up fast and stormed toward Kiki Iriafen, shouting, “You don’t f**king do that,” before officials stepped in.

After a video review, referees hit Iriafen with a Flagrant 1 foul, giving Cunningham two free throws. She made one.

The moment quickly spread online, with many celebrating Iriafen’s physicality, especially given Cunningham’s controversial nickname “MAGA Barbie.”

The label has followed her due to her perceived right-wing politics and past social media activity.

She shared content from Donald Trump Jr. and some of the criticism stemmed from a red hat she once wore in a photo, which turned out to say “Hot Cowgirl Summer,” not “MAGA.”

But the nickname stuck.

Despite the controversy, Cunningham led the Fever with 21 points and 8 rebounds. Iriafen, selected fourth overall in the 2025 WNBA Draft, made her debut in the same game.

Producer Focus…Debunks Claim Uber Driver Sent Passenger’s Songs To Dr. Dre

A story claiming an Uber driver sent one of his passenger’s tracks to Dr. Dre has been debunked.

On April 22, an Instagram post started making the rounds that perpetuated the ridiculous claim. The caption read, “Bro told his Uber driver he makes music. The driver replied, ‘I’m not your average Uber driver,’ played his songs, then called Dr. Dre and sent him 3 tracks.”

The post was accompanied by a clip of the driver, “Rick,” allegedly calling Dre, who tells him he can’t listen to them at that moment because he was “rollin’.”

But earlier this week, renowned producer Focus…, who has plenty of credits with Dr. Dre, hopped in the comment section of the post. To Focus…., the use of the word “rollin'” was the first clue it wasn’t the real Dr. Dre. He wrote, “That ain’t Dre. I’m rollin!?!? Trust me. That ain’t Dre.” He added four laughing emojis to reiterate just how ridiculous he thought the entire interaction was.

Little Brother MC Rapper Big Pooh got a good chuckle in as well, adding four laughing emojis of his own. Of course, there were several other jokes, including one person calling him the “Temu Dre.” But there was also a healthy mix of people who actually believed the man’s claim.

View this post on Instagram

A post shared by CULTURE MILLENNIALS (@culturemillennials)

There are a plethora of reasons why people lie on social media—mainly, clout.

According to a study by the University of Georgia, lying is a way to boost social value and self-esteem in an effort to change how others perceive someone. People often want to appear more attractive, successful or interesting to gain admiration and validation from peers or followers.

People are also seeking recognition and validation, especially among teens or those feeling insignificant. Lying can be a way to feel seen and appreciated by others. The need for recognition can drive people to fabricate stories or exaggerate experiences. Finally, some people create a desired identity or fantasy to craft idealized versions of themselves or their lives.

Whatever the case, it happens all the time, making it increasingly hard to discern what’s real and what’s not, especially with the introduction of artificial intelligence (AI).

As for Focus…, he was likely protecting his friend. The veteran producer first caught Dr. Dre’s attention in the early 2000s, leading to his contract as an in-house producer at Aftermath Entertainment, where he contributed to projects for Eminem, 50 Cent and The Game, among others.

Their partnership reached another level during the making of Dr. Dre’s album Compton, where Focus… became a core member of the production team. In the studio, Dre acted as both visionary and executive producer, guiding Focus… and other producers through a highly collaborative process in which ideas were shared, tracks were built collectively and each member’s strengths were utilized to serve the music.

Focus… has described working alongside Dre as an eye-opening experience, learning from Dre’s meticulous approach to production and benefiting from his ability to direct and refine the creative process. Their relationship exemplifies a blend of mentorship and teamwork, with Focus… both contributing his own expertise and absorbing Dre’s production prowess.

Warren G Frustrated Dr. Dre & Snoop Dogg Didn’t Answer His Call At 2022 Super Bowl

Warren G admitted he was frustrated that his longtime collaborators Dr. Dre and Snoop Dogg wouldn’t take his call the day of the 2022 Super Bowl.

