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Cardi B Throws Support Behind Scar Lip After Studio Link-Up: “I Really Want Her To Make It” 

Cardi B has big dreams for Scar Lip, months after the Bronx newcomer fell to her knees in gratitude when Cardi posted her on Instagram.  

On Thursday (June 8), the Grammy Award winner revealed she linked with the “This Is New York” hitmaker in the studio. Both rappers record at the same place, so Cardi B asked Scar Lip to come and join her for a chat. 

“Last night @iamcardib invited me to her studio,” Scar Lip wrote, sharing a video of the meet-up. “She taught me the game, she schooled me & told me she really wanna see me make it.” 

Evidently, the discussion went down well, with Scar adding, “I’m happy to say I’m not only inspired by her but she’s bestie.” 

In the video, Cardi B called Scar Lip ” a dope ass person” with a story to tell. “Everything about her is so interesting.”  She also called on Bardi Gang to reach out to the newly signed Epic Records artist. “I think you guys should let her know what you guys would like to see from her,” Cardi offered. “Because I really want her to make it.”  

Scar Lip On Cardi B: “She’s Bestie”

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A post shared by Scar the star (@scar_lip)

Last month, Scar Lip was overcome with emotion when her fellow Bronx native Cardi B gave her a co-sign. After making noise with “This Is New York” and “Glizzy Gobler,” Scar caught the attention of several other NYC icons, Including Swizz Beatz, Busta Rhymes and Jadakiss. 

West Coast legend Snoop Dogg was so enamored with Scar, he hopped on the remix to the breakout track on “This Is Cali.

Swizz Beatz sat alongside her as Scar Lip inked her deal with Epic earlier this month. 

“It’s very rare to meet greatness !” Swizz penned on IG, welcoming the rapper to Epic. “@scar_lip congrats and I’m proud of you sis you’re family now and beyond life begins now ! your story is Epic !!!!” 

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GloRilla Reacts To Being Most Nominated Female At 2023 BET Awards  

GloRilla is putting in the work and racking up the accolades as she continues to make inroads into her music career, snagging the most BET Awards nods this year after Drake. 

The network announced the nominations Thursday (June 8) for the 2023 BET Awards, due to take place later this month. While Drizzy tops the list with seven nominations, the Memphis, Tennessee native isn’t far behind. GloRilla is the most nominated woman with recognition in six categories, including the coveted Album of the Year for Anyways, Life’s Great.  

As Glorilla noted in her Instagram Stories, “Mind you this was only an EP.” 

GloRilla later acknowledged the significance of her achievement on Twitter. “I’m second behind DRAKE with da most BET nominations this year,” she wrote. “Thank you lord & thank y’all.”

BET also nominated GloRilla for Best New Artist and Best Female Hip-Hop Artist in a category that includes Nicki Minaj, Cardi B, Megan Thee Stallion, Latto, Ice Spice and Coi Leray. She features twice in the Best Collaboration nominations for “F.N.F. (Let’s Go),” with Hitkidd and her Cardi B hit “Tomorrow 2.” The “Tomorrow” remix is also in the running for Video of The Year.  

Meanwhile, in other GloRilla news, the CMG artist dropped more new music this week. GloRilla appears on iCandy’s “Keep Dat N*igga (Part 2),” which also features verses from Kali and Big Boss Vette.  

https://www.instagram.com/reel/CtQaDwir-nH/?utm_source=ig_web_copy_link&igshid=MzRlODBiNWFlZA==

Last month, Glo tapped into her hometown roots, interpolating a Southern rap classic by Three 6 Mafia subgroup Tear Da Club Up Thugs, “Slob on My Nob” called “Lick Or Sum” co-produced by Three 6 Mafia’s Juicy J. Watch the video at the end of the page.

The 2023 BET Awards will air live on Sunday, Jun. 25. 

DMX’s Son Shares Sweet Piano Cover Of “Ruff Ryders’ Anthem” In Tribute To Late Father 

DMX’s son Exodus is showing that music runs through his veins with an adorable tribute to his late father. The charming little boy displayed his talents with a piano rendition of one of his father’s signature tracks “Ruff Ryders’ Anthem.”  

In a video shared by his mother on Instagram, DMX’s fiancée at the time of his death, Desiree Lindstrom, a beaming six-year-old Exodus introduces his piece.  

“Today, I’m gonna play a ‘Ruff Ryders’ Anthem’ and this is how it goes,” Exodus said before playing the iconic song. After delivering his rendition, Exodus added a sweet message to his late father: “I love you, Daddy.”

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A post shared by Desiree Lindstrom 🐾 (@desi123love)

As Desiree explained in the caption, “Y’all should of known it was coming.” Previous updates on her page show Exodus displaying his musical talents and the progress he’s making.  

“Proud mommy moment!,” she penned alongside another video of Exodus playing a nursery rhyme on the piano. “We literally just looked at the YouTube, twinkle twinkle little star kid guide for the piano twice and then I wrote down the letters for a guide for him and he memorized it by sound, without me even knowing and didn’t even look at the letters not once! I was shocked as hell lol Great job Exodus! #ForeverX” 

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Dillyn Troy Releases New Single “Everybody”

Louisiana-based R&B singer/rapper Dillyn Troy first received attention as a social media star, using the video app Vine to both showcase his musical endeavors as well as his perspectives on life. Still just a teenager when he began making music, Troy made solo tracks of moody, trap-heavy R&B/rap hybrids as well as collaborating with Will Got the Juice and Lucas Coly in a group called Diamondz. He graduated from self-released one-off tracks like 2013’s “In the Air” to more defined production on albums like 2017’s Tru Story

Dillyn Troy was born in Louisiana in 1996 and was making music in his teenage years. Highly active on social media, he used short video clips on Vine to promote both his solo music as well as his collaborative work with the group Diamondz. Some of his earliest self-released tracks came around 2013 when he was sometimes working under the name Lil Teezy.

Rough-edged singles like “Grind Time” and “Crazy” eventually developed into more fully fleshed-out productions like the 2017 full-length album Tru Story and 2018 singles “On Me” and “I Know.” He kept the new music coming in the spring of 2018 with an EP entitled Progress. The song “They Can’t” from Progress featured guest vocals from Troy’s longtime friend and collaborator Lucas Coly

After a brief 3 year Hiatus Dillyn Troy returns to the music scene under their own label “GGBTR Entertainment (GOD Gone Bless The Real)” he signed a partnership/distribution deal with Twenty-Two Music Group spearheaded by Dondre Blackmond & Grammy Award winner and music Executive AJ Burton to release his upcoming projects starting with the June 4th, 2023 release “Everybody” Which Dillyn says “Everybody is a track about just being counted out, being a team player at the same time. 

