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Will Smith Congratulates Jada After Memoir Lands On New York Times Best Sellers List

It looks like the seemingly endless promotion Jada Pinkett Smith did for Worthy paid off.  Within one week of its release, the memoir has made The New York Times Best Sellers list, landing at No. 3.

The monumental victory was celebrated by Will Smith, who many believe has taken a beating in the press since the rollout for the book began. Smith, however, has been steadfastly supporting Pinkett Smith.

In a video shared to her Instagram account, Pinkett Smith said, “I was sitting here thinking that there was a time where women actually had to take on the names of men in order to be published, and here we have four women at the top of the bestsellers list. I’m deeply grateful.”

(The three other women are Rachel Maddow, Cassidy Hutchinson and Dolly Parton.)

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Smith hopped in the comment section and wrote, “‘New York Times Best Selling Author, Jada Pinkett Smith’ CONGRATS, MAMA! Big Looks.”

This isn’t the first time he’s publicly celebrated Pinkett Smith, declaring his love and steadfast devotion to her, despite the headlines.

“I just turned the final page of Worthy,” he said in a letter read to her on an episode of “On Purpose with Jay Shetty” podcast. “It is amazing to realize that despite having lived most of my life by your side, I still found myself shocked and stunned and caught off guard, laughing, then inspired, then heartbroken. I was all over the place. It’s one thing to hear anecdotes at a family barbecue. But it was truly overwhelming to take in your story, potently condensed in this way.

He continued, “I know it wasn’t easy to excavate the depths in that way. I applaud and honor you. If I had read this book 30 years ago, I definitely would have hugged you more. I’ll start now. Welcome to the Authors Club. I love you endlessly. Now go get some Merlot and take a rest.”

Both Will Smith and Jada Pinkett Smith are New York Times Best Sellers. Smith published his memoir, Will, in 2021.

Mariah The Scientist Says Young Thug Being In Jail “Solidified” Their Relationship

Mariah The Scientist released her new album, To Be Eaten Alive, today (October 27) via Epic Records. The Atlanta-born recording artist tapped Young Thug, Vory and 21 Savage for the project.

In addition to collaborating with Young Thug on music, Mariah The Scientist is also in a relationship with the currently incarcerated YSL Records founder. The couple reportedly began dating in 2021 before authorities arrested Thug on gang-related charges the following year.

Mariah stopped by the Way Up With Angela Yee radio show to promote her new studio LP. The conversation also included the former St. John’s University student talking about being in a love affair with someone in jail.

“I think in the beginning I was so sensitive about it. I was so emotional, I was crying all the time,” Mariah The Scientist admitted. “It was like you can’t be crying when you got a man in jail because it’s going to make him sad. So you can’t be acting like that.”

Mariah also stated that she visits Young Thug in Georgia’s Cobb County Jail once a week and they speak daily. Thug (born Jeffery Lamar Williams) faces multiple felonies including RICO charges. He has remained locked up for over 530 days.

“It’s almost like jail solidified our relationship,” Mariah The Scientist told Angela Yee and her co-hosts. The R&B singer also said, “I’m willing to wait it out because I feel like he’s the one. If I didn’t really see that in him, I probably wouldn’t.”

Earlier this month, both Young Thug and Mariah The Scientist released dueling singles. Thugger’s “From a Man” track served as a response to Mariah’s “From A Woman” track. “From A Woman” lives on the 28-minute To Be Eaten Alive album.

Tasha K Denies Nicki Minaj “Put A Battery” In Her Back To Go After Cardi B

Latasha “Tasha K” Kebe has been caught in one of the most highly-publicized beefs in Hip Hop history. The controversial YouTuber became a major character in the ongoing story of the battle between Cardi B and Nicki Minaj.

Tasha K made headlines once again this week when she went online to try to mediate her issues with Cardi B. The two women have been going back and forth on social media and in courtrooms for years. A jury ruled that Tasha must pay the “WAP” rapper nearly $4 million after losing a defamation lawsuit.

In addition, Tasha revealed that she spoke to Nicki Minaj about her longtime rival Cardi B on more than one occasion. According to the internet blogger, Minaj asked her to sign a non-disclosure agreement (NDA) that would prevent their conversations from becoming public.

“The reason that I didn’t sign the NDA that she wanted me to sign was because I said, ‘If I sign an NDA for you, and this is before me and Cardi went to trial, if I sign this lifelong-type, till death do us part, even after life NDA, I might as well not go to court with Cardi,” said Tasha K in a video posted to her YouTube channel.

Tasha K Claims Her Content Had A Lot Of People Nervous In 2018

That NDA revelation from Tasha K spread across the internet. Bloggers and social media users weighed in on Nicki Minaj allegedly wanting the celebrity news gossiper to remain silent about any discussions they had.

Fellow YouTuber Couture Bae spoke to Tasha about some of the topics addressed in her viral “It’s just me…” video, including the NDA allegations. The often problematic internet personality insisted she did not intend to throw Minaj under the bus.

“If it came out in a messy way, that’s not what I meant at all because me and Nicki have talked a lot over the years and there’s a lot of stuff that people don’t know that was happening to her behind the scenes,” Tasha K explained.

“But with the NDA part, I felt the need to, now that I think about it, bring it up because I needed the world to understand that the way I moved in 2018, everybody was nervous,” the UnwineWithTashaK host told Couture Bae.

Tasha also added, “The NDA part, I brought it up because I know people thought Nicki put a battery in my back… She did not put a battery in my back at all. That NDA, when I shared it, I was under the impression that people would have got that if I shared this they would have saw that she had nothing to do with my dealings with someone who happened to be her opp.”