During an interview with Ugly Money TV, the “Regulate” rapper explained Snoop hooked him up with a ticket to the game, but when it came time to go backstage, nobody would pick up the phone. He had his son with him and was eager to reunite with his West Coast brethren.

“I couldn’t even backstage,” he said. “I called everybody I knew. Nobody would answer they phone. I couldn’t get backstage—none of that. I didn’t give a f### about performing, I just wanted to take my son down to see all my folks, just to be around and s###. That’s what I was on. I didn’t care about performing. That’s how Dre wanted it.”

The 2022 Super Bowl halftime show took place at the SoFi Stadium in Inglewood. It marked the first time Hip-Hop took center stage at the NFL’s marquee event. Headlined by Dr. Dre, a Compton native, the event assembled a powerhouse lineup that included Snoop Dogg, Eminem, Mary J. Blige, Kendrick Lamar and a surprise appearance by 50 Cent. The nearly 14-minute spectacle celebrated the genre’s dominance in popular music and its deep roots in Los Angeles.

The set design itself paid homage to local landmarks like Tam’s Burgers and the Compton courthouse, further grounding the performance in Dre’s West Coast heritage. The show opened with Dre and Snoop performing “The Next Episode” and “California Love,” setting a festive tone that continued through 50 Cent’s “In Da Club,” Blige’s R&B anthems and Lamar’s high-energy segment, before culminating with Eminem and a return to Dre’s own catalog.

Warren G would’ve been a welcome addition. After all, he’s also a pivotal figure in West Coast Hip-Hop and one of the architects of the G-funk movement that defined the genre in the 1990s. Rising to fame with his 1994 hit single “Regulate,” featuring Nate Dogg, Warren G brought a smooth, funk-infused style to rap that resonated with a broad audience and helped propel his debut album, Regulate… G Funk Era, to triple platinum status.

Before his solo breakthrough, Warren G was a member of the influential trio 213, alongside Snoop Dogg and Nate Dogg, and played a crucial role in connecting Snoop Dogg with Dr. Dre, his stepbrother, which led to Snoop’s signing with Death Row Records.

Beyond his success as a rapper, Warren G is recognized for his work as a producer, collaborating with artists like Snoop, 2Pac and Eminem as well as his entrepreneurial ventures, such as launching Sniffin Griffin’s BBQ.

Beyoncé Seems To Endorse Another Political Figure—Find Out Who

Politics can get dangerous for celebrities these days. The ones who endorse candidates are often targeted themselves. People don’t give Beyoncé enough credit for fearlessly stepping into the arena and often going against the grain.

She might be doing it again, y’all! On her latest tour, it seems like the Houston, Texas native may have subtly endorsed someone during a recent show. During her performance, she posted a video of current Newark, New Jersey mayor Ras Baraka performing poetry.

Baraka is currently running for governor of New Jersey in a fierce race. Some eagle-eyed fans felt like this could be a form of endorsement. While she didn’t explicitly say it, the moment definitely suggested some level of support for him.

READ ALSO: Beyoncé Celebrates Tina Knowles’ Bestseller With Mother & Daughters By Her Side

For those who don’t know, Ras Baraka is a legend in several ways. First off, his father is Amiri Baraka, the legendary poet. Secondly, Ras was featured on the Fugees’ classic album The Score. And third, he’s been a powerful and enduring political figure in New Jersey, consistently standing up for the underclass, middle class, and working to uplift his community. That being said, he’s also an outspoken individual who speaks truth to power—no sugarcoating.

Right now, he might be in the lead for the governor’s race, but it’s close—we’ll see how it plays out! Beyoncé’s subtle nod might give him a helpful boost. We hope it works to his advantage, because he’s a friend of ours.

Check out the video here!