You know growing into the music you got so many people around you, but you really the head. but you always stay humble enough to help out the people around you because they have dreams of being an artist or anything dealing with music also. whatever it takes to basically create a team and be a team sport but you also know when you start getting a little more opportunity than them it becomes a situation where they feel like they should have it also. But truthfully don’t you think you should be happy for me because y’all coming along also? once I’m in the door”.

Connect:

http://www.instagram.com/dillyntroy

“Just Wanna Rock” Freestyle

Sean Mo took a step back from his original songs to really killing these industry beats showing his creative versatility. With “Just Wanna Rock” as one of the biggest songs of the year, Uzi’s verse doesn’t even compare with Sean Mo’s fun-style version including the video.

Sean Mo actually has nine other songs on his follow-up project, Can’t Miss My Beat Twice dropping this summer. Hosted by DJ Kam Bennett and DJ Amaris. Watch below.

Instagram:

https://instagram.com/seanmo_politics?igshid=MzRlODBiNWFlZA==

Is Kelis Really Dating 72-Year Old Bill Murray?

This is some BS. Kelis, the amazing singer of “Milkshake” fame, seems to have caught the attention of comedic legend Bill Murray. Yep, you read that right. The 43-year-old songstress is apparently dating the 72-year-old “Ghostbusters” actor. I cannot.

The sparks allegedly started flying when Murray caught one of Kelis’ performances at the Mighty Hoopla festival in South London. Not only that, but he’s been seen cheering her on at other shows too. Wait a sec…lemme find out her milkshake brought him out to the yard.

Sources with the US Sun say they’ve been spending time together at the same hotel and getting cozy for a while now. Apparently, they first crossed paths in the good ol’ US of A. Can you imagine the conversations they must be having? TF.

A source with the US Sun said, “They’ve met up in the States before, and now they’re meeting up in London. It’s got people in the industry talking! They’ve clearly got a connection.” They’ve both been through some tough times lately, dealing with personal losses. Trauma bonding. Great.

Despite the pretty big age gap, they’re reportedly having a good time, right? HOW THOUGH? More fun than me? I think not. By the way, and yes, this is me hating: Bill Murray he got in trouble on the set of “Being Mortal” for some heated incidents with his co-star and the film’s producer. Some have said get gets touchy feely too.

Kelis was previously married to Nas and her second husband died from cancer last year. Has she moved on to Bill Murray though?

Do you believe? I am not convinced. But, I suppose we’ll see.

In the meantime…

Tory Lanez Loses Battle To Oust Judge But Sentencing May Get Delayed Again

An appellate court denied Tory Lanez’s request to disqualify Judge David Herriford ahead of sentencing for the rapper’s shooting conviction.

According to legal reporter Meghann Cuniff, the appellate court ruled against Lanez on Thursday (June 8). Last month, his lawyers filed a petition to remove Judge Herriford from the case after he rejected their motion for a new trial.

“The petition for writ of mandate and request for stay are denied for failure to demonstrate entitlement to extraordinary relief,” the appellate court said in its ruling.

The decision marked another legal defeat for Lanez, but his lawyers may get their wish to delay his sentencing. Cuniff spoke with the Los Angeles County Attorney’s Office, which revealed the likelihood of another sentencing delay.

“It seems like the judge will be granting the continuance over our objection,” the DA’s office said. “No confirmed new date yet.”

Tory Lanez was scheduled to be sentenced on June 13. Earlier this month, his lawyers asked to delay the sentencing.

Last December, Tory Lanez was convicted of shooting Megan Thee Stallion. A jury found him guilty of assault with a semiautomatic firearm, discharging a firearm with gross negligence and carrying a loaded, unregistered firearm in a vehicle.

Prosecutors recommended a 13-year prison sentence for Tory Lanez. They said he engaged in a “campaign of misinformation” that retraumatized Megan Thee Stallion after the 2020 shooting.

Takeoff’s Mom Sues Bowling Alley Owners; Blames Them For Rapper’s Death

Takeoff’s mother Titania Davenport filed a lawsuit against the owners of the Houston bowling alley where her son was fatally shot.

According to court documents obtained by AllHipHop, Davenport sued 810 Billiards & Bowling for failing to provide proper security on the night of Takeoff’s death. Davenport sought to bring “each and every claim permissible under Texas law” against the bowling alley’s owners and several LLCs associated with the establishment.

“Defendants breached their duty owed to [Takeoff] by failing to exercise ordinary care to keep the premises safe,” Davenport’s lawyer wrote. “Defendants owed a duty to keep the premises and approaches safe for their invitees.”

Takeoff’s mom believed the bowling alley was liable for his shooting death. Her lawyer claimed the owners knowingly neglected to keep the venue safe.

“Prior to and on November 1, 2022, Defendants negligently maintained, inspected, secured, patrolled, lighted, and managed the subject premises to include the parking areas,” Davenport’s attorney wrote. “Defendants had actual and constructive knowledge of the need to properly maintain, secure, inspect, patrol, light and manage said premises, but failed to exercise ordinary care to do so, thereby creating an unreasonable risk of injury to invitees, including [Takeoff].”

The lawyer continued, “Defendants provided no screening mechanisms, no after-hour controls or security measures and no enforcement of rules or industry standards to deter crime against their invitees … In fact, social media posting in advance of the party made it clear that not only basic security measures needed to be followed, but advance planning and consideration should have been taken into account, which Defendants were negligent in failing to do.”

The attorney said the bowling alley owners “knew or should have known about the history of violent criminal activity at the subject property and in the surrounding high-crime area.” The lawsuit blamed the venue’s negligence for Takeoff’s death.

Takeoff’s mother requested damages for personal injury, conscious pain and suffering, mental anguish, loss of the enjoyment of life, wrongful death, funeral expenses, incidental expenses, loss of earning capacity and more. She demanded more than $1 million in monetary relief.

A grand jury indicted Patrick Xavier Clark, the man accused of killing Takeoff, for murder in May. Police arrested Clark in December 2022. He was released on bail in January.

DC Young Fly Mourns Jacky Oh’s Death: “I Wanted It To Be A Dream So Bad”

DC Young Fly eulogized his late partner Jacky Oh on Thursday (June 8). The comedian opened up about his longtime girlfriend and the mother of his children in an Instagram post. DC Young Fly explained why he waited a week to publicly reflect on her death.

“I wasn’t in no rush to post this because I wanted it to be a dream so bad but every hour I’m reminded of [reality] so I wanna make sure I applaud you in the proper manner,” he wrote. “You are the GREATEST MOTHER I KNOW your soul was beautiful Yu always wanted the best for others and I admired how our family love each other!!! Never had to worry about our kids loving each other cause you were on top of Dat!!!”

