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Chris Brown Settles With Guy Assaulted With Bottle—But Criminal Case Still On

By: Nolan Strong Updated Category: News
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Chris Brown has resolved a civil lawsuit tied to a 2023 nightclub altercation in London, where he was accused of attacking a man with a tequila bottle, but the singer still faces criminal prosecution in the United Kingdom.

Court documents obtained by TMZ reveal that the civil case filed by music producer Abe Diaw was dismissed with prejudice on June 28 in Los Angeles County, indicating that both parties likely reached a private settlement.

Dismissing a case with prejudice prevents it from being refiled. Diaw filed the lawsuit in 2023, alleging that Brown struck him multiple times with a Don Julio 1942 bottle at TAPE nightclub in London.

According to the complaint, Brown continued to assault him after he fell unconscious, stating the artist “ruthlessly stomped” on him and caused lasting injuries.

While the civil matter has been closed, Chris Brown’s legal troubles are far from over. He still faces criminal charges in the U.K. stemming from the same incident.

British authorities arrested Chris Brown in Manchester on May 15, 2025, on suspicion of grievous bodily harm with intent. The charges stem from the February 19, 2023, incident at the upscale London club.

Prosecutors allege Brown used the bottle as a weapon before punching and kicking Diaw while he lay on the ground.

Brown appeared before Manchester Magistrates’ Court the day after his arrest and was held in custody for nearly a week.

He was later released on $6 million bail under strict conditions, including surrendering his passport and residing at a court-approved address in the U.K.

Despite the pending charges, Brown has been granted permission to continue traveling for his world tour, provided he returns for all scheduled court appearances.

On June 20, 2025, Brown entered a not-guilty plea in the criminal case. The trial is set for October 26, 2026.

Rap Group Bob Vylan Banned From U.S. Over “Death To IDF” Glastonbury Chant

By: Nolan Strong Updated Category: News
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Bob Vylan had their U.S. visas revoked after leading a crowd in chants including “Death to the IDF” during their Glastonbury Festival set, prompting condemnation from U.S. officials and a criminal investigation in the UK.

The U.S. State Department announced the decision on June 30, one day after the British Hip-Hop duo’s performance, citing the group’s “hateful tirade” as the reason for the visa cancellation.

Deputy Secretary of State Christopher Landau said, “Foreigners who glorify violence and hatred are not welcome visitors to our country.”

During their June 29 set, Bob Vylan’s frontman Bobby Vylan led the audience in chants of “Death, death to the IDF” and “Free, free Palestine” and said, “Hell yeah, from the river to the sea, Palestine must be, will be, inshallah, it will be free.”

The performance drew swift backlash from Glastonbury organizers, who issued a statement saying, “Their chants very much crossed a line. We are urgently reminding everyone involved in the production of the festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence.”

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The BBC removed Bob Vylan’s set from its iPlayer platform following the controversy.

UK Prime Minister Keir Starmer’s office also condemned the performance, while Avon and Somerset Police confirmed they are reviewing footage for potential public order offenses.

The duo was also dropped by United Talent Agency, which had represented them in the U.S. Despite the fallout, Bobby Vylan stood by the group’s actions in a statement posted to Instagram.

“The only way we can make this world a better place is by encouraging our children to speak up for what they want and need. Today it’s about altering school meals; tomorrow it could involve changing foreign policy.”

The incident has reignited debate over the limits of protest and political speech at major cultural events.

A separate investigation is also underway into a performance by Irish Hip-Hop group Kneecap, who made similar political statements during the same festival weekend.

EXCLUSIVE: Rakim, KRS-One, Kool G Rap & Big Daddy Kane Might Be Forming Supergroup

By: Houston Williams Updated Category: Exclusives
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“Mt. Rushmore” supergroup in the works with Rakim, KRS-One, Kool G Rap & Big Daddy Kane—with a bonus MC. Read on.

A quiet storm is brewing behind the scenes that could change the landscape of Hip-Hop’s legacy acts forever. Listen to me and listen good. AllHipHop has received exclusive word from a high-flying bird that a high-powered supergroup is in the final stages of formation.

This is about to be crazy if the rumor comes true. Tentatively dubbed Mt. Rushmore, Rakim, Kool G Rap, KRS-One and Big Daddy Kane could be the next supergroup. I don’t think I need to run down the history of these rappers, but if you are a younger fan, trust me on this one. From back in the day, these are the best of the best of the best in Hip-Hop. Each of them can rap circles around most rappers today.

Sources close to the development say the project is “getting finalized,” with the budget already locked in.

There’s one question. One of the artists is not fully on board at the time of this writing. I am waiting with bated breath that this happens with all of the acts mentioned. I think he can be convinced to join the movement—but that’s not all.

