Usher & Big Sean Launch $1 Million Incubator To Fuel Detroit’s Next Wave Of Creators

Usher and Big Sean are putting real money where their roots are with a $1 million investment in a high-tech creative incubator for Detroit youth, set to open inside the new Michigan Central Boys & Girls Club in February 2026.

The Detroit Entertainment Innovation Incubator will offer young people a gateway into the entertainment and tech industries with access to a virtual production studio, special effects lab, and a creators lounge.

The initiative is backed by Usher’s New Look® (UNL), Big Sean’s Sean Anderson Foundation (SAF), Ilitch Sports + Entertainment, and Emory University’s Goizueta Business School.

“I’ve always been a true believer in igniting a spark in the next generation to be better and have access to things we didn’t,” Usher said. “This new spark lab in Detroit with my friend and fellow Boys & Girls Club alum Big Sean will not only minimize the access gap for the youth but also prepare them for greatness. It takes just one person to believe in your success, and I’m honored to be one of many in this partnership to help make that happen.”

Big Sean, who has long been involved in revitalizing Detroit’s creative scene, emphasized the importance of building opportunity at home.

“Detroit is where my creativity was born. From freestyling in my mom’s basement to performing on the biggest stages in the world,” he said. “My mission has always been to make sure the next generation of dreamers and innovators from my city have the access, tools, and mentorship to do the same. The Innovation Incubator is about showing young people that they don’t have to leave Detroit to chase opportunity, they can build it right here.”

The incubator will be located on the youth-dedicated floor of The Station, a key part of Michigan Central’s 30-acre innovation district. The space is designed to give Detroit’s youth direct exposure to high-growth industries through immersive learning and real-world experience.

Shawn H. Wilson, President and CEO of Boys & Girls Clubs of Southeastern Michigan, called the collaboration a continuation of Detroit’s legacy of innovation.

“Detroit has always been the blueprint for innovation, from the assembly line to Motown,” Wilson said. “This collaboration—especially with two heavy hitter alumni—extends that legacy by proving the creative economy can be a pathway to ownership and equity.”

This project marks the fifth major investment Big Sean and SAF have made in partnership with BGCSM since 2018.

His foundation has already launched four Big Sean Studios in club locations across the city, giving over 10,000 youth access to music production, DJing, and other creative tools.

The incubator will also offer programming for teens and young adults aged 14–24, covering everything from film and music production to artificial intelligence, 3D design, and immersive technology.

Participants will be able to earn credentials through Emory’s Goizueta Business School and Ilitch Sports + Entertainment, receive mentorship from industry leaders, and even secure startup funding for their own ventures.

Carolina Pluszczynski, COO of Michigan Central, said the goal is to equip the next generation of Detroit creators with the tools to lead in emerging industries. “By our work with BGCSM, now with the added support from Usher and Big Sean, we’re continuing to build new pathways and opportunities, nurturing the next generation of innovators—from creators to manufacturers to technologists—who will drive our city forward for decades to come.”

Ilitch Sports + Entertainment, which operates the business arms of the Detroit Tigers and Red Wings, has been a longtime partner of BGCSM. Since 2020, the organization has helped open five Esports lounges across metro Detroit as part of the Red Wings’ Learn, Play, Score initiative.

The 13,000-square-foot Michigan Central Boys & Girls Club will also include an autonomous training center and an innovation lab focused on mobility, advanced manufacturing, and AI.

A ribbon-cutting ceremony is scheduled for February 2026.

Lizzo Slammed Trolls After Viral Fat Joke Crosses The Line

Lizzo took direct aim at body shamers Thursday after a viral fat joke about her appearance made the rounds online, posting a pointed Instagram message telling critics to back off.

The chart-topping singer didn’t hold back in her caption, writing, “Because when you’re big they talk sht, when you’re small they talk sht. Your body will never be good enough for them because it’s not FOR them. It’s for you.” She capped it off with a jab at her detractors: “I stays living with a paid off mortgage in yall b*tches heads.”

Her post came just weeks after she opened up about a deep mental health crisis in a November Substack essay.

In the piece titled Why is everybody losing weight and what do we do?, Lizzo revealed that washe “became deeply suicidal” in late 2023 following a lawsuit filed by former dancers. “I had been the subject of a vicious scandal, and it felt like the whole world turned its back on me,” she wrote.

The lawsuit, which accused her of harassment and toxic workplace behavior, coincided with a wave of online criticism that pushed her to isolate and cut off close relationships.

She said she felt unable to defend herself publicly while navigating the legal fallout. This isn’t the first time Lizzo has confronted public scrutiny over her body.

@lizzo Get cozy and get some @YITTY ♬ Beans Greens Potatoes (Remix) – DJ Suede The Remix God & Windsor Jones

In May 2023, she clapped back at a tweet mocking her weight during a performance, saying the constant judgment made her “hate the world” and consider quitting music altogether.

“I’m not trying to BE fat. I’m not trying to BE smaller. I’m literally just trying to live and be healthy,” she wrote at the time.

Back in August 2021, she broke down during an Instagram Live after being hit with racist and body-shaming comments following the release of her single “Rumors” featuring Cardi B.

The backlash was so intense that Facebook and Instagram removed some of the offensive posts. Cardi B defended her collaborator, tweeting, “body shaming and callin her mammy is mean & racist as f###.”

Lizzo has shared her health journey on social media, including a 16% body fat reduction achieved through Pilates and dietary changes.

Despite the progress, she’s faced criticism from both ends, some attacking her for being “too big,” others accusing her of betraying body positivity by losing weight.

