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Nicki Minaj Once Exercised Creative Control Over Kanye West—Admits It Was A Mistake

Nicki Minaj and the Barbz are winning amid the worldwide Barbie movie-fueled pink out—but Kanye West still gets the last laugh.

While the seemingly misunderstood and manic YEEZY mastermind continues to live his best life in Italy with two women, the self-proclaimed Black Barbie appears to be lamenting over collaborations past behind AI filters on TikTok live. Given the aforementioned scene, with the added context that Minaj also hopped on the dystopian NPC social media trend, it all seems like a sad existence for Minaj. SIKE! It’s all for promo.

As the Queens native readies for her upcoming Pink Friday 2 LP, which she recently pushed back to November, she’s been walking down memory lane reliving moments from the creative process of the album’s predecessor. In the process of remarking on key collaborations like “Blazin,” Minaj says Ye actually wanted to hop on “Right Thru Me” instead—but she blocked West’s attempts.

“I don’t know if you guys have heard this story about ‘Blazin’ but.. I wanted Kanye to be on ‘Blazin’ and he wanted to be on ‘Right Thru Me’,” Minaj started off before concluding, “Dumbest f###### decision I ever made.”

It’s clear West had a true affinity with pop-tinged rap anthems of the 2000s era—and what’s even clearer is that Minaj feels she missed out on her opportunity for a radio hit like Ye and Keri Hilson’s “Love Lockdown” in 2008. She probably could’ve even gotten the baby My Beautiful Dark Twisted Fantasy visual treatment for the “Right Thru Me” music video had the collab actually came to fruition.

Alas, even though “Blazin” is still no slouch, this is clearly one of those “oh, what could’ve been” moments. Its also definitely a mythical moment in Hip-Hop history, so to speak, considering this may be one of the first documented instances where it appears West was out-bullied by someone in the studio—and just took it on the chin.

I’ll remind all of you that Ye literally put “Can’t Tell Me Nothing” out after Jeezy basically passed on the record because Ye completely deviated creatively from the theme of the track while The Snowman was up against a tight album deadline.

I guess now the big question is whether Minaj and West can, and will, match each other’s creative zeal, and disobedience, again in 2023 on Pink Friday 2?

Watch the clip in full below.

Joe Scarborough Rips POTUS Candidate Vivek Ramaswamy For Rapping Eminem’s “Lose Yourself”

MSNBC host Joe Scarborough got lost when Republican presidential candidate Vivek Ramaswamy started spitting verses from Eminem’s#### record “Lose Yourself” while on stage at the Iowa State Fair.

For the talking head, it was apparently too much to bear and he eventually asked him (or his show’s producers) to “please stop.”

On Monday (August 14), Scarborough and his wife/co-host, Mika Brzezinski, talked about the GOP gathering on their broadcast. Brzezinski eventually addressed Ramaswamy’s suspected ploy to attract younger voters.

“The headline out of Iowa, Iowa State Fair this weekend, Vivek Ramaswamy rapping to Eminem’s ‘Lose Yourself,'” she began per The Messenger. “The song was played after his fair-side chat with the Iowa governor, and Ramaswamy went with it. Rapping several bars of the Oscar-winning song.”

But Scarborough wasn’t having it and repeatedly asked her to stop.

“Yeah. In the words of Gene Wilder in ‘Willy Wonka Factory,’ ‘Please, don’t, stop,’” the former Florida congressman said.

The performance was an early highlight on Saturday morning.

MC RAM SWAM finished up a fireside chat with Iowa Gov. Kim Reynolds at JR’s South Pork Ranch inside the Iowa State Fairgrounds and decided to bust out in rhyme, the Des Moines Register reported.

It had to be planned because he grabbed a red cap and let the beat drop. Once the tuned-up song pulsated, MC RAM SWAM started to go crazy rapping the rap god’s lyrics.

Ramaswamy is 38 years old, making him the youngest candidate running for the Republican nomination. He’s going up against Donald Trump, the former president who is pushing 77.

Krayzie Bone Addresses “Stolen” Bone Thugs-N-Harmony Street Sign: “That’s Cleveland!”

Bone Thugs-n-Harmony celebrated 50 years of Hip-Hop with a street-naming ceremony in their hometown of Cleveland. The dedication took place at the intersection of E. 99 Street and St. Clair Avenue on Friday (August 11) with Bizzy, Krayzie, Flesh, Layzie and Wish in tow. But somebody apparently wanted more than memories—they wanted something tangible.

On Sunday (August 13), Flesh hopped on Instagram and revealed the sign had been stolen. He wrote in the caption: “Now! Which one of y’all did this s###? SMH #bonethugsnharmonyway.”

Bone Thugs’ former manager Steve Lobel—who attended the ceremony—said it perfectly, “Wow that’s f###ed up!” But fortunately for the legendary group, there was more than one. Speaking to AllHipHop, Krayzie Bone addressed the situation and was pleased to inform his fans it’s not as bad as it looks.