There’s also a bee buzz that says Slick Rick might be tapped for at least one track. Slick recently emptied the clip with a recent album. He’s 60 years young, but adding his iconic voice would be crazy. He’s not a member of the group, but maybe he will be if the fourth person doesn’t join.

Details like the official group name, release date or label is under wraps, but this isn’t wishful thinking. This one’s for real. The budget is in place. If this materializes, Mt. Rushmore could become one of the most culturally significant Hip-Hop collaborations ever. It would unify some of the most competitive forces in Hip-Hop history. We need this lyrical masterclass.

Come on guys! Stay tuned.

John Legend Slams Italian Promoter Over Unauthorized Concert Ads in Naples

By: Mike Winslow Updated Category: News
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John Legend shut down rumors of an upcoming concert in Naples after unauthorized posters featuring his image and name began circulating across Italy, calling out the promoter for promoting a show he never agreed to.

The Grammy-winning singer took to Instagram Stories on Sunday to set the record straight after seeing his likeness used to promote a performance he says was never finalized.

“To my fans in Italy: You may have seen advertisements for a show in Napoli claiming that I will be a featured performer. These advertisements have been posted without my knowledge or approval,” John Legend wrote.

Legend explained that while his team had been in early talks about a possible appearance, no deal was ever reached.

John Legend Slams Italian Promoter

“My team was approached about the possibility of performing at this show and we were hoping to come to an acceptable agreement with the show’s promotor, but we never did.”

The 46-year-old artist expressed regret over the confusion and disappointment caused by the misleading promotion.

“Unfortunately, I will not be performing there. I deeply appreciate the love and excitement – I see your messages and support. And it means the world to me. I love spending time in Italy,” John Legend added. “And I absolutely love performing there. And I hope to do so again soon. But I would never want my fans to be misled, expecting to see me at an event where I will not be. My apologies for any misunderstanding.”

The concert organizer behind the Naples event has yet to respond publicly to Legend’s statement.

Legend closed his message with a hopeful note for future appearances, saying, “Hopefully, I will see you on the road. Sending everyone love!”

According to his official tour schedule, Legend is next set to perform at the Ravinia Festival in Highland Park, Illinois, on August 23 as part of his Get Lifted – 20th Anniversary Tour.

Ashanti Questions Nelly After He Slept Through Son’s Cries

By: Mike Winslow Updated Category: News
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Ashanti called out Nelly for snoozing through their baby’s cries while she handled the midnight parenting duties solo on their new reality show, Nelly and Ashanti: We Belong Together.

In a recent episode, the R&B singer didn’t hold back when addressing her husband’s deep sleep habits, especially now that their son Kareem Kenkaide Haynes is nearing his first birthday.

As the couple discussed Nelly’s upcoming global tour, Ashanti pointed out that his absence wouldn’t change much at home.

“It’s just with the baby it’s a lot,” she said. “I’m trying to understand how is it that you sleep through when he starts crying?”

Nelly, 50, admitted he wasn’t exactly hands-on during those late-night wakeups. “Do y’all really be up at night? I heard about it,” he replied.

The couple welcomed Kareem in July 2023, just months before Nelly launched his Where The Party At Tour in March. The tour spanned across continents, leaving Ashanti to juggle motherhood while her husband took to the stage.

Later in the episode, Nelly confessed he wasn’t too invested in the early stages of parenting.

“Cause once he get to walking and talking, he with the crew,” he said, suggesting his involvement will kick in once Kareem is more interactive.

Kareem will celebrate his first birthday on July 18.

POLL: Diddy Jurors Already At War, Break Down During Deliberations – Will He Be Found Guilty or Innocent?

By: Mike Winslow Updated Category: News
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Diddy faced a tense start to jury deliberations in his federal sex trafficking and racketeering trial Monday (June 30) in Manhattan after jurors alerted the judge that one panelist may not be capable of following the law.

The 12-member jury—eight men and four women—began weighing the five federal charges against Combs following nearly two hours of legal instructions from U.S. District Judge Arun Subramanian.

But within hours, deliberations hit a snag when jurors sent a note to the bench expressing concern that one of their peers might not be willing or able to apply the law as instructed.

The juror in question, identified during jury selection as a 51-year-old Manhattan-based veterinarian, was flagged by fellow panelists for potentially disregarding the judge’s directions.

The jury requested guidance on how to proceed if a member refuses to follow the legal framework outlined in court.

Judge Subramanian acknowledged the note in open court but did not immediately remove the juror or declare a mistrial. Instead, he reminded the jury of their duty to deliberate based solely on the evidence and legal instructions.

All.HipHop Community Poll: Will Diddy Be Found Guilty or Innocent?

Diddy is accused of leading a criminal network that trafficked women for sex, manipulated them through fear and violence, and orchestrated drug-fueled encounters known as “freak-offs.”