Nick Cannon To Host “Future Superstars” Docuseries Starring Symba, Hitman Holla & More

The VH1 network and Nick Cannon’s Ncredible Entertainment will present a new docuseries titled Nick Cannon Presents: Future Superstars. The show will highlight nine emerging artists.

“VH1 has a legacy of celebrating the magic of music and the brilliance of artists, from established icons to rising stars,” said Tiffany Lea Williams, Executive Vice President, of Unscripted Programming and Development of BET Media Group.

Tiffany Lea Williams continued, “Now, with Nick Cannon Presents: Future Superstars, we’re about to add a thrilling new chapter to that tradition and introduce you to a new wave of musical talent.”

Future Superstars will feature Big Boss Vette, DW Flame, Hitman Holla, JD McCrary, Jilly, Klondike Blonde, Pop Money, Symba and Trae Two Three. Each half-hour episode showcases the artists’ skills and personal lives.

“I have created a platform for the next generation of superstars,” said Nick Cannon. “Within this docuseries, you go on a journey with each artist as they are given the superstar starter kit with everything from artist development, publicity, touring, and mentorship to succeed in the competitive music industry.”

The show business veteran also added, “You get to see the raw behind-the-scenes footage of what it takes to be a star. I am excited to have VH1 as a partner because they have always been one of the curators of the culture.”

Nick Cannon has served as a host for television programs such as Wild ‘n Out, America’s Got Talent, and The Masked Singer. The actor/musician also led his own self-titled daytime talk show for one season. Nick Cannon Presents: Future Superstars premieres Tuesday, November 2 at 9 pm ET/PT on VH1.

Killer Mike Reacts To Old Promotional Video With Accused Scammer Cesar Pina

It appears a social media user attempted to connect Atlanta rapper/entrepreneur Killer Mike to the ongoing legal drama involving DJ Envy and Cesar Pina.

On October 1, federal officials arrested self-described real estate expert Cesar Pina on one count of wire fraud. Pina worked extensively with The Breakfast Club host DJ Envy to present seminars across the country.

DJ Envy also promoted Cesar Pina on his show and on social media. Several alleged victims of what the feds called a “Ponzi-like” scheme also sued the two men in civil court. Pina allegedly scammed people out of millions of dollars.

This week saw the @KDotTKL account on X share an old video of Killer Mike with Cesar Pina. In the clip, Mike says, “I have highjacked and kidnapped DJ Envy. Don’t worry he’ll be back. But I’m with my man Cesar right now.”

That 48-second video has more than 3 million views on the X platform. Several hours after the post spread on the app, Killer Mike responded to the speculation that he may have had financial dealings with Cesar Pina in the past.

“A mutual friend told me I should meet him so I did 🤷🏿‍♂️… We did no business, I never endorsed him and if [you] watch the video I just looked at some s### he showed me and got outta there,” posted Killer Mike on Thursday.

Neither Killer Mike nor DJ Envy have been officially charged with any crimes in connection to the Cesar Pina investigation. Envy maintains he was victimized by Pina too and his lawyer suggested the media personality is working with the prosecution. If convicted of wire fraud, Pina faces up to 20 years in prison and a $250,000 fine.

Digga D, Unknown T Remix U.K. Rap Classic On New Single “Adolescence” 

Two U.K. Drill stars who once shared a cell behind bars have joined forces with a fresh twist on a classic track from South London legend Giggs on their new single, “Adolescence.”  

The London-based duo, who became friends while serving time, have delivered their spin on the 2007 underground classic, “Pain Is The Essence” by Giggs and Dubz. The track became an anthem in the U.K., with numerous rappers citing the song or making their own covers.  

Unknown T and Digga D pay homage to the song, which features an introduction from Giggs. “We’re taking it from the older generation to the newer generation,” Hollowman declared, opening the track. Watch the video below.  

Unknown T, Digga D – Adolescence

Earlier this week, Digga D reflected on his rise in the industry after making U.K. rap history with his headline set at London’s iconic Royal Albert Hall, the youngest rapper to ever do so.  

“I’ve spent most my teenage years in jail or on tag,” the 23-year-old shared on his Instagram Story. “I used to do 24hr shifts and sleep in blocks.” 

Jail is where the duo first met back in 2019. Digga D was serving a 15-month prison sentence for conspiracy to commit violent disorder, and Unknown T was on remand for murder but was acquitted and released the following year.  

Although they were already rising stars of the U.K. drill scene, they ended up sharing a cell at Belmarsh Prison. “It all started from me rapping from my window to his window,” Unknown T said of his friendship with Digga D in a 2020 interview with Vice.  

They soon began “rapping back to back at lunchtime,” and doing sessions with prisoners before sharing a cell.  

“We started growing a closer relationship, on a brother ting,” he said, adding that they began making music. ” We made a lot of tunes still, but obviously that’s all due to come.”  

Chrisean Rock Explodes On Summer Walker Over Impersonation Video, Accuses Singer Of Being A Clout-Chasing Fan 

Chrisean Rock has slammed Summer Walker, accusing her of being a clout-chasing “goofy” over a viral TikTok video the singer made impersonating the reality TV starlet. 

The tension began when Walker shared a video mocking Rock’s Walmart controversy when she was filmed misusing her baby carrier. While she initially responded to the backlash by removing the TikTok and telling fans to get a sense of humor, the target of her jokes failed to see the funny side.  