“That’s Cleveland,” he tells AllHipHop with a laugh. “They put up three signs up—one at both ends of the street and one in the middle of the street. I guess someone stole the one in the middle, thinking it wouldn’t be noticed, but left the other two. It’s all good though, no worries. All love.”

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Krayzie Bone spoke to AllHipHop in July about the lack of respect for Hip-Hop’s pioneers and architects.

“With Hip-Hop, I’ve been blessed to be here,” he said at the time. “To be here at the beginning, to watch and see every phase that it’s went through, I’m excited to see what the next 50 years is going to bring. Hip-Hop is definitely here to stay as a music genre, but it’s still so young.

“I just want to see Hip-Hop mature and be more kind and respectful to the artists that carry this genre. I want to see a balance between artists and corporations. It’s still young, but it needs to mature a lot. We need to realize and understand how to treat all legends like other genres of music.”

Hip-Hop was being celebrated all over the world on August 11, and the street-naming ceremony was just one of many events Bone Thugs attended over the historic weekend. On Saturday (August 12), Bone Thugs headed over to the Rocket Mortgage Field House to perform alongside a roster of Hip-Hop legends as part of The F.O.R.C.E. Tour, LL Cool J’s first tour in years. Performers included The Roots, DJ Jazzy Jeff, DJ Z-Trip, Common, Method Man, Redman, Jadakiss and MC Lyte.

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Legendary Music Executive Clarence Avant—”The Black Godfather”—Dead At 92

Clarance Avant reportedly died at his Los Angeles home on Sunday (August 13) at the age of 92. Members of Avant’s family— son Alex Avant, daughter Nicole Avant and son-in-law Ted Sarandos—made the announcement on Monday (August 14).

“It is with a heavy heart that the Avant/Sarandos family announce the passing of Clarence Alexander Avant,” the family said. “Through his revolutionary business leadership, Clarence became affectionately known as ‘The Black Godfather’ in the worlds of music, entertainment, politics, and sports. Clarence leaves behind a loving family and a sea of friends and associates that have changed the world and will continue to change the world for generations to come. The joy of his legacy eases the sorrow of our loss.”

Avant founded Sussex Records and Tabu Records in 1970s and ‘80s and was chairman of Motown Records in the’90s. Early in his career, the North Carolina native managed several jazz and blues artists, including Jimmy Smith and Little Willie John before launching one of the first fully Black-owned radio stations, KAGB FM in Los Angeles. As his career evolved, he connected Janet Jackson with Jimmy Jam and Terry Lewis, and promoted Michael Jackson’s 1988 Bad tour. Along the way, he became a mentor to budding music executives Sylvia Rhone, L.A. Reid, Babyface, Jheryl Busby, Jon Platt, Irving Azoff, Snoop Dogg and Diddy as well as the aforementioned Jimmy Jam and Terry Lewis.

Fellow industry giant Clive Davis said, “Clarence Avant was truly one of a kind. His passing is a great loss of someone who is irreplaceable. Clarence’s extraordinary contribution to music and the barriers he broke throughout his career are unrivaled. He was the mentor to all Black executives in the music industry for decades, providing invaluable guidance and support while always standing up for equal rights. Clarence was humane and fair and inspired love and respect from all who knew him. I personally loved him and will miss him forever.”

Avant received the Recording Academy’s Trustees Award in 2008, a star on the Hollywood Walk of Fame in 2016, the Industry Icon Award at the 2019 Grammys and was inducted into the Rock & Roll Hall of Fame in 2021. He also received Thurgood Marshall Lifetime Achievement Award, an NAACP Image Awards Hall Of Fame Award and a BET Honors Entrepreneur Award. He earned the nickname “The Black Godfather” due to his revolutionary business leadership and vast connections. In 2019, a documentary about Avant, The Black Godfather, was released on Netflix.

In December 2021, Avant’s wife of 53 years, Jackie Avant, was fatally shot during a home invasion at their Beverly Hills residence, a tragic end to their marriage. Condolences are pouring in on Twitter. Find some of them below.

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Uncle Luke Calls Out Lack Of Respect For Florida Artists During Hip Hop 50th Anniversary

André 3000 of OutKast famously declared “the south got something to say” at the 1995 Source Awards. Nearly 30 years later, Luther “Uncle Luke” Campbell is still standing up for Hip Hop acts from the southern state of Florida.

Hip Hop commemorated its 50th anniversary on August 11, 2023. Numerous celebrations took place around the world as rappers, fans, streaming services, networks, and other entities spotlighted the history of the culture.

However, Uncle Luke believes Florida-bred Hip Hop performers did not receive enough attention during the events acknowledging Hip Hop’s longevity and impact. The 2 Live Crew frontman shared a message to other FL residents on Instagram.

“Hip Hop fans from Florida. Don’t be upset they don’t recognize your favorite Floridian artists as part of Hip Hop’s 50th year celebrations,” posted Uncle Luke. “This industry has never considered us as Hip Hop from the time I started Hip Hop in the south.”