Prosecutors allege Diddy used his influence and inner circle to coerce women into prolonged sexual situations, sometimes involving male sex workers, and then pressured them into silence.

The charges include racketeering conspiracy, two counts of sex trafficking, and two counts of transporting individuals for prostitution.

Diddy has pleaded not guilty, insisting all sexual activity was consensual.

While he admitted to domestic violence in past relationships, he denied any involvement in trafficking or organized criminal behavior.

The defense team, led by attorneys Marc Agnifilo, Teny Garagos and Alexandra Shapiro, argued the case was driven by money and revenge, not justice.

They painted Diddy as a celebrity targeted for his lifestyle and claimed the accusations stemmed from consensual adult relationships.

Over seven weeks, jurors heard testimony from ex-girlfriends, including Cassie Ventura, former employees and a Homeland Security agent. The government presented text messages, videos and photos to support their claims.

Diddy’s supporters, including family and close friends, filled the courtroom as deliberations began. Some held hands and prayed quietly as the jury filed out.

Deliberations resumed this afternoon and are expected to continue into the week.

If convicted on the most serious charges, Combs could face a life sentence.

A$AP Rocky Drops Family Bombshell With Rihanna At “Smurfs” Premiere

By: London Jennn Updated Category: News
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A$AP Rocky dropped a playful bombshell about his growing family with Rihanna while attending the world premiere of The Smurfs in Brussels on Saturday (June 28), teasing that the couple might be aiming for Wayans-level numbers when it comes to kids.

“We gone’ be like the Wayans family,” Rocky told Entertainment Tonight, referencing the famously large and tight-knit Hollywood clan. He followed up with, “I mean, love is beautiful, and it’s just spreading it.”

The Harlem-born rapper was on hand to support Rihanna, who voices Smurfette in the animated film. When asked if their next baby is the daughter he’s been waiting for, Rocky nearly gave it away before catching himself.

“It is, man,” he said, then quickly pointed to a Smurfette doll and added, “Right here.”

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Rihanna has made no secret of her wish to have a daughter. In an April conversation with longtime stylist and Interview Magazine editor-in-chief Mel Ottenberg, she said she wants “as many [kids] as God wants” and made it clear she’s hoping for a girl. “I want a girl,” she said. “I would try for my girl. But of course, if it’s another boy, it’s another boy.”

The couple already shares two sons. Speaking last year, Rihanna admitted raising a daughter would be a whole new experience.

“I wouldn’t even know what to do with a girl since I only know boys so far. It would be a whole new adventure,” she said.

If they’re serious about matching the Wayans, they’ve got a long way to go. The original Wayans siblings—Dwayne, Keenen, Diedra, Damon, Kim, Elvira, Nadia, Devonne, Shawn and Marlon—total 10.

The second generation is keeping pace, too, with Damon Wayans Jr. having six kids and Keenen Ivory Wayans fathering five.

Clipse Plucks Kendrick Lamar, Nas, Tyler, The Creator & More For “Let God Sort Em Out” Album

By: Mike Winslow Updated Category: News
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Clipse has unveiled the star-studded tracklist for Let God Sort ‘Em Out, their first joint album in over 15 years. The Clipse duo—brothers Pusha T and Malice—officially announced the 13-track album will drop July 11. Per the press release, the project features appearances from Kendrick Lamar, Nas, Tyler, The Creator, John Legend, The-Dream, Stove God Cooks, Ab-Liva and gospel ensemble Voices of Fire.

The album’s production was handled entirely by longtime collaborator Pharrell Williams, marking a continuation of a creative partnership that spans every Clipse studio release.

Pharrell also appears on multiple tracks, including “All Things Considered,” “E.B.I.T.D.A.,” “So Far Ahead,” and “By The Grace Of God.”

The lead single, “Ace Trumpets,” featuring both Pusha T and Malice, dropped ahead of the album and serves as a reintroduction to the duo’s razor-sharp lyricism.

The full tracklist, revealed on Monday (June 30), includes “Chains & Whips” with Kendrick Lamar, “Let God Sort Em Out / Chandeliers” featuring Nas and “P.O.V.” with Tyler, The Creator.

Let God Sort ‘Em Out will be distributed through Roc Nation and features cover art by KAWS, who also designed the artwork for their 2009 album, Til the Casket Drops, the last time the brothers released music together before pursuing solo careers.

During the hiatus, No Malice—now known as Malice—dropped Hear Ye Him in 2013 and Let the Dead Bury the Dead in 2017. Pusha T released several solo albums, including 2022’s It’s Almost Dry.