The Baddies South star took to Instagram Live Thursday (October 26) to say she was “hurt” and “triggered” by the video. Chrisean Rock explained that Summer Walker could have used her “influence” to do “a positive thing.” She further accused Walker of mocking someone who “really got clout” and said she reached out to her behind the scenes.  

Nonetheless, things soon took a turn for the worse. Rock returned to social media a short time later, exposing their DMs while dragging Walker in another Instagram live video.  

She referred to the “Girls Need Love” hitmaker as the “b#### that joined the hate train,” before unloading.  

“I aint making no mockery of you having three f###### kids, no man and a f#####-up BBL,” she said. “Check your life before you start f###### playing with other people. Then y’all acting like I won’t beat the s### out of anybody that cross my path, Stop playing with me.” 

Rock then shared an alleged screen recording of their private messages and added a message to Walker. “I also handled the situation with grace” she wrote on the video.  But I just realized you a fan a goofy bih.”

However, Chrisean Rock has since deleted her post after receiving a text from an unidentified sender advising her to do so.  

Chris Brown Faces Lawsuit From British Man Claiming Singer Hit Him With Bottle And Stomped On Him 

Chris Brown is in legal hot water, facing a lawsuit from a British man who accused the singer of viciously attacking him in a London nightclub. 

The R&B singer was in London during his U.K. tour when a brawl reportedly broke out at The Tape Club in London’s Mayfair on February 19.

Producer Abe Diaw alleged Brown hit him with a bottle repeatedly in an unprovoked attack before stomping on him while he lay on the ground.  

In the lawsuit, Diaw claims Chris Brown began by pounding him in the head with a tequila bottle, per TMZ. The “crushing blow” caused him to lose consciousness. However, the alleged victim says the assault didn’t end there. Diaw claims Chris Brown then stomped on him as he lay on the floor.  

According to the filing, Diaw claims Brown inflicted serious injuries and he had to be hospitalized. Diaw says he suffered cuts to his head and torn ligaments in his leg.  

London police have surveillance footage of the entire incident, Diaw claims. He also claims to have known Chris Brown for at least seven years and can identify him in the video. According to the producer, Brown is considered a fugitive in the U.K. as a result of the alleged incident. 

Brown’s accuser says he mistakenly believed the singer was coming to hug him when he approached with the bottle. Diaw is suing Chris Brown for damages, claiming he’s suffering serious emotional distress, trauma and possible permanent injuries.  

Back in May, a source told The Sun: “Chris knows he will be arrested if he goes back to the U.K. but is still doing everything he can to avoid it.” 

Lil Uzi Vert Reveals They’re “Very Stressed” Says Relationship With JT “Isn’t In The Best Shape” 

Lil Uzi Vert is going through it, revealing that they’re very stressed and has been holding back their feelings. 

The “Just Wanna Rock” hitmaker took to Instagram on Thursday (October 27) to let fans in on their thoughts. Uzi revealed that their relationship with City Girls rapper JT “isn’t in the best shape,” and that they’re “distant” with everybody.  

While they failed to mention what prompted their posts, Uzi hits back at suggestions of attention-seeking before explaining what they’re going through mentally.  

“I’m very stressed out and done with so many voice’s controlling my life,” Uzi penned on their IG Stories. “It’s like I never lived for me.” They also said, “I would give up all the money and perks that this comes with 2 live a perfectly normal life,” adding, “I’m okay with it.” 

In another post, Uzi explains that they cannot “stop now” and must turn in one more album. “After that I finally can genuinely smile.” Uzi says they feel they were “getting Judged from day 1” but has never responded to negativity. However, they explain, “I have a [talent] but I also have a heart and have been holding in a lot.” 

The Philly rapper then detailed some of the issues they’ve kept to themselves.   

“Im not as close to my family as I should be. My relationship isn’t in the best shape,” Uzi stated before adding, “I JUST WANNA BREATHE.”  

In their last post, Uzi acknowledged the support they receive from fans, but signed off with “I’ve been distant from everyone lately even if they are standing right next to me.” 

Read Uzi’s posts in full below. 

Instagram/Lil Uzi Vert

Lil Uzi Vert Announces They Will Retire After Luv Is Rage 3 Tour

Meanwhile, earlier this week, Uzi announced their plans to hang up the mic after one more project.  

Luv Is Rage 3 will be my last album,” they told the crowd during a Pink Tape Tour performance in Chicago. They also promised one more tour before expressing their desire to “try to live a normal life.”  

MC David J Takes Us on a Thrilling Ride with His Latest Single “we gon ride” 

In the bustling world of hip-hop, artists are constantly striving to create unique and infectious sounds that resonate with listeners. MC David J, a talented rapper and producer hailing from Atlanta, Georgia, is doing just that with his latest single, “we gon ride.” With an energetic approach to his music and a passion for creating beats that make you move, MC David J is making waves in the music scene. 

MC David J is not your average hip-hop artist. He is a multi-talented musician who plays a variety of instruments, with the trumpet and guitar being his main passions. When he’s not in the studio crafting beats, you can find him lost in the beauty of nature, as Georgia is where he calls home. His journey as an artist is a testament to his dedication and love for the craft. 

MC David J’s latest release is part of his 5-track EP, “Cozy Nights in da A, Vol. 1.” This EP includes the standout track, “we gon ride,” which has been captivating fans with its high-energy vibes and lyrical prowess. 

Describing his sound to those who haven’t heard it before, MC David J paints a picture of energy and bass. His music is a blend of rap bars that make you want to jump up and down, and soothing lo-fi vibes that can fit any setting – whether you’re in the car, sleeping, working out, or just relaxing. It’s this versatility in his music that makes MC David J a standout artist. 