He also added, “You can only imagine the names they called us. Country booty music, trash music. I can go on and on [about] the disrespect towards Florida Hip Hop. Still to this day, we fight for our respect, and you have stood behind us every step of the way.”

2 Live Crew’s Uncle Luke Defended Hip Hop & Free Speech In Court

Uncle Luke helped elevate southern rap to the forefront as a member of 2 Live Crew and as a soloist. Additionally, the Miami native won a landmark criminal case in 1990. The state of Florida failed to convict 2 Live Crew of violating obscenity laws for performing the explicit “As Nasty as They Wanna Be.”

Luther Campbell also famously won a 1994 U.S. Supreme Court copyright infringement case filed by Acuff-Rose Music. 2 Live Crew released “Pretty Woman” as a spoof of Roy Orbison’s “Oh, Pretty Woman.” The Campbell v. Acuff-Rose Music, Inc. decision established that a commercial parody qualifies as fair use.

In conclusion, Uncle Luke’s Instagram statement read, “There will be a day this year where we come together and celebrate Florida Hip Hop [artists] from the top of the state to the bottom. We love you. Thank You for your support.”

Florida has produced some of the most successful rappers in the history of Hip Hop culture. Besides Uncle Luke and 2 Live Crew, the Sunshine State was once the stomping grounds for acts such as City Girls, Denzel Curry, Flo Rida, Kodak Black, Plies, Rick Ross, Rod Wave, Trick Daddy, Trina, XXXTentacion, and many more.

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Soulja Boy Highlights His Cultural Impact During Hip Hop’s 50th Anniversary: “Ahead Of My Time”

DeAndre “Soulja Boy” Way typically takes credit for being the first rapper to do almost everything. The “Soulja Boy Did It First” meme was mostly taken as light-hearted fun, but the rapper recently took to social media to proclaim his actual importance to Hip Hop culture.

“When I came in the game they said I killed Hip Hop. But really, I birthed the new wave of Hip Hop with internet/streaming. Ahead of my time. #HipHop50,” wrote Soulja Boy on X (formerly Twitter).

He also added, “Now everyone vlogs their career like me. Now everyone uploads their music to the internet. Now everyone goes live for their fans. I started it. Thank me or not. Flowers/Credit or not. #HipHop50.”

Soulja Boy Tell’em broke onto the national Hip Hop scene with 2007’s crossover smash “Crank That.” His self-produced track spent seven weeks at No. 1 on the Billboard Hot 100 chart. “Crank That” also earned 3x-Platinum certification from the RIAA.

In addition, Soulja Boy scored Top 20 hits with “Kiss Me Thru The Phone” and “Turn My Swag On” in 2009. His initial rise in the industry during the Ringtone Rap Era was met with accusations of him being the genre’s grim reaper.

Soulja Boy got into an infamous 2008 feud with West Coast legend Ice-T after the Law & Order: Special Victims Unit actor insisted the then-teenager “single-handedly killed Hip Hop.” SB later caught heat from some rap purists for suggesting East Coast legend Nas is actually responsible for the fall of the culture.

Fifteen years later, despite many of his Ringtone Era peers no longer commanding attention from fans or the media, Soulja Boy continues to remain relevant. The Mississippi-raised rhymer has released numerous music projects throughout his career. He also appeared on reality TV franchises and starred in his own The Life of Draco docuseries on Revolt.

In addition, Soulja Boy played a huge role in Hip Hop’s digital revolution over the last two decades. Back in 2006, he was one of the earliest rappers to use a burgeoning video-sharing platform called YouTube to present his music and videos. After building an online following, Soulja eventually signed a deal with Interscope Records.

Travis Scott’s ‘Utopia’ Becomes First Hip Hop Album To Spend Multiple Weeks At No. 1 In 2023

Once again, Utopia is the most popular album in America. Travis Scott’s fourth studio LP remained at No. 1 on the Billboard 200 chart for a second consecutive week.

After opening with 496,000 first-week units, Utopia brought in 147,000 units in its second week of release. Travis Scott held off Country singer Morgan Wallen from reclaiming the top spot with One Thing at a Time (92,000 units).

Utopia‘s two-week reign makes Travis Scott the first Hip Hop act to hold onto the Billboard 200’s No. 1 position for more than one week in 2023. Philadelphia rapper Lil Uzi Vert’s Pink Tape spent a week at No. 1 in July.

In addition, Utopia is the first Hip Hop album to spend its first two weeks at No. 1 since 2021. Drake’s Certified Lover Boy dominated the Billboard 200 for three straight weeks that year. Certified Lover Boy held the top spot for a total of five weeks.

Tyler, The Creator’s Call Me If You Get Lost debuted at No. 1 in July 2021. The Grammy-winning album returned to the pinnacle of the Billboard 200 chart in April 2022 after its one-week run on top a year earlier.

Travis Scott received mostly favorable reviews for Utopia. The blockbuster release arrived with contributions from Drake, Beyoncé, 21 Savage, The Weeknd, Playboi Carti, Young Thug, Kid Cudi, Bad Bunny, SZA, Future, and more.

