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SZA Lobbies For Collaborative Album With “Genius” Kendrick Lamar

SZA appears to be as enthusiastic about the possibility of crafting a collab album with Kendrick Lamar as she is about promoting her upcoming film project with Keke Palmer.

During a recent appearance on Sherri Shepard’s daytime talkshow, the TDE vocalist spoke to the actress/host about her work with Palmer for their film, One Of Them Days, and her SOS deluxe album LANA.

The conversation took a major shift when Shepard began mentioning the chart-topping singer’s collaborations with Lamar, including “Babylon,” “Doves In The Wind” and their latest joint effort, “30 For 30.”

SZA didn’t hold back her admiration for Lamar, calling him a “genius” and perking up when asked if the two would ever consider teaming up for an entire project.

“I would love that,” SZA quipped. “I think that would be amazing.”

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SZA delved deeper into what makes Lamar’s artistry so unique, highlighting his enigmatic nature as a defining trait.

“Part of his genius is him being so elusive and so mysterious,” she explained. “I don’t know what’s going on as much as you don’t know what’s going on.”

She described the almost cryptic process of working with him, recounting moments of surprise during their creative sessions. In the process, she revealed just how secretive Lamar was, even with his own collaborators, while crafting his surprise GNX album last year.

“When [songs like] ‘Luther’ came out, I said, ‘Okay, that’s the vocals we’re using, period,’ and same with ‘Gloria’.”

For SZA, these unexpected moments of brilliance are a testament to Lamar’s unparalleled skill. What’s more, his influence seems to be extending beyond the music itself. SZA shared how working with him has helped shape her current creative journey, which she described as her “fumbling” era.

“He’s a huge part of my fumbling and finding era because I’m just trusting all of his expertise,” she admitted. “Being thrust into these moments and the spotlight and saying yes—he’s so good at saying yes, but staying grounded. So I’m just like, teach me, sensei, what you know.”

As fans eagerly await any updates on a potential joint album, they continue to boost the success of SZA and Kendrick Lamar’s “30 For 30.” The track has been a commercial triumph, debuting at No. 5 on the Billboard Hot 100 and amassing more than 50 million on-demand streams in its first week.

The single has also climbed to the top of the R&B/Hip-Hop Songs chart, while dominating playlists and racking up millions of views on YouTube. With numbers like these, the duo’s synergy is undeniable and the anticipation for what’s next is at an all-time high — given SZA only has two more albums left before she completes her deal with TDE.

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Exploring Hip-Hop’s Relationship with Mental Health

Hip-Hop has long been a platform for artists to express their struggles, triumphs and deepest emotions. From its earliest days, lyrics and beats have carried messages of resilience and pain and offered listeners both a connection to the artist’s experience and source of hope. Mental health has become an increasingly prominent theme in the genre, shedding light on issues that were once stigmatized in many communities.

The journey of Hip-Hop’s connection to mental health is similar to how people navigate relationships and identity, such as those seen on online dating platforms for Moldovan brides, where unique traditions and modern challenges intersect. In both cases, there’s a shared exploration of struggles, vulnerability, and resilience that reflects the human experience. 

A History of Struggle & Expression

Hip-Hop’s roots are deeply connected to marginalized communities that used the genre as a means of expression. Early Hip-Hop often spoke about systemic oppression, poverty, and violence, which were central to the lives of many of its creators. 

These struggles naturally gave rise to discussions about mental health, even if not explicitly labeled as such. Songs about stress, trauma and survival became common as artists used their music to process and communicate their experiences.

For example, tracks like 2Pac’s “So Many Tears” and DMX’s “Slippin” highlight personal battles with inner demons and pain. Each song resonated with listeners because they articulated emotions and challenges that many people faced but couldn’t put into words.

Why Hip-Hop Matters in Mental Health Discussions

One of the most powerful aspects of Hip-Hop’s engagement with mental well-being is its ability to break down stigma. In many cultures, especially those represented in Hip-Hop, discussing mental health was once seen as a sign of weakness. Artists who share their struggles help normalize these conversations, which makes it easier for fans to seek help.

Today, rappers such as Kid Cudi and Logic have brought the topic to the forefront. Logic’s song “1-800-273-8255,” named after the suicide prevention hotline, directly addressed the issue of suicidal thoughts. The track became a cultural phenomenon, sparked widespread discussions about mental health and encouraged people to reach out for support.

How Hip-Hop Reflects Mental Health Themes

  1. Depression: Artists often describe feelings of hopelessness, isolation and despair.
  2. Anxiety: Lyrics frequently highlight the pressures of fame, relationships and personal expectations.
  3. Addiction: Substance abuse is a recurring theme, often linked to coping mechanisms for pain.
  4. Trauma: Childhood experiences, violence and systemic issues feature heavily in Hip-Hop narratives.
  5. Healing: Some songs emphasize overcoming struggles and finding strength in vulnerability.

The Role of Vulnerability

Vulnerability is a cornerstone of hip-hop’s relationship with mental health. Opening up about their inner struggles helps artists create a sense of authenticity that resonates deeply with fans. Kendrick Lamar’s album DAMN. is a prime example, as it explores themes of guilt, self-doubt and redemption. His honesty makes the music relatable and fosters empathy and connection among listeners.

The Impact on Fans

Empowered Listeners

Fans often describe Hip-Hop as a lifeline during difficult times. Songs that address mental health provide a sense of validation and understanding for listeners who may feel isolated. Hearing their favorite artists talk about similar struggles reminds fans that they are not alone.