Bob Vylan Defend Controversial Glastonbury Set Amid Backlash

By: London Jennn Updated Category: News
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Bob Vylan ignited a firestorm at Glastonbury Festival on Saturday (June 28) after leading chants critical of Israel’s military, prompting backlash from festival organizers, British officials and law enforcement.

During their set, the British rap-punk duo shouted “death, death to the IDF” and “Free, free Palestine.”

Member Bobby Vylan also declared, “Hell yeah, from the river to the sea, Palestine must be, will be, inshallah, it will be free.”

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Festival organizers responded swiftly, calling the performance unacceptable.

“Their chants very much crossed a line,” they said in a statement. “We are urgently reminding everyone involved in the production of the festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence.”

British Prime Minister Calls Out BBC Over Bob Vylan Set

UK Prime Minister Keir Starmer echoed the condemnation, labeling the chants “appalling hate speech.”

He added, “I said that Kneecap should not be given a platform and that goes for any other performers making threats or inciting violence. The BBC needs to explain how these scenes came to be broadcast.”

The BBC called the language “deeply offensive” and removed the performance from its iPlayer platform.

Meanwhile, Avon and Somerset Police confirmed they are reviewing footage to determine whether any laws were broken.

Bobby Vylan addressed the controversy on Instagram, standing by his words.

“I said what I said,” he wrote. He also emphasized the importance of activism, especially among youth:

“The only way we can make this world a better place is by encouraging our children to speak up for what they want and need. Today it’s about altering school meals; tomorrow it could involve changing foreign policy.”

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The Glastonbury fallout wasn’t limited to Bob Vylan.

Irish Hip-Hop group Kneecap also drew scrutiny after a politically charged set that included a jab at Prime Minister Starmer.

“The prime minister of your country, not mine, said he didn’t want us to play, so f### Keir Starmer,” said member Mo Chara, who is currently facing a terrorism-related charge. “This situation can be quite stressful but it’s minimal compared to what the Palestinian people are (facing).”

Police are also reviewing Kneecap’s performance for potential criminal violations.

As of Monday (June 30), no charges have been filed in connection with either performance.

Mia X Bows Out Of Master P’s Essence Fest Set, Citing Disrespect & Money Concerns

By: Chuck Creekmur (@ChuckCreekmur) Updated Category: News
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Mia X, the pioneering No Limit Records rapper, has publicly announced she will not be joining Master P for his final performance at Essence Fest on July 6.

Mia X, considered the “Mother of Southern Rap,” took to social media to clarify the matter. She cited poor communication, a lack of a formal agreement and disrespect surrounding her compensation.

“It’s still unbelievable that I’m actually saying this,” she wrote on instagram. “I will NOT be performing at Essence Fest as a featured artist in Master P’s set.” She was promoted as a performing artist.

The rapper explained that discussions about her involvement only began last week, even though promotional materials listed her name. The concert had been planned for months. Mia alleges that Master P’s management initially dismissed her performance fee entirely.

She maintains a contract was eventually sent on June 27, but she felt the short time frame didn’t allow for proper preparation for such a major stage. She said that included rehearsals and wardrobe planning.

“I was also still insulted by the dismissal of my fair fee considering Essence paid big,” Mia X said, referencing previous issues with Essence and No Limit’s 2018 reunion performance.

She also expressed frustration with being used in marketing without her approval, adding that Essence Festival staff explained that the responsibility of securing artist contracts fell to the event’s curator—Master P.

Still, Mia felt her name added value to the lineup, even if she wasn’t compensated accordingly.

“I stand by doing good business and I’ve been done dirty,” she wrote. She said a public relations narrative had been spun before even speaking with her directly.

Essence Fest marks the final performance for Master P, a Southern rap icon and founder of No Limit Records. The show is being billed as a tribute to his career and legacy. It will move forward without one of its key players.

The full, unedited statement is below:

It’s still unbelievable that I’m actually saying this. I will NOT be performing at Essence Fest as a featured artist in Master P’s set.

We started talking about my involvement last week.
At first, his management didn’t want to entertain my performance fee, so it was agreed that I wouldn’t be a part of the show. I talked to P on the 26th of June, and he explained the lack of and miscommunication was due to his busy schedule. I felt disrespected because the show had been booked for many months, and I had been advertised as a featured artist. There was a clash because of my concern about:

  • the short time and no schedule in place for rehearsals,
  • no contract,
  • no deposit,
  • and the fear of a repeat of 2018.

On June 27th, I was sent a contract, but at this point, it was too late in my opinion to give the largest, most celebrated festival for us what they deserved—from stage coordination to wardrobe. And I was also still insulted by the dismissal of my fair fee, considering Essence paid big. I’m quiet about a lot of things and I keep family squabbling in-house, but this is about business, names, brands, and the fans.