Previously, Travis Scott led the Billboard 200 with Birds In The Trap Sing McKnight in 2016 and Astroworld in 2018. Birds In The Trap Sing McKnight controlled the No. 1 spot for one week. Astroworld had a three-week run as the chart leader.

Megan Thee Stallion Blasts Her Haters: None Of That Sh*t Broke Me

After three years of rampant speculation and gossip, Megan Thee Stallion finally got some legal closure for a 2020 shooting that left her injured. A California jury convicted rapper/singer Tory Lanez of assault and a judge recently sentenced him to 10 years in prison.

Megan Thee Stallion publicly named Tory Lanez (born Daystar Peterson) as the shooter. Lanez was later found guilty of assault with a semiautomatic handgun, having a loaded and unregistered firearm in a vehicle, and gross negligence in discharging his firearm.

While Tory Lanez continued to maintain his innocence, other prominent Hip Hop figures seemingly sided with the Canadian. Podcasters such as DJ Akademiks and Joe Budden expressed doubt that Megan told the truth about the situation.

Even Drake had some bars on the Her Loss album that seemed to question Megan Thee Stallion’s truthfulness. On “Circo Loco,” the Hip Hop superstar rapped, “This b#### lied about getting shots, but she still a stallion.”

Now that Lanez’s criminal trial has ended with a conviction, Megan addressed her doubters at Sunday’s Outside Lands Festival. She told that San Francisco crowd, “I just wanna say… F### all my haters! None of that s### you was doing or saying broke me.”

Megan also thanked her Hotties fanbase for their support. Even though some male rappers/commentators attempted to discredit Meg at certain points, individuals like Bun B, 21 Savage, and Noah “40” Shebib publicly backed the Houston native.

The Traumazine album by Megan Thee Stallion came out in August 2022. That project did include the Roc Nation-endorsed recording artist’s thoughts on dealing with the various trauma in her life. Traumazine featured Key Glock, Latto, Pooh Shiesty, Rico Nasty, Jhené Aiko, Future, Dua Lipa, and more.

Benny The Butcher Endorses Donald Trump In The 2024 Presidential Race

Leading 2024 Republican presidential candidate Donald Trump may be facing multiple state and federal indictments, but that has not stopped Benny The Butcher from expressing his support for the MAGA leader.

Donald Trump, the former one-term President of the United States, has been a polarizing politician since announcing his presidential campaign in 2015. While becoming a god-like figure for many conservatives, Trump is equally as detested by many liberals and progressives.

“I’m votin’ Trump 2024,” posted Benny The Butcher on the X social media platform. Many of the Buffalo native’s fans began questioning why he chose to back Donald Trump’s latest run for the White House.

One person asked Benny if his Trump endorsement was a roll-out for new music. The 38-year-old rapper responded, “Naw, I’m [just] voting for Trump… never had to do silly [s###] for a roll-out, y’all be aight.”

Another person pointed out Benny The Butcher’s lyrics from his 2016 track “Tom Ford Socks” where he raps, “I hope the Democrats steal the election from Trump.” Benny replied, “Yea, that’s old my boy.”

Another X user asked Benny, “Hov [Jay-Z] never needed a president to make money so why [are] you doing it?” The Tana Talk 4 album creator answered, “Everybody ain’t Hov… it’s not for money, my boy, I’m rich already.”

Benny the Butcher rose to prominence in Hip Hop circles as a member of the Griselda collective alongside Westside Gunn and Conway The Machine. Griselda released several projects, including 2019’s WWCD, which came out via Eminem’s Shady Records.

Tory Lanez Reportedly Segregated From General Population, Allowed Out Of Cell 2 Hours A Day 

Tory Lanez is adjusting to life behind bars after being sentenced to 10 years earlier this month after being found guilty of shooting Megan Thee Stallion. 

The Canadian crooner is housed at Los Angeles County Jail where he will remain until he’s transferred to prison to complete his sentence. While there, Tory Lanez is being segregated from the general population inside the jail and is only allowed out for a minimal time, TMZ reports. 

According to the outlet, Lanez is allowed out of his cell for 2 hours each day but must spend his time alone. He is allowed to venture outside for recreation time, but only for up to three hours a week. 

Law enforcement sources also told TMZ Tory Lanez is set to be transferred to an intake center within the next month. From there, authorities will determine which prison he will serve the remainder of his sentence.  

Tory Lanez broke his silence last week for the first time since his sentencing hearing. He refused to apologize to Megan Thee Stallion while maintaining his innocence. Lanez’s attorney Jose Baez announced plans to appeal his conviction. 

“We’re extremely disappointed that Tory did not get the sentence that we had certainly hoped for. I think the sentence handed down was incredibly harsh,” Baez explained to the press after the hearing. 

He called the decade-long sentence “extreme” and claimed Tory Lanez was unfairly punished. 