In her Substack post, she explained that her physical transformation was about healing, not meeting beauty standards.

She described her weight as “a protective shield” and “joyful comfort zone” that she chose to release after years of emotional trauma.

Through it all, Lizzo has continued to advocate for body acceptance while insisting that her health decisions are hers alone.

D4vd Beats Kendrick Lamar For Top Google Spot Amid Horrific Death Probe

D4vd surged to the top of Google’s 2025 trending people list as a Los Angeles County grand jury continues to review evidence tied to the death of a 15-year-old girl whose body was found in a Tesla registered to the rising Hip-Hop artist.

The 20-year-old singer, known for streaming hits like “Romantic Homicide” and “Here With Me,” became the most-searched person of the year, surpassing Kendrick Lamar, according to Google’s annual Year in Search report.

The ranking reflects the sharpest spikes in search interest, not total search volume, and D4vd’s name skyrocketed online following the discovery of Celeste Rivas-Hernandez’s body in September.

The teenager’s remains were found inside the trunk of a Tesla impounded by the LAPD on September 8. The vehicle was registered to D4vd, and police have named him and another individual as suspects in the ongoing investigation.

Authorities have pushed back on early rumors about the condition of the body, clarifying that Rivas-Hernandez was neither frozen nor decapitated, as some social media posts had claimed.

Behind closed doors, a grand jury is now examining the evidence, and potential charges could follow once the autopsy report is finalized. The case has gripped public attention and dominated headlines throughout the fall and winter.

While D4vd has remained silent publicly, his representatives have stated he is cooperating with law enforcement. The investigation has already had a significant impact on his career.

His deluxe album “Withered” was delayed, tour dates were scrapped and he was dropped from the lineup of Australia’s Spilt Milk festival.

Meanwhile, the Google search frenzy around D4vd didn’t just fuel headlines; it also made one Polymarket user rich. A trader known as 0xafEe turned a $10,600 bet into more than $1.2 million by correctly wagering that D4vd would top the trending list.

As of early 2025, the grand jury proceedings remain ongoing.

Chance The Rapper Is New Voice Of Chicago Train Announcements

Chance The Rapper launched his vocal presence across Chicago Transit Authority stations on Wednesday, marking another milestone in the Grammy winner’s ongoing commitment to his hometown community.

The 31-year-old artist, who gained international recognition through his independent streaming-only releases, now provides voice announcements for CTA riders throughout the system.

Chance The Rapper’s collaboration with the transit agency represents a natural extension of his deep Chicago roots and public service advocacy.

“This is a unique partnership between two Chicago icons – CTA and Chance – that allows us to celebrate the special meaning they both have for our great city,” said CTA Acting President Nora Leerhsen.

The announcement collaboration follows Chance’s August 2025 release of STAR LINE, his second studio album and first major project since 2019’s The Big Day.

The independently released album continues his tradition of maintaining artistic control while addressing social themes.

“I think this partnership is so important because I grew up taking the Red Line train from 79th,” said Chance the Rapper. “All of the train lines create a pathway to connection and an opportunity for people to build community, and that’s what STAR LINE is about. It’s about us forming together to fight anything that’s going against us. This is an important time in the city for people to stand up, be brave and protective of each other.”

His CTA collaboration extends beyond simple announcements, with Chance The Rapper appearing on the transit authority’s official podcast “Moving Experiences: Stories of the CTA” to discuss his personal relationship with Chicago’s public transportation network.

The partnership represents Bennett’s continued investment in Chicago infrastructure and community building, complementing his educational initiatives and local economic development efforts.

His approach to civic engagement has consistently emphasized grassroots connection and direct community impact.

Bennett’s educational philanthropy through his SocialWorks nonprofit has distributed over $5.1 million to 51 Chicago schools since 2017.

His initial $1 million donation to Chicago Public Schools in March 2017 established him as a significant advocate for local education funding. Most recently, SocialWorks awarded $100,000 grants to five CPS high schools in August 2025 to enhance career-focused programs.

Bennett’s voice will now guide daily commutes for thousands of Chicago residents, adding his distinctive presence to the city’s transportation landscape.

The transit partnership mirrors similar celebrity collaborations with public transportation systems.

Cardi B partnered with the New York Metropolitan Transportation Authority in September 2025 to record safety announcements and etiquette reminders for NYC subway riders.

The Bronx-born rapper’s “Ride safe, keep it cute, and keep it moving” messages addressed fare payment, subway surfing prevention and general transit courtesy.

Eminem Destroyed DMX In Battle, Former Interscope Exec Claims

When you think we’ve heard it all, something wild pops up that nobody ever mentioned before. So let’s take a trip back—say, around the year 2000, because honestly, we don’t know the exact year. Let’s go back to a time when Funkmaster Flex was hosting battles on the radio, DMX was outside terrorizing the industry, and Eminem was still battling like a hungry up-and-coming monster.

Now picture this: Kevin Black is one of the top executives at Interscope Records. You might not know him, but Black is one of the most accomplished music executives of that era. He never gets the flowers he deserves, but he was right there in the trenches during the Dr. Dre, Eminem, and Jimmy Iovine run at Interscope. Anyway, Kevin Black is popping back up in the interview circuit, and suddenly all eyes are on him.

READ ALSO: DMX 55: Fans, Family & Hip-Hop Unite For Birthday Tribute At SOB’s

Because he just claimed on a podcast that DMX and Eminem battled each other back in the day. On the radio. In New York City. With Funkmaster Flex hosting! When I saw this yesterday, I didn’t even post it on the site—I had to try and verify this madness. Spoiler: I couldn’t. But let me continue.