I was angry at Essence too because I felt like they took a word and ran with the advertisement. They listed me without my consent, knowledge, or details about July 6th. I felt like, once again, no matter who’s saying “protect and respect Black women,” they always sell us out to the boys’ club.

But Essence explained that with this particular type of booking, they only do contracts with the curator and rely on them to get the booking and money straight. I understand that they’re protected by the agreement they made with P, but I still felt like my name in the lineup was an asset to the night—even though P’s manager said he had no clue my name would be added because this night was about P.

I was floored when I saw the interview with P saying this was a celebration for me—because we hadn’t spoken since February. Miscommunication on purpose is crazy. Common sense tells me that they had no intentions to discuss my fee for performing. They figured that I should take whatever they give me and be grateful when P says, “Give Mia X her flowers. Make some noise for her.”

I work in sickness and in health, and I appreciate the support from the people who have enjoyed my music over the years. I stand by doing good business, and I’ve been done dirty—and that PR spin before even speaking to me is diabolical.

Again, I’m sorry to all expecting to see me, and I hope you enjoy your festival weekend.

Chris Brown Backs T-Pain After Tensions With Drake Erupt

By: London Jennn Updated Category: News
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Chris Brown gave T-Pain a public salute over the weekend via Instagram, calling him a “pioneer” and one of the greatest of all time just as T-Pain’s name was trending for his pointed remarks about Drake.

“RANDOM THOUGHT… T-Pain is one of the goats of my generation!!” Brown wrote in his Instagram Story. “GIVING YOU YOUR FLOWERS!!! PIONEER LOVE YOU MY BROTHER.” He capped the message with a red heart emoji.

Instagram/Chris Brown

T-Pain Says Drake Refuses To Take His Own Advice To Bow Out Gracefully

The timing of Brown’s praise wasn’t lost on many, as it landed days after T-Pain stirred up conversation during an appearance on the Crash Dummies podcast, where he critiqued Drake’s artistic choices and questioned his consistency with his own past statements.

“One thing I learned from Drake, here’s the crazy thing, the one thing I learned from but one thing he hasn’t followed—his own words—Drake said, ‘I want to be one of those people that gracefully bow out and not get kicked out,’” T-Pain said.

T-Pain explained that he took those words seriously and intentionally slowed down his musical output. But in his view, Drake has done the opposite.

He didn’t hold back as he continued, suggesting Drake had become the very kind of artist he once said he wouldn’t be.

“And I learned that from him,” T-Pain said. “I’m not trying to impress y’all n#####. Y’all n##### don’t give a f### if I live or die! Why the f### would I keep trying to impress y’all n#####? I’m out!”

Drake responded to the podcast clip on Instagram with a short but pointed message.

“This guy always had resentment for me,” he wrote alongside a crying laughing emoji. “You can hear it every time he speaks on my name.”

Though Brown didn’t mention Drake directly, his post was seen by many as a gesture of solidarity with T-Pain during the back-and-forth.

N.O. & Krillz Deliver For Judgemental Records with “Heavy Is The Head” Project

By: Jake Crates Updated Category: Music
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Independent label Judgemental Records, known for breaking the mold and elevating authentic voices, is proud to announce a new partnership with Roc Nation Distribution and the upcoming release of Heavy is the Head, the newest project from lyrical heavyweight N.O., Krillz and their in-house producers, Lino3x and 4k Beats for Judgemental Records. With a raw and emotionally charged narrative at its core, the project offers a vivid exploration of leadership, legacy and the pressures of carrying both personal and generational weight.

Set against soulful yet hard-hitting production of Lino3x and 4k Beats, Heavy is the Head is a statement piece—a declaration of purpose in a genre too often clouded by trends and surface-level flexes. The chemistry between N.O., a sharp, deliberate lyricist and Krillz, a rapper with a street poet’s gift has been noticed by a range of industry influencers, including Timbaland, Young Guru, JAY-Z’s longtime engineer, and producer Jahlil Beats. Together, they’ve crafted a sound that’s deeply grounded, strikingly original and destined to resonate with Hip-Hop audiences craving substance over flash.

Lizzo Trolls Candace Owens In New Track — & She Wants In On Music Video

By: London Jennn Updated Category: News
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Candace Owens took a swing at Lizzo over a name-drop in the singer’s new track with Doja Cat but ended up offering to be in the music video.

During a recent episode of her podcast, the controversial conservative commentator reacted to Lizzo’s track “STILL CANT FUH” from her new EP MY FACE HURTS FROM SMILING, which includes a verse that name-checks Owens.

However, Owens fumbled the details.

“Look, mommy, I made it,” Owens said sarcastically, misquoting the lyric aimed at her: “City girls up, boys on they period/

Candace Owens somewhere p#####.”