For some, Hip-Hop becomes a form of therapy. Lyrics that detail coping mechanisms or highlight the importance of self-care can inspire fans to take action in their own lives. The accessibility of music as a medium allows these messages to reach people who might not otherwise engage with mental health resources.

New Conversations

Hip-Hop’s engagement with mental health has also created a ripple effect that encourages broader discussions in society. Social media platforms have amplified these conversations and allowed fans to connect, share their experiences and advocate for change. Addressing mental health allows Hip-Hop artists to dismantle taboos and fosters a culture of openness.

Challenges in the Industry

The pressure to maintain an image, constant touring, and the demands of fame can take a toll on artists. The tragic deaths of Juice WRLD and Mac Miller highlight the urgent need for better mental health support and drug addiction counseling within the music industry.

Record labels and management teams must prioritize the well-being of their artists. Providing access to therapists, encouraging breaks and creating supportive environments can help reduce the mental health challenges associated with the music business.

A List of Hip-Hop Songs That Address Mental Health

Hip-hop has long been a platform for expressing struggles with mental health, from addressing depression and anxiety to breaking down societal stigmas. Artists like Logic and Kid Cudi have brought these issues to the forefront, helping fans feel empowered and understood.
  1. “1-800-273-8255” by Logic: Focuses on suicide prevention and hope.
  2. “Pursuit of Happiness” by Kid Cudi: Explores anxiety and the search for fulfillment.
  3. “Sing About Me, I’m Dying of Thirst” by Kendrick Lamar: Addresses mortality and self-reflection.
  4. “Suicidal Thoughts” by The Notorious B.I.G.: A raw depiction of depression.
  5. “Ultralight Beam” by Kanye West: A song about faith and healing.
  6. “XO TOUR Llif3” by Lil Uzi Vert: Explores heartbreak and emotional turmoil.
  7. “Swimming” by Mac Miller: A reflection on personal growth and struggles.
  8. “Smile” by JAY-Z: Discusses family and resilience.
  9. “Fear” by Kendrick Lamar: Explores anxiety and self-doubt.
  10. “Good News” by Mac Miller: A poignant look at finding peace.

Ways the Hip-Hop Industry Can Support Mental Health

Labels can offer access to therapists and mental health professionals to provide necessary resources and encourage artists to take breaks and prioritize their well-being. Music and platforms can be powerful tools for spreading awareness about mental health, which allows them to educate audiences a key step forward. 

Sharing success stories of recovery helps normalize seeking help and plays a vital role in reducing stigma. Additionally, supportive environments within the music community are crucial for creating safe spaces where individuals feel understood and valued.

Conclusion

Hip-Hop’s relationship with mental health is a testament to the genre’s ability to evolve and reflect real-life struggles. Addressing these themes allows hip-hop artists to open up important conversations and provide solace to countless fans.

The industry has the potential to become a leader in advocating for mental health awareness and support. Embracing vulnerability and prioritizing well-being helps Hip-Hop to inspire positive change within its community and beyond. The connection between music and mental health will always be powerful, which can remind listeners of the healing strength art can provide.

Jim Jones Says Ma$e’s Treatment Of Cam’ron Sparked Their Feud 

Jim Jones is opening up about his relationship with Cam’ron and Ma$e, discussing the reasons for the longstanding issues.  

Capo appeared on the debut episode of Justin Laboy’s relaunched show “#Respectfully.” During the wide-ranging interview, Jones discussed his past decades-long feud with his fellow Dipset affiliate. He also addressed the tension with Cam’s “It Is What It Is” podcast co-host. 

“It started with Ma$e. He didn’t do the right thing,” Jones explained. “I watched Ma$e s### on Cam and everybody around him. Like all the time.” 

He continued, “I was there the whole time but I was Cam’s man, ya heard. Cam and Ma$e were so-called best friends grew up together …I was there for everything that’s one thing that people can’t never say is that I was there for every single thing.” 

Jim Jones then explained the root of his issues with Ma$e.  

“Cam enemies were my enemies,” he stated. “Anybody Cam didn’t like, I didn’t like. And I already see how [Ma$e] was handling Cam, so I definitely didn’t like him, ya dig. And then I seen how much love Cam had for him and how Cam was jumping out the window for him, which a friend should.” 

According to Jim Jones, Cam’ron tried to ensure that “Ma$e stayed as safe as possible,” amid the tension. “But Ma$e had got that money and lost his muthafuckin mind, as he’s supposed to.” 

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Jim Jones On Cam & Ma$e’s Podcast

Nonetheless, Jim Jones isn’t holding any grudges and wishes Cam’ron and Ma$e nothing but success with their podcast, although he’s surprised the duo never mention their past issues on the show.  

“But kudos to them man,” he added. “They got a dope show. Who am I to hate on what they got going on? Man, I hope they make a trillion dollars.” 

While Jones mended his rift with Cam’ron in 2022, he had previously stated he had no desire to patch things up with Ma$e.  

Michael Jackson’s Only Daughter Reveals Secret Heroin & Alcohol Battle At 5 Years Clean

Paris Jackson is celebrating a major milestone as she revealed her secret addiction battles with heroin and alcohol in a candid social media post.  

On Tuesday (January 7) the musician took to Instagram with a video montage that begins with a close-up of her dilated pupils. The video shows Jackson drinking, smoking and partying with friends and features clips of her looking distraught.  

However, it quickly transitions to footage from Jackson’s sober life with images of recovery tokens and videos of her looking happy and healthy while enjoying life’s simple pleasures.  