DC Young Fly emphasized the importance of his faith as he copes with the loss of Jacky Oh. The Wild ‘N Out star vowed to tell their children how amazing their mother was.

“Love you forever and our kids are super strong,” he wrote. “They helpin me wit my tranquility no Kap!!!!! U wit me forever. The QUEEN of my children will always have a spot in my heart and the paradise. (Yu gon get me for Dat but it’s true) LOVE YOU FOREVER jus know we goinn harder than ever and GOD is in control and he got us covered.”

Jacky Oh, whose real name was Jacklyn Smith, passed away at the age of 32. The cause of death hasn’t been disclosed.

Read DC Young Fly’s entire tribute to Jacky Oh below.

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A post shared by Atl..Da Crew RIP RICHIE (@dcyoungfly)

Man Found Guilty Of Killing Brooklyn Rapper And Burning The Body In Retrial

A jury convicted a New Jersey man for the 2011 murder of Brooklyn rapper Rhian “Kampane” Stoute years after the original conviction was overturned.

Bergen County Prosecutor Mark Musella announced the verdict against Randy Manning on Thursday (June 8). Jurors found Manning guilty of multiple charges, including first-degree murder, at the end of a six-week trial in New Jersey on Wednesday (June 7).

Manning was convicted of nine charges in the murder case. The charges included possession of a firearm for an unlawful purpose, unlawful possession of a firearm, desecration of human remains, unlawful moving of human remains, arson, hindering apprehension by destroying or concealing evidence, hindering apprehension by giving false information to law enforcement and unlawful taking of a means of conveyance.

According to the Daily Voice, Manning was previously found guilty of Stoute’s murder and sentenced to life in prison in 2014. An appellate court overturned his conviction. The case reached the New Jersey Supreme Court, which upheld the lower court’s decision and granted Manning a new trial in 2020.

Years later, jurors found Manning guilty once again. Prosecutors said he shot and killed Stoute in a vacant house in Englewood, New Jersey in 2011. Manning burned the rapper’s body, put it in an SUV, drove to the borough of Paramus and abandoned the vehicle on a residential street.

Manning faces 30 years to life in prison. He will be sentenced on July 21.

Wendy Williams In Rehab—Again

Hey Wendy Williams … the world is asking “How you doing?”

After the media maven’s son made a clarion call about her health, her fans have been asking about her health and what’s next.

As previously reported, the one-time Queen of Mean’s only child, Kevin Hunter Jr., said he believed his mother was “being taken advantage of” by the people around her, and that his mother doesn’t seem to be “in her right mind.”

“I know the rate that she uses alcohol isn’t like a normal person—and we’ve spoken about it,” Hunter said. “I’ve said ‘This is one thing where you don’t know how to approach it normally, and that’s fine.’ And it’s gotten to a point where yes, it could have that effect that it might be fatal because it affects her way worse than a normal person since it stays in her system.

“They had her in a position where she was agreeing to a lot that she shouldn’t have. I feel that when it comes to people wanting to ‘help’ her, a lot of it is coming from a stance of, okay, she’s alone now.” 

Alcohol is also playing a part in her demise, a dangerous substance considering her documented challenges with drug abuse and current physical and mental health battles.

“If they aren’t providing [the liquor], they are definitely enabling a type of personality and giving her the green light to drink,” he claimed.  

Now, Williams’ manager Will Selby is sharing she is in rehab.

 “Wendy is at a facility doing her best to be her best,” he said in a statement released on Entertainment Tonight on Wednesday (June 7). “She’s taking it day by day.”

Selby, who started to blast her son, believes if people are concerned about her health, they have a funny way of showing it.

“Why don’t we just stop for a moment and just say, ‘Hey, how is she? Is she doing OK today?’” he asked. “Why is that not the focus? Why isn’t that what we’re talking about on a daily basis?”

Bri Trilla Tells Us What It Means To Be A “Big Mood”

Bri Trilla is a “Big Mood,” and the song a sure contender to be the anthem of the summer. With over five million global streams and thousands of users on TikTok making videos to the banger, “Big Mood” reminds audiences all around the world to get up out their feelings and get in their bag.

On the chorus, Bri spits, “If you my b####, then be my b####, and don’t turn on me for s###.

Nowadays these b###### sick and they gon’ turn on you for dick. He pourin’ his heart out, I just can’t fall in love for s###. I ain’t tryna get in my feelings, right now I’m tryna get rich.”

Hailing from a very small town called Uvalda, Georgia, the rising star has been doing music for a very long time, and with “Big Mood,” she’s finally getting the recognition she’s been working tirelessly for.

Bri explains, “I’m a very hard-driven student of the game type of artist. Very creative, very versatile when it comes down to beats and everything. Relatable messages in my music. I’m a little bit of everything in one. You can’t really box Bri Trilla in, it’s a lot that comes with her.”

To date, Bri has been co-signed by some big names, including Ari Fletcher, Glorilla, JT of City Girls and Lakeyah.

AllHipHop spoke with Bri Trilla in downtown Los Angeles to discuss her roots in Georgia, love for music, how she got her name, the virality of “Big Mood,” celebrity cosigns, and more!

AllHipHop: How small is Ulvada, Georgia where you’re from?

Bri Trilla: Compared to this, there’s one red light. That’s not even a red light, it’s one stoplight where I’m from. Everybody knows each other. It’s a small community. You gotta go somewhere else to go to school, with food and stuff like that. It’s a real deal country, cows in your backyard.

AllHipHop: How far is it from Atlanta? 

Bri Trilla: Probably 3.5 hours? I moved to Baxley around the age of 8. It’s the same thing, small town. A couple more red lights, more food places, but it’s real country. Real, real small. You still got your people that go outside and eat food from the ground still. It’s real, real small, real. Everybody knows each other type of time.

AllHipHop: What made you fall in love with music?

Bri Trilla: At the age of 9 or 10, my uncle would come home from high school all the time and show me raps. Around 10 or 11, I really started to be like dang, I’d like to see how I could do it myself.  I started getting a niche for instruments like guitars and pianos, my mom would buy me those things early on. I started to learn how to Google stuff, how to record, how to make beats. How to do that real real young. Over the years, I kept doing it. Went to college, was in a band. I’m a music head forreal forreal, it’s always stuck with me as a kid. Real deal being a music head seriously.

AllHipHop: What artists made you want to do it?