“To get a ten-year sentence is extreme,” Baez added. “And really just another example of someone being punished for their celebrity status. And someone being utilized to set an example.” 

Magg-1: Bridging Faith and Music in the Gospel Drill Movement

The music industry is a vast landscape, filled with a diverse array of artists who create their own unique ripples. Amidst this vast sea of creativity, there emerges individuals whose journeys transcend the ordinary and leave an indelible mark. One such remarkable artist is Magg-1, a gospel drill rapper whose trajectory from humble beginnings to becoming a revered figure in the music scene is nothing short of awe-inspiring. With an unwavering faith, unyielding determination, and a profound musical talent, Magg-1’s career stands as a testament to the power of belief and dedication.

A Transformative Path to Triumph

Magg-1’s ascent to prominence is a narrative of transformation against all odds. Emerging from a background of tireless effort and relentless perseverance, Magg-1 not only etched a space for himself in the music industry but also embraced the role of an entrepreneur. Yet, amidst his rapid rise, Magg-1 remained grounded, acknowledging that his accomplishments and blessings were a divine gift.

The evolution of Magg-1 from a tenacious entrepreneur to a gospel drill phenomenon is a story that resonates deeply. His unwavering faith, his ceaseless commitment to his craft, and his resolute determination to spread the message of God through his music have firmly established him as an influential artist.

Awakening of Spirit and Divine Calling

What sets Magg-1 apart is his steadfast devotion to his faith and his unshakeable conviction in a higher purpose. Through his unwavering dedication to worship, praise, and the study of God’s word, Magg-1 experienced profound spiritual awakenings, including visions and dreams. It was on that significant day, June 15th, 2020, that Magg-1 encountered a life-altering revelation – the Holy Spirit endowed him with a clear purpose and direction: to proclaim the gospel through his music.

This divine calling fundamentally altered the trajectory of Magg-1’s artistic journey. Recognizing that his talents were a conduit for something beyond personal achievement, he embraced his role as a messenger of faith and inspiration. His music transformed into a medium through which he could convey profound spiritual truths to a wider audience, bridging the gap between the sacred and the contemporary.

Inspiration Through Musical Expression

Magg-1’s music transcends the boundaries of mere songs; it serves as a wellspring of inspiration for those in search of meaning and purpose. Through his poignant storytelling, Magg-1 shares his own expedition through faith, struggles, and victories, extending an invitation to listeners to embark on their own voyage of self-discovery and spiritual growth. His music operates as a vessel of optimism and hope, a testament to the compatibility of faith and artistic creativity.

What elevates Magg-1’s artistry is the authenticity woven into his lyrics and the raw emotions that permeate his music. His creativity transcends the realm of entertainment; it serves as a conduit for introspection, empowerment, and motivation. In extending the boundaries of the gospel drill genre, he employs his platform to address genuine challenges and offer spiritual guidance.

A Luminary’s Path Forward

As Magg-1 progresses as an artist, his influence on both the industry and his audience is poised to expand even further. His distinctive amalgamation of faith-driven messaging and contemporary musical style resonates with individuals from all walks of life, forging connections between diverse communities through shared values and aspirations.

Magg-1’s journey underscores the potential of music as a transformative force – capable of touching souls, altering lives, and instilling hope. His commitment to spreading the gospel through his music attests to the potency of faith and the profound impact artists can effect when they channel their talents for a higher calling.

In a world where genuine messages often struggle for audibility amidst the cacophony, Magg-1 emerges as a symbol of authenticity and motivation. His music bears a divine message of optimism and salvation, beckoning us to introspect on our own journeys, embrace our faith, and strive for greatness. So, keep an ear attuned to Magg-1’s transformative rhythms and inspiring verses, for his melodies convey more than mere entertainment – they carry a divine message of hope and redemption.

For those eager to experience the fusion of faith and musical ingenuity, Magg-1’s album can be explored here: Listen on Spotify

Drake Serenades Adonis After Telling Crowd Not To Throw Bras At Son’s First Show 

Drake shared a heartwarming father-and-son moment with Adonis during the little boy’s first time at his superstar dad’s show.  

The 5-year-old watched on in awe as his father made his entrance at Inglewood, California’s Kia Forum Saturday night (August 12). Drake then joined Adonis mid-performance, sweetly serenading his son, who bobbed his head to the track.  

Meanwhile, earlier in the evening, Drake warned concertgoers to keep it “real PG” while his son was in the stadium. After previously requesting fans only throw their bras and not other objects onstage, the “Rich Flex” hitmaker asked the audience for a family-friendly show this time.  

“Hey, look, imma be honest with you,” Drake said to the crowd after a concertgoer threw their bra at him. “I can’t talk about t###### tonight in L.A. because my son is at the show for the first time ever.” 

He added: “So we have to keep this real PG tonight. Y’all keep them bras on.”

 Despite his hectic touring schedule, Drake has been making the most of his time with Adonis. He recently shared an image of him doing his son’s hair which drew a hilarious response from Lil Yachty.