Kevin Black took a LOT of credit for Eminem’s success in that interview—and even implied he wrote on some hits. But I digress. The real bombshell was his claim that Eminem and DMX battled live on the radio… and that Eminem destroyed DMX.

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First of all, how would something that major happen with ZERO evidence? Not even a rumor? Second, these two are wildly different types of battlers. Jay-Z and DMX battling makes sense—they were peers with similar energy. Eminem is more of an underground punchline sniper. X is a street-bred, energy-driven warrior. The matchup alone sounds unreal.

And right on cue, the internet exploded. Comment sections are in total shambles. Some people are giving Kevin Black tons of respect—he is a legend. But a whole other crowd is like, “WHEN did this happen? HOW did this get past everybody?” And honestly, that’s my question too. In all my years covering hip-hop culture deeply, I have NEVER heard of Eminem and DMX battling. They have a song together, sure—but a battle? Never.

I even reached out to a couple of people. One said “no.” The other didn’t reply, which, after a day, I’m also taking as a “no.”

If this really happened, Funk Flex would have to speak on it. Flex is not the type to shy away from a moment—or the attention that comes with it. So I fully expect him to address it soon. But as of this writing, he hasn’t said a word.

Definitely stay tuned. Because if there are receipts, Funk Flex will definitely have them.

Adidas Beats Shareholders Class Action Lawsuit Over Kanye West’s Antisemetic Meltdown

Adidas secured a legal win in San Francisco after a federal appeals court tossed out a lawsuit claiming the company misled investors about its partnership with Kanye West, also known as Ye, before their billion-dollar collaboration unraveled in 2022.

A three-judge panel from the 9th U.S. Circuit Court of Appeals ruled that the German sportswear company had sufficiently warned shareholders about the risks of working with high-profile celebrities.

The court concluded that investors should have understood the potential hazards tied to Ye’s erratic behavior, stating, “a reasonable investor would know that a partnership with a celebrity partner like Ye would come with inherent risks relating to improper behavior.”

The decision, handed down in San Francisco, upheld an earlier dismissal from August 2024 by a federal judge in Portland, Oregon, where Adidas runs its North American operations.

The lawsuit, led by HLSA-ILA Funds on behalf of maritime workers in southeast Virginia, accused Adidas of being “fully aware” since 2018 that Ye had made inappropriate remarks to employees at both Adidas offices and his Yeezy design studio.

The plaintiffs argued that Adidas failed to disclose these issues, causing stock prices to drop when the company cut ties with Ye in October 2022.

But the court wasn’t convinced that Adidas acted in bad faith. The ruling emphasized that the company had consistently outlined the risks of celebrity collaborations in its annual filings.

The Adidas-Yeezy partnership, which began in 2013 after Ye left Nike, was a financial juggernaut. By 2021, it had generated $1.7 billion in revenue, accounting for nearly 7% of Adidas’ total annual sales.

The Yeezy sneaker line alone ballooned from $65 million in 2016 to more than $1 billion just five years later.

However, the alliance began to unravel in 2022, as reports surfaced detailing troubling workplace incidents. Allegations included Ye showing explicit images to staff and creating a toxic work environment.

The situation escalated when Ye made antisemitic remarks online and during interviews, prompting Adidas and other corporate partners like Gap, Balenciaga and CAA to sever ties.

Adidas officially ended the nine-year relationship in late 2022. The company spent much of 2023 and 2024 offloading leftover Yeezy inventory, with proceeds from the sales going to organizations fighting antisemitism.

Despite efforts to move forward, Adidas reported a 2% decline in North American sales in 2024, attributing the drop to “solely due to significantly lower Yeezy sales.”

Pharrell Williams Rebukes Critics With a Defiant Message at the 2025 FNAA Awards

Pharrell Williams seemingly arrived at the 2025 Footwear News Achievement Awards already carrying the weight of a political controversy that had rippled through social media, think pieces, and community.

As he won Shoe of the Year honors for his Virginia Adistar Jellyfish design, he stepped onstage with clarity about who he is and how he refuses to capitulate to his detractors.

“Sound bite this,” he began, with precision. “Since most people don’t like to read or do research anymore, sound bite this. God is the greatest. Sound bite this. I’m from Virginia. Sound bite this. You don’t know what I know. You ain’t seen what I saw. No, you ain’t been where I go.”

The cadence was barbed, repetitive and intentional. In recent weeks, his political comments had been cast as aloof or dismissive. In the testimony-like speech, he sprinkled in personal testimony and cultural critique.

“I’m from the mud,” he said. “As a child, nobody’s been evicted more times than me. Lights turned off, water turned off, and at times, had to pump the water.”

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He went further, giving his life story a sociological frame: “I’m proletariat. In fact, I’m lumpenproletariat. Sound bite this. I had to stay on my feet. Sound bite this. But I could never walk in the shoes of my parents, parents, etc., all they had to endure while staying on their feet.”

He continued to position his worldview beyond celebrity politics and speak as someone who survive America from the bottom up.

“Sound bite this. At least a couple times a day, put down your phone and think on your own,” he said.

His comments came just weeks after he stirred debate at the 5th Annual Black Ambition Demo Day, where he offered unusually blunt views about American politics and racial capitalism.

“I hate politics,” he said at the time. “Despise them. It’s a magic trick. It’s not real. I don’t believe in either side. Because I think when you pick a side, you are inadvertently supporting division.”

The statements were mostly met with backlash online, but Pharrell didn’t retreat. He expanded on the thought, challenging the prevailing frameworks around identity-based support and business advancement.