Bri Trilla: I’m a lyricist. Back then, I was listening to Nas, Nicki [Minaj], Biggie, all them at the time. Lil Wayne, the metaphors, I was big on that. As I got older and got into music, I was into Rihanna, Drake, Future, stuff like that as music advances. I was on New York rap pretty bad, really into battle rapping. That’s why I’m such a lyricist, because I still listen to that type of rap early on.

AllHipHop: How important is it for people to write their own bars?

Bri Trilla: For me, it’s important because you want to really give your fans you all the time. If you can write a song this way, then do it the same way tomorrow, you know for a fact your fans are going to love your artistry. It’s really really important to write from a perspective of where you coming from, so people can really now understand you as an artist. Really see what your pen is like and what you come to bring. It’s important, definitely.

AllHipHop: How’d you get your name?

Bri Trilla: Bri is part of my first name, which is Briana. Trilla, I had a group called Trilla Gang in college. It was a couple guys. I was Bri Trilla, C Trilla, etc. Bri Trilla just always stuck with me, it was a little gang I had. [laughs]

AllHipHop: I feel like trill had a moment, everyone said trill for a second. 

Bri Trilla: Yeah, for a long time I thought it was gonna go away. But it represents me, the trillness. I’m a true person. I’m real, I’m authentic. What you get is what you get, I’m myself on and off the camera. It represents me too as a whole, so I stick with it.

AllHipHop: “Big Mood” out now! How you feeling?

Bri Trilla: I feel good. To be working for a long, long, long, long, long time, to finally get a song that grabs the world, it’s an amazing feeling. Where I was before I made “Big Mood,” okay this your time now.

AllHipHop: Where were you before “Big Mood”? 

Bri Trilla: I was homeless. I moved to Atlanta now, but at that time I was homeless. I was sleeping on my homeboy’s floor. Waking up every morning, recording myself. Borrowing gas money to get to the studio, to record “Big Mood.” I was really in that space where dang, if you really giving it your all, why are you still going? You must be crazy. But I just knew I had to make a hit song, so I strategically planned to make a hit song. Let me work on a catchy…

AllHipHop: Really? Because most of the time it don’t be strategic.

Bri Trilla: I didn’t know it was gonna be a hit. But I did go into the studio that day with emphasis on, let me see what’s going on TikTok. What’s the new sound right now? What’s some good lyrics? What’s some good relatable captions that you can use so people can relate to? Because the females, the lane was wide open. I know I got bars, let me see how I can be funky and witty with it and create a hit. It just turned into a hit.

AllHipHop: What is a big mood?

Bri Trilla: To me, a big mood is a feeling. I think of it as a verb. You can wake up every day — if you came out of a relationship or fresh out of a relationship, you not crying, you living your best life. You getting money, you getting fine. You in a big mood. That’s your aura. That’s your feeling at the time, you in a big mood.

AllHipHop: Best memory from the video shoot?

Bri Trilla: Probably the girls that were on set with me. Because all the girls were super duper sweet, easy to get along with. They were fun. It was my first real on set type of video. Learning how the cameras and direction works, and being on set for hours, it was cool. But I really feel the girls really made it a real fun “Big Mood” boot camp.

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A post shared by Bri Trilla (@britrilla)

AllHipHop: How’d it feel seeing K. Michelle dance to the song?

Bri Trilla: Lit! She reached out to me a while ago, when I was doing a show in Memphis. She wanted me to come to one of her shows. I was gone, I been on the road. I just happened to get on Instagram. They’re like “Yo, K. Michelle dancing to your song again.” Lit.

AllHipHop: That’s hard, how did she reach out to you?

Bri Trilla: In DM, Instagram. She said “you killing it,” blase base.. She wanted to bring me out to one of her shows in Tennessee, but I was in and out. She’s like “girl you killing it, I love this song.” We’ll gradually chat through the comment thread. 

AllHipHop: How Glorilla cosign you?

Bri Trilla: I had to do a concert type of performance in Huntsville, it was her tour. She was headlining it. I was able to go in her dressing room, meet her and see what she was about. She was super duper, duper cool. We talked, we chopped it up. She gave me some real advice, from female to female. 

AllHipHop: What’d she say?

Bri Trilla: Basically telling me how the internet works,how to avoid it and how to keep focus. How to still make your best music with everything going on. That’s when you make your music, putting in all of it into the mic and staying positive. It was lit, she knew the song. She was a vibe, she was cool as hell.

AllHipHop: Did you go viral on Tiktok? How’d you get your following?

Bri Trilla: At the time when I dropped “Big Mood,” I already had almost 100K followers on TikTok. I studied TikTok. I figured out the algorithms, I figured out how to work it. What helped me out, because my lyrics are so catchy. It’s so relatable and captionable, so I started putting my lyrics on the screen to old videos and songs I had. Certain songs would peak, and I kept doing it consistently. I’m posting 2, 3 times today. Real deal posting at the right time to build my following up.

When I posted a video like I normally do, of me on TikTok rapping that song “Big Mood,” it just shot up. [snaps] Started sharing it to Facebook, it hit a million views. On Instagram, it’s hitting a million views. Yo, this is different. This has never happened. Now, the TikTok’s still going up. YouTube subscribers going up. Everything started to go up from the song. I might hit 100K following on Instagram while I’m down here in LA, so it’s moving organically. It’s lit.

AllHipHop: Congrats! Are y’all gonna celebrate the 100K?

Bri Trilla: For sure, because we started at 4000 a few months ago. Everything is organic. Everything happened organically. 

AllHipHop: What about JT from CityGirls?

Bri Trilla: I woke up from my sleep and somebody said, “JT dancing to your song on TikTok!” I’m like yo. A lot of celebrities have done songs to it. Ari, I think she knows the whole song. She Instagrams all the time. Tamar Braxton has reached out. Lakeyah, I ran into her at some event she had. She knew the song. Mellow Buckzz, she’s poppin’ right now. It’s one of them ones.

AllHipHop: Is it hard to manage all your content like that?

Bri Trilla: Facts, it is. That’s one of my most biggest thing,s because I do a lot of the content that I post on my own. I’m a real worker. If I leave here, I might edit and chop up some stuff to post. To keep going. 

AllHipHop: How was it with Boosie?

Bri Trilla: That was lit! That was my first time in Houston. It was a big big big pool party, then I had  an after event with Boosie as well at the club. It was lit too. Especially when I go places, it’s a new place and they know the song, it be lit. I got to meet Boosie, took some pictures. It was lit for sure.

AllHipHop: Have you always wanted to be a big artist?