“hi, i’m pk and i’m an alcoholic and a heroin addict,” Jackson began her heartfelt caption. “today marks 5 years clean & sober from all drugs and alcohol. to say that i’m thankful would be a poor euphemism. gratitude hardly scratches the surface. it’s because i’m sober that i get to smile today.” 

Jackson continued, expressing her gratitude for the many positive changes that her new sober lifestyle has brought. 

 “i’ve found that life keeps happening regardless of whether i’m sober or not,” she explained. “But today i get to show up for it.” 

Of her video montage, Jackson added, “here’s a little snapshot of what has been possible because of my sobriety, and my god i can’t believe i almost missed it all. thanks 1 • 7 • 20.” 

Well-wishers flooded the comment section with messages of support and encouragement, including Paris’ aunt, La Toya Jackson.    

“Congratulations Paris!!! I’m so, so, so proud of you and your growth your strength and accomplishments,” she wrote.  “And I thank you for helping others that are going through this. Time flies, it’s been five long years, I’m so proud of you sweetheart! I love you.” 

EXCLUSIVE: JAY-Z To Court: Sanction Tony Buzbee For “Fairy Tale” Lawsuit

JAY-Z has issued a fiery response to allegations against him in a lawsuit filed by attorney Tony Buzbee, dismissing the claims as an elaborate construction of inaccuracies and insisting on financial sanctions against the lawyer.

The rapper and business mogul is seeking to have the lawsuit tossed out in federal court. He wants a judge to smack the Houston-based attorney with sanctions for what his legal team has depicted as a deliberate act of misconduct.

JAY-Z’S attorneys argue that the case — brought forth by an unnamed woman — lacks any basis in fact and fails to meet the minimum standards of legal due diligence.

JAY-Z’s high-profile attorney, Alex Spiro, delivered a pointed critique of Buzbee’s actions, asserting that the claims were riddled with verifiable falsehoods and devoid of substantive evidence.

“It was Mr. Buzbee’s responsibility to conduct a factual investigation into the allegations before he signed the complaint, not afterward,” Spiro fumed.

He further called for the court to impose monetary penalties on Buzbee and his firm, suggesting the attorney’s approach was predicated on sensationalism rather than truth.

The lawsuit centers on accusations from Jane Doe, who alleges she was assaulted at an afterparty following the 2000 MTV Video Music Awards in New York City.

According to the complaint, the alleged incident occurred at a grand white mansion with a gated, U-shaped driveway.

However, JAY-Z’s latest legal filing dismantled this narrative, presenting documented evidence that places the rapper at the now-defunct Lotus nightclub in Manhattan during the same evening.

Public records corroborated by photographs show JAY-Z attending the famous hotspot that night, making the party described by Jane Doe highly improbable.

Adding to the contradictions in Jane Doe’s account is her claim of speaking with musician Benji Madden about his “Last Supper” tattoo during the party.

However, Madden is reported to have been in Chicago for a Good Charlotte performance on that date, a fact that could have been easily verified.

Another critical piece of the lawsuit, Jane Doe’s statement that she viewed the VMAs on a Jumbotron outside Radio City Music Hall before approaching limousine drivers to gain entry to an exclusive afterparty, has also been disputed.

According to city records, MTV was denied a permit for a Jumbotron that year, and police barricades prevented public access to limousines in the vicinity.

Spiro further highlighted that Jane Doe’s father, listed as a corroborating witness in her filing, denied recollection of pivotal events described in the lawsuit.

According to the father’s deposition, he has no memory of picking his daughter up from a gas station after the alleged assault — a central part of Jane Doe’s narrative.

The father said, “I feel like I would remember that, and I don’t… that’s something that would definitely stick in my mind.”

JAY-Z’s filing excoriated Buzbee for failing to vet such glaring inconsistencies.

His filing characterized this lack of corroboration as damning to the case’s overall credibility, noting the court should weigh heavily on such discrepancies when assessing the merits of the plaintiff’s claims.

In no uncertain terms, JAY-Z’s legal team portrayed Buzbee as a repeat offender who pursued unfounded high-profile cases for financial gain and media attention.

They pointed out that the lawyer has filed over 15 similar lawsuits against celebrities, including Sean “Diddy” Combs, accompanied by questionable tactics like launching 1-800 hotlines to drum up additional claims.

“attorneys should not be permitted to destroy a person’s reputation by alleging facts without a sufficient investigation or by failing to withdraw those allegations once it is clear that they are false or exceedingly unlikely to be true,” Alex Spiro said in his motion to have the case thrown out.

The court is now tasked with determining whether Buzbee’s actions warrant dismissal and penalties.

Pusha T’s Cryptic Instagram Move Has Clipse Fans Salivating

Pusha T caught his fans’ attention earlier this week, when he completely wiped his Instagram account.

Now, his 3.5 million followers can’t stop talking about the impending Clipse album, which they believe is imminent—especially with King Push’s latest social media move.

After a 15-year hiatus, Clipse—comprised of Pusha T and No Malice—have been working on their highly anticipated return, Let God Sort Em Out, via Def Jam Recordings.

The project is produced entirely by Pharrell Williams, who’s been instrumental in shaping their sound over the years. In fact, Pharrell’s involvement was a driving force behind the long awaited reunion, with No Malice noting in a 2024 interview, “Pharrell was pushing for this for a long time; the timing was right.”

The first single, “Birds Don’t Sing,” debuted at Pharrell’s Louis Vuitton show, offering fans a glimpse into the project’s direction. Additionally, Pusha T has confirmed that the album is complete, stating, “I’m so excited about this new Clipse album… It’s absolutely finished.”