READ ALSO: Roland Martin Blasts Pharrell Williams For “Dumbest” Comments About Politics

“Yes, it’s not a popular point of view,” he acknowledged. “But…I just gotta say, when I think about it, the wells are drying up.”

“Do you think you’re the best?” he continued. “Do you want the job because you’re Black or because you’re the best?… Yes, these founders happen to be Black and brown, but it should be based on the fact that they’re the best, not because of a shade of skin color.”

The clap back has not rippled over the internet in the same manner as his initial remarks at the time this was published.

Fat Joe Exposes Lawyer Tyrone Blackburn Over AI Infested Sloppy Filing With Devastating Statement

Fat Joe’s legal clash with former business associate Terrance Dixon took a sharp turn after LexisNexis publicly dismantled defense attorney Tyrone Blackburn’s excuse that artificial intelligence tools had generated fake court citations in his filings.

In a December 3 court submission, Fat Joe’s attorney, Jordan Siev, presented a letter from LexisNexis’ North American Head of Legal, Julie Chapman, stating that Blackburn was “never an authorized user or subscriber” of the company’s Lexis+AI or Protégé platforms.

The letter called Blackburn’s claims “misleading and unsupported by evidence” and urged the court to ignore his attempt to shift responsibility for the bogus citations.

Blackburn had previously told the court he had “adopted upgraded legal research tools, including LexisNexis Protégé,” and claimed the platform “generated suggestions and citation fields that [he] mistakenly incorporated without fully verifying.”

But Chapman’s statement directly contradicted that.

“Although Mr. Blackburn’s firm was once a subscriber to other LexisNexis services, that did not include the Protégé service,” she wrote.

The lawsuit, filed by Fat Joe, accuses Dixon and Blackburn of defamation over allegations that the Bronx rapper was involved in financial exploitation and sex trafficking.

Fat Joe has called the claims a “smear campaign” and argued that Blackburn used unreliable AI-generated content to support baseless accusations.

This isn’t the first time Blackburn’s legal tactics have raised red flags.

Earlier this year, he represented Pastor Duane Youngblood in a defamation case brought by Bishop T.D. Jakes. In that case, Blackburn submitted legal briefs that included what the court later ruled were “fake, AI-generated cases.”

The judge sanctioned him $5,000 for “clear ethical violations” and concluded he had “knowingly submitted legal documents he neither prepared nor reviewed for accuracy.”

That earlier ruling, first reported by AllHipHop, cast a long shadow over Blackburn’s credibility and highlighted the growing concern around the misuse of AI in legal proceedings. Now that LexisNexis itself has rejected his claims, the scrutiny has only intensified.

Fat Joe’s legal team didn’t mince words in their filing. “This is not an isolated mistake,” it read. “It is a repeated tactic to mislead the court using non-existent legal authority.”

Whether Judge Jennifer Rochon of the Southern District of New York will impose sanctions remains to be seen.

But with LexisNexis confirming Blackburn’s statements were false, the damage to his professional standing may already be done.

MacDonthefifth Drops New Single “Praise”

“Mac Don Don Don and when you hear that you know it’s fire” is MacDonthefifth trademark intro anytime the Queens, New York rapper takes to his social media to let the world know he’s about to drop new heat. The streets of Hollis know when Mac drops a record it’s gonna be dope hard hitting bars over next level instrumentals from the best producers in the game.

Mac Don previous single “Ain’t Nothing You Can Do About it” was produced by Brooklyn hit maker DR Period who made his name producing nearly the entirety of the M.O.P 1994 debut album To the Death anda variety of East Coast hip hop artist during the late 1990s, such as AZ, Onyx, Public Enemy, Shyheim, and Smoothe da Hustler.

Queens, New York has always been a Mecca for some of the most influential Hip Hop artist such as RUN DMC, L.L Cool J, Nas, 50 Cent, Mobb Deep, Tribe Called Quest and Kool G Rap to name a few.

MacDonthefifth “Praise” official video

In Late November of 2025, MacDonthefifth went in his bag and dropped his new inspirational single “Praise” produced by Chzech Venturio on RockBoy Records / Sony Orchard.

MacDonthefifth “Praise” Spotify

This is a new lane for the Queens MC, but it didn’t disappoint. The single has the internet buzzing as listeners are embracing the record and the spiritual energy displayed by MacDonthefifth. The official video produced by Lot Pacasso, complemented the record Perfectly.

I have read comments on various platforms stating Mac Don has always been a trend setter in fashion and in hip hop since he dropped his first single on FUBU / Universal. MacDonthefifth is the Frank Sinatra of Hip Hop, “he’s gonna do it his way” on his terms independently which has been successful for Mac.

DJ Sincere of DRTYBSMNT Radio broke the single last week on his Iheart affiliate Channel. “This is what the industry needs right now, a different perspective. Its a positive, uplifting song compared to all the dark music that’s out. That’s why it resonates with people, there’s nothing like it on the radio” DJ Sincere.

Connect with MacDonthefifth

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#macdonthefifth #praise #rockboyrecords #musicnews #hiphopnews #queens #newyork

50 Cent’s Diddy Doc Directors Reach Out To Misa Hylton About Her Own Project

Misa Hylton is signalling that she’s ready to control her own narrative as the spotlight returns to her past and she may do it on her terms.

She recently shared Instagram DMs from filmmaker Alex Stapleton, who reached out with a pitch for Netflix-based projects while her 50 Cent-produced documentary about Diddy, Sean Combs: The Reckoning, tops global streaming charts.