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“It’s no way your sitting here acting like your braiding his hair for the internet,” Yachty trolled in the comments section. Drake quickly hit back at his good friend’s jab with an amusing shot of his own. “I was unbraiding it b####,” Drizzy replied. “Your son said you ain’t hit him in 6 months on his finsta he said he need some Jordans and a backpack for school.” 

Papoose Honors DJ Kay Slay At Street Naming Ceremony In Harlem, Confirms “Rolling 200 Deep” Release Date 

Papoose paid tribute to the legendary DJ Kay Slay during a posthumous street-naming ceremony in Harlem during a weekend of celebrations for Hip-Hop’s 50th birthday.  

The honorary street sign was unveiled Sunday (August 13) in the DJ’s native Harlem. Family and friends gathered to see the big reveal alongside fellow NYC icons Busta Rhymes, Papoose and Remy Ma, among others.  

The head of Hip-Hop at TuneCore honored his longtime friend and collaborator DJ Kay Slay and promised to carry on his legacy during an uplifting speech at the unveiling.

“I just want to recognize his achievements and all of the great things he did and what he stood for,” Papoose began. “I’m definitely here to carry on the legacy of my brother because I know he would have did the same thing for me.” 

He then thanked LL Cool J for allowing him to take over Slay’s iconic radio show The Drama Hour. The show relaunched on the Rock The Bells station Friday (August 11).

Papoose continued, praising DJ Kay Slay for launching and revving rappers’ careers on The Drama Hour.  

“When their career was on that respirator and they needed to get hot again they had to come back to Slay. Because they know he was authentic,” he added. “Slay didn’t play that popularity contest, he didn’t care about politics. That’s why he was who he was.” 

Papoose Confirms DJ Kay Slay’s “Rolling 200 Deep”

Elsewhere during his tribute, Papoose confirmed Kay Slay the rumor DJ Kay Slay had been curating a follow-up to his 2021 mega-posse cut Rolling 110 Deep. Pap announced Rolling 200 Deep, featuring a mind-blowing 200 MCs, will be released next month.  

“He wanted to see that 200 Deep come out,” Papoose explained. “Slay gave me my first opportunity. Now that I’m head of Hip-Hop at TuneCore I’m going to make sure that happens. September 15th, we releasing 200 Deep.”

Checkout a clip of Papoose’s speech below and watch highlights from the ceremony at the end of the page. 

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https://youtu.be/F9CcfSAq84g

Drake Announces Hit British Show “Top Boy” Returning To Netflix For “The Final Chapter”  

Drake has announced the return of British crime drama Top Boy which will return to Netflix this fall. 

The highly acclaimed show has built a cult global following, and is frequently praised for its authentic portrayal of life on an East London housing estate while tackling pressing social issues, including mental health, racism and poverty.  

On Sunday night (August 13), Top Boy Executive producer Drake revealed the show will return for a third and final season next month. He previewed a dramatic teaser for the finale on Instagram, promising to leave “No.Loose.Ends.” 

“Top Boy, The Final Chapter. September 7th,” Drake penned in the caption. Check out the gripping trailer below.  

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Drake called for the show to be revived after two seasons of the original Channel 4 series, which aired between 2011 and 2013, and joined as executive producer for the subsequent three series.  

While fans called for Drake to make a cameo on Top Boy, cast members revealed that he was once slated to appear in the first series of the Netflix show. However, his role was axed for fear of harming the show’s authenticity.  

“I don’t think it would be right,” Micheal Ward who plays “Jamie” explained to Cosmopolitan. “Because, you’ve gotta remember, Top Boy is quite authentic. So as soon as you see someone like Drake’s face, who is so huge in what he does … it might take you out. So I feel like just having it with the people from next door sort of vibe, it’s just better that way.” 

Boosie Badazz Claims R. Kelly Would “Smoke” Michael Jackson In A Verzuz  

Boosie Badazz is singing R. Kelly’s praises again, championing the disgraced R&B singer, who he claims cannot be beaten in a Verzuz, not even by the likes of Michael Jackson.  

The Baton Rouge Louisiana native shared his thoughts during an Instagram Live chat with his fans Sunday (August 13). According to Boosie, R. Kelly has so many hits he could take on an entire streaming platform and still be victorious.  

“Nobody got more hits than R. Kelly,” Boosie insisted. “You gone’ have to put him in a Verzus with Spotify.  

He then brought up the King of Pop, Michael Jackson, claiming R. Kelly would “smoke” Michael Jackson in a head-to-head clash. “Hit for hit, he would blow Michael Jackson,” Boosie stated before questioning who has more hits.  

“How many Michael Jackson songs you know and how many R Kelly songs you know?” he continued. “Aint nobody got more hits than Kellz. Y’all don’t wanna keep it real ‘cause he in the position he in.” 

Boosie Says R. Kelly Should Be Allowed To “Make A Difference”

While many social media users pushed back against his claims, Boosie is a firm supporter of the Chicago-bred singer. He called for a lower sentence when Kelly was given 30 years following his 2021 conviction on sex trafficking and racketeering charges, claiming the singer could come out and warn young girls about predators.  