Owens then veered into transphobic territory, saying, “I am not p##### about something that does not exist and can’t happen,” before circling back to Lizzo with a half-joking offer: “I think I should be in your music video looking p#####, though. So hit me up, Lizzo.”

She wrapped her rant with a backhanded compliment, saying, “I was wishing you well. I’m glad that you are getting into shape. You look happier, you look freer. So don’t be upset with me because I told you the truth when the whole world was trying to kind of pigeonhole you and make you just a fat girl. You didn’t have to do that. You had a talent and you were fun and the industry can be toxic in that way.”

Lizzo Calls Out Candace Owens

But Owens got the lyrics wrong. Lizzo didn’t say “boys on they period,” she said “boys on they deriod”—a slang mashup of “dick” and “period,” used to poke fun at emotional men.

The actual line is: “Upsettin’ these b###### like Cookinwitkya/All these emotions, it’s not that serious/City girls up, boys on they deriod.”

Later in the song, Lizzo does mention Owens by name. “All these hoes know I’m they b####,” she raps. “Candace Owens somewhere p#####.”

The feud isn’t new. Owens has repeatedly criticized Lizzo’s body positivity messaging, calling it “problematic” and accusing the singer of promoting obesity.

At one point, Owens even bragged about being blocked by Lizzo on Twitter, calling it a badge of honor.

Meanwhile, Lizzo continues to promote the project, sharing snippets of the songs on Instagram.

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Ja Rule Mocks Empty Seats At 50 Cent Concert: “Ain’t Nobody Coming To See You”

By: London Jennn Updated Category: Rumors
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Ja Rule reignited his long-running feud with 50 Cent by poking fun at the rapper’s London stop on the upcoming “Legacy Tour” after a blog post claimed ticket sales were lagging.

“Not the 2 for 1…” Ja wrote on Instagram last week, reacting to a post claiming 50 Cent was offering a 2-for-1 deal for his London show “Due to EXTREMELY low demand.”

A few days later, a user tried to clap back with a screenshot showing the venue was sold out.

Ja wasn’t buying it. On Sunday (May 12), he posted a video from one of 50’s recent stadium shows that appeared to have empty seats scattered throughout the crowd.

He captioned it, “You sure bout that??? Ain’t nobody coming to see you Otis…. I mean Curtis.”

The jabs didn’t stop there. When another user questioned why Ja was trolling without dropping music, writing, “I just wish while he was trolling he had some music to put out as well. When you get ppl attention what better time than to push your s### out?”—Ja responded with a clip of himself driving while previewing a new track, hinting that something might be on the way.

The latest round of trolling is just another chapter in a beef that’s been simmering since the late ’90s.

Back in 2018, 50 Cent famously bought out 200 front-row seats to a Ja Rule concert in Arlington, Texas, only to leave them empty.

He reportedly spent $3,000 using a Groupon deal that priced tickets at $15 each.

Beyoncé Breaks Silence On Stage Scare With Hilarious Instagram Post

By: London Jennn Updated Category: News
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Beyoncé turned a mid-air mishap and a dangling red convertible into viral gold during her “Cowboy Carter” tour stop at NRG Stadium in Houston on Saturday (June 28), when a suspended prop car malfunctioned and nearly sent her tumbling.

The moment, which could’ve ended in disaster, was instead flipped into a hilarious Instagram reel the following night (Sunday, June 29).

Beyoncé poked fun at the incident with a montage of clips showing her awkwardly tilted sideways in the air. The video was set to Houston rapper Paul Wall’s “Sittin’ Sidewayz” featuring Big Pokey — a fitting soundtrack for the sideways spectacle.

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The glitch happened during her performance of “16 Carriages,” when the red convertible prop that was supposed to glide her over the crowd began to tip at an alarming angle.

Beyoncé, ever composed, grabbed a cable and a flagpole for balance and calmly told the crew, “Stop. Stop, stop, stop, stop.”

The music cut out, and the car was slowly lowered back to the stage. No one was hurt, and the show resumed without further problems.

Once safely on the ground, Beyoncé reassured the crowd with a smile, saying, “If ever I fall, I know y’all will catch me.”

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She later posted a photo on Instagram with a simple message: “I love you, Houston.”

The singer’s production company, Parkwood Entertainment, later confirmed the incident was caused by a “technical glitch.”

The next night, Beyoncé skipped “16 Carriages” from the setlist entirely, prompting playful complaints from concertgoers online.

“Why you put 16 Carriages on Punishment??? It was the car that was misbehaving not the song,” one Instagram user wrote.

“You know you coulda performed 16 carriages,” another chimed in. “That’s not right… but I still love you.”

Drake Dragged Online After Shirtless Selfie Sparks Plastic Surgery Rumors

By: London Jennn Updated Category: Rumors
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Drake got clowned across social media over the weekend after posting a shirtless selfie showing off his abs, reigniting long-running plastic surgery rumors that have followed him through multiple rap beefs.