View this post on Instagram

A post shared by Ras J Baraka (@rasjbaraka)

This was sent to me:

Newark Mayor Ras Baraka’s powerful piece “American Poem,” first introduced on HBO’s Def Poetry, has been revived on Beyoncé’s Cowboy Carter Tour — echoing through packed arenas with its raw, unflinching message. The poem confronts the contradictions of America: the promise of freedom versus the enduring legacies of injustice. With urgency and hope, Baraka’s words challenge listeners to reckon with racial, social, and economic inequality, reminding us that the American dream is still a work in progress. This cultural spotlight not only elevates Baraka’s voice as both poet and public servant, but also reaffirms his belief in the power of art to drive meaningful change.

Akon Reveals His Brothers Lip-Synced Entire Shows As His Double

Akon admitted his brothers once pulled off a bold stunt in the name of showbiz by impersonating him at concerts across the globe—sometimes without telling him.

The Grammy-nominated artist revealed that his younger brother Abou “Bu” Thiam occasionally stepped in as his onstage double when scheduling conflicts left Akon stretched thin.

“Bu used to fill in for me in shows,” Akon admitted during a recent “Bootleg Kev” podcast appearance. “They would not know the difference.”

Since Bu didn’t sing, he’d lip-sync while a DJ spun Akon’s tracks, and the crowd never caught on.

But the family hustle didn’t stop there. Another brother, Omar Thiam, took the impersonation game to a new level—booking gigs under Akon’s name without permission and pocketing the cash.

“Omar was running it up,” Akon said. “He was a straight gangsta about it.”

Akon Says Fans Couldn’t Tell He & His Brothers Apart

The singer explained that the resemblance between him and his brothers was so strong that people couldn’t tell them apart unless they saw him in person.

“When you see me and my brother separately, if you didn’t see me in person, you would definitely say ‘OK, 1000%,'” he said.

Despite the deception, Akon said there was no bad blood. “We laugh about it today,” he added.

Eventually, the switcheroo stopped working—mainly because Bu became too recognizable in the music industry.

“Bu just too popular,” Akon said. “He got big. Huge executive today.”

Bu has carved out a powerhouse career in the music industry, becoming the youngest VP of A&R at Def Jam at just 28, where he helped craft hits for Rihanna. He went on to serve as EVP at Columbia Records, manage Kanye West from 2019 to 2022, and launch his own label, BuVision, which partnered with Atlantic Music Group by 2025.

Before building his executive empire, Bu played a key role in shaping Akon’s early success, discovering T-Pain and Jeremih and launching Lady Gaga’s career. He also executive produced Watch the Throne and managed Chris Brown from 2015 to 2017 while running Akon’s label, Konvict Muzik.

André 3000 Sparks Album Rumors With Mysterious “Missing Notebook” Post

André 3000 is sparking album rumors after posting a mysterious post about a “missing notebook.”

According to a missing poster shared by the Outkast legend, the notebook was last seen in Amsterdam Noord on March 29. The blue notebook is two-tone and features black sketches and notes inside and he’s even dedicated an entire website to finding it.

It would be an ideal time for Three Stacks to drop an album. He and Big Boi were just named 2025 Rock and Roll Hall of Fame inductees, making them one of handful of Hip-Hop artists to receive the honor. It would also mark his first project since his surprise instrumental jazz album, 2024’s New Blue Sun.

The title of the first song on the project is “I Swear, I Really Wanted to Make a ‘Rap’ Album but This Is Literally the Way the Wind Blew Me This Time.” Fans are praying the flyers are a precursor to that.

As one half of Outkast, André 3000 was instrumental in asserting the legitimacy and creative power of Southern hip-hop, most famously declaring “The South got something to say!” at the 1995 Source Awards, a rallying cry that challenged coastal dominance and opened the door for Atlanta and the broader South to become a central force in Hip-Hop.

His artistry is marked by an unparalleled blend of inventive lyricism, genre-bending production, and vulnerability, consistently pushing against the genre’s conventions with unique flows, vivid storytelling and a willingness to explore themes rarely addressed in mainstream rap.

André’s influence is evident in the work of subsequent generations of artists, from Kendrick Lamar to J.I.D, who cite his originality and technical mastery as foundational. Beyond rap, his willingness to experiment-culminating in projects like the instrumental New Blue Sun-demonstrates a radical creative freedom that continues to expand the definition of what Hip-Hop can be, inspiring artists to pursue authenticity over commercial expectations.