While Pusha T has mainly focused on his solo career over the years, Clipse reunited in 2022 at Pharrell’s Something in the Water festival, marking their first time together onstage in over a decade.

“It’s always good to be on stage with my brother,” Malice said at the time. “It’s always good to relive those songs and just remember. It puts me in a time and a place where us and The Neptunes [Williams and producer Chad Hugo] were creating that music, being from Virginia and seeing that these things could really happen; that they were really tangible, you know?”

Pusha added, “Just the crowd and watching how they react to the music and how they still carry the same energy from ’02, ’06, ’09 when we made those songs and thought [they] were everything in the world to us. To see that 15, 20-plus years later, they’re still everything to everybody.”

But don’t expect to see Chad Hugo jumping on the project; he and Pharrell are currently at odds. In March 2024, Hugo filed a lawsuit against Pharrell, alleging he attempted to secure sole ownership of “The Neptunes” trademark without Hugo’s consent. Hugo claimed the move violated their longstanding agreement to split all assets equally.

Pharrell was reportedly caught off guard by the allegation and insisted he’d reached out multiple times to share ownership and administration of the trademark.

“Throughout their over 30 year history, [Hugo] and Williams agreed to, and in fact, have divided all assets,” Hugo’s attorney Kenneth D. Freundlich wrote in the filing. “By ignoring and excluding [Hugo] from the any and all applications filed by applicant for the mark ‘The Neptunes,’ applicant has committed fraud in securing the trademarks and acted in bad faith.”

Chlöe Bailey Breaks Silence On Burna Boy Romance Rumors 

Chlöe Bailey and Burna Boy set social media alight last month after partying up a storm in Lago, Nigeria, during the Detty December celebrations. 

Footage surfaced online showing them getting cozy in various hotspots, sparking viral dating rumors. While they provided a steady stream of headlines, neither Bailey nor Burna addressed the speculation. 

However, the singer was forced to confront the gossip head-on during her appearance on The Breakfast Club Wednesday (January 8). 

During a discussion about her recent NAACP Image Awards nomination, Chlöe Bailey was asked if Burna Boy is her date for the event.   

“You’ll have to ask him,” she said, dodging the question. 

Undeterred, the host continued to press her about the Afrobeats legend, but again, Bailey deflected. 

“Nigeria was so beautiful,” she said, as the hosts erupted into laughter. “I had the best time.” 

Bailey continued swerving the elephant in the room, talking about the food she ate and the nightlife. When asked directly if they’re in a relationship, Bailey refused to answer, saying “I’m a grown woman.” 

Chlöe Bailey On Burna Boy Dating Other Women

The 26-year-old artist also insisted she hadn’t seen rumors of Burna with another woman after she left Lagos. “He’s a grown man,” she stated. “Just like I’m a grown woman.” 

Bailey also opened up about dating under the intense scrutiny of the public eye. 

“Honestly, I don’t mind,” she admitted. “I hate to say this, but it’s my life. It’s what I sign up for so I can only expect it. It’s just about how I handle it; how I handle myself. So I don’t think it should ever be pissy-ness towards the people who ask me.” 

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With or without Burna Boy as her date, Chlöe Bailey will be in the running for “Outstanding Music Video/Visual Album” for her latest song “Boy Bye,” at the 2025 NAACP Image Awards on Saturday, February 22. 

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Drake Becomes Victim Of Misinformation

Drake has had a tough series of events that hit a crescendo late last year.

In November 2024, Drake initiated legal proceedings against Universal Music Group (UMG) over Kendrick Lamar’s diss track, “Not Like Us.” According to a pre-action petition (not an actual lawsuit), Drake accused the label and Spotify of artificially bolstering the diss record.

He also alleged that UMG had the power to block the track’s release but chose not to. I never got the reasoning since they went back and forth in the epic battle. Drake was mocked and people said he was just mad at Kendrick Lamar’s success. Some championed Drake since he seems to be now taking on the “evil music industry.”

READ ALSO: We Heard What Vybz Kartel Thinks But Does WWE Believe Drake Won Kendrick Lamar Beef?

TODAY…it seemed like somebody leaked some texts that had Drake explaining.

I don’t know Chris Blake Griffith, but he’s the person that leaked these texts. In a now-deleted screenshot, Drake explained that his battle with Universal is aimed at protecting future artists.

“Me and Universal is like if Nike was funding a campaign about LeBron cheating on his wife..Not Adidas or Reebok… Nike, the company he’s been with since the start. My situation is not no street sh#t,” the texts read.

The only thing is…the texts were fake.

READ ALSO: Drake’s Female Alter Ego? A Closer Look At His Anita Max Wynn Chain

Fake Drake elaborated, “Everybody before me who tried to take on the label was too eccentric, so they got written off as crazy. The label never had to pay for their sins and mistakes. I’m going to change that and make the building a safer place for every artist moving forward.”

The internet went crazy, calling Drake all types of names. The only thing is, it just wasn’t him. I wonder who created this calamity.

The battle continues in 2025 and it could very well be legal. But it won’t be due to these fake texts.

Cardi B Accused Of Career Sabotage By Tasha K Amid $3.4M Defamation Judgment 

Tasha K is firing back at Cardi B, claiming she’s trying to sabotage her blogging career after the rapper accused the YouTube personality of hiding money to avoid paying the $3.4 million judgment against her. 