The Toronto rapper dropped the carousel on Instagram with the caption, “I’m wide awake for the nights that separate the type who get to it til they get it right from the type who just …type.”

Instagram/Drake
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But instead of applause, the post triggered a flood of jokes and accusations about his body being more sculpted by a surgeon than a gym.

“Boy stop playing! The only place you ran was to the surgeon,” one user commented.

Another wrote, “Ordered abs from temu n forgot to add shoulders n tri lol.” A third chimed in, “No shoulders, no biceps, deflated chest but extremely defined abs lmao.”

The online roasting follows speculation about alleged cosmetic enhancements, including alleged ab etching, a nose job and even a Brazilian butt lift.

The rumors haven’t just lived in comment sections. Kendrick Lamar took a direct shot in his diss track “Euphoria,” rapping, “Let your core audience stomach that/then tell ’em where you get your abs from.”

Rick Ross dubbed him “BBL Drizzy” and accused him of getting a nose job in his track “Champagne Moments.” Even Pusha T threw shade back in 2018 on “The Story of Adidon.”

Drake Denies Surgery Rumors

Drake has repeatedly denied going under the knife. In April 2024, he shared a text exchange with his mom, writing, “I would have got us a 2 for 1 deal if I went ma,” while blaming Rick Ross for fueling the gossip.

Still, the speculation has only grown louder during his lyrical feuds, and the “BBL Drizzy” meme has taken on a life of its own.

Metro Boomin even launched a “BBLDrizzyBeatGiveaway” online, adding fuel to the fire.

Drake has yet to address the latest round of mockery, but judging by his past reactions, he’s likely to keep responding with sarcasm rather than statements.

Aussie Rapper Threatens To Sue K-Pop Band—Unless They Put Him In Their Group

By: AllHipHop Staff Updated Category: News
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An Australian rapper who goes by Allday launched a trademark dispute and slammed K-pop last week after discovering a new South Korean group named ALLDAY PROJECT. He accuses them of infringing on his stage name and calls most of the genre “s###.”

Allday, born Tomas Henry Gaynor, posted a screenshot of a news article about the group on social media and made it clear he wasn’t amused.

“People keep asking me about this,” he wrote. “I have a trademark on the name Allday. Maybe I don’t have 20 billion streams like that kpop s### which mostly sucks by the way. But I do exist and own the trademark to my name. Prepare for the greatest legal battle of all time.”

According to The Music, Gaynor registered the name “Allday” as a trademark in Australia in June 2021. The filing reportedly covers music releases, vinyl, merchandise, live shows and related content. He also claimed the trademark extends to the United States, though that has not been independently verified.

Despite his harsh words, Allday appeared to soften his stance in a video posted Saturday (June 28), offering to drop the lawsuit if the label behind ALLDAY PROJECT lets him join the group.

“If I can be in the band, ALLDAY PROJECT, I will drop my lawsuit, which I’m definitely going to win, by the way,” he said.

He didn’t stop there, adding, “And that guy called Tarzzan has to be kicked out of the band. I want to be the main guy.”

The demand didn’t sit well with K-pop supporters, who quickly dismissed the legal threat as a publicity grab.

“Stealing your name? They don’t even know you! You just want clout because you saw their success. Stop being delusional. Grow up,” one user wrote on X, formerly Twitter, while another added, “Annie is a chaebol … have fun with that,” referencing the group’s standout member Annie Moon, heiress to South Korea’s Shinsegae retail empire.

ALLDAY PROJECT, a co-ed group under The Black Label, made its official debut June 23 with the single “Famous.” The lineup includes Annie Moon, Tarzzan, Bailey, Woochan and Youngseo.

Stormzy Opened Up About Emotional Toll Of Acting In “Big Man”

By: Mike Winslow Updated Category: News
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Stormzy grappled with identity and artistry as he stepped into his first lead role in the short film Big Man, a project that blurs the line between fiction and his real-life career as a rapper.

The UK Hip-Hop heavyweight plays Tenzman, a disillusioned rap star who reconnects with his passion for music through an unexpected bond with two children.

The 20-minute film, shot entirely on an iPhone, marks the debut release from his production company, #MerkyFilm and is now streaming on Apple’s YouTube channel.

“It was really tough if I’m honest,” Stormzy told BBC Newsbeat. “It felt like I’m playing a rapper but I am a rapper, it’s tough to totally separate.”

The “Vossi Bop” artist admitted the role hit close to home.

“It was really tough, but it was a challenge I was so honored to be a part of. I like to be challenged, I like to be a bit uncomfortable so I love it.”