Stapleton wrote that she wanted to speak “directly” with Hylton about “a project I’m directing for Netflix,” explaining that she planned to “lean into all that you contributed to hip hop and Bad Boy.”

She added that there were “two separate projects but both do involve your own show.”

Hylton responded with caution and clarity. “I’m not doing interviews about Sean,” she wrote, asserting that any participation on her part must revolve around her own journey.

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Stapleton’s outreach comes at a charged moment.

Sean Combs: The Reckoning premiered on December 2, 2025, as a four-episode docuseries on Netflix, directed by Stapleton and executive-produced by 50 Cent.

The series retraces Diddy’s rise to fame, his dominance through Bad Boy Records, the abuse allegations against him, and his 2024 arrest. The doc features never-before-seen footage captured in the days leading up to his arrest — footage obtained legally, according to the producers.

The Reckoning doesn’t just rely on archival material. It includes first-person interviews from former associates, security personnel, artists, and legal jurors, among them Erick Sermon, cofounder of legendary rap group EPMD.

Erick Sermon appears on screen, claiming that Diddy once cut off his friendship with Hylton, a claim that underlines decades-old tensions tied to loyalty, power and control in the Bad Boy orbit.

Since its release, the doc has generated controversy, with interviews by former associates, including artists from Bad Boy, jurors from the trial, and alleged victims, surfacing. Stories include claims of abuse, control, and exploitation, providing a sweeping, if disturbing, portrayal of Diddy’s legacy.

Against this turbulent backdrop, Hylton’s post feels calculated. She isn’t closing the door; she appears to be repositioning herself.

By declining to participate in any Diddy-centered interviews while entertaining the idea of her own documentary, she sends a message: this isn’t about him, it’s about her. Her Instagram carousel ended with a slide quoting a scripture: “Until they confess all the lies they said against you to gain favor, they’ll never know PEACE. Isaiah 48:22.”

That assertion frames her stance: she’s protecting her truth and keeping her story on her terms.

SIGNS: Kunta Kinte Lives, Nearly Takes Lives Using AR-15

Kunta Kinte. I thought this was a fictional character from the legendary movie “Roots.” But in 2025, we take nothing for granted. Kunta Kinte Lives As An Alleged Menace To Society.

Kunta Kinte Taylor and a hail of bullets headline one of the wildest Baton Rouge tales to surface this season, and I am unpacking what really went down on Swan Avenue, round where Lil Boosie is from. Word is the whole incident started over money owed and a planned marijuana pickup, but it ended in a scene that felt more like an action film than a neighborhood visit.

Kunta Kinte Taylor, 29, has been a familiar name in that part of Baton Rouge for a minute. Still, nobody expected his latest moment to involve an AR-style rifle, three terrified women, and a frantic escape that ended with one of those women running toward a Southern University Police officer for help. The affidavit paints the whole thing in stark detail. The women allegedly pulled up to see Taylor at an apartment on Swan Avenue. They told a woman on the scene that they were there specifically for him. Fifteen minutes later, a person walked up to their car, pointed a gun at them, and things escalated fast from there.

According to the police paperwork, Kunta Kinte then came around a nearby vehicle armed with that AR-style rifle and opened fire on the car. Another person also started shooting, although the affidavit keeps that individual unnamed. The women sped off in fear. One bullet reportedly came within inches of one woman’s head and only missed because it struck the metal frame between the front and rear windows. She told police that Kunta Kinte fired multiple additional shots even after they tried to get away and that she had known him for four years, which only made the moment more chilling.

After the gunfire, Kunta Kinte and the unnamed shooter were seen slipping into the back seat of a car as it pulled out of the apartment complex. By Tuesday, though, the police had him in custody. Kunta Kinte is now facing three counts of attempted first-degree murder, illegal use of weapons, aggravated criminal damage to property, and domestic abuse aggravated assault.

Damn, Kunta! That is not King Kunta activity, bro.

Authorities also noted that Kunta Kinte had been arrested earlier this year over a domestic abuse battery case from June. So this may be a man with a pattern and not just an explosive moment gone wrong. Either way, Baton Rouge is buzzing because this one feels like it could have taken an even darker turn if that bullet had landed just an inch to the left. Folks are grateful it did not. The legal side of this situation just began, and the city is watching closely.

Alex Haley just did the worm.

Source: https://www.wbrz.com/news/baton-rouge-police-arrest-man-accused-of-shooting-at-three-women-at-swan-avenue-apartment-complex/

Ray J Massive AMEX Debt May Explain Thanksgiving Crash Out

Ray J finds himself drowning in a sea of financial and legal troubles as American Express filed a lawsuit demanding $139,849.85 in unpaid credit card debt just days before his Thanksgiving arrest.

The November 19 lawsuit against the singer and his Tronix Network streaming platform reveals Ray J stopped making payments in May, leaving the massive balance unpaid, according to Us Weekly.

The timing raises questions about whether financial desperation drove his increasingly erratic online behavior. In a resurfaced interview with Cam Newton, Ray J admitted his public meltdowns are calculated business moves.

“The worse it gets, the better it gets for us, impression-wise, algorithm-wise, profit-wise,” he explained. “So the worse I get, the more money I can make. All I gotta do is crash.”

This strategy may explain his Thanksgiving livestream that ended with his arrest. During the broadcast, Ray J appeared to load a gun while arguing with his estranged wife, Princess Love, over their children.

When Love tried removing their daughter from the volatile situation, Ray J threatened another man in the room, saying, “I’ll shoot the f*** out of you” and “I’ll kill you.”