Bri Trilla: Literally. I knew I was gonna be at this point. I’m a genius, seriously. Really at that age of 11, through everything that I went through life, I never put down the pen. I never stopped going to the studio, because this is what I’m supposed to be doing. You can look on SoundCloud, YouTube, I have things from 8/9 years ago. It’s my time. You worked hard, you’ve been consistent, your hard work paying off. I look at it like that, I’m supposed to be here.

AllHipHop: I know you lost your dad too. How did that affect you?

Bri Trilla: That was a major, major, major pivotal point in my life, everything that I had going. Because my dad was every girl’s dad. He passed away from COVID unfortunately, in 2020. But I look at it as if he’s still here, because November 21st is the last day I seen him. We put them in the ground. November 21st 2022, unknowingly I dropped “Big Mood.” 

AllHipHop: On purpose?

Bri Trilla: No. I didn’t know until one day I was driving to work. I have his obituary in the car, I looked at it and it said “November 21st 2021.” Hold on, wait a minute. I go on YouTube: November 21st. That’s crazy. I didn’t even know it until I realized it.

AllHipHop: Are you spiritual?

Bri Trilla: Very. Very very very. Everything is showing me: no matter what you’re going through or what it may seem, still have hope. You gon’ be alright. You gon’ be good.

AllHipHop: 3 things you need in the studio at all times?

Bri Trilla: A Red Bull. If I’m allowed to smoke in there, a blunt will be great. Probably my phone. A cup of ice. I don’t eat heavy in the studio. I don’t really bring snacks, but those are some of the essentials. A Red Bull for sure.

AllHipHop: What do you like to do when you’re not working? 

Bri Trilla: I like to have fun. I’m the type of person where with my people, if we go do the most random things, like go across the street and go have fun, that to me is fun. Because I work a lot. Anything outside of music that’s bringing peace, going to the beach or the pool. I’m doing something where I’m able to spend time with them or my family, because I’m always busy. That’s where I get the most fun out of it. But right now, I’m always working. I don’t complain, because they’re able to experience this type of stuff with me too. So it’s cool, they’ve been with me since day one before “Big Mood” was even poppin’.

AllHipHop: What can we expect next? Are you dropping something?

Bri Trilla: I got “Big Mood” going out right now. I dropped another one called “Not Me,” which is doing pretty well. Got those two records going. I do plan on dropping the EP super duper soon. With that EP, it’s going to really introduce me. Introduce another sound, because a lot of people just hear “Big Mood,” Once you hear the EP, dang she got a little bit of pop. It’s nothing put together. It’s real structure, built from scratch music. Real deal, so they’re gonna be really impressed on that. This tour, I’ve been on tour since January. I got bookings through August, September. I’m gonna be on tour for the rest of the year with this song. I’m not trying too much, but I’m still working. 

AllHipHop: Are you enjoying the tour?

Bri Trilla: I am. It’s different. It’s cool, because I manifested everything. For me to see everything happening and come in the past, it’s cool. Because I’ll look around like, dang. I’d be in Baltimore Saturday, Memphis Friday. I’m literally going state to state to state. Its new vibes every time, so it be cool.

AllHipHop: Any goals for yourself?

Bri Trilla: I’m a challenger, so I want to see myself with this amount of subscribers. This amount of so-and-so. I do want to at least peak on the Billboards. Stuff like that I’ve never done before, I’m ready to start doing it. It be small goals. Let me see if I can get this amount of so-and-so in this amount of timeframe. I be challenging myself to little small things, because I never want to get too comfortable.

AllHipHop: Anything else you want to let us know?

Bri Trilla: It’s just a “Big Mood!” I’m excited. This year is gonna be a really, really good year for the females, for a new wave of music to come through. I’m excited. I’m excited to see where I’m about to be in the next couple months, next couple years. I’m definitely excited for it.

Chrisean Rock Has Words For Blueface About Latest Arrest

So, the tumultuous pairing of Chrisean Rock and Blueface has run its course. Although, the romance has withered, these two are forever bound as co-parents. That being said, Rock recently hopped on social media and had words for Blueface.

Thus far, the Baltimore baddie has been both celebrated and shunned for her candid personality. So, what exactly did she have to say concerning her former boo’s latest arrest?

Knuckles cracking, she hopped on social media and allowed her Twitter fingers to do the talking. Well, actually, the mom-to-be has never been known to bite her tongue, so why start now? This most recent social media interaction has racked up over 1.2 million views.

As a matter of fact, this direct dialogue is showcasing the “Lit” artist’s maturation. In fact, Rock is growing in countless ways. She remains steadfast and shared her perspective. So, in a nutshell Ms. Malone contends people are responsible for their own karma.

Moreover, regardless of the sordid and celebratory experiences she’s had with “Bussdown” Buddy, she wishes him no ill will.

“If he wanna go out his way to troll me n his unborn kid that’s his karma but if anything happen to that man idc how much bad he wished on me or s###### on me I don’t wish jail or death on anybody fr. Obviously I distant my self because nobody deserves to be treated like that.”

Chrisean Rock is radiant. Growth looks good on her.

YFN Lucci Is Looking At A Crazy Future

Things have taken a crazy turn in the legal drama surrounding YFN Lucci, aka Rayshawn Lamar Bennett. The district attorney’s may have put a deal on the table.

And the plea deal they offered was no joke. If true, YFN Lucci is looking at a whopping 20 years in the slammer, with 17 of those years actually behind bars. Man, that’s a long time.

The charges against him are long too. One count of voluntary manslaughter was bad enough on its own. But on top of that, they slapped him with five counts related to his alleged gang activities.

But wait, there’s more. YFN Lucci also had to face six counts of aggravated assault. That’s like saying he was going around causing serious harm to people left and right. And as if that wasn’t enough, they accused him of having a gun during a felony. Was is worth it?

On a number of occasions, Young Thug’s crew has been accused of trying to kill Lucci. Well there is an ironic twist. YFN Lucci’s charges are more serious and so is the time. So he is caught between a rock and a hard place. The plea deal is reportedly and rumored to be on the table. I know they want to fight it, but I am not sure that this will workout.

Lucci is one of the dozen people who got hit with charges in Atlanta as part of a major indictment targeting the Bloods gang. Fulton County’s DA presented a 105-count indictment a couple of years ago. Overall, we are talking everything from racketeering and aggravated assault to murder, guns, armed robbery, property damage, theft—you name it. It’s like they piled it all on.

According to the indictment, YFN Lucci and the others are connected to sub-groups of the Bloods gang, both locally and nationally. They claim these folks had ties to each other and were involved in all sorts of criminal activities. Seems like the authorities are dead serious about cracking down on the violence and making sure these alleged gang members face the consequences. What do you think about this?