“People getting 15/20 years for murder n he get 30,” Bossie tweeted after Kelly’s sentencing. “Yes he was wrong af for manipulating young girls n sexing them but he didn’t kill anyone, aggravated rape anyone .N no blame on the parents who knew everything. Resentence this man College professors get probation for this s###.” 

Boosie continued. “Get this man some help n some jail time but don’t give him a death sentence ,30 years Maybe he can one get out one day n warn these young girls about older predators n make a difference ?but 30 years like Come on world.” 

Timbaland’s Former Rap Partner Magoo Reportedly Dead At 50—Fans React

Timbaland’s  former rap partner and Missy Elliott affiliate, Magoo, has reportedly died. News of his death started pouring in on social media late Sunday night (August 13) and quickly became a trending Twitter topic. Digital Black of Playa expressed his sorrow with an Instagram post that read simply, “Man can’t believe this RIH Magoo damn big bro wasn’t ready for this at all #superfriends.”

At the time of publication, Timbaland, Missy Elliott nor any one from their respective camps have commented on his passing. No cause of death has been revealed either.

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Hailing from Norfolk, Virginia, Magoo began his collaborative journey with Timbaland in 1989 after meeting as teenagers. During their formative years, Magoo and Timbo were part of a group called SBI (Surrounded By Idiots) that included Larry Live and a then-unknown Pharrell Williams. Timbo was referred to as “DJ Timmy Tim,” while Pharrell was called “Magnum the Verb Lord.”

But their debut album as Timbaland & Magoo, 1997’s Welcome to Our World, yielded their highest-charting single, “Up Jumps Da Boogie.” After releasing two more studio albums as a duo—2001’s Indecent Proposal and 2003’s Under Construction Part II—they pivoted to working with fellow Virginia native Missy Elliott and, ultimately, Aaliyah.

In August 2021, Blackground Records—the label that launched Aaliyah’s career, solidified a distribution partnership with Empire Distribution. Under the new deal, Timbaland & Magoo’s catalog was introduced to a more contemporary audience with multiple re-releases.

Naturally, tributes are exploding on social media. Check some of them out below. (This is a developing story.) 

https://twitter.com/SebastianAvenue/status/1690908800251826176?s=20

https://twitter.com/SebastianAvenue/status/1690914840976437248?s=20

https://twitter.com/SebastianAvenue/status/1690909112899428353?s=20

https://twitter.com/msdarlin_/status/1690892226434396160?s=20

Lil Durk Brushes Off Concert Chaos After False Active Shooter Report Ends Summer Jam Early

Rapper Lil Durk’s concert at the United Center was abruptly halted Saturday night following a false report of an active shooter.

As panic ensued, attendees rushed for the exits, leading to a chaotic scene. The Chicago Police Department later confirmed that the report was a false alarm.

According to TMZ, the United Center stated they are collaborating with authorities to investigate the incidents from the WGCI Summer Jam show.

“We are working closely with authorities to investigate all incidents from last evening at the WGCI Summer Jam show. It became apparent for all involved that ending the show early was in everyone’s best interest as the safety of our guests and employees is a priority. We are thankful that initial incident reports were false and that guests exited the facility safely,” a rep said in a statement.

As some concertgoers left the venue, they seized the opportunity to grab merchandise, with Lil Durk later acknowledging these fans on social media. Fortunately, no injuries were reported, and no arrests have been made in connection with the incident.

Despite the disruption, Lil Durk took to social media, urging fans not to “believe the hype” and expressing gratitude to Chicago.

He also humorously addressed those who took merchandise during the commotion, asking them to tag him so he could repost their actions.

Chuck D Calls For Kidd Creole’s Prison Release During “RAPAMANIA” Hip-Hop 50 Showcase

Hip-Hop celebrated its 50th anniversary on Friday (August 11) with a slew of block parties that touched every borough in New York City. Beginning at 12 p.m. ET, Mill Pond Park in the Bronx—the same area where the Universal Hip-Hop Museum will open its doors in 2025—erupted with pillars and purveyors of the culture eager to participate in the momentous occasion.

Following a champagne toast at the museum’s future site—attended by Walker Wear founder April Walker, famed photographers Glen E. Friedman, Martha Cooper and Vikki Tobak, DJ Chuck Chillout, original Def Jam Recordings president Bill Stephney, Def Jam’s first publicist Bill Adler, Chuck D, Flavor Flav, MC Shan, Coke La Rock and dozens of others—everyone headed over to the park for Van Silk’s “RAPAMANIA” showcase.

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Sponsored by Red Bull BC One, the UHH and AARP, the event boasted art by graffiti legends such as Lady Pink and Queen Andrea, a b-boy open cypher and music by Fearless 4, Freedom Williams, Sweet Tee and many more. One of the highlights included a performance from Chuck D, Flavor Flav, Melle Mell and Scorpio, who converged for a medley of classic rap anthems, including “The Message” (Grandmaster Flash & the Furious Five) and “Fight The Power” (Public Enemy).