Police responded to the Porter Ranch home around 4 A.M. after receiving domestic violence reports. Officers arrested Ray J on felony criminal threat charges and he posted $50,000 bail for release.

The incident highlights how Ray J’s admitted strategy of “crashing out” for profit may have crossed dangerous lines. His Tronix Network platform, launched in 2024, appears to be struggling financially, as evidenced by the credit card lawsuit.

Princess Love broke her silence after the arrest, accusing Ray J of “terrorizing” women and confirming he pointed the weapon at her and family members.

She filed for divorce in February 2024, marking their fourth attempt to end their turbulent marriage.

Ray J denied pointing the gun at Princess Love during the livestream, responding, “I didn’t point nothing at y’all” when she accused him. He later posted a since-deleted Instagram video defending his actions and denying any intention to hurt anyone.

BossMan Dlow Freaks Out Over Leaked Photo Showing Him Covered Only By Luggage

BossMan Dlow has found himself at the center of a viral storm after Instagram model Layla Red Cakes posted a compromising photo that sent Hip-Hop social media into overdrive.

The Florida rapper became an unwitting internet sensation when Red Cakes shared what appears to be a photo of him sleeping shirtless on a hotel couch, accompanied by a boastful caption claiming “I really be putting these mfs to sleep.”

The image, which shows the “Shake Dat” artist next to a suitcase, quickly spread across multiple platforms, generating thousands of reactions and sparking intense debate about its authenticity.

Rather than staying silent, BossMan Dlow chose to address the situation head-on through his own social media channels. The 23-year-old artist pushed back against the narrative being constructed around the leaked image.

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The controversy erupts just as BossMan Dlow is preparing for his upcoming London performance at HERE Outernet on December 10, marking his first international show.

Some fans have questioned the image’s authenticity, while others have used it as ammunition for memes and jokes at the rapper’s expense.

“Bossman Dlow gotta tighten up. Love what he accomplished so far but he can’t be falling asleep butt ass naked at these random women houses,” one user noted. “Somebody gon line his ass up. He ain’t no regular n#### no mo, a mf will either try to make a name off him or take something from him.”

Sharay “Punisher” Hayes Challenges Netflix’s Diddy Docuseries Statement

Netflix has sparked shockwaves across Hip-Hop and the wider world. The streaming giant clapped back at Diddy’s team with a force. Netflix dropped a statement saying the new docuseries about the embattled mogul is all legit and blasted claims that the production used any illegally obtained material. They’re basically telling Diddy’s lawyers to cut the noise because was vetted properly in the four-part series.

This all comes as Diddy continues battling for his legacy from behind the walls of the Nice Beast aka Fort Dix. But here’s the twist. Netflix insists nobody on the project was paid, which is believable given how most documentaries operate. They told Variety that every participant volunteered without compensation. But, there was a lone voice of opposition.

Sharay “Punisher” Hayes, who sat with us recently and laid out some explosive context of her own, says that isn’t accurate. According to him, another escort named Clayton Howard claimed he was paid for his appearance. Punisher states that Howard told him, directly, that Netflix slid him a check for his time. Now it’s very possible Howard did not tell the truth. That makes him look more official. But if he truly did receive payment, then Netflix’s statement gets a wrinkle. Howard made a series of allegations that Diddy flat-out rejects, including that drugs were mixed into the baby oil used by Cassie and the escorts.

The public is glued to this docuseries! I have watched 1.5 times already. Facebook is basically a nonstop debate club about Diddy right now. Netflix and 50 Cent clearly understand the magnitude of what they’ve unleashed. The streamer rarely loses public battles. Seriously, name the last time Netflix went to war and took an L. I’ll wait.

READ ALSO: Diddy Stared Him Down & Sharay “Punisher” Hayes Fearfully Told His Truth

For now, we’ll be watching how this unfolds. If Clayton Howard truly got paid, the lawyers will start circling. Not sure what they can do legally, but it may gnaw at the credibility of the doc. We’ll just keep talking for now.

By the way, the rest of our doc, I mean interview, with Sharay is one the way.

Kim Kardashian Drags Kanye For Accusing Her Of Faking Paris Robbery

Kim Kardashian relived the trauma of her 2016 Paris robbery and revealed that her ex-husband Kanye West once accused her of fabricating the ordeal for reality TV, a claim she said left her devastated.

On the latest episode of The Kardashians, Kardashian returned to Paris to testify in the trial against the group of men charged with robbing her at gunpoint and stealing over $10 million in jewelry.

The incident, which took place nearly a decade ago, left a lasting impact on her life. But what hurt her most, she said, was the disbelief from someone she once trusted deeply.

“My ex-husband had said, ‘And you faked your robbery for a TV show,’ and had said that in front of all these people,” Kardashian said during a confessional, visibly emotional. “That was a knife to my heart.”

She added, “Just to think that someone wouldn’t believe you , that’s so close to you, that should know you, that should know how much that affected your life, it just really bothered me. You don’t know who I am.”

At the time of the robbery, West was performing in New York City and abruptly ended his concert to be with Kardashian. The couple divorced in 2022.

The trial, which took place in May, gave Kardashian a chance to confront her assailants and silence skeptics.

“To finally be able to go to trial and face these people and hear their accounts and apologies, I’m like, see, guys. It was real,” she said through tears. “I’m happy it’s over.”

After giving six hours of testimony, Kardashian returned to her hotel and spoke to her mother, Kris Jenner, about how the incident shaped her.

“The robbery changed my life for the better,” she said. “I wanted to say that (on the stand), and I thought my attorneys were gonna kill me. They’d lose it if I said that. Said, ‘Thank you for doing this to me.’”