Method Man Heading To The White House For Juneteenth Celebration

One of the Wu-Tang Clan’s biggest names is gearing up to paint the White House black.

As President Joe Biden and his wife prepare to celebrate Juneteenth, they have tapped Method Man to come to their home in the nation’s capital to commemorate the ending of the institution of enslavement of Black people and punctuate the importance of remembering African American fore-bearers.

The plan is to host a concert on the White House’s South lawn on Tuesday, June 13. In addition to recognizing Juneteenth, the president wants to also pay tribute to Black Music Month.

The press release from the White House stated the concert is an effort to “uplift American art forms that sing to the soul of the American experience.”

Staten Island’s own Method Man is one of the performers taking the stage on this occasion.

In addition to the Grammy Award-winning rapper, Audra McDonald, Jennifer Hudson, Ledisi, Colman Domingo, Fisk Jubilee Singers, Maverick City Music, Morgan State University Marching Band – The Magnificent Marching Machine, Hampton University Concert Choir, Step Afrika! And more will also perform.

The commemoration of Black Music Month and Juneteenth are both significant to African Americans. However, they hold weight for two very different reasons.

Black Music Month was founded by Music executive, songwriter, and producer, Kenny Gamble; radio host and media maven Dyana Williams; and DJ Ed Wright in 1979, according to the Grammy Awards.

When talking about why she, Gamble and Wright came up with the idea, she said, “[Music] is one of our greatest exports. That’s how we need to look at it. I want us to be celebrated. I want us to be respected. I want us to get what we rightfully deserve.”

Juneteenth, on the other hand, is the commemoration of informing people of African descent in Galveston, Texas by Union soldiers that they were no longer legally enslaved on June 19, 1885.

In 2021, this holiday recognized for the last 137 years by Blacks in Texas, was signed into law by President Biden.

He said on the day it became the country’s eleventh national holiday, “This is a day of profound weight and profound power, a day in which we remember the moral stain, the terrible toll that slavery took on the country and continues to take.”

“Beat Street” Turns 39; Honoring Mr. Harry Belafonte With Pioneer MC Debbie D And Break Dance Icon Mr. Wave

We mourned the loss of the remarkable entertainer, activist, and humanitarian Harry Belafonte this hyear. While much has been said about his contributions to music, acting and the Civil Rights Movement, not enough attention has been given to his efforts in promoting Hip-Hop in Hollywood. It’s been 39 years since “Beat Street” was released, and it represented a significant milestone on several fronts.

Firstly, it was one of the pioneering movies to authentically showcase Hip-Hop from a New York perspective, specifically from The Bronx. With Mr. Belafonte serving as the producer, he ensured every aspect was executed flawlessly. Even today, actors and performers continue to receive royalty checks from the film. “Beat Street” gave rise to numerous stars, both in the Hip-Hop community and the acting world. MC Debbie D and the remarkable dancer Mr. Wave, a member of the renowned New York City Breakers crew, were two of the talents who emerged from this influential movie.

In honor of the late and esteemed Harry Belafonte, Chuck “Jigsaw” Creekmur brought together these two alumni of “Beat Street” to discuss the groundbreaking film and enduring impact of this great man who championed the culture.

WHO THEY ARE

MC Debbie D: Well, my name is MC Debbie D. I’m one of the matriarchs of the culture, which basically means one of the mothers, because I show up so early in the game. Which is in the ’70s from the South Bronx, Webster Houses and that’s where I started at on the mic. I’m a native Harlem girl, but I showed up in the Bronx in 1976 and hit the mic in 1977.

Mr. Wave: My name is Mr. Wave and my group was called the New York City Breakers. We were, at that time, one of the influential breakers on the planet. And I am too bred from the Bronx, born and raised out of the Bronx, and traveled a lot and done a lot for the culture. That’s because of the catalyst, Harry Belafonte.

ON HIP-HOP TURNING 50

AllHipHop: Before we talk about “Beat Street,” let’s talk about Hip-Hop real quick. On your thoughts on this 50 year anniversary, this landmark period in the culture as well as in American culture, not just Black history and Brown history. What are you guys thoughts about the 50th anniversary of Hip-Hop?

MC Debbie D: Well, I’m in high celebration, as most pioneers probably confess. And I would say with them, we never thought it would really get this far. For years, as a kid, they kept telling us that it was going to be a fad. So we functioned on that level. Though we did what we did and we loved what we did and we did it continuously every day in the summertime. And also every weekend on the weekends and everything. But we really didn’t think it would really live out for 50 years. And so this is a hot time for us. And I’m proud to say as a pioneer, as a matriarch, along with all my brothers and sisters who are pioneers, we are the only ones who can really say that we are celebrating 50 years. So I’m honored just to be able to be say that. So it’s an exciting time.

Mr. Wave: Yeah, and I agree with Debbie. I think that the fact that it is recognized on a global level, is necessary. It allows lessons. It allows people to know what we’ve done for the culture and what it took to get here. It allows us to educate the babies and have them understand how important… 50 years in itself is important, any genre holding 50 year banner is really dope. But the fact that it’s a culture that we started. If you think about demographics, you think about at the way that technology is today. It wasn’t there for us. And we still here.

HOW MR. HARRY BELAFONTE IMPACTED HIP-HOP

Mr. Wave: But what I can tell you, in regards to Harry Belafonte and what he, as a gentleman, as a man, as a catalyst, did for us. He inspired us in different ways. Where he showed Lee and Debbie affection. He allowed some of us to generate this energy. He allowed some of us to create and he leaned on some of us, like the Melle Mels of the world.

He was very good at what he did. He was skillful, but he allowed some of us to grow, like me, and gain insight. It is just a very powerful man. And the fact that he merged Hip-Hop and our culture with art. And when you combine the two, you got something called “Beat Street.”

MC Debbie D: When I think about him, when we did our scene in “Beat Street,” me and Us Girls. We just kind of did our scene and I think we showed up again toward the end of the movie. And then we came back for the premiere. And it was at the movies premiere that you really got a chance to see all of these different characters and to see the movie and the fullness at one time. But it was, at the time, I was just 21 years old, so I didn’t process a lot of things.

But as I got older, and I began to look at the movie, one of the things that impressed me the most is how Harry Belafonte pulled on his resources. And what I mean by that, is when you look at Kenny. Kenny, who is the star of the show as the DJ. And he is the son of Ruby Dee and Ossie Davis, which are amazing Black actors.

And I thought that was phenomenal. And then you have Rae Dawn Chong, who is the daughter of Chong of Cheech & Chong. These are people we grew up watching.