Cardi B won a defamation lawsuit in January 2022 after Tasha K alleged the rapper was a prostitute, used drugs, and had contracted sexually transmitted diseases. 

Cardi B previously asked a judge to toss out Tasha K’s bankruptcy case, arguing she’s hiding offshore accounts not disclosed in her initial Chapter 11 filing. She also accused her of transferring assets to her husband. 

Furthermore, Cardi claims Tasha K is still living “life in luxury,” flaunting her wealth on social media despite telling the court she’s broke. 

However, the 42-year-old gossip blogger alleges the “Jealousy” hitmaker “tried to bully her financially,” according to a TMZ report. The outlet also says Tasha K believes Cardi B wants to “sabotage her career” by tying any debt settlement to a sweeping restriction on her freedom to speak openly on her blogs and social media platforms. 

In her filing, Tasha K urges the court to keep the case alive, arguing that she deserves the opportunity to propose her own repayment plan to the bankruptcy court. 

A judge has yet to rule on the matter. 

Meanwhile, in other Cardi B news, the Grammy-winning artist has sworn off dating following another very public spat with estranged husband Offset.  

She previously promised to drop her long-awaited sophomore album in 2025 and claimed this year will be her best yet. 

“My album will be out, my secret businesses will be out,” she said last November. “I can’t tell you what I’m working on. Hopefully next year I get me a little boyfriend; I’m hoe-less right now. I gotta get my s### together.”  

Flo Rida’s Upcoming K-Pop Collab Sparks Viral Debate 

Flo Rida is causing a stir online over his upcoming single featuring K-Pop stars ENHYPEN’s Heeseung and Jake alongside rapper Paul Russell. 

On Monday Tuesday (January 7), the Carol City native announced the song, titled “Confessions” in an Instagram post. 

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However, the news ignited a social media frenzy among younger audiences, many of whom appeared unfamiliar with Flo Rida. Countless users claimed they had never heard a single song of his, despite his catalog of hits.  

Nonetheless, other fans were quick to set the record straight, schooling them on his legacy of chart-topping tracks. 

“i refuse to believe y’all don’t know flo rida,” said one befuddled fans. “You probably heard his songs, just didn’t know it was him. bro has been making BANGERZ for more than a decade now c’mon.” 

Another questioned, “Have yall ever been to a club….a concert…..prom…. middle school dance” 

A third person quoted one us Flo Rida’s most well-known songs, writing “This is the man that sings SHAWTY HAD THEM APPLE BOTTOM JEANSS BOOTS WITH THE FURRRR THE WHOLE CLUB WAS LOOKIN AT HERRRR.” 

A different user shared a screen shot showing billions of Spotify streams, writing simply, “oh woah”  

While Flo Rida hasn’t dropped an album since Wild Ones in 2012, the two-time Grammy Award-winner has is one of music’s best-selling artists, selling over 80 million records worldwide. He’s also racked up numerous platinum and multi-platinum RIAA certified singles. 

Flo Rida’s “Confessions” is set to drop this Friday, January 10. 

Kanye West Rips adidas & Designer Jerry Lorenzo: “I Am Here To Dominate” 

Kanye West may have settled his legal disputes with adidas, but his gripe with his former business partner is far from over.  

On Tuesday night (January 7), Ye took to Instagram with a lengthy post slamming the sportswear giant, alleging it’s attempting to undermine his Yeezy brand. He also fired at Fear of God founder Jerry Lorenzo and other designers he accuses of copying him. 

West began his post by complaining that adidas is overshadowing Yeezy in the Google search results. 

“Stop doing this,” he wrote. “Your moves to hold me back Our partnership is done.” 

He blasted the “60 billion dollar company that froze my accounts,” insisting, “I’m not going to stand for this,” now that he’s back on his feet.  

“I did phenomenal work for you guys,” West added. “Because I stood up for myself yall tried to intimidate and oppress me.” 

Ye further alleged that he had “major issues with adidas because of design theft and oppression.” He claims these struggles predate his antisemitic tweet and the ensuing controversy, including his legal battle with the brand. 

Kanye West Blasts Jerry Lorenzo Over adidas Collab

Kanye West then turned his attention to Jerry Lorenzo, calling him “corny and disloyal” for working with adidas amid his dispute with the brand.  

“I still showed up to his show that was a copy of my Hollywood bowl show being the so called bigger man,” he stated. “But I’m never doing that again for no one.” 

West also called out “friends” with “agendas” using him to “promote they weak ass fake Yeezy lines.” While repeatedly referring to himself as “the king,” Ye declared, “it’s Yeezy over everything.” 

“Now they banished,” he asserted. “NO MORE HUGS Yeezy over everything.” 

He continued, stating, “I am here to dominate as I always have,” arguing, “The Yeezy $20 dollar price is burning the game to the ground.” 

West claimed “The Yeezy.com site made 100 million dollars,” in six months last year. 

“People wanted to make me believe that I couldn’t do this on my own,” he concluded. “It’s Yeezy for the people Everything else was in the way.” 

Kanye West’s post arrived just two months after adidas CEOBjorn Gulden announced the company resolved its legal battle against Kanye West. According to Gulden, they settled out of court with no money exchanged. 

Meanwhile, Jerry Lorenzo who stopped working with West in 2016, remarked last year that a relationship with the multi hyphenate rapper is “a tough relationship to hold on to.” 

Twitter Fries Asian Doll Over Greasy Remark On Fivio Foreign & Lil Tjay’s Livestream Weed Scandal

Asian Doll is once again being roasted on Twitter over one of her patently outspoken—and often out of turn—remarks.