Eight of the ten defendants were convicted, while two were acquitted. The four directly involved in the heist received sentences of up to eight years, though most avoided further jail time due to time already served.

The verdict was delivered in May 2025.

Bad Bunny Named Spotify’s Top Artist Of 2025, MAGA Can’t Handle The News

Bad Bunny dominated Spotify’s 2025 Wrapped campaign by clinching the title of the platform’s most-streamed global artist, racking up more than 19.8 billion plays and cementing his place at the top of the music world.

The Puerto Rican hitmaker, born Benito Martínez Ocasio, led the year-end rankings released Wednesday by Spotify, which unveiled its annual breakdown of listener activity across the globe.

This marks the fourth time he’s claimed the crown, having previously led in 2020, 2021 and 2022.

Alongside his artist win, Bad Bunny also secured the top spot on Spotify’s global albums chart with his 2025 project DeBÍ TiRAR MáS FOToS. His 2022 album Un Verano Sin Ti still held strong, landing at No. 10.

Trailing behind him in the global artist rankings were Taylor Swift, The Weeknd, Drake and Billie Eilish, who each maintained massive streaming numbers throughout the year.

On the global songs chart, Bad Bunny’s track DtMF came in at No. 5. The top spot went to Die With a Smile, a collaboration between Lady Gaga and Bruno Mars, which surpassed 1.7 billion streams.

Other high-performing singles included Eilish’s Birds of a Feather, APT. by Rosé and Mars, and Ordinary by Alex Warren.

Spotify also revealed the top five global albums of the year. Following Bad Bunny’s DeBÍ TiRAR MáS FOToS were the KPop Demon Hunters soundtrack, Eilish’s Hit Me Hard and Soft, SZA’s SOS Deluxe: and Lana and Sabrina Carpenter’s Short n’ Sweet. The latter three were all released in 2024.

Podcast listeners kept their habits steady. The Joe Rogan Experience held onto its title as Spotify’s top global podcast for the sixth straight year.

Regionally, listening patterns showed sharp contrasts.

In the United States, Swift topped the artist chart, with Bad Bunny landing in fifth.

The most-streamed song was Luther by Kendrick Lamar and SZA, while Morgan Wallen’s I’m the Problem took the album crown.

In the United Kingdom, Swift also led the artist rankings. Carpenter’s Short n’ Sweet and Warren’s Ordinary were the most-played albums and songs, respectively.

Spotify users can now access their personalized Wrapped summaries beginning Wednesday, December 3.

Brandy’s Team Claims Bizarre Beyoncé Comment Was Actually Hacking

If you follow our Instagram page, you already know things can get a little rambunctious over there. But not everything that happens over there makes it over here — and vice versa. So here’s the deal: on IG, Brandy allegedly jumped into the comments of a Beyoncé post and started asking Beyoncé to take a picture with her.

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That definitely raised eyebrows. We know Brandy is cool, she’s on tour, and she’s not the type to beg anyone for a viral moment. It wasn’t impossible, though, because around the same time her brother Ray J asked Beyoncé and Jay-Z to stop by and greet his big sister. For a second, the two comments almost made sense together.

Almost.

But today, Brandy’s team hit social media and announced that the singer had been hacked, and that a bad actor had posted a bunch of things that did not come from her. They didn’t specifically mention the Beyoncé comment, but let’s be honest…that was the wildest thing “Brandy” appeared to say in the last few days. So we can pretty safely strike that from the record.

Ray J’s comment, however, still stands. He said it himself and even laughed about it in his video. So I guess we’ll just have to wait and see if Beyoncé and Jay-Z decide to take those pics.

For now, Brandy’s in the clear. And please, do yourself a favor: secure those socials.

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Jennifer Lopez Stuns Social Media In Thong Bikini As She Prepares To Take Over Sin City

Jennifer Lopez continues proving why she remains entertainment’s most desired superstar, recently sharing a jaw-dropping throwback performance video that has fans completely losing their minds.

The 56-year-old Bronx native posted Instagram footage from her June World Pride Music Festival appearance in Washington, DC, where she commanded the stage wearing a flame-covered triangle bikini top, matching thong bottoms and nude fishnet tights.

The sizzling ensemble perfectly showcased her famously sculpted midsection and toned physique that defies every law of aging.

“See you THIS MONTH for The JLo Show in Vegas! Which song do you want me to PLAY!?” Lopez captioned the steamy clip, building anticipation for her upcoming “Up All Night Live in Las Vegas” residency at The Colosseum at Caesars Palace.

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The multi-hyphenate mogul launches her highly anticipated Vegas return on December 30, performing four shows during New Year’s week before returning for eight additional performances throughout March 2026.

This marks Lopez’s triumphant return to Sin City’s most prestigious venue, where she previously dominated during her 2021 residency. Fans immediately flooded the comments section with thirsty reactions. The video has already accumulated over 900,000 likes, proving Lopez’s magnetic appeal remains absolutely unstoppable.

The timing couldn’t be more perfect for the entertainment icon, who recently finalized her divorce from Ben Affleck in February 2025 after their two-year marriage ended in highly publicized proceedings.

The former couple, dubbed “Bennifer 2.0,” reached their settlement through mediation without spousal support, with both retaining their individual assets.

Jennifer Lopez has built an estimated $400 million empire spanning music, film, fashion and beauty. Her fragrance line alone has generated over $2 billion in sales since launching with “Glow by JLo” in 2002. Her JLo Beauty skincare brand, launched in 2021, continues to expand her business dominance, while her production company, Nuyorican Productions, develops content across multiple platforms.