Mr. Wave: Yes. Yes. So what Harry was able to do is because he took a chance on us. He took a chance on Hip-Hop. And he wanted all of the elements there. See, we don’t live in the elements anymore.

The five elements of Hip-Hop. That’s why our younger generation is missing. Because I knew how to rap, I knew how to break dance, I knew how to pop, I knew how to hear music, I’ve been in studios. That’s gone. Harry realized that that was a key component to the culture. But what can I add to this culture because it should not die here.

MC Debbie D: Again, he used his star power. As a young kid growing up in Harlem, again, he was a name and a face. Everybody knew “The Banana Boat” song. Everybody grew up with that song. And seeing him on TV and all of those popular movies and TV shows and everything. But again, to say there’s something going on underground in the South Bronx, in particular. “Beat Street” is basically focusing in on the Bronx scene, is in the South Bronx. And of course we know at that time the buildings were burning down. It was a lot that was going on. But he used his own star power. He is a star.

And for him to put his own impression on it is one of the reasons why, again, as Wave says so poignantly, that allowed us to get our stardom. When I look at it now, I say to myself, my legacy is tied to his legacy. What an honor because he was just such a great man. So when you look at Jet Magazine and you look at all of these different publications that you have today, with his face on it. He didn’t have to do that. He could have stayed behind the scene.

THE TIGHTROPE OF MAKING A MOVIE THAT SERVES BOTH THE CULTURE AND THE STREETS

Mr. Wave: I think it’s true story. I think films, first of all, are hard to make. Let me just tell you why. Harry did not, and I make films today or documentaries, and I learned that from the movie “Beat Street” and Harry’s style. When you create a film, you have to concentrate on the masses. It’s not regulated to a culture or a genre. He was able to accomplish that. And I tell people every time that I speak to, when I say they go to film, they complain about what Hollywood needs. And they don’t understand, Harry understood. If you get 80% of your story in there, 20% of Hollywood, you win it.

Harry won.

MC Debbie D: And I think that’s one of the reasons why, even though in Hollywood standards, it didn’t do that well at the box office. But once it actually hit a Blockbuster, if anybody remember that place, once it hit those DVDs, those kids never returned those DVDs back.

And now it’s on a global scale. We’re still getting paid from it. We still get the residuals to be able to see from SAG all the different places where it was at. And I think that was only because Hollywood realized, and Harry realized, I need to make sure that I do it in a way where it’s palatable for a larger audience. And again, knowing that from his own background and his own experience in Hollywood, is what makes him so awesome about being the perfect person to do it.

HOW HARRY BELAFONTE MADE THE WAY FOR BARACK OBAMA TO BE PRESIDENT

Mr. Wave: This really short story. Harry Belafonte was an influencer. He was a reason for something that happened in our lives as major. I’m doing a documentary on Dr. Khalid el-Hakim, the Black History 101 Mobile Museum. And in his documentary, he has this document. And a document has three signatures on it. It has Harry Belafonte’s signature on it, Sidney Poitier, who was his boy, and it had Jackie Robinson’s. Those three got together and put the money together to bring it 55 Africans over to the United States. Well, one of those got in…And then went to Harvard, went to college. One of them became very, very famous. And I know you don’t know who it is, I’m going to tell you. He brought Barack Obama’s father over.

Is that not amazing? So there would be no black president without Harry Belafonte.

[Editor’s Note: During the 1950s, Harry Belafonte showed his support for the African American Students Foundation. This foundation provided a grant to Barack Obama Sr., the father of the 44th U.S. president, Barack Obama, enabling him to pursue his studies at the University of Hawaii in 1959. He would later study at Harvard. Barack Obama II was born August 4, 1961 in Hawaii.]

MC Debbie D: Paying it forward…that’s part of what Hip-Hop is about, paying it forward and pulling other people to the forefront. And I want to just pause and thank you (Chuck Creekmur) because that’s what you’re doing through this platform right here that you have. Again, it’s your resources. You used your resources and said, “Hey Debbie, come on. Hey Mr. Wave, come on.” And through this platform, other young people will get a chance to see. Because this is documentation of what it was like for us in our young years to connect with someone. So you are paying it forward. We are paying it forward. And thank you so much for doing that.

BRING ON THE LADIES – “US GIRLS CAN BOOGIE TOO”

MC Debbie D: Well, the first thing is, when we first went met Harry Belafonte at the Roxy. We were not called Us Girls. We were called Empress. Was the name that we came up with, back in the day before all of that. Lisa Lee used the term Queen. I used the term Queen. And we never had any issues, to this day. She’d say Queen MC, I say Queen MC or Queen rapper. But so we would call Empress because we thought of ourselves as the queens. We were the top of the line above everybody.

And so when we got to the movie and we began to go to the studio to perform the song and learn the moves and all of that kind of stuff. The name of the song, as you know, was “Us Girls can boogie, too.” We didn’t think too much of it at the time, because it really didn’t have that Hip-Hop swag to it. And they said, okay, here’s the space where you can do your thing and say whatever it is that you wanted to say. It took for me, it took a few years before I actually realized what they were really trying to convey.

And the point there was to really say to girls, again, globally around the world. You see all these guys doing it because, come on, let’s admit Hip-Hop is male dominated. But girls can do it too. And what I like about that is, and particularly today, is that girls don’t necessarily, at this particular timeframe, have to be an MC or a B-girl or a graffiti artist. Girls are now behind the cameras, they’re directing. Girls are doing so many different things. They’re authors, they’re journalists, they’re doing so many different things. I’m doing so many different things now. But I’m grateful to be able to say that the words of that song is what inspired a lot of these girls that came behind us. Who are great in the eighties and the nineties doing what they’re doing, came because they were inspired.

Monie Love is one of the most, I would say, out front female MCs who actually at the time saw the movie in her home country of London. Who actually have continually confessed. When I saw that movie, when I saw Debbie D, Sha-Rock and Lisa Lee, I wanted to be an MC. And she has held onto that story consistently.

Check out the full video to see MC Debbie D and Mr. Wave detail exactly how Mr. Harry Belafonte and “Beat Street” changed our lives. Wave talks about who won the great break dance battle between The Rock Steady Crew and The New York City Breakers. Debbie D discusses how the set of their scenes played out. They also talk about what they are doing now and more.

Thank you, Mr. B. We love you.

Mr. Harry Belafonte and Chuck “Jigsaw” Creekmur
Interviewing Mr. B at the Apple Store in New York. Photo: Thuy-An Julien

For more:

Mr. Wave

MC Debbie D

2Pac’s Sister Breaks Down During Hollywood Walk Of Fame Ceremony

It’s been almost 30 years since Tupac Shakur was murdered, but his legacy continues to live on. Recently, the late rapper received one of the highest honors a celebrity could receive in American pop culture: his own star on the Hollywood Walk of Fame.