The late King Von’s ex exchanged words with multiple users on the app after many had a lot to say following Fivio Foreign and Lil Tjay appearance on producer/engineer Plaque Boy Max’s livestream.

In particular, Asian Doll went off on a number of individuals who attempted to chastise her for sticking up for the pair of rappers. They were caught being disrespectful and blowing smoke in Max’s face after he repeatedly asked them to stop smoking because they were in a short term rental.

“Don’t invite rappers if they can’t smoke !!” Asian Doll exclaimed in the tweet.

When a user replied, “It’s called respect tho,” all hell broke loose.

“It’s called tell us we can’t smoke before we come & I bet we give you all the respect by not coming,” She replied swiftly.

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Another user attempted to check Asian Doll over the remark, writing a reply in the thread which read, “Matter fact ill give somebody $100 rn they name 5 asian doll songs [crying laughing emojis] dead homies.”

In a similarly shady remark, Asian Doll wrote back, attempting to shame the individual for picking on her because she’s a girl.

“Boy get yo gay ass on [crying laughing emoji] my d*ck like you a hoe or some cause I said some to another n*gga punk ass boy!” She wrote before adding, “Go pay that 100 for some bullets to beef with a n*gga & not a b*tch you lame ass n*gga”

It’s somewhat surprising Asian Doll is willing to die on this hill, considering he once called her a liar on the same platform years ago. In 2022, the Brooklyn-bred drill rapper alleged she was lying about him on social media after she bragged that he told her to take her ski mask off because she was so pretty.

“I had my ski mask on at the bowling alley fivio gone say take that sht off & show that pretty face we wanna see that sht,” she wrote in a tweet.

Fivio almost immediately responded, denying her claim with an awkward and somewhat backhanded compliment attached to the remark.

“Wtf.. Wat type ov lie is dat,” Fivio wrote in a quoted reply the tweet. “She da homie for sure.. but I gotta gurl.. Yu kno I ain’t moving like dat.”

We Heard What Vybz Kartel Thinks But Does WWE Believe Drake Won Kendrick Lamar Beef?

It seems there are a few loud voices among the majority, namely Vybz Kartel and well-known professional wrestling veteran Kofi Kingston, who believe Drake got the best of Kendrick Lamar during their rap battle last year.

Why does what they’re saying right now matter more than six months after the first shots were fired in the battle between the two rap titans? Mainly because they’re shouting their opinions from the proverbial mountain tops between two of the biggest communication channels within pop culture: media and sports (to an extent).

In case you missed it, more than 17,000 fans gathered at the newly constructed Intuit Dome in Inglewood, California to be apart of the live broadcast of WWE “Monday Night Raw” on Netflix. Along with Hulk Hogan getting booed by thousands of attendees, wrestlers Xavier Woods and Kingston egged the crowd on to indirectly heckle the “Not Like Us” hitmaker in his own backyard.

“Think about it, for what, the past six months, y’all have been elevating this trash rapper, Kendrick Lamar?” Xavier Woods said. Kingston piggybacked off of Woods, saying, “Boo him [Kendrick Lamar] we think he sucks too, boo him!”

“Yes, yes! Boo him!” he said. “So you’re not mad at us, you’re mad at Kendrick Lamar because Drake won the beef, right?”

Additionally, Vybz Kartel dropped a bombshell pulled quote in his recent interview with Billboard in which he appeared to pull a Mariah Carey when asked about Kendrick Lamar.

“I’m not a fan of Kendrick,” he said. “I don’t even listen to Kendrick, so I wouldn’t know. What does he rap? I saw it on the Internet, but no disrespect to the dude, I hear him, but I don’t listen to him.”

As Kartel continued, he told Billboard, “Drake is a better and bigger artist. Drake is more in tune with Jamaica and the culture,” he added.

The most ironic thing about these two public slights against Kendrick Lamar has to be that they follow the rumored Drake leak in which the Toronto rapper appears to shrug the beef off as a low priority item on his to-do list.

Watch the clip in the post above.

Hollywood Hulk Hogan Booed Out the Building at Netflix’s “Monday Night Raw”

Dear, Hulkster,

We don’t love you no mo’, OK?

Hollywood Hulk Hogan did NOT get the hero’s welcome he was probably expecting last night. The 71-year-old WWE legend made a surprise appearance this week at Netflix’s “Monday Night Raw” in Los Angeles. The old cow got hit with a tsunami of boos. My boy eventually just left the building.

The Hulkster came out to a song called Real American,” rocking a shirt that did not discourage the rumors that he’s a raging racist. Pulling up with old manger Jimmy Hart, you’d think the crowd would’ve loved the vibe. Nope.

The moment Hogan stepped to the mic, 18,000 boos rained on him. He tried to gas up the fans by saying they were his “greatest tag team partner.”

“You, the fans, have been my greatest tag team partner because you guys have stuck with me through thick and thin, dudes,” Hogan said.

NAH! They know you, brother! We remember everything you did, punk. Nobody’s forgiving or forgetting.

It was not even his night. It was Netflix’s evening anyway. The Netflix era of WWE is off to a wild start. So, we’ll mark this one down in the history books. It’s a brand-new day for sports entertainment, and the digital streets are talking.

The premiere was nothing short of legendary.

John Cena, The Rock, “The American Nightmare” Cody Rhodes, Bianca Belair, Logan Paul and others showed up. The action was crazy and this will be a weekly thing for Netflix now. Netflix and WWE are officially in the ring together. For the first time in 31 years, WWE Raw is now streaming live—every week—exclusively on Netflix.