The Puerto Rican powerhouse first achieved mainstream success with her breakthrough role as Selena Quintanilla-Pérez in 1997’s Selena, becoming the first Hispanic actress to earn over $1 million for a film. She seamlessly transitioned into music with her debut album On the 6 in 1999.

Throughout her career spanning over three decades, Jennifer Lopez has sold more than 80 million records worldwide, starred in numerous blockbuster films, and maintained her status as a global fashion icon.

Her recent World Pride performance served as the perfect preview for her upcoming Vegas residency, where she’ll undoubtedly deliver the high-energy choreography and stunning visuals that have made her legendary.

With her Vegas shows approaching rapidly, Lopez appears more confident and radiant than ever, proving that at 56, she remains the ultimate entertainment goddess, setting hearts racing worldwide.

Aubrey O’Day Struggling To Process Allegations She Was Drugged, Assaulted By Diddy

Aubrey O’Day delivered one of the most heartbreaking moments in Netflix’s explosive new documentary series when she learned for the first time about a witness account alleging she was sexually assaulted by Diddy.

The former Danity Kane singer became visibly emotional while reading an affidavit on camera in “Sean Combs: The Reckoning,” the four-part documentary series executive-produced by Curtis “50 Cent” Jackson that premiered Tuesday (December 2).

The moment captured O’Day grappling with the devastating possibility that she was assaulted during her time working with the Bad Boy mogul.

“Does this mean I was raped? Is that what this means?” O’Day asked through tears after reading the witness statement. “I don’t even know if I was raped, and I don’t want to know.”

The affidavit, provided by a lawyer representing an alleged victim, detailed a disturbing scene allegedly witnessed in 2005 at Bad Boy studios.

According to the document O’Day read aloud, an unidentified person claimed to have accidentally walked into the wrong room while looking for a bathroom and witnessed Diddy and another individual “sexually assaulting” the singer.

“What I saw as soon as I opened the door was Aubrey sprawled out on a leather couch, looking very inebriated,” O’Day read from the affidavit, immediately defending herself by adding, “I didn’t drink like that at all at this time.”

The witness account described O’Day as appearing “out of it” and “just lying there” while allegedly being assaulted by Diddy and another man.

The 41-year-old singer, who has no memory of the alleged incident, struggled to process the information in real-time during filming.

“I don’t want to find out anymore (what) that woman has to say,” O’Day continued, her voice breaking with emotion.

Director Alexandria Stapleton told NBC News that the production team spent hours on the phone with O’Day to ensure she was comfortable sharing such a personal and traumatic revelation.

“I think what you see in the film is her struggling to digest, ‘Did this happen to me or not?’ And I think it’s a very real moment,” Stapleton explained.

The documentary also featured sexually explicit emails that O’Day said Diddy sent to her while she was a member of Danity Kane, the girl group formed during his MTV reality show Making the Band 3.

“This is your boss at your work sending you that email,” O’Day said in the series. “What happens in real life to anyone else? Your boss gets fired. Six months later, I was fired.”

O’Day directly connected her departure from the group to her refusal to engage sexually with Diddy. “I absolutely felt that I was fired for not participating sexually,” she stated.

The revelation adds another disturbing layer to the mounting allegations against Diddy, who was sentenced to 50 months in federal prison in October after being convicted on two counts of transportation to engage in prostitution.

He was acquitted of more serious racketeering and sex trafficking charges.

The fallen mogul’s legal team has dismissed the documentary as biased, with spokesperson Juda Engelmayer stating, “Many of the people featured have longstanding personal grievances, financial motives, or credibility issues that have been documented for years.”

The statement added that “Sean Combs will continue to address legitimate matters through the legal process, not through a biased Netflix production.”

Netflix defended the project, with a spokesperson clarifying that “the footage of Combs leading up to his indictment and arrest were legally obtained. This is not a hit piece or an act of retribution.”

The documentary series, which Jackson worked on for over a year, includes never-before-seen footage of Diddy discussing his legal troubles just days before his September 2024 arrest.

The project also features interviews with other alleged victims and former associates who detail years of alleged abuse and misconduct.

For O’Day, who has been vocal about her negative experiences with Diddy for years, the documentary provided a platform to share her truth while processing potentially traumatic information she never knew existed.

SAINT JHN Associate CLINTN LORD Held Without Bail On Sexual Assault Allegations

Rapper/influencer CLINTN LORD is facing multiple rape charges following his arrest by Los Angeles police, marking a dramatic fall for the Hip-Hop artist who built his career through collaborations with prominent artists, including SAINT JHN.

The Los Angeles Police Department arrested the 32-year-old CLINTN LORD after investigators determined he allegedly committed forcible sexual assault against multiple women on separate occasions.

Police released CLINTN LORD’s photograph to encourage additional victims to come forward, expressing concern that unreported incidents may exist.

According to LAPD investigators, CLINTN LORD met two different female victims and invited them to a residence where he forcibly sexually assaulted them.

The Los Angeles County District Attorney’s office filed three counts of rape by use of force and one count of assault with intent to commit a felony on Friday, November 21.

CLINTN LORD has accumulated hundreds of thousands of followers across various platforms. His musical career included frequent collaborations with established artists, particularly SAINT JHN, which helped elevate his profile within the Hip-Hop community.

They recorded a few songs together, including “Ay Caramaba,” which also features Kyle The Hooligan.  

CLINTN LORD was also an accomplished model who walked in Kanye West’s YEEZY fashion shows and appeared in magazines like Vogue and Vibe.

The artist remains in custody with his next court appearance scheduled for Monday, December 8.