“we gon ride” is more than just a song; it’s a declaration of greatness and a source of inspiration. MC David J delivers a braggadocious message, highlighting his prowess in music production and his sheer enjoyment of the process. It’s a track that uplifts and motivates, encouraging listeners to keep pushing towards their own goals and be the best version of themselves. 

The music video for “we gon ride” was brought to life in the heart of Atlanta, Georgia, late at night. Collaborating with directors B.U.G Antman and 8eight, MC David J has crafted a visual experience that perfectly complements the energy of the song. From the creative minds behind the camera to MC David J’s dynamic presence in front of it, this music video promises to be an exciting ride for fans. 

As MC David J releases “we gon ride,” it’s clear that his passion for music, his unique sound, and his commitment to inspiring others make him an artist worth watching. If you’re ready for a hip-hop experience that’s high on energy and bass, don’t miss the thrilling journey with MC David J in “we gon ride.”

Jay-Z Admits Blue Ivy Didn’t Think He Was “Cool” 

Jay-Z has revealed Blue Ivy didn’t think he was a “cool” dad.

In a clip from his multi-part interview with Gayle King, the renowned rapper and record producer admitted that his eldest daughter used to question whether or not he was cool.

“Blue, she be frontin’ on me a little bit,” Jay said of the 11-year-old when Gayle asked if his children think he’s cool. “But I catch her. I catch her in the corner, you know? Now she asks me, you know, if this is cool if her sneakers (are cool).”

The 53-year-old added, “She’s come back.”

The Roc Nation founder explained that there had been a time when Blue was embarrassed by him.

“But there was a time where she was like, ‘Daaaad,'” he told the interviewer, doing an impression of his daughter while pretending to look embarrassed. “I’m like, ‘I’m cool. I don’t know what you sayin. At your house, your parents is cool.”

Jay-Z shares Blue and six-year-old twins Rumi and Sir with music icon Beyoncé.

Blue made headlines earlier this year after she joined the “Renaissance” tour as one of her mother’s dancers. The young performer showcased advanced choreography to her mom’s#### song, “My Power,” which quickly went viral and even started a dance trend on social media.

The rapper’s full interview with Gayle will be available to watch on Friday on CBS Mornings.

Takeoff Murder Case: Alleged Killer’s Lawyer Casts Doubt On Evidence In Deadly Shooting

Letitia Quinones-Hollins, the attorney for Takeoff’s alleged killer Patrick Xavier Clark, claimed the ballistics and video used to arrest her client won’t hold up at trial. The lawyer told Rolling Stone the evidence failed to prove Clark fired the fatal shot beyond a reasonable doubt.

“[Clark] maintains his innocence,” Quinones-Hollins said. “We do believe that he has a valid self-defense claim. I don’t think they can say with any degree of certainty that it was Patrick who actually fired the shot that took Takeoff’s life.”

She added, “There was someone else who started the shooting, it was not Patrick Clark. He was in the same position that Takeoff was in, he was trying to get out of there alive as well. He didn’t have anything to do with the argument that occurred. He just happened to be in the wrong place at the wrong time when people started firing weapons.”

Takeoff was shot and killed outside a Houston bowling alley in November 2022. Clark was arrested for the shooting a month later. A grand jury indicted Clark for murder in May 2023.

Clark remains on house arrest while awaiting trial. He appeared in court on Thursday (October 26). His next court date is scheduled for January 23, 2024.

Ja Rules Rolls Eyes At “Troll” 50 Cent; Defends Crucifixion Stunt

Ja Rule dismissed 50 Cent’s trolling in a conversation with Page Six. The former Murder Inc. artist was asked about comments made by 50 Cent, who mocked his longtime foe for staging a crucifixion at the 2023 BMI R&B/Hip Hop Awards.

“He is just a clown, a troll,” Ja Rule said.

Ja Rule rapped while tied to a stake at the awards show in September. 50 Cent called the performance “stupid” in an Instagram post.

“Look at this s### head, is he supposed to be Jesus,” 50 Cent wrote. “WTF you can’t make this s### up.”

Ja Rule defended his performance in his chat with Page Six at the Pencils of Promise gala. The rapper emphasized he was on a stake, not a cross.

“I feel like I’ve sacrificed a lot in this industry,” he said. “Not nothing in the realm of Jesus Christ, don’t get me wrong. What people fail to realize is they act like Jesus was the only one up there, and they were many men being crucified at that moment, too … They just so happen to be criminals. Maybe I am not mocking Jesus, maybe I am one of the criminals.”

View footage of the performance below.

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Lil Kim’s Bodyguard Gets A Year In Dubai Slammer For Protecting Trey Songz

Lil Kim’s bodyguard Cornell Whitfield received a one-year prison sentence for an alleged assault in Dubai. Whitfield was accused of slapping a man at the FIVE Palm Jumeirah hotel in March.

The 40-year-old bodyguard intervened when a drunk man confronted Trey Songz on their way out of the hotel in Dubai. Whitfield claimed he acted in self-defense, protecting Trey Songz from a man acting in a threatening manner.

According to the advocacy group Detained in Dubai, the alleged victim wanted $60,000 to drop his assault claims. Lil Kim’s bodyguard did not have the money to pay the man. Whitfield assumed he would be acquitted of criminal charges, but he was arrested when he returned to Dubai in August.

Whitfield’s family said security footage and witnesses confirmed he was simply doing his job. Detained in Dubai CEO Radha Stirling advocated for his release.