U.S., Canada, U.K. and Latin America are on the list of nations able to see it. Other regions are coming soon. Stay tuned. I heard the NFL is next, but you didn’t hear that from us!

Oh, wait…yes. you did!

Beat it, Hulk! There are no more Hulkamaniacs!

Boldy James & RichGains Drop Ominous “Murder During Drug Traffic (MDDT)” Album

Detroit rapper Boldy James has unveiled his latest mixtape, Murder During Drug Traffic (MDDT). The project continues his prolific output of music. The project offers a diverse range of sounds and narratives across its runtime. Early reactions from fans and listeners have been divided. Give it a listen and tell us what you think in the comments.

The mixtape opens with a strong start. Tracks like “Mixed Drinks” delve into personal themes that highlight Boldy’s introspective lyricism. “Janky” has the Detroit native comparing himself to Slick Rick “without the eyepatch.” Some of the critiques hinge on the production and mixes. Is this a stylistic choice or what? Either way, the noticeable sound difference has proven distracting to average listeners.

Despite the divided response, Boldy’s lyrical talent shines throughout the mixtape. As MDDT continues to be heard by more, we’ll see if the reception pans out. For now, enjoy the music.

Trey Songz Pleads With Judge, Claims $11M Judgment “Will Ruin His Life”  

Trey Songz is pleading with a judge not to enforce a “devastating” $11 Million default judgment awarded in a battery lawsuit. 

Last November, a judge ruled Songz must pay more than $11 million in damages to Maryland Capitol police officer Tyrelle Dunn, who claims he was injured while trying to rescue his wife from Songz’s Las Vegas hotel room in November 2021. 

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However, according to a motion filed by the embattled singer’s legal team, both the lawsuit and the multi-million-dollar judgment came as a surprise to Trey Songz, per In Touch

The filing asserts that Dunn did not properly serve the summons and complaint, and Songz only learned of the lawsuit on November 27, 2024, “after news broke about Dunn’s default judgment.” 

Songz’s attorney says the singer “deserves to have his day in court to defend himself,” adding that enforcing the judgment “will be devastating to [Trey Songz] and will ruin his life.” 

Trey Songz staunchly denies the allegations. His attorney referenced the Las Vegas Metropolitan Police Department’s months-long criminal investigation. 

“They separated witnesses and took their statements, confiscated mobile phones, and obtained a search warrant of [Songz’s] DNA and other evidence, the filing reads in part. “Over the next several months, the police conducted a thorough criminal investigation and found no wrongdoing by [Songz]. The District Attorney’s office did not file any charges.” 

Meanwhile, Dunn reportedly urged the court to reject the singer’s request to overturn the default judgment. His lawyers argued the process server had properly served Songz. 

A judge has yet to rule on the matter. 

Will Smith Causes Online Chaos With “Matrix” Post

Will Smith ignited a frenzy online Monday (January 6) with a cryptic Instagram video suggesting links to The Matrix franchise, only for sources to later quash speculation that the actor will be joining the fifth installment of the sci-fi series.

The brief video, styled in the signature green-on-black lettering of The Matrix, featured a series of loaded messages typed across a screen.

One read, “In 1997, the Wachowskis offered Will Smith the role of Neo in The Matrix. Smith turned it down. He chose Wild Wild West, believing it was a better fit for him at the time. But the question remains: What would The Matrix have been like with Will Smith as Neo?”

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As that message faded, another appeared: “Wake up, Will… The Matrix has you…”

The uncaptioned post quickly sent fans into a speculative spiral, with some theorizing the Men in Black star would appear as an alternate Neo in the upcoming film. Others wondered if Smith was teasing a related project like an ad campaign or musical endeavor.

Despite the excitement, both Variety and The Hollywood Reporter confirmed through their sources that Smith is not involved in the fifth Matrix movie.

Warner Bros. had announced plans for the next chapter of The Matrix in 2022, with Drew Goddard, known for Bad Times at the El Royale, set to write and direct.

As the first entry not helmed by Lana and Lilly Wachowski, the project will see Lana Wachowski taking on an executive producer role.

The Matrix originally premiered in 1999, with Keanu Reeves cast as Neo, a part the Wachowskis had first offered to Smith.

Reeves led the franchise to massive cultural and cinematic acclaim, returning for three sequels: The Matrix Reloaded, The Matrix Revolutions in 2003, and The Matrix Resurrections in 2021.

Smith, meanwhile, pivoted to the 1999 Western-themed sci-fi film Wild Wild West. Despite its star-studded cast and hefty budget, the movie underperformed at the box office and was panned by critics.

Will Smith has yet to clarify the intent behind his enigmatic post, leaving fans debating what’s next for the Oscar-winning actor.

Ice Spice Offers Interesting Excuse For Disastrous New Year’s Eve Show

Rapper Ice Spice faced backlash at Australia’s Wildlands Festival on New Year’s Eve after showing up nearly 30 minutes behind schedule and delivering a truncated set, leaving fans frustrated and underwhelmed.

The Bronx native hit the stage in Brisbane at 10:55 p.m., missing most of her allotted 10:30–11:00 p.m. slot.

With time running out due to the festival’s tight curfews, she managed to perform just two tracks, “Deli” and “Princess Diana,” before her microphone was reportedly cut mid-performance of “In Ha Mood” at 11:01 p.m., making for an abrupt and unceremonious exit.

Witnesses described the atmosphere as tense, with fans visibly disappointed by the short-lived set.