SIGNS: Canva Bans Slavery? Creative Freedom Under Attack?

Well, what do we have here?

Canva and slavery are two words you never thought would collide, but here we are in the Twilight Zone, people. Canva, the once-scrappy, lovable sidekick to Adobe Photoshop, has somehow become the Big Bad Wolf of Creative Censorship – allegedly!

It started off innocent enough: a Black woman, just minding her business, trying to design a cover for her book. She is using Canva, like millions of us do every single day. But when she tried to print the book cover, she got stopped dead in her tracks. The crime? She used the word slavery. Yep, the actual historical term that defines a massive part of world and American history.

View this post on Instagram

A post shared by Vanessa Riley (@vanessarileyauthor)

Canva reportedly flagged the word and flat-out told her to pick another one. Another one?! Like enslavement light or involuntary free trial of life? Come on now.

The woman didn’t let it slide. She reached out to Canva support, and in their own words, they confirmed that slavery is on a banned list. Straight up. NO. The actual words they apparently suggested where “imprisonment” and “captivity.” Are you serious, Canva?

Now, we expect this kind of madness from politicians who want to erase uncomfortable truths from libraries. Donald Trump’s camp has already tried to normalize book bans and whitewashing history. But a $40 billion tech company built on the backs of creators? Y’all are supposed to know better. We’re not having it!

This is the worst type of gaslighting.

People are ready to boycott if Canva doesn’t fix this fast. Without Black creators, teachers, students, and everyday users grinding and designing on Canva, that billion buck valuation would shrink faster than Donald Trump in an older woman.

Vanessa, the woman who raised the issue, might need to call Rev. Al Sharpton like Wendy Williams! This looks like it’s about to get real civil rights, real quick.

Canva, we love you. We don’t want to cancel you. But we will if we have to. Protect history. Protect creative freedom. And, most importantly, do better.

PS: We have not tested this out. That’s phase 2.

EXCLUSIVE: Big U Buried Under 20,000 Wiretaps As Prosecutors Introduce New Evidence

Eugene “Big U” Henley is facing a staggering 20,000 intercepted phone calls and covert recordings that federal prosecutors say expose him as the mastermind of a violent criminal network that gripped Los Angeles for over a decade.

The mountain of audio evidence, described by prosecutors as “surreptitious audio and video recordings,” could severely damage Big U’s defense as he awaits trial on a sweeping list of federal charges.

Prosecutors have already submitted a stipulation for a protective order to defense attorneys, signaling the sensitive and potentially explosive nature of the material.

The government alleges Big U led what they call the “Big U Enterprise” from at least 2010 until his arrest, using the Rollin’ 60s gang and other associates to carry out acts of violence, extortion and fraud.

The indictment accuses him of using threats, assaults and even murder to maintain control and profit from criminal activity.

The charges against Big U include conspiracy to violate the RICO Act, robbery, extortion, wire fraud, bank fraud, tax evasion, human trafficking and the murder of an aspiring musician in 2021.

He is also accused of misusing federal funds, including COVID-19 relief money, and embezzling donations from public and celebrity sources.

Big U, a Hip-Hop label executive turned self-proclaimed community activist, was caught on tape making threats that prosecutors say contradict his public image.

“In the shadows, [Big U] was secretly operating as kingpin of a criminal enterprise that has ruled Los Angeles through violence, fear, and intimidation,” prosecutors wrote.

In one intercepted call, Henley said, “I’m retired, n####? Activist? I’ll pull up on your block right now, n####, and show up and show out, n####. That’s what happened to the last n##### that thought I was retired.”

Before surrendering to authorities, Big U denied the charges and claimed he was being targeted for his efforts in the community.

“I ain’t been nothing but a help to our community,” he said. “This the price of being Black and trying to help somebody, trying to help your community and do what you can. You just guilty because somebody else don’t like you.”

Big U is currently being held in custody without bond.