“We hope the police and judges will review the CCTV evidence and witness statements, understand that Whitfield was defending his client and allow him to travel home without incarceration,” Stirling said. “Until then, we recommend celebrities call out Dubai for these repeated cases of injustice.”

Stirling spoke with Whitfield, who said Lil Kim was “devastated” over his legal troubles. The bodyguard told Stirling the U.S. Embassy offered him no help.

Gunplay Thrown In Jail For Trying To Visit Estranged Wife Despite Restraining Order

Gunplay was arrested for allegedly violating a restraining order in Florida on Wednesday (October 25). According to TMZ, Miami-Dade County Sheriff’s deputies apprehended him outside of his estranged wife Vonshae Taylor-Morales’ home. He will reportedly remain in jail until his November 7 court date.

Earlier this year, Taylor-Morales obtained a restraining order against Gunplay after he was arrested for domestic violence and child abuse. The Florida Department of Corrections discovered the rapper was near his wife’s home thanks to his GPS ankle monitor. Authorities picked him up before he encountered Taylor-Morales or their infant daughter.

Gunplay is not allowed within 500 feet of Taylor-Morales. He allegedly violated the restraining order multiple times before his October arrest.

Taylor-Morales filed for divorce following her husband’s August arrest. He was charged with aggravated battery with a deadly weapon, false imprisonment and child abuse. A Florida court granted her sole custody of their child.

Gunplay, whose real name is Richard Morales, can only see his daughter via virtual visits. His visits must be monitored by the court.

Taylor-Morales is seeking child support from Gunplay. She also blamed his drug use for their daughter’s heart defect. Taylor-Morales claimed her husband overdosed on ketamine twice in addition to his abuse of cocaine.

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Hip Hop Executive Ventures into Tech Innovation and Entrepreneurship: Stephen Byrd’s Quest to Develop the Ultimate AI Voice Search-Activated App

Stephen Byrd stands out as a notable figure in both the realms of Hip Hop and Business. Initially establishing himself as a hip-hop executive, this serial entrepreneur successfully ventured into various facets of the entertainment industry, including producing his show and collaborating with Starz Entertainment with a television series named Hip Hop Raw & UnCut Concert Series. Recently, he clinched a significant deal with MVD Entertainment Group.

However, his journey extends far beyond his achievements in entertainment, with a keen interest in technology driving him to pioneer mobile live streaming two years before Twitter, Facebook, and other platforms adopted the technology. Presently, he’s returned to the tech world with a renewed focus on artificial intelligence and voice assistant devices.

Byrd’s Early Success in Music

Stephen’s lifelong passion for hip-hop and entertainment drove his entrepreneurial pursuits. As the music industry rapidly shifted towards digitalization, he recognized the impending obsolescence of physical media distribution. “I foresaw early on that we wouldn’t be stocking movies and CDs in stores,” Stephen explains. In response, he was determined to create a platform that allowed artists to publish and sell their music without relying on middleman services.

His extensive experience in the music industry provided a smooth transition into the world of technological entrepreneurship. Whether it was establishing his own record label, Byrd Records, in partnership with Universal Music Group-Fontana, launching the Starz Entertainment series “Hip Hop Raw and Uncut Concert Series,” securing a branding deal with MVD Entertainment Group, or pioneering the first live streaming platform for artists, Byrd consistently championed promotion and disruption.

Using AI And Voice To

Disrupt Digital Advertising 

Over the past twelve years, Stephen has shifted his focus towards technology development. With a specific emphasis on artificial intelligence and voice recognition, he identified a gap in the market—real-time business offers tailored to specific industries were lacking. This gap led to the creation of VoiceeAds, a revolutionary platform enabling real-time offers and deals through voice-activated searches. For Stephen, the concept is simple; this software seamlessly combines convenience and practicality.

In a recent press release for Yahoo Finance, Byrd said this “People don’t want to be tethered to their screens; they want the freedom to stay on the move, access information effortlessly, and place orders seamlessly.” While awaiting the final patent approval, Stephen’s voice assistant app is already available and has garnered significant attention from the newspaper and magazine industry for helping with a new and innovative way for readers and advertisers through voice to get news, stories and advertisements. Acquisition offers on the horizon as well.

For consumers, it’s the ideal solution for obtaining instant information on their preferred topics through voice assistants. For businesses, it’s the perfect opportunity to present their products and offers to potential customers ready to make a purchase, whether it’s a sports ticket, a meal, or their favorite team’s jersey.

To learn more about Stephen Byrd’s remarkable journey in making real-time deals accessible through voice-activated artificial intelligence, visit his website “Just Go Live Ai VoiceeAds Search Assistant Marketing” for additional information.

The 10 Best Hip-Hop Music Videos

A well-e­xecuted video can e­levate a simple song to a visually captivating experience, captivating vie­wers and leaving them e­ager for more.

These are some of the best hip-hop music videos of all time.

10. Mo Money Mo Problems

The song, fe­atured on Notorious B.I.G’s second and final album Life Afte­r Death, is called ‘Mo Money Mo Proble­ms’. It includes collaborations with Puff Daddy and Ma$e and prominently sample­s Diana Ross’s 1980 track ‘I’m Coming Out.

The song talks about online casinos and casinos in general and how money and success can lead to problems. At the time of its release, the song topped the Billboard Hot 100 for two weeks and is considered one of the biggest songs in hip-hop history.

It’s a classic hip-hop song that is still relevant today and certainly deserves to be on any hip-hop Playlist. 