Podcaster Brenton Larney alleged that Ice Spice appeared unfazed by the debacle, noting her laughter as she stepped off the stage and seemingly dismissing a fan’s gesture of presenting her with a bouquet of flowers.

The rapper turned 25 on January 1 and later addressed the controversy during her next stop at the festival’s leg in Perth.

Acknowledging the issue, she spoke directly to her fans.

“I’m sorry guys. Surely y’all can forgive me,” she was quoted as saying. She added, “It was my birthday, and it takes a long time to look like a Barbie.”

The audience’s mood reportedly lightened as she kicked off her performance with “Barbie World,” her track with Nicki Minaj.

Organizers of Wildlands Festival eventually broke their silence, explaining the difficult decision to cut Ice Spice’s performance short.

In an Instagram statement, they cited the event’s rigid schedule as a necessity to ensure the midnight New Year’s countdown act started on time.

“We understand that Ice Spice’s delayed arrival caused some disappointment,” their statement read. “Managing a stacked festival means that we have to be extremely firm with set times.”

Foolio Murder: Fifth Suspect Arrested After Six-Month Manhunt 

The fifth person suspected in connection with the murder of Foolio has been apprehended after over six months on the run. 

27-year-old Davion Murphy is now in custody following his arrest in Jacksonville, bringing a six-month-long manhunt to an end, per Fox 13.  

The Jacksonville Sheriff’s Office reported that Murphy was apprehended at a Jacksonville apartment complex with assistance from its gang unit and the U.S. Marshals Service. He was subsequently booked into the Duval County Pre-Trial Detention Facility. 

Authorities have been pursuing Davion Murphy since June 23, 2024, in connection with the fatal shooting of rapper Foolio, which they describe as a meticulously planned ambush rooted in long-standing gang rivalries. 

Prosecutors claim Davion Murphy and four other suspects, Rashad Murphy, 30, Isaiah Chance, 21, Alicia Andrews, 21, and Sean Gathright, 18, stalked Foolio through Tampa before ambushing him at a Holiday Inn. 

Suspected shooters, the Murphys and Gathright, allegedly gunned down Foolio using two AR-style rifles and a Glock pistol. Surveillance video captured the gunmen firing at the rapper in the hotel parking lot.  

Foolio was pronounced dead at the scene, while three others sustained injuries in the barrage of gunfire.  

Authorities accuse Chance and Andrews of being “lookouts,” claiming they trailed the rapper to two strip clubs where Foolio was celebrating his 26th birthday on June 22.  

The first four suspects arrested face first-degree murder charges and are being held without bond. Davion Murphy is scheduled to appear in court on January 7. 

T.I. Pushes To Keep $53M In Punitive Damages Originally Awarded In O.M.G. Girlz Lawsuit

Clifford “T.I.” Harris is pushing a California federal judge to reconsider his decision to axe the $53.4 million originally awarded to the Harrises in their long-standing legal battle between toy giant MGA Entertainment and O.M.G. Girlz, the pop group co-owned/founded by the Harris family.

On Monday (January 6), AllHipHop obtained a legal document which revealed the initial $71.4 million in compensatory damages awarded to the Harris family and the O.M.G Girlz in 2024 would be reduced to $17.8 million. However, the court has yet to finalize its decision regarding punitive damages, which could potentially restore a significant portion of the original award.

“There’s a lot to contemplate. I want to put this down for a couple days, and I want to come back to it fresh from the top,” the judge said.

As previously reported, Judge James V. Selna tenatively revised ruling grants the O.M.G. Girlz $17,872,252 under common law misappropriation, but it declines to award punitive damages or enhance the award under the Lanham Act. T.I. and Tiny Harris originally filed the lawsuit in 2020, alleging that MGA’s line of L.O.L. Surprise! O.M.G. Dolls unlawfully profited from the OMG Girlz’s name, likeness and unique trade dress.

According to a Law360 report, the Harris families legal team team contended MGA’s failure to investigate allegations of infringement following a cease-and-desist letter in 2020 demonstrated willfulness and fraud. John R. Keville, an attorney for the Harris family, highlighted evidence presented to the jury, including testimony that one of MGA’s doll designers was a fan of the O.M.G. Girlz and had the group featured on her Pinterest board. Keville argued this evidence supported the jury’s finding of malice, fraud, or oppression, making the $53 million punitive damages award justified.

“Jurors heard evidence of MGA’s misrepresentations about when it first became aware of the OMG Girlz, as well as its failure to investigate infringement accusations,” Keville stated a court hearing.

MGA’s counsel, Mark Finkelstein, defended the tentative ruling, arguing the court has discretion over whether to adopt or reject advisory verdicts. Finkelstein maintained that while MGA may not have adequately responded to the cease-and-desist letter, negligence does not amount to intentional deception. He also contended that attributing profits from the O.M.G. Dolls line to the OMG Girlz lacked sufficient evidence.

“The Harrises have only produced consumer testimony to demonstrate attributability, but MGA has presented substantial evidence showing not every customer purchased the dolls due to perceived resemblance to the OMG Girlz,” Finkelstein argued.

The ongoing case marks a third trial in the dispute between the Harris family, the O.M.G Girlz and MGA, following the reversal of earlier rulings. Last September, a federal jury awarded $17.8 million in compensatory damages and $53.6 million in punitive damages, determining that MGA’s infringement was willful. The OMG Girlz, founded by Tiny, gained fame for their colorful and distinctive aesthetic, which the group alleges MGA mimicked in its doll designs.

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