“This event was historical and celebrated 50 years of Hip-Hop,” organizer Van Silk tells AllHipHop. “To have 27 acts perform, including Public Enemy, Melle Mel and Scorpio (Furious 5) was historical. Along with the Universal Hip Hop Museum, Red Bull and AARP, we did it. The culture of Hip-Hop will only evolve if you represent Hip-Hop. Being a rapper in today music is not really Hip-Hop. But times change and it is what it has become.”

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At one point, Chuck D—who was mobbed by people wanting to get their photo taken with the Public Enemy frontman—addressed the crowd. He delivered an impassioned plea to “free Kidd Creole.” The Kidd Creole (real name Nathanial Glover), one of the original members of the Furious Five and Melle Mel’s brother, was arrested for the 2017 fatal stabbing of a homeless man named John Jolly. In May 2022, he was sentenced to 16 years in prison, a sentence many deemed entirely too harsh. Creole was convicted of first-degree manslaughter, roughly four years after his initial arrest.

Attorney Scottie Celestin vowed to begin the appeal process. As he told Rolling Stone at the time, “I think today’s sentence is egregious and extreme. While I am disappointed, I continue to have faith in our judicial system. My focus is now on the appeal process. There are many appealable issues, specifically the denial of Mr. Glover being able to assert the justification of self-defense, despite the fact that he was retreating and the victim followed behind him.

“While some may be happy with the the presumed victory of the acquittal on the top charge of Murder, we don’t view it as win. I believe the 16 years given are heavy handed, and motivated not by the evidence and mitigating facts but by external factors.”

Kidd Creole was on his way to work when the violent run-in with Jolly took place. He told police, “He approached me. I got a little nervous. So then I tried to back up a little bit, and he moved forward, and then I just took the knife and stabbed him … I wish I never would have seen him. It’s all my fault, because I chose to stab him. I have to take responsibility for that.”

Celestin has always maintained Kidd Creole acted in self-defense and believed “his fear for his life was reasonable.” There were also various accounts suggesting Jolly didn’t actually die from the stab wounds. Instead, some think he died from a dose of the sedative benzodiazepine that was given to him at a hospital. There’s no update on whether the appeal process has begun.

Busta Rhymes Says Hip-Hop Helped Him Become A Man

Busta Rhymes has explained how Hip-Hop and becoming a father helped him become a man.

During an interview with Men’s Health, the 51-year-old rapper opened up about how Hip-Hop, as well as becoming a father, “forced” him into “becoming a man.”

“I was the youngest in Leaders to have a child,” the rapper said, referring to the New York-based Hip-Hop group Leaders of the New School, which he joined in 1986. “That forced me to understand the seriousness of what becoming a man was.”

The musician welcomed his first son, T’Ziah, now 30, in 1993 with his ex-girlfriend Joanne Wood. Since then, he has had four more children; Mariah, 25, T’Khi, 24, Cacie, 24, and Trillian, 22.

“Hip-Hop provided the means for me to be a man, a father. The bittersweet part was that Hip-Hop demanded time away from my baby,” Rhymes, real name Trevor Smith Jr., continued. “In order to be a good provider, I had to miss magical moments with my baby.”

Busta Rhymes noted that he did not have the skills to get a 9-5 job to support his child.

“My skill set wouldn’t allow me to be home with my child and still be able to provide in the way that they needed to be provided for, right?” he explained. “I didn’t have a nine-to-five skill set. Being able to wake my son up, give him breakfast, dress him, take him to school, go to work, come home at five, help with his homework, read him a bedtime story – I didn’t have a skill set that allowed me to deliver in that way.”

Leaders of the New School split up in 1994.

EXCLUSIVE: Breakdancing Legend Crazy Legs Reveals Why He’s Retiring

Hip-Hop pioneer Richard “Crazy Legs” Colón explained why he’s retiring from breakdancing in an interview with AllHipHop. The legendary b-boy said years of wear and tear from dancing finally caught up to him.

“I do the element of Hip-Hop that your body dictates when it’s over,” he told AllHipHop. “It’s the only element in Hip-Hop your body says it’s done, you’re done. So, I actually have to get a knee replacement surgery. I’m 57, bro. I’m not trying to be out here getting hurt. I get hurt easier. It takes longer to heal, all that s###.”

Crazy Legs performed for the final time at Hip-Hop 50 Live at Yankee Stadium. The longtime Yankees fan loved the idea of ending his career at the team’s ballpark.

“I just felt like it was a good opportunity to be on a stage within the world that I wanted to be in in the first place,” he said. “When I was a kid, I wanted to be a boxer or baseball player … I wanted to be on the Yankees … So, for me to end up where I really wanted to be in the first place for my last show is pretty dope.”

Check out Crazy Legs’ chat with AllHipHop’s Chuck Creekmur and DJ Thoro below.