9. This is America 

Childish Gambino’s music video for this song was re­leased to widespre­ad acclaim and quickly became a viral sensation. It re­mains one of the most iconic and widely discusse­d music videos to date.

It uses a lot of symbolism to signify different opinions on important issues to stir up meaningful discourse. The artist is seen in many violent scenarios dealing with police brutality and racism while dancing awkwardly to show the state of American society.

The vide­o took everyone by surprise­ with its unexpected and controve­rsial nature, but it is undeniably one of the­ standout music videos of the 2010s.

Source: BBC

8. Not Tonight (Ladies Night Remix)

This eve­nt elevated the­ concept of a girls’ night out to extraordinary heights. It was a production with ample­ resources, showcasing awe-inspiring se­ttings and captivating lyrics that appealed to the audience. The lineup included some of the most prominent female artists of the 1990s like Lil Kim, Missy Elliot, Le­ft Eye, Angie Martinez, and Da Brat. Additionally, notable­ figures in the Ninetie­s entertainment sce­ne like Xcape, Mary J. Blige­, Queen Latifah, actress Maia Campbe­ll, and Blaque made appearance­s in the music video.

The girls in the music video engage in various activities, creating a lively atmosphere that mirrors an actual party. The song itself is cente­red around celebrating women and their many achieveme­nts in an industry known for its competitiveness. It’s definitely a video worth watching.

7. Get Your Freak On

Missy Elliot gained acclaim for her captivating music videos that pushed boundaries. She was praised for her innovative, futuristic sound and me­ticulous attention to detail in her visual storyte­lling. This particular song is no exception, leaving a lasting impact on liste­ners.

The film features exciting cameos from popular artists such as Eve­, Ludacris, LL Cool J, and Busta Rhymes, making it a delightful watch.

6. Ready or Not

Ready or Not is a song from the Fugees second album The Score. It draws inspiration from Irish singer Enya and the Delfonics. Lauryn Hill still loves to perform this song whenever she goes on tour. 

Rele­ased in 1996, this song is renowned for being the first hip-hop video to exce­ed a million-dollar budget. The production required three full days of shooting, with its standout fe­ature being the captivating Y2K style­. Comprising Wyclef Jean, Lauryn Hill, and Pras Michel, The­ Fugees were­ revolutionary advocates fighting for justice.

They sang while navigating through motorbikes and military helicopters, creating an atmosphere reminisce­nt of an adventure film.

This song quickly became a hit in the United Kingdom and reached the top of the charts. It also achieved success internationally, reaching the top 10 in 15 different countries. Rolling Stone­ magazine recognizes it as one­ of the influential songs that shaped Rock music.

5. Moonlight

Jay-Z is known for his business acumen, creative mind, and thinking outside the box when it comes to his concepts for music videos and this was no exception. The song Moonlight is a reimagination of Friends featuring an all-black cast. It featured Issa Rae, Tiffany Haddish, Tessa Thompson, Lakeith Stanfield, Lil Rel Howery, and Jerrod Carmichael playing different members of the famous Friends cast. 

It plays with the view that Friends was a white version of a black sitcom Living Single that premiered in 1993 about a group of six friends living together in a Brooklyn townhouse. Moonlight is still regarded as one of Jay-Z’s most visually appealing music videos. 

Source: Esquire

4. Alright

“Alright” is a music video re­leased in 2015 featuring Ke­ndrick Lamar and directed by Colin Tilley and the­ Little Homies. The vide­o has a distinct visual style, shot entirely in black and white­, and includes powerful imagery and symbolic e­lements.

In this music video, Lamar channe­ls his frustration regarding the mistreatme­nt of Black Americans and police brutality. Despite­ the inclusion of intense sce­nes, the overall tone­ resonates with hope and positivity, signifying a glimpse­ of light amidst adversity.

3. Can’t Nobody Hold Me Down

Puff Daddy and Ma$e collaborate­d to create an iconic song that showcased the­ir talent. The music video accompanying the­ song was groundbreaking and pushed creative­ boundaries during the 90s. This single marke­d Diddy’s debut as a performer, and he­ went all out in creating a unique and me­morable video expe­rience.

With his luxurious Rolls Royce gliding through the­ desert and a dance in an e­thereal room reminisce­nt of an illuminated Gravitron, Diddy captivated audience­s. This song dominated the charts for an impressive­ 25 weeks upon its rele­ase in 1997, marking a remarkable start to Diddy’s care­er as a performer.

2. Drop It Like It’s Hot

In 2004, Snoop Dogg and Pharrell Williams collaborate­d on a song called “Drop It Like It’s Hot,” with music video dire­ction by veteran director Paul Hunte­r. The song quickly climbed the charts and re­ached number one on the­ Billboard Hot 100, where it remaine­d for three wee­ks. Billboard even recognize­d it as the most popular hip-hop song of the entire­ 2000s decade.

The vide­o was filmed using black and white visuals, featuring conve­rsations with Pharrell and Snoop about how the public perce­ives them and their life­styles.

1. The Rain (Supa Dupa Fly)

Missy Elliott’s creative­ genius in both her songs and music videos se­t her apart, establishing her as a star and one­ of the groundbreaking women shaping the­ future of the music industry.

Missy’s music video for The­ Rain showcased her signature cartoon-like­ visuals and avant-garde fashion choices. She proudly fe­atured her friends as vide­o vixens, demonstrating her acce­ptance and celebration of individuality.

The song was a re­bellious statement aime­d at the music industry, emphasizing that embracing one­’s true self will always be fashionable­, regardless of the time­ period.