As reported by AllHipHop, his star was received posthumously by his sister Sekyiwa “Set” Shakur, a person referenced by the “Dear Mama” rapper often throughout his short life, on Wednesday (June 7).

Radio host Big Boy served as the host for the ceremony and one of 2Pac’s godfathers, writer and activist Jamal Joseph, gave a loving and endearing tribute to the “All Eyez on Me” legend.

Interestingly enough, filmmaker Allen Hughes, who had an up-and-down relationship with ‘Pac, also spoke. Many people knew Hughes was assaulted by the artist and other gang members when he got fired from the set of “Menace II Society.” However, few people know he was also the person who directed the video for ‘Pac’s breakout single, “Brenda’s Got A Baby,” according to People magazine.

During the ceremony, Set Shakur got choked up, thinking about what this would have meant to her brother.

“As the proud sister of Tupac Amaru Shakur, the daughter of Mutulu and Afeni Shakur, it fills my heart with honor to stand here today representing the Shakur family,” she began. “Tupac knew deep down that he was always meant for something great and as his little sister, I had the privilege to watch that greatness unfold.”

Shakur dropped a jewel for 2Pac trivia heads to treasure: “From the first time he stepped foot on the stage of the Apollo Theater at 13 years old before anyone recognized his name, he knew he had the dream to have a star here on the Walk of Fame.”

She continued, “Today, we’re not just honoring a star on the ground. But we’re honoring the work and the passion that he has put into making his dreams come true. His heavenly star will shine a little brighter today. And once again, he has made us all extremely proud. We love you, Tupac.”

Shakur believes this star represents “the lasting impact [Tupac] had on this world.” 

Kid Cudi Calls Out Apple Music For Posting Wrong Lyrics For “Porsche Topless”

Kid Cudi released his “Porsche Topless” single to DSPs on June 2. A lyric video for the track arrived on YouTube shortly after. A few days later, the Cleveland native took issue with Apple Music. Apparently, the streaming service posted the wrong lyrics for “Porsche Topless” on the app, which didn’t sit right with the song’s creator.

“Hey, guys @AppleMusic, I put in the time to write out all my lyrics and send them to [you],” Kid Cudi tweeted. [It’s] really stressful to see you guys just make up whatever lyrics you want and not include the proper lyrics that were given to you. Please fix ‘PORSCHE TOPLESS’ so my fans have the correct lyrics. Thanx! Scott ‘a fan/artist.'”

Kid Cudi’s “Porsche Topless” will likely live on a forthcoming project tentatively titled Insano. Last year, the Republic recording artist released Entergalactic. That studio album accompanied Netflix’s adult animated special of the same name.

Entergalactic featured voice acting performances by Kid Cudi, Jessica Williams, Timothée Chalamet, Ty Dolla Sign, Vanessa Hudgens, 070 Shake, Teyana Taylor, Jaden Smith, Macaulay Culkin,and others.

Variety forecasts Entergalactic could score a Primetime Emmy Award nomination for Outstanding Animated Program. Meanwhile, Kid Cudi also appeared in Disney+’s recently premiered science fiction adventure film Crater.

Cudi’s current filmography includes Need for Speed, Entourage, James White, Bill & Ted Face the Music, Don’t Look Up and House Party. In addition, he’s acted in the HBO programs How to Make It in America, Westworld and We Are Who We Are.

50 Cent Appears In ‘Expend4bles’ Movie Trailer

Hip Hop mogul 50 Cent appears in a new trailer for Expend4bles, the fourth installment in the film franchise out September 22. The trailer features 50 Cent as his Easy Day character alongside appearances by Megan Fox, Tony Jaa, Iko Uwais, Jacob Scipio, Levy Tran and Andy Garcia.

Sylvester Stallone, Jason Statham, Dolph Lundgren and Randy Couture return as a group of elite mercenaries known as The Expendables. Directed by Scott Waugh, Expend4bles had a reported budget of more than $100 million.

“It’s time for some new blood,” 50 Cent tweeted. “Watch the official trailer for #Expend4bles – only in theaters 9/22.” He added, “Expendables 4 my new movie is no joke, if you like action your gonna love this.”

50 Cent’s filmography includes appearances in other motion pictures such as Get Rich or Die Tryin’ and All Things Fall Apart. The NYC-bred entertainer also produces television series such as Power Book II: Ghost and BMF.

The Expendables first hit theaters in 2010. The movie brought in $274 million at the global box office. 2012’s The Expendables 2 ($315 million) and 2014’s The Expendables 3 ($215 million) also crossed the $200 million mark internationally. Watch the new trailer below.

Cypress Hill & Action Bronson Tapped For Cannabis-Friendly “Miracle In Mundelein” Event

Cypress Hill will headline one night of the inaugural Miracle In Mundelein festival in September. Queens, New York-raised MC Action Bronson is also part of the lineup.

Presented by RYTHM Premium Cannabis, Sacred Rose and Dayglo Presents, The Miracle In Mundelein will be a history-making event. According to organizers, the two-day festival will be the first music concert to permit onsite cannabis consumption in Illinois.

“It is no surprise there is a rich and deep history between music and cannabis. We believe that the two together can create more connectivity, positivity, and well-being,” Ben Kovler, CEO of Green Thumb Industries, said. “The Miracle is our way of celebrating this unique intersection – with amazing music, high-quality weed, and a welcoming community. We are excited to put on an incredible show while providing a safe, legal space for cannabis consumption for everyone 21 and over.”

Miracle in Mundelein Is Meant To Be A Testament To The Union of Music & Cannabis

The sale of cannabis won’t be permitted inside of the event, but The Miracle will take place across the street from RISE Dispensary Mundelein. Eventgoers will have access to a dab bar, cannabis beverage garden, joint rolling, chilled bongs and more

“Over the years, I’ve had the pleasure of producing many live music events, but this is truly a first,” Peter Shapiro, Founder of Dayglo Presents, said. “The Miracle in Mundelein is more than just a concert, it is a testament to the relationship that music and legal cannabis can have when brought together in the right way.”

Shapiro added, “We named the event, The Miracle, because it really is remarkable that we can now bring cannabis and music together in 2023, and it is permitted and legal. Our goal is to create a new type of event, which showcases the uplifting impact of cannabis in a legal environment, while also supporting and growing a real community.”

The Miracle In Mundelein takes place on September 9 and September 10 in Mundelein, Illinois. A ticket presale begins on June 8 at 12 pm CT. General admission tickets will be available beginning June 9 at 12 pm CT.