Though Big Man is his first time leading a film, Stormzy isn’t new to acting. He previously appeared in the 2016 movie Brotherhood and had roles in TV series such as Chewing Gum and Noughts & Crosses.

But this latest project signals a deeper commitment to storytelling through film.

As part of his broader vision for #Merky, the rapper-turned-producer wants to amplify stories from the Black British community—on their own terms.

“What we’ve tried to do at Merky, whether it’s music, sports, whatever we do, we just want to stand in our truth, tell our stories, but also not from the same perspective that it’s always been told from,” he said.

“Even being Black British, it’s such a nuanced experience—you’ve got the Black experience, you’ve got the British experience, and then you’ve got the Black British experience. We want to tell it from our perspective, which is nuanced, it’s brilliant, it’s different, it’s not always the same, it’s not a monolith.”

Big Man premiered on Apple’s YouTube channel on June 18.

EBK Jaaybo Facing More Than 30 Years In Prison Over Machine Gun

By: Mike Winslow Updated Category: News
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EBK Jaaybo faced a federal judge in Arkansas last week after a traffic stop led to serious drug and weapons charges that could land him behind bars for three decades.

The Stockton, California, rapper was arrested on May 18 in Pope County after Arkansas State Police pulled him over on Interstate 40. A search of his vehicle uncovered marijuana, unidentified pills, $8,379 in cash and a Glock pistol equipped with a machine gun conversion device.

Authorities later confirmed the firearm was reported stolen in California.

Federal prosecutors just indicted Jaaybo on multiple charges, including possession of a machine gun in furtherance of drug trafficking, possession of a firearm by a felon and transporting a firearm across state lines while under indictment.

If convicted on the most serious counts, he faces a mandatory minimum of 30 years in prison, according to the Northwest Arkansas Democrat-Gazette.

He entered a plea of not guilty and a trial date was set for late July.

The arrest came at a critical point in Jaaybo’s career. He had just been announced as a performer on NBA YoungBoy’s “MASA” (Make America Slime Again) tour but was dropped from the lineup following the charges.

This is not Jaaybo’s first encounter with the law in 2025. On March 6, he was taken into custody on separate charges, including drug possession, ammunition violations, driving without a license and probation violations.

He was released on bond on March 19 for that arrest. Before that, he served over a year in San Joaquin County Jail for illegal gun possession.

Despite his growing legal troubles, Jaaybo’s music career had been gaining traction on the West Coast Hip-Hop scene.

As of Sunday (June 29), Jaaybo remains in custody at the Pope County Detention Center awaiting trial.

Rap Group Kneecap May Face Criminal Charges Over Politically Charged Set At Glastonbury

By: Mike Winslow Updated Category: News
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Kneecap ignited controversy at the Glastonbury Festival on Saturday (June 28) after delivering a politically charged set that has prompted a police investigation and potential legal consequences.

The Irish Hip-Hop trio, already under scrutiny due to member Mo Chara’s pending terrorism charge, is now being reviewed by Avon and Somerset Police for possible criminal offenses tied to their performance.

The group’s onstage remarks, which included a direct jab at UK Prime Minister Keir Starmer, have drawn criticism from lawmakers and international observers.

“The prime minister of your country, not mine, said he didn’t want us to play, so f### Keir Starmer,” Mo Chara told the crowd during their set. He added, “Glastonbury, I’m a free man. This situation can be quite stressful but it’s minimal compared to what the Palestinian people are (facing).”

The BBC, which live-streamed parts of the festival, issued an on-screen warning during the performance and later confirmed it would not make the set available on demand.

The broadcaster also pulled the performance by Bob Vylan, a UK rap-punk duo, after their set included chants of “Free, free Palestine” and “death, death to the IDF.”

Bobby Vylan addressed the crowd directly, saying, “I know we’re on the BBC so we’re not going to say anything crazy, alright? But … unfortunately we have seen a strange reaction to people that come out and voice support for Palestine, even though anybody with any kind of moral compass can surely tell that what is happening in Gaza is a tragedy.”

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The Israeli Embassy in the UK condemned the performances, stating, “When such messages are delivered before tens of thousands of festivalgoers and met with applause, it raises serious concerns about the normalization of extremist language and the glorification of violence.”

UK Culture Secretary Lisa Nandy has not yet commented publicly, but pressure is mounting for the government to respond. Police confirmed they are reviewing footage to determine if any laws were broken during the sets.

This isn’t the first time Kneecap has faced legal scrutiny.

In May, Mo Chara was charged with a terrorism offense after allegedly displaying a Hezbollah flag and chanting “up Hamas, up Hezbollah” during a November 2024 concert in London. Hezbollah is classified as a terrorist organization under UK law.

Mo Chara appeared at Westminster Magistrates’ Court in June and was released on bail, subject to certain conditions. His next court date is scheduled for August.