MF DOOM Estate Sues Ex-Stones Throw Exec For Allegedly Stealing 31 Notebooks From Late MC

MF DOOM‘s widow, Jasmine Dumile Thompson, reportedly filed a lawsuit in federal court on Tuesday (October 22), claiming his former label collaborator, Eothen “Egon” Alapatt, stole 31 of the late MC’s notebooks. According to Billboard, the notebooks contained tracks from Operation Doomsday (1999), Madvillainy (2004) and MM…FOOD (2004) in addition to unreleased songs ideas, musings and “other creative ideations.”

Alapatt started working with MF DOOM when he was the GM and A&R at Stones Throw Records. He’s also Madlib’s former manager and founder of Now Again Records. Alapatt has admitted to having the notebooks in the past, but Dumile-Thompson says he refuses to return them. Instead, the docs allege Alapatt wants the notebooks to be “donated to a university or government archive” or a “museum or other institution of [Alapatt’s] choosing. [The notebooks] were intended by DOOM to be secret and confidential.”

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The notebooks inadvertently fell into Alapatt’s lap after MF DOOM traveled to the U.K. to perform in 2010 but was prohibited from returning to the U.S. due to immigration issues. The 31 notebooks of lyrical material were left behind in his Los Angeles studio and Alapatt “took unlawful possession” of the books about six years later, the lawsuit contends.

“Alapatt never consulted with DOOM about his acquisition of the notebooks and took advantage of DOOM’s being out the country to obtain them,” the lawsuit said. Alapatt allegedly lied to DOOM’s face about having them, but his landlord informed him that was untrue, so DOOM confronted Alapatt again.

Alapatt allegedly then told DOOM he was holding on to them because DOOM owed $12,500 in past-due rent, and Alapatt claims to have paid that rent on DOOM’s behalf. As a result, he allegedly said the physical notebooks themselves were legally his property. Dumile-Thompson suspects DOOM owed no additional rent, and Alapatt simply paid $12,500 to the landlord to buy the books.

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In 2020, Alapatt apparently offered to send MF DOOM and his family photocopies of the contents of the notebooks for the “sole purpose” of allowing DOOM access but wouldn’t return the books themselves—which MF DOOM refused. Right before his October 2020 death, Alapatt sent MF DOOM a hard drive with large format scans of every notebook he lost, all of which were time stamped between 2018 and March 2020. The lawsuit claims this is proof Alapatt was infringing on his estate’s intellectual property by creating and disseminating unlawful copies of DOOM’s lyrics.

Alapatt said he doesn’t “intend to publish” the unauthorized digital copies he made, he doesn’t have to “publish” the copies of his infringing copies to be found liable.” The complaint continues, “Regardless, [DOOM’s estate] alleges that Alapatt actually shared the copies of the notebook he made with others.”

Dumile-Thompson is intent on getting the notebooks returned to the family, the photo copies destroyed and “significant compensation” for the damage Alapatt has inflicted. In addition to copyright infringement, the lawsuit alleges “fraud, conversion, unjust enrichment, constructive trust and declaratory relief.” The estate is also requesting a jury trial.

What Musical Education Will Be Helpful for a Rap Career?

Embarking on a rap career is a journey rich with rhythm, rhymes, and realness. It’s an art form where words weave intricate patterns of storytelling, and beats build the foundation on which these tales stand. A solid musical education is the backbone of this craft, providing aspiring rappers with the knowledge and tools to hone their artistry.

Musical education unfurls a canvas where creativity meets technique, where raw passion intertwines with structured knowledge. Areas such as musical theory, rhythmic training, and vocal techniques become crucial threads in the fabric of a rap artist’s musical tapestry.

Understanding Musical Theory

Grasping the basics of music theory is akin to acquiring a map for the musical journey ahead. It illuminates the path, providing clarity on the intricacies of rhythm, harmony, and melody. For rap artists, it enriches the creative process, offering a structured approach to composing captivating musical pieces.

In the midst of mastering music theory, it might seem daunting to balance academics. Utilizing resources like ‘write my essay‘ essay writing service can be invaluable, allowing artists to devote time to honing their musical skills without compromise. Thus, music theory becomes a powerful ally in crafting compositions that resonate with depth and authenticity.

Rhythmic Training

Rhythm is the heartbeat of rap, a pulsating force that drives the flow of words and melodies. Rhythmic training nurtures this elemental aspect, refining an artist’s innate sense of timing and beat. Through dedicated practice and specific exercises, mastery over rhythm is cultivated, enhancing the dynamism of rap performances.

Engaging in rhythmic practices, like using a metronome or tapping to beats, solidifies one’s timing. This forms a solid foundation, allowing the essence of the rap—the words and the message—to unfold seamlessly, creating a powerful, rhythmic resonance in each performance.

Vocal Techniques and Health

Vocal prowess is an indispensable asset in a rapper’s toolkit. It’s not solely about the lyrics, but how those words are delivered, riding the rhythms with precision and impact. Learning vocal techniques can dramatically bolster one’s performance, enabling control, clarity, and adaptability in various rap styles.

Vocal health is equally crucial. A well-maintained voice ensures longevity and consistency in one’s rap career. Simple practices such as proper hydration, warm-ups, and rest play a significant role in preserving vocal quality. Investing time in these aspects enables rappers to deliver their messages powerfully and proficiently across diverse performances.

Songwriting and Composition

Crafting original songs is the soul of a rapper’s creative expression, like crafting original papers is essential for an essay service. It allows them to share unique stories and perspectives. It requires a fusion of imaginative lyricism and a keen understanding of song structures, cultivating a balanced blend of innovation and coherence.

Mastering the art of songwriting involves exploring various composition techniques, learning how to structure verses, hooks, and bridges to construct a compelling narrative. In rap, words wield power, and through education in songwriting and composition, artists learn to harness this power, creating songs that resonate with authenticity and emotional depth.

History of Rap and Hip-Hop

Immersing oneself in the history of rap and hip-hop is akin to exploring the roots of a mighty tree. Understanding the origins, evolution, and diverse styles of this genre bestows valuable insights, offering a rich reservoir of inspiration.

By studying the journey from its inception to contemporary variations, artists gain a deeper appreciation of the craft. Different styles and subgenres, each with unique rhythms, rhymes, and cultural imprints, unfold. This historical knowledge nurtures a well-rounded perspective, enabling artists to create music that respects tradition while embracing innovation and individuality.

Performance Skills

A magnetic stage presence is a vital aspect that transcends the boundaries of mere lyrical mastery in a rap career. Performing live, an artist breathes life into words, embodying the essence of each lyric and rhythm. It’s a space where connection with the audience is forged, turning mere words into memorable experiences.

Learning how to engage an audience, maneuver the stage, and convey confidence are essential skills to cultivate. These elements combined enhance the overall impact of a performance, ensuring that the message not only resonates audibly but also creates a vibrant, unforgettable atmosphere in each live show.

Navigating the rap industry demands a continuous learning approach, and studying current artists and trends is pivotal. By dissecting the strategies and styles of successful artists, there’s a wealth of knowledge to be gleaned, facilitating personal growth and innovation.

Analyzing trending sounds, lyrical approaches, and overall presentation grants clarity on what captivates contemporary audiences. This insight becomes a fountain of inspiration, aiding artists in crafting music that is both genuine and attuned to the evolving musical landscape. Such awareness fosters adaptability, ensuring that artists remain relevant and vibrant in their creative expressions.

Technology and Production Skills

In the realm of rap, technological adeptness is a powerful ally. A foundational understanding of production skills unlocks a world where creativity knows no bounds. Artists can transform raw musical ideas into polished pieces, having a command over various stages of music creation.

Knowledge of music software and equipment is instrumental in this journey. From beat-making to mixing, mastering the tools of the trade enhances artistic autonomy. It allows artists to experiment, innovate, and fine-tune their musical compositions, enriching the overall quality and originality of their rap creations. Thus, technological proficiency is a quintessential aspect of a thriving rap career.

Continuous Practice and Improvement

In a musical journey, stagnancy is not an ally, but continuous improvement is. Artists must immerse themselves in a cycle of learning and practice, ensuring their artistry evolves and stays vibrant. By doing so, one’s craft remains not just relevant but also progressive and dynamic.

Sometimes, it might be beneficial to clear space for focused musical growth. Using resources like the best paper writing service can help manage academic pressures, allowing more freedom to hone musical skills. Thus, with a balanced approach and a commitment to constant growth, one navigates towards a fulfilling and successful career in rap.

Conclusion 

Pursuing a multifaceted musical education is a golden pathway to flourishing in a rap career. An expansive knowledge base, cultivated through diverse educational pursuits, acts as a sturdy foundation, supporting and nurturing your artistic journey. Education unravels the many dimensions of music, enabling artists to create with depth, authenticity, and innovation. Embrace learning as your steadfast companion in the quest to carve a meaningful and triumphant path in the rap industry.

Tupac Shakur’s Former Manager Reveals How He Was Discovered

The 1996 death of Tupac Shakur has captivated the Hip-Hop community since Keefe D’s arrest last month. Journalist Allison Kugel recently sat down with Shakur’s former manager, Leila Steinberg, who talked about what it was like to be the artist’s mentor and first manager. Steinberg seemed concerned about ensuring people don’t forget who Shakur was.

Steinburg met the “Dear Mama” MC when he would come to her now legendary Mic Sessions workshop in the Bay Area. She worked with the young artist, helping him get his presentation together for an audition in front of the late Shock G, hoping to be invited to join Digital Underground. The rest, as they say, is history.

“The reason 2Pac came about is because I kept saying, ‘Oh gosh, we need a rapper that is about social justice, that gets some of the same things [as me],’” Steinburg said in the interview. “I kept looking for someone that was kind of like me; someone who read like crazy and could tackle issues that we don’t talk about. Public Enemy was too radical. There were artists that were in hip hop that were using their voices, but they couldn’t penetrate the schools, because they were too extreme.”

She continued, “I was looking for somebody that could straddle these worlds like I could,. One day Luanda, who was one of our group members said there was a kid that just came from Baltimore, and that he was it. She’s the reason ‘Pac came to the group. He had lots of poems. Poems, lyrics… and from the first poem, I knew.”

Another person keeping Shakur’s memory alive is his godfather, Jamal Joseph.

On November 3, the filmmaker will join music journalist Nicole Duncan-Smith and director Lauren Lazin in a celebration of the 20th Anniversary of the TUPAC: RESURRECTION documentary at the Brooklyn Academy of Music at  Peter Jay Sharp Building BAM Rose Cinemas.

The film is being shown as a part of the “Let The Record Show: Archived Cinema” film series curated by Jessica Greene. The night will be a community effort as the Brooklyn Alumnae Chapter of Delta Sigma Theta Sorority, Inc. has sponsored approximately 30 young people from Usher’s New Look to experience the great poet in his own words. Tickets